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NonfictionHistoryAmerican History

The 1619 Project: a Visual Experience

Review by Laura Hutson Hunter

There have been other iterations of The 1619 Project, the groundbreaking reframing of American history that centers the Black experience. It was first a series of essays published in the New York Times Magazine in 2019, and it’s also been a podcast, an anthology, a children’s picture book and a documentary TV series. With The 1619 Project: A Visual Experience, the project’s original editor, Nikole Hannah-Jones, presents its definitive version. This new volume combines seven powerful essays from the original series with visual elements that deepen their message and, as Hannah-Jones writes in the preface, create “an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act.” 

It’s one thing to read about the slave trade, for example, but another to see a high-resolution photograph labeled “A child’s iron shackles” with this stark explainer: “Because governments determined by the ton how many people could be fitted onto a slave ship, enslavers considered children especially advantageous: they could fill the boat’s small spaces, allowing more human capital in the cargo hold.” A chapter titled “Fear” includes an essay co-written by historian Leslie Alexander and her sister, The New Jim Crow author Michelle Alexander, that reframes police brutality as a result of the same white fear that can be traced back to the very beginnings of American history. The essay is intercut with various photographs from demonstrations, including photojournalist Robert Cohen’s shot of a Black man in a stars-and-stripes shirt throwing a container of tear gas back at the police in Ferguson, Missouri. Woven throughout the book’s 288 pages are 13 original artworks from celebrated visual artists like Carrie Mae Weems, multiple archival photographs of happy Black families and a vibrant spread of a Beyoncé concert. This visual history is an invaluable addition to a revelatory project and an essential selection for any American classroom or family library.

The 1619 Project: A Visual Experience complements the storied New York Times series with visual art and photography that deepens our understanding of how slavery has profoundly shaped American life.
NonfictionHistoryAmerican History

Savings and Trust

Review by Alden Mudge

Justene Hill Edwards’ incisive Savings and Trust: The Rise and Betrayal of the Freedman’s Bank examines a noble idea destroyed by corruption. The idea emerged at the end of the Civil War when John Alvord, a Congregational minister and antislavery activist, realized that newly emancipated people would need a banking institution they could trust. Drawing on examples of military banks established for formerly enslaved Union soldiers, Alvord formed the Freedman’s Bank in March 1865. At its height, Edwards notes, “freed people had opened over one hundred thousand accounts and deposited over $75 million ($1.9 trillion today).” But within nine years, the bank failed.

Edwards, whose previous book, 2021’s Unfair Markets, examined the internal workings of enslaved people’s private economic activity, is a trustworthy guide through details concerning the early promise of the Freedman’s Bank, its improper transactions and the host of institutional and individual failings that led its collapse. 

She lays primary (but not sole) blame at the feet of railroad executive Henry D. Cooke (brother of 19th-century finance titan Jay Cooke) who headed the bank’s finance committee. Cooke and his committee moved the bank’s headquarters from New York City to Washington, D.C., opening it to political influences; approved illegal loans; altered its charter; and loaned Black depositors’ money without due diligence, primarily to white bank trustees and other insiders, and only infrequently to Black depositors. As the bank failed, trustees fled responsibility and brought in the great Black activist Frederick Douglass, to his eternal regret, to do damage control.

Edwards also points out that Alvord and other well-meaning supporters were ill-equipped to oversee such an institution. More tellingly, Edwards questions the underlying assumptions of the bank. It promoted the virtue of saving to the newly freed population, but it included no Black founders, advisors or early trustees. The white bankers assumed the depositors would be wage earners; but most of the Black savers wanted to own and work their own land independently and thus needed a broader, more flexible array of financial services than the bank ever offered.

The collapse of Freedman’s Bank has reverberated throughout U.S. history: “Black people’s generational distrust of financial institutions can be traced to the founding, plunder, and failure of the Freedman’s Bank,” Edwards points out. And white Americans used the failure “to fuel stereotypes about Black people’s laziness and their lack of fitness for . . . political and economic inclusion.” Savings and Trust adds materially to our understanding of the racial wealth gap and our long legacy of social injustice.

