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The 1940 novel The Heart Is a Lonely Hunter established 23-year-old Carson McCullers as a talented new voice who conveyed through her characters the pain and loneliness of outsiders, misfits and oddballs seeking to be loved. Over the next 11 years, McCullers published two novels, a novella and collection of stories set in small Southern towns. When she died at 50, she left behind this small but powerful body of work and a record of what she once called her “sad, happy life.” 

In her absorbing new biography, Carson McCullers: A Life, Mary V. Dearborn draws deeply on letters, the author’s unfinished autobiography and newly available archival materials, painting a colorful and finely detailed portrait of McCullers’ public and private lives. Born in 1917 in Columbus, Georgia, Lula Carson Smith grew up in a family she described as well-off, though not rich. As a child, McCullers and her mother recognized her many talents. “Marked out as special,” Dearborn writes, she “felt herself somehow outside the sphere of normal childhood,” a state McCullers would express in one of her earliest stories, “Wunderkind.” 

McCullers was studying writing at New York University when she met Reeves McCullers in 1935. The two found an immediate attraction and soon married. Carson was bound and determined to become a writer, and Reeves believed she was destined for great things. But the marriage was always troubled, with the couple separating, remarrying and separating again, until Reeves died by suicide in 1953. Unlike Virginia Spencer Carr’s 1975 biography The Lonely Hunter—written without access to McCullers’ now-available letters and archives—Dearborn offers a candid and complex portrait of the author’s lifelong love and pursuit of women, especially older, more worldly women, documenting many of her relationships for the first time.

Dearborn, who has authored the biographies of Ernest Hemingway and Henry Miller, among other writers, captures the way that McCullers alienated many artists—Eudora Welty called her “that little wretch Carson”—as well as the ways that others such as W.H. Auden, Truman Capote and Tennessee Williams championed her. In the end, Dearborn notes, “We read Carson’s work today because she taps into the universal sense that we are not understood, not loved for ourselves. Carson provides confirmation that our common search means we are less alone.” 

Dearborn weaves careful critical readings of McCullers’ writings with detailed descriptions of the author’s life, producing an exemplary critical biography of one of our greatest writers. 

The absorbing Carson McCullers is the first to paint a full portrait of the author, showing acclaimed biographer Mary V. Dearborn at the height of her powers.
STARRED REVIEW
February 9, 2024

Lift every voice

Black history month offers fresh looks at freedom fighters John Lewis, Harriet Tubman and Medgar and Myrlie Evers.
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Book jacket image for Combee by Edda L. Fields-Black

Combee

Edda L. Fields-Black’s revelatory Combee narrates the 1863 Combahee River Raid, in which Harriet Tubman led Black soldiers to liberate more than 700 enslaved people.
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medgar&myrlie

Medgar and Myrlie

Page by page, Joy-Ann Reid’s Medgar and Myrlie paints unforgettable portraits of Medgar and Myrlie Evers, two American heroes who faced American racism with unimaginable ...
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johnlewis

John Lewis

Raymond Arsenault’s mesmerizing biography of John Lewis chronicles the life of the Civil Rights icon and congressman whose vision of a just and equitable society ...
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Black history month offers fresh looks at freedom fighters John Lewis, Harriet Tubman and Medgar and Myrlie Evers.
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You might believe that the golden age of exploration is far behind us. Editor Jeff Wilser’s The Explorers Club: A Visual Journey Through the Past, Present, and Future of Exploration proves otherwise, revealing that we are in a tremendously exciting new era of discovery. The titular club is an actual New York City-based organization that defines exploration as “curiosity acted upon.” Among its 3,400-strong ranks are some of the world’s most intrepid and determined individuals, and Wilser offers a visually stunning front-row seat to club members’ game-changing explorations past and present. There’s storyteller Asha Stuart, looking at how the Himba people of Namibia are being affected by climate change, and Justin Dunnavant, who dives to explore sunken slave ships. Marine biologist Margaret O’Leary Amsler has revealed secrets of Antarctic krill, and astronaut Ed Lu deflects potentially dangerous asteroids. Today’s explorers both build and provide a needed corrective to the work of those who came before: Their missions ward off environmental devastation, increase conservation and alter perspectives for the better. Armchair explorers, or anyone with a curious mind, will be sucked right into the incredible stories gathered here. 