Justene Hill Edwards’ incisive Savings and Trust chronicles the formation and failure of the Freedman’s Bank, and reveals the deep history of the racial wealth gap.
NonfictionHistoryAmerican History

Wright Thompson’s ‘The Barn’ chronicles the fight to preserve the memory of Emmett Till

Interview by Harvey Freedenberg

In 2020, a long cypress barn near the tiny town of Drew, Mississippi, captured the attention of author Wright Thompson. Here, in the early morning hours of August 28, 1955, 14-year-old Chicagoan Emmett Till was kidnapped and then tortured and murdered by a gang of white men. His capital offense? Allegedly whistling at the wife of one of his killers. It’s a story that’s been told by other writers, but in the hands of native Mississippian Thompson, the crime and the troubled soil out of which it grew take on a profound new resonance.

Thompson grew up a half-hour’s drive away, yet he never knew that a nondescript structure just 23 miles south of his family’s home was the site of a savage murder. What’s more: It was still standing, without a marker or sign indicating what transpired there. Thompson learned of the barn from Patrick Weems, a local activist who runs the Emmett Till Interpretive Center, an organization that was formed to push Tallahatchie County to acknowledge its fault in Till’s murder and the obstruction of justice after the crime.

“Ultimately it’s a book about the fight to erase versus the fight to remember.”

Interviewed from his home in Oxford, Mississippi, in an unmistakably Southern-accented voice that comes rumbling from a place deep in his body, Thompson tells BookPage, “As a Mississippian, I needed to know more about this barn.”

The result is The Barn: The Secret History of a Murder in Mississippi, a deeply reported history rooted in that unique and specific piece of ground.

Drew is located within a 36-square mile segment of Sunflower County that, Thompson writes, has “borne witness to the birth of the blues at the nearby Dockery Plantation, to the struggle of [1960s voting rights activist] Fannie Lou Hamer, to the machinations of a founding family of the Klan, and to the death of Emmett Till.” The exact legal location of the barn is “Township 22 North, Range 4 West, Section 2, West Half, measured from the Choctaw Meridian,” a phrase that is repeated, occasionally in altered forms, more than 60 times in The Barn. Thompson says that by the time the book reaches its conclusion, he hopes his very intentional repetition “carries the swelling power of chorus.”

The Barn was a passion project, one that propelled Thompson through hundreds of interviews, some 100 visits to the barn, and archival research in places as distant as Spain and England. However, “this was not work,” he tells BookPage. “This was something I was going to do whether anybody knew anything about it or not.” Though Thompson is best known as a writer for ESPN, his last book, 2020’s Pappyland: A Story of Family, Fine Bourbon and the Things That Last, revealed that his interests extend beyond the world of sports.

 “I hope everybody who reads this book will learn that telling the truth about ourselves doesn’t make you a weaker American; it makes you a stronger one.”

After sketching out the story of Emmett Till’s murder and the predictable, yet inexcusable exoneration of the men who committed it, Thompson moves into a detailed economic and cultural history of that small patch of land the barn stands on and the territory surrounding it. Though his survey spans some 400 years, he homes in most on the period from the invention of the cotton gin in 1793 through 1933, the year Congress saved the cotton industry from collapse amid the Great Depression. In that era, he says, “cotton was oil,” and Mississippi “had a seemingly limitless supply of the world’s most important commodity.”

Thompson says that one crucial element of The Barn is its focus on people like Till’s cousin Rev. Wheeler Parker Jr., who was visiting Mississippi with Till at the time of the murder; Parker’s wife, Marvel; and Drew residents like Gloria Dickerson, who integrated the town’s school system as a child and has spent her retirement working to preserve the memory of Emmett Till and give meaning to his life and death. It was important to Thompson that he honor their efforts to secure justice for Till, he says, “because ultimately it’s a book about the fight to erase versus the fight to remember.”

Read our starred review of ‘The Barn’ by Wright Thompson. 

The work of Till’s family members and Drew residents culminated in the 2023 authorization of a national monument to commemorate Emmett Till and his mother, Mamie Till-Mobley, whose insistence on forcing Americans to confront the brutality of her son’s lynching by allowing photos of his corpse to be published in Jet magazine galvanized the Civil Rights movement. Like the Tulsa Race Massacre in 1921 and the murder of George Floyd a century later, the killing of Emmett Till is one of the most heinous racial crimes in an American history that’s deeply stained with them.

Thompson also candidly interrogates his own ambivalent relationship to his home state, writing that “the story of Till’s death is the story of the rise and rot of a tribe of people, of which I am one.” In this regard, he’s unsparing of his own ignorance. Near the end of the book, for example, he recounts his experience in a boarding school as a 16-year-old, where he festooned the walls of his dorm room with Confederate flags.

Questioned about his choice of decor, he says he had buried the memory for many years, but when it suddenly surfaced as he listened to a speech at an Emmett Till commemoration, he raced home to record it. When asked why he felt he had to take ownership of that long-ago episode, he admits some initial ambivalence, but then says, “Man, if you’re not doing this, you need to give the money back. If you’re not doing this, then everything you say you want this book to be is a lie.” The Barn is an eloquent antidote to Americans’ propensity to forget, and Thompson hopes there will be some healing power flowing from this work.

“The story of Till’s death is the story of the rise and rot of a tribe of people, of which I am one.”

“I’m a very proud American,” he says. “I hope everybody who reads this book will learn that telling the truth about ourselves doesn’t make you a weaker American; it makes you a stronger one. And seeing ourselves clearly doesn’t make us a lesser country, but a greater one. If the Mississippi Delta, and therefore America, has any future at all, it has to start with standing on one postage stamp of ground and saying, ‘This is what happened here.’ I certainly didn’t start off with that intention, but that became my sort of prayer for the thing. It’s not a book. It’s a map.”

Even as he expresses that ambition for his work, Thompson is notably humble in describing the product of his efforts: “I feel a profound sense of being a carrier of something, not the creator of it. There are going to be a lot of books written about this murder. There have been; there will be a lot more. So I’m very aware of being a tiny piece in a large mosaic of people still trying to understand how a 14-year-old child gets tortured for whistling.

“You can’t go back in time and stop it. But you can go back in time and understand exactly and specifically over the longest possible arc how all of these people came to be occupying the same piece of land on the same day at the same time in 1955. And I hope that answering that question adds to the mosaic, not just of that murder, but of every one like it.”

Photo of Wright Thompson by Evan France.

 

 

 

 

Fourteen-year-old Till was murdered in a nondescript barn in the Mississippi Delta. But few know the barn still stands today, or fully understand its history. Thompson believes we should.
NonfictionWomen's HistoryNatureHistory

Immerse your book club in the wonders of the natural world with 4 inspiring stories

Feature by Julie Hale

In Wild Girls: How the Outdoors Shaped the Women Who Challenged a Nation, Tiya Miles explores the lives of a group of remarkable women. As she tells the stories of Louisa May Alcott, Harriet Tubman, Pocahontas and other notable female figures, Miles looks at the ways in which the great outdoors impacted their personal development and understanding of the world. Her narrative is a beautifully observed testament to the importance of place. Reading groups will find a range of discussion topics, including women’s empowerment and the influence of nature.

What an Owl Knows: The New Science of the World’s Most Enigmatic Birds by Jennifer Ackerman offers fresh perspectives on the nocturnal predator. Over the centuries, the owl has been portrayed as intelligent, vigilant and enlightened while remaining strangely inscrutable. Ackerman penetrates the bird’s unique mystique as she teams up with ornithologists and other experts to find out how owls connect with each other, acquire food and migrate. Blending the latest research with her own discerning impressions, Ackerman delivers an exceptional scientific study that’s revealing and accessible.

In Bicycling With Butterflies: My 10,201-Mile Journey Following the Monarch Migration, Sara Dykman shares the story of the remarkable odyssey she undertook in 2017. Beginning in Mexico and traveling on a ramshackle bike, Dykman followed the migration course of the eastern monarch butterfly to draw attention to the vulnerability of the species. In a tale that’s funny, insightful and poetic, Dykman reflects on the fragility of nature and the challenges of bike travel, and acquaints readers with the majestic monarch. Themes of ecology, exploration and solitude make this a rewarding book club pick.