Jeff Wilser’s stunning The Explorers Club showcases some of today’s tremendously exciting scientific expeditions.

When 44-year-old Sergei Rachmaninoff packed a single bag and boarded a tram in November 1917, he “was aware that I was leaving Moscow, my real home, for a very, very long time . . . perhaps forever.” 

Vladimir Lenin toppled Czar Nicholas II earlier that year, hastening a revolution that overturned the social class structure. Wealthy landowners were under threat. Some supporters of the czar left behind their estates, fleeing elsewhere in Europe or to the United States. As a member of the social elite, Rachmaninoff was among those who chose exile. 

In Goodbye Russia: Rachmaninoff in Exile, Fiona Maddocks, the classical music critic at The Observer, draws on archival materials including newly translated ones, as she paints a riveting portrait of the Russian composer’s struggles to adapt to a new life outside his beloved homeland.

In the U.S., he would move among other groups of Russian emigrés and establish friendships with stars such as Walt Disney and Charlie Chaplin, but his deep longing for his country estate and for his life in old Russia weighed heavily on him. While he reinvented himself as a virtuoso pianist, he composed very little, and he rejected modernist music and its cacophonous sonic structures that reminded him of the upheaval of the Revolution. Some friends even reported that they never saw him laugh. 

Rachmaninoff, writes Maddocks, felt like a “ghost wandering in a world made alien,” longing always for his Russian homeland. In 1940, three years before his death, he composed his “Symphonic Dances,” a haunting melodic orchestral suite dedicated to Russia. Maddocks provides illuminating glimpses of Rachmaninoff’s rigorous preparations for his performances, and his insistence on “dismantling every work he played in order to understand it, and then to reassemble it in performance.” 

A fan’s affectionate ode to Rachmaninoff, Goodbye Russia provides a spirited tour through the evolution of his music while he was in exile, as well as a glimpse of the cultural history of classical music in the early to mid-20th century in the U.S.

In Goodbye Russia, Fiona Maddocks paints a riveting portrait of Rachmaninoff’s struggles to adapt to a new life outside his beloved homeland.
STARRED REVIEW

Our Top 10 books of December 2023

This month’s top titles include a chilling historical mystery from Ariel Lawhon and a ripsnorting true crime collection from Douglas Preston.
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Book jacket image for The Ferris Wheel by Tu¨lin Kozikoglu

A beautifully profound yet subtle story about refugees and global connection, The Ferris Wheel engages its text and illustrations in conversation, capturing the essence of

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Book jacket image for Gwen & Art Are Not in Love by Lex Croucher

Lex Croucher offers readers a quirky, queer Arthurian remix in which lighthearted, entertaining banter alternates with political machinations and intense battlefield scenes.

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Book jacket image for Happy by Celina Baljeet Basra

Happy’s unexpected climax is handled so masterfully that it seems, in retrospect, inevitable. The humanity underpinning this story will speak to anyone with a heart

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Book jacket image for The Frozen River by Ariel Lawhon

Atmospheric, unique and elegantly written, The Frozen River will satisfy mystery lovers and historical fiction enthusiasts alike.

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Book jacket image for The Other Half by Charlotte Vassell

Charlotte Vassell’s blisteringly funny The Other Half is a murder mystery written a la Kingsley Amis.

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Book jacket image for Here in the Dark by Alexis Soloski

Theater critic Alexis Soloski’s debut thriller, Here in the Dark, is flawless from curtain up to curtain call.

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Book jacket image for Chasing Bright Medusas by Benjamin Taylor

Chasing Bright Medusas is an inspired biography of Willa Cather’s life and work that conveys the author’s complexity with affection and admiration.

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Book jacket image for Sonic Life by Thurston Moore

Thurston Moore’s long-awaited memoir offers a prismatic view on the sonic democracy that was Sonic Youth.

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Book jacket image for Gator Country by Rebecca Renner

Rebecca Renner’s Gator Country follows an undercover mission to expose alligator poachers in the Everglades, revealing the scraggly splendor of the region’s inhabitants.