Melissa L. Sevigny chronicles the journey of two mavericks in Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon. The hazards of the Colorado River did not deter botanists Elzada Clover and Lois Jotter, who navigated the treacherous waterway in 1938 in order to index the Grand Canyon’s plant species. Aided by a small team, the duo traveled for 43 days. Sevigny brings their expedition to vivid life in a narrative that’s at once a rip-roaring adventure story and a thoughtful account of the natural world.

Fall is a terrific time to connect with nature. Grab one of these books, gather your friends and get outside!
Science Fiction & FantasyNonfictionFictionSocial ScienceLiterary FictionLifestylesHorrorHistoryHistorical FictionGraphic Novels & ComicsFantasyCultural HistoryCultural CriticismArts & Culture

What to read this Halloween, based on your ideal spooky activity

Feature by the editors of BookPage
Model Home by Rivers Solomon book jacket

Model Home

Read if your Halloween plans are: A horror movie marathon, specifically A24 horror movies

Ezri Maxwell doesn’t know whether their childhood home had ghosts, exactly, but they do know that it was haunted and determined to maim, traumatize and scare them and their Black family into leaving their mostly white Dallas suburb. Desperate to distance themselves from a childhood of constant dread, Ezri and their sisters fled the former model home as soon as they were old enough. Their parents, however, stayed where they were—right until the day they died under mysterious circumstances. At its core, Rivers Solomon’s Model Home is a study of the interior landscape of someone trying to make sense of their life in the wake of extreme tragedy. Ezri’s head is cluttered with the detritus of trauma, from their mother’s ambivalence toward them as a child to the repercussions of living with mental health issues for years, (“a host of diagnoses—which change with whatever clinician I see”). A disturbing tale that explores self-doubt, family drama and childhood trauma, Model Home is a powerful and gut-wrenching addition to the haunted house pantheon.

—Laura Hubbard

Djinnology by Seema Yasminis book jacket

Djinnology 

Read if your Halloween plans are: Exploring potentially haunted places—abandoned strip malls, creaky old houses, creepy caves … you get the idea.

If you’re in the mood for some spine-tingling stories, cozy up to Djinnology: An Illuminated Compendium of Spirits and Stories From the Muslim World, a fictitious (or is it?) compendium that is both fascinating and creepy, and made all the more so by Pulitzer Prize-winner Fahmida Azim’s striking illustrations. Seema Yasmin, a journalist, professor and physician, has created a fictional narrator named Dr. N, a taxonomist and ontologist who has traveled the world to investigate the sometimes benevolent, sometimes malevolent djinn. Djinn, Dr. N writes, have been “haunting humanity since pre-Islamic times.” He submits the fruits of his research to his academic committee to explain his long and unexplained absence from class, in this volume of stories from around the world that capture the long history and great variety of djinn. Many of these stories are related to human events, such as one concerning a ghostlike horseman who allegedly appeared in Cairo’s Tahrir Square at the height of the Arab Spring. Another terrifying tale of more dubious origins takes place in London, when a woman delivering her husband’s specimen to an IVF clinic spots what she thinks is an abandoned baby in the middle of the road. She stops, of course, but things do not go as she expects. Djinnology is beautifully designed, with maps, English and Arabic inscriptions and more, gamely selling a high-octane, between-two-worlds vibe. Most of all, Azim’s haunting illustrations in smoky colors perfectly portray this menagerie of spirits. Readers will find themselves looking over their shoulders.