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Book jacket image for The Lost Tomb by Douglas Preston

A haunting compendium of Douglas Preston’s true crime tales, The Lost Tomb delves into the shadowy uncertainty cloaking things that resist being brought to light.

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This month’s top titles include a chilling historical mystery from Ariel Lawhon and a ripsnorting true crime collection from Douglas Preston.
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STARRED REVIEW

December 9, 2023

Poppin’, rockin’ reads for the music lovers in your life

Get cozy with Bob Dylan, Thurston Moore, Madonna and George Harrison in biographies that reveal the men and women behind the music.

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Book jacket image for Sonic Life by Thurston Moore
Memoir

Sonic Life

Thurston Moore’s long-awaited memoir offers a prismatic view on the sonic democracy that was Sonic Youth.

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Book jacket image for Madonna by
Biography

Madonna

Mary Gabriel’s vivid, memorable biography of Madonna takes a fresh look at a true icon of our time.

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Book jacket image for George Harrison by Philip Norman
Biography

George Harrison

Philip Norman’s new biography George Harrison: The Reluctant Beatle only adds to the case that George was lowkey the best Beatle.

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Recent Features

Get cozy with Bob Dylan, Thurston Moore, Madonna and George Harrison in biographies that reveal the men and women behind the music.
Review by

At age 65, she is still one of the most recognizable women in America, making news with every appearance and regularly posting to her 19.1 million Instagram followers. But Madonna in the 1980s and 1990s? It’s impossible to describe how thoroughly she dominated pop culture: groundbreaking videos like the sleek black-and-white “Vogue” and the gorgeously provocative “Like a Prayer”; the “Like a Virgin” wedding cake performance at the inaugural MTV Video Music Awards; the infamous coffee table book, Sex.

In this vivid and memorable biography, journalist Mary Gabriel draws on previous interviews and reporting to paint a satisfyingly full picture of the life of Madonna Louise Ciccone. Born in 1958 to devout Catholic parents in Michigan, Madonna’s earliest years were spent in a boisterous and loving family. But her mother died of breast cancer when Madonna was only 5, and her remaining childhood was marked by deep sadness and chaos. Madonna escaped through performance—she was a serious dancer and immersed herself in the Detroit music scene.

She chased her dreams to New York City, living in apartments crawling with roaches and working dead-end jobs while pursuing music and acting. Gabriel brings 1980s New York to life: the gritty city where young talents went to find fame, and where gay men (including many of Madonna’s dear friends) were getting sick and dying of a mysterious new disease. The biography deftly sets Madonna’s story against the backdrop of the times, reflecting on how her art was influenced by religion, race, sex and women’s rights.

The artist is such a provocateur that her philanthropic work has sometimes been overshadowed. Gabriel provides a reminder of Madonna’s efforts to raise money for AIDS research and other causes. While Madonna: A Rebel Life can occasionally smack of research paper (it is chock-full of footnotes), it is still a thoroughly entertaining and deeply nostalgic look at one of the true icons of our time. Gabriel manages to tell a fresh story, even with a subject as scrutinized as Madonna. As the star once said, “There’s a lot more to me than can possibly be perceived in the beginning.”

Mary Gabriel’s vivid, memorable biography of Madonna takes a fresh look at a true icon of our time.
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There’s a subcategory of hardcore Beatles fans who, unprompted, will ardently opine that George Harrison—the humble writer of classics like “Here Comes the Sun” and “While My Guitar Gently Weeps”—is in fact the best Beatle. Forget the saccharine songwriting of Paul, whose hubris was what ultimately led the group to implode, and heady John who left Earth’s orbit, taking only Yoko with him. And, um . . . Ringo who? It’s George, they argue, and you can look no further than Philip Norman’s new biography George Harrison: The Reluctant Beatle for all the proof you need.

In Norman’s biography, these George-heads can get a full serving of Beatlemania through the specific lens of the group’s youngest member, though the book will undoubtedly be of interest to all Beatles fans. Because of Harrison’s unique position as the poorest and youngest of the group, the entire dynamic of The Beatles is on full display in these career-spanning chapters, showing how class, religion and maturity played a role in the functioning of the band both when they were together and long after they broke up.

Norman underscores the emotion and intensity of Harrison’s life, as the Beatle moved from a young rebel without a cause into a pious guitar guru. Norman highlights Harrison’s distinctly well-adapted family, who, despite having limited resources, nurtured Harrison into a passionate creative. In his school days, we see Harrison wriggle free of draconian English expectations and meet his soon-to-be bandmates who are both impressed by his precociousness and turned off by his inexperience. Eventually, Harrison becomes so talented at playing songs by ear, replicating the solos of Buddy Holly note for note, that the others have to let him join. From there, the group slowly ascends, working grueling yet colorful days in Germany, and shoots into stardom all at once.

Norman layers the story with fascinating and intimate details about The Beatles’ complex relationships. John and Ringo, for example, were on vacation during Harrison’s wedding, which the groom apparently brushed off with a laugh. And, “have a laugh,” in the band’s joking vernacular, meant smoking marijuana, which they did frequently after Bob Dylan famously introduced them to it. With these anecdotes and many more, any Beatles fan will be enthralled page after page.

Philip Norman’s new biography George Harrison: The Reluctant Beatle only adds to the case that George was lowkey the best Beatle.
Review by

It is often said that novelists find their best material in their own childhoods. In Chasing Bright Medusas: A Life of Willa Cather, Benjamin Taylor convincingly argues that for Cather, this supposition is the key to fully appreciating her work. 

Taylor, an award-winning memoirist, novelist and biographer, freely admits his great affection and admiration for Cather and her writing. In this relatively short but well-researched biography, he conveys Cather’s complexity, her strengths and her frailties: headstrong and independent, but also easily hurt by a negative review; ruthlessly honest in her writing, but unable (or unwilling) to come to terms with her own sexuality and her love for Isabelle McClung Hamburg; clinging to her values and idealism, but also aware that humans are frail vessels. Many of Cather’s letters have recently come to light, and Taylor uses them sensitively and effectively to tell her story. The letters humanize her, revealing a woman of tremendous genius and touching vulnerability. 

Taylor is at his most convincing when he links Cather’s literary works—from her first articles to her final story—to her life. Very few authors have embedded their past so seamlessly and beautifully into their works as Willa Cather. Taylor draws direct lines between episodes in O Pioneers! and My &Aacutentonia to Cather’s childhood in Red Cloud, Nebraska. But he also shows how even her later, less obviously autobiographical works, such as The Professor’s House and Death Comes for the Archbishop, are imbued with the experiences, observations and values she acquired over her lifetime. Taylor demonstrates that her books and stories are as much the product of the young Willa who moved from Winchester, Virginia, to Red Cloud at age 6 as they are of the 49-year-old novelist at the height of her powers. 

Not only is it a true delight to read these selections of Cather’s beautiful descriptions and wry observations of human nature, but her words seem to have truly inspired Taylor. His interpretations of the interplay of memory and description in Cather’s work are some of the most lyrical and moving passages in this highly polished and heartfelt book. 

Chasing Bright Medusas is an inspired biography of Willa Cather’s life and work that conveys the author’s complexity with affection and admiration.
Review by

Bob Dylan is an artist of many faces: poet, folk hero, rock genius, visual artist, writer, welder, songsmith, Nobel Prize winner. He is, perhaps, what we project onto him of ourselves and our world. Bob Dylan: Mixing Up the Medicine is a 605-page immaculately designed compendium that seemingly encompasses all possible sides of the legend. The book expands on the inaugural exhibits at the Bob Dylan Center in Tulsa, Oklahoma, which opened in 2022 and houses the complete Dylan archives. If you can’t get to Tulsa, Mixing Up the Medicine is the next best thing.

If you are expecting beautiful photos, art and memorabilia, you’ll find those here. If you want to read personal correspondence from Johnny Cash, Joan Baez, Jack White and other luminaries, look no further. And if you’d like to attempt to decipher Dylan’s chicken-scratch handwriting, you have your work cut out for you. But what sets Mixing Up the Medicine apart from other books of its type is the writing. Authors, artists and musicians visited the Tusla archive and were asked to choose a single item that “enticed, beguiled, stirred, perplexed, or galvanized them,” and then write an essay about it.