—Alice Cary

We Love the Nightlife by Rachel Koller Croft book jacket

We Love the Nightlife

Read if your Halloween plans are: A bar crawl in a tiny costume, weather be damned

Quite often in fiction, the figure of the vampire has represented loneliness, but we’ve arguably never seen that sense of yearning quite the way Rachel Koller Croft portrays it in her new novel, We Love the Nightlife. Croft’s protagonist, Amber, is frozen in her party girl prime, turned in the waning days of the 1970s by her maker, the beautiful and manipulative Nicola. Decades later, Amber begins to imagine what life might be like without Nicola, and considers an escape plan. But Nicola’s influence is powerful, her ambitions are vast and her appetite for control deeper than Amber ever imagined. Despite her vampiric nature, Amber feels like one of us. This is mainly due to Croft’s skill; her conversational, warm and relatable prose depicts Amber not as a lonely monster, but as a person longing for freedom in a savage world covered in glitter and awash with pulsing music. We also get to see Nicola’s side of the story and her own brand of yearning, giving the book an antagonist who’s not just remarkably well-developed, but human in her own twisted way. These dueling perspectives, coupled with memorable side characters and a beautifully paced plot, make We Love the Nightlife an engrossing, darkly funny, twisted breakup story that’s perfect for vampire fiction lovers and fans of relationship drama alike.

—Matthew Jackson

American Scary by Jeremy Dauber book jacket

★ American Scary

Read if your Halloween plans are: Watching a brainy horror documentary, or peeking at spooky clips on YouTube

Any horror writer doing their job knows how to tap into the fears that plague us most. Jeremy Dauber’s American Scary: A History of Horror, from Salem to Stephen King and Beyond provides a robust account of how art has reflected American dread for centuries. As it turns out, our history is rife with foundational fear, making it prime territory for some scary storytelling. Dauber starts his “tour of American fear” with our country’s bloody beginnings and proclivity for blaming the devil for everything from bad weather to miscarriage (hello, Salem!). He then passes through slavery, the Industrial Revolution, the Civil War and beyond to more contemporary paranoias reflected in film: murderous technology (The Terminator), individual indifference (the Final Destination series) and surveillance (Paranormal Activity), to name a few. Dauber’s attention to the details of myriad cultural touchstones, both famous and obscure, will entice those who care to tiptoe deeper into the darkest of the dark. American Scary’s greatest success is making readers consider what art may be born of our late-night anxieties. Spooky stuff, huh?

—Amanda Haggard

The Village Library Demon-Hunting Society by C.M. Waggoner book jacket

The Village Library Demon-Hunting Society

Read if your Halloween plans are: Curling up in a chair at home, reading a lightly spooky book or one of the more gothic Agatha Christies

Librarian Sherry Pinkwhistle resides in a quiet hamlet in upstate New York. The only out of the ordinary detail about Ms. Pinkwhistle is that she loves to solve a good murder mystery—not only those in the books she protects and enjoys at work, but also the real-life, grisly deaths in the otherwise sleepy little town of Winesap. But when a string of local murders hits a little too close to home, Sherry realizes that she can no longer remain an unattached bystander. A demon, or several, might be at the heart of these ever-increasing deaths, and Sherry will need the help of her skeptical friends and her possibly-possessed cat to root out the evil in Winesap. C.M. Waggoner’s The Village Library Demon-Hunting Society is a stunning blend of genres, a dark supernatural adventure masquerading as a cozy mystery—and by the time readers realize this, they, like Sherry, are too deeply entrenched in the case to let it go. Waggoner infuses the pages with darkly humorous scenes and snappy dialogue, as well as unexpected magical touches that hearken back to the author’s previous fantasy novels, a combination that’s perfect for fans of horror tropes as well as lovers of mystery. Sherry Pinkwhistle is a sleuth to be reckoned with, and beneath her frumpy and soft exterior lies a pleasant surprise: a clever, determined heroine who will stop at nothing to protect the place she calls home and the people who live there. 