Sonic Youth guitarist Lee Ranaldo selects a painting of the first record that Dylan—as 15-year-old Robert Zimmerman—recorded, a breathless cascade of radio hits tracked in a music shop’s recording booth with two friends for $5. Ranaldo imagines that evening in the songwriter’s youth with aching specificity. Poet Gregory Pardlo uses a letter written to Dylan by Black Panther Party leader Huey P. Newton to explore Dylan’s relationship with Black activists and artists. Poet Laureate Joy Harjo chooses the Japanese album cover of Blood on the Tracks, lyrically riffing on “Tangled Up in Blue.” Author Tom Piazza takes inspiration from a typewritten draft of “Bob Dylan’s 115th Dream” to pen a short play about a self-serious scholar who seeks the input of an exhausted, half-mad Dylanologist. And there’s more.

In the epilogue, Douglas Brinkley writes, “Dylan is an experience more like a meteorite than a mummified artifact of scholarly pursuit.” Mixing Up the Medicine, with all its heft and weight, keeps the man in motion—dazzling, beguiling and multidimensional. For Dylan acolytes, the joy of this tome is in combing its pages for the people we once were—our own changing faces, and those we will become.

Bob Dylan: Mixing Up the Medicine keeps the legendary artist in motion—dazzling, beguiling and multidimensional.
Review by

Albert Einstein is the best known scientist of the 20th century. As Samuel Graydon explains in his insightful Einstein in Time and Space: A Life in 99 Particles, “Einstein’s fame can get in the way of an objective assessment of his life . . . so it’s easy to fail to see what an astounding life Einstein did actually live.” The author describes his book as “a mosaic biography.” Through it, we see Einstein’s complex personal life and intense public life within the context of his times.

Graydon writes that “Einstein’s finest work was all produced before he was famous, and for much of his early life he was a reasonably obscure figure. It took him nine years to secure an assistant professorship, and even then he wasn’t first choice for the job.” In 1905, while working six days a week at the patent office in Bern, Switzerland, and with family responsibilities, he “wrote twenty-one reviews for an academic journal” and “managed to produce five scientific papers in six months, three of which would eventually transform physics.” For reasons both of differences of opinion about scientific approaches and anti-Semitic prejudice against him, Einstein did not receive the Nobel Prize until 1922, and not for his work on the general theory of relativity, on which his fame was based, but for his discovery of the modern understanding of light as a particle.

Einstein was a nonconformist, not a joiner of groups, indifferent to the opinions of others about him and awards he received. A lifelong pacifist, he was passionate about opposing social injustice and taking moral responsibility for events in the world. But he was also realistic. As Hitler gained power in Germany, Einstein understood the necessity of opposing him with military force. Einstein’s social activism led to accusations that he was a communist, frequently taking on the tone of “gossipy slander.” The FBI kept tabs on him for 20 years, and his file runs to 1,400 pages. The agency accused him of being a “personal courier from Communist Party Headquarters.” Despite these rumors, Einstein lent his name to various causes that worked for a fairer and more peaceful world.

Einstein once wrote that he understood Judaism as a “community of tradition,” rather than as a religion. He became a strong supporter of the Zionist cause and against anti-Semitism and was most helpful in helping many Jewish people emigrate from Europe. When asked if he believed in God, Einstein replied: “I believe in [17th-century philosopher Baruch] Spinoza’s God, who reveals Himself in the orderly harmony of what exists, not in a God who concerns Himself with the fates and actions of human beings.”

Graydon is the science editor of England’s Times Literary Supplement, and his discussion of Einstein’s work is approachable for those of us who have limited scientific literacy. This engaging account of a legendary figure should be of interest to many.

Samuel Graydon’s new biography of Albert Einstein is an approachable portrayal of the legendary figure’s life and times.
Review by

If Winston Churchill and Franklin Roosevelt had an idle moment when they met in 1941 to hammer out the Atlantic Charter, they might have talked about Roosevelt’s stamp-collecting or Churchill’s painting. It is perhaps less likely they chatted about one big thing they actually had in common: Strong, intelligent American mothers, widowed young, who provided them with plenty of runway for political takeoff.

Not that Jennie Jerome Churchill or Sara Delano Roosevelt would have liked each other much. Although both were daughters of rich upper-class New Yorkers, their personalities were starkly different. Jennie had a reckless streak (like her father and Winston) and was prone to problematic romances, while Sara waited to marry until she found a wealthy, serious older man in her own social circle. Nevertheless, as well-known Canadian author Charlotte Gray shows in her dual biography Passionate Mothers, Powerful Sons, 19th-century culture shaped both into women who believed influence was only attainable through men. 

Jennie’s life was sufficiently flamboyant that she has attracted a number of biographers; Sara was more conventional, and she tends to be dismissed by historians as possessive and overbearing. She was indeed formidable, but her real story is more complex. Through detailed historical research and scenic retellings, Gray makes a persuasive case that Franklin and Winston depended on their mothers’ devotion, influence and money.

FDR and Eleanor Roosevelt had to battle out of what they saw as Sara’s smothering embrace, but Sara effectively raised their five children while the couple built public careers. After Sara’s death, Eleanor consistently denigrated her mother-in-law, but the children spoke of Sara with affection and gratitude. In contrast, Jennie was no grandmotherly nurturer. Aside from the important political help she provided her first husband and eldest son, her accomplishments included chartering wartime hospital ships and learning piano from a friend of Chopin.

Had they been born a century later, one can imagine Jennie as a supermodel-turned-Hollywood producer and Sara as a Fortune 500 CEO. Instead, Gray tells us, they funneled their prodigious energies into their statesmen sons, both of whom were profoundly impacted by their fascinating and formidable mothers.

Charlotte Gray paints a new, insightful portrait of two mothers who gave their statesmen sons the irreplaceable gift of total self-confidence.
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Anna May Wong (1905-1961) was Hollywood’s first great Chinese American actress. At 15, she had her first starring role in a silent film. Shortly thereafter, she played opposite film legend Douglas Fairbanks in The Thief of Bagdad (at 5 feet, 7 inches, she was taller than him). She was a friend, and perhaps a lover, of Marlene Dietrich. A brilliant student of accents and languages, she successfully made the fraught transition from silent film to “talkies” and, later, to television.

As Yunte Huang’s fascinating biography Daughter of the Dragon clearly shows, however, Wong’s career was consistently hampered by racist, sexist and ageist strictures. She embodied the problematic archetypes of submissive Asian women in relationships with powerful white men as well as the devious, sexually powerful Asian women often called dragon ladies. One Hollywood rule, for example, prevented women of color from kissing a white man on screen. This kept Wong from romantic leading roles, for which her talents and beauty seemed so well suited. Stalled by such barriers, Wong went to Germany, learned the language and starred in smash hits like Song. Later, after being passed over for a role in the film version of Pearl Buck’s novel The Good Earth, despite the writer’s desire for the film to star Chinese actors, Wong went to China just to study Chinese drama, with the hopes of bringing this classical form home.

Huang, a professor of English at UC Santa Barbara, offers a rich and complex view of Wong’s life and times. His book is less an intimate, psychological biography than a revealing look at Wong’s experience within the history of the era and its flow of cultural biases. Many chapters, like one on the ghettoized origins of Chinese laundries and Hollywood’s strangely enduring fascination with Los Angeles’ Chinatown, are as illuminating as they are unexpected. Huang offers penetrating descriptions of the making of some of Wong’s most famous movies, bringing to light Wong’s abilities and the prejudices and challenges she faced in trying to succeed. During her stay in China, for example, Wong was feted as a breakthrough star and also berated as an actor who presented shameful Chinese stereotypes. When questioned by local reporters, she noted that as an actor she rarely had the power to choose her parts but could only take what she was offered.

A reader is left thinking that what Anna May Wong was offered was never quite what she was worth. Wong died at 52, perhaps of alcoholism and definitely in financial distress. Of the rules that constrained her career, Huang writes, “these puritanical and overly racist guidelines became a virtual form of foot-binding for Anna May, shackling her career ambitions for the rest of her life.”

This major biography of Anna May Wong, Hollywood's first great Chinese American actress, is a revealing look at her startling talent and the limitations she faced due to racism and cultural biases.

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