—Stephanie Cohen-Perez

Eerie Legends by Ricardo Diseño book jacket

Eerie Legends 

Read if your Halloween plans are: Circling up with friends and family for a night of scary stories

Eerie Legends: An Illustrated Exploration of Creepy Creatures, the Paranormal, and Folklore From Around the World arrives like Halloween candy, just in time for the spookiest season of the year. Austin, Texas-based artist Ricardo Diseño’s bold, offbeat illustrations don’t simply complement these spine-tingling stories, they lead the way. Each chapter blends elements of fiction and nonfiction, and includes a corresponding full-page illustration that stands on its own as a fully realized piece of art. The horror elements here are plenty scary, but skew toward the creature-feature end of the spectrum—think Universal Studio monsters, or even Troma’s The Toxic Avenger. The chapter on Krampus details the yuletide terror’s appearance with frightening specificity: “Part man, part goat, and part devil. . . . His tongue is red, forked, creepy, and always whipping around.” Diseño’s hoofed monster, straight out of the Blumhouse cinematic universe, is shown in the midst of abducting a child. Each chapter ends with a campfire-style tale about the designated monster, written with Lovecraftian zeal by Steve Mockus. As an added incentive, the cover glows in the dark—a feature I hadn’t noticed until after I fell asleep with it on my bedside table. Talk about eerie.

—Laura Hutson Hunter

The Empusium by Olga Tokarczuk book jacket

★ The Empusium

Read if your Halloween plans are: A hike contemplating the macabre beauty of seasonal decay—be sure to leave the woods before dark!

Nobel laureate Olga Tokarczuk’s fabulous novel, The Empusium: A Health Resort Horror Story, opens in 1913, when Polish 24-year-old Mieczyslaw Wojnicz arrives in the village of Görbersdorf, Germany, to be treated for tuberculosis. Tokarczuk is known for her penchant for the mythical and her deft, dark satirical wit, and as the subtitle, “A Health Resort Horror Story,” would lead readers to hope, the forests above the village whisper and echo with eerie sounds. The narration seems to come from ghostly entities who at times “vacate the house via the chimney or the chinks between the slate roof tiles—and then gaze from afar, from above.” A cemetery in a nearby town discloses evidence of a ritual killing every November. It is September, and the clock is ticking. Translated from Polish by Antonia Lloyd-Jones, The Empusium is about the rigid patriarchal world of pre-WWI Europe, and the tension between rationality and emotion. It is also about a young person coming of age—like Thomas Mann’s The Magic Mountain, from which it draws inspiration. Facing a threat he does not understand, Mieczyslaw responds to the mysteries around him with curiosity and seeks his own way forward. Tokarczuk also favors a new path and, as usual, casts her enthralling spell.

—Alden Mudge

Whether you’re a homebody or a thrill-hunter, we’ve got a seasonal, spine-tingling read for you.
NonfictionHistoryEuropean History

The Forbidden Garden

Review by Roger Bishop

In March 1921, the world-famous botanist and geneticist Nikolai Vavilov was named director of the Bureau of Applied Botany and Plant Breeding, which was located in Leningrad (now St. Petersburg, Russia) and devoted to the study of plant life. He initiated an ambitious plan to develop the world’s first seed bank, which he promised would be “a treasury of all known crops and plants” that would produce super crops that could alleviate global famine.

Award-winning author Simon Parkin vividly relates the tragic yet inspiring story of Vavilov and his team’s dedication to the project in The Forbidden Garden: The Botanists of Besieged Leningrad and Their Impossible Choice. By 1934, Vavilov’s pioneering effort had opened over 400 research facilities around the Soviet Union. The seeds, “stored in packets and filed for safekeeping in the wooden drawers that lined the seed bank’s dozens of rooms,” were irreplaceable; in some cases, they had been harvested from crops now extinct due to human activity. Vavilov recruited and trained a staff that understood their worth and felt a “keen sense of responsibility.”

In August 1940, Vavilov vanished. And in June 1941, German troops invaded the Soviet Union. Leningrad’s industrial factories gave the city strategic importance, and as the birthplace of revolutionary Communism, it “symbolized all that Nazi ideology opposed.” Hitler decided to “starve it into submission.” Without support from Stalin’s government and unable to move the seeds, the Plant Institute staff and others in the city lived and died through 872 days of siege.

The remaining staff now faced a moral question. “Eat or abstain?” Parkin writes. “Is any sacrifice justifiable in the name of scientific progress, or to protect one’s research? What responsibility did the botanists hold to the survival of future generations? . . . There is no doubt that the quarter of a million seeds, nuts and vegetables in the building . . . could have prolonged the lives of the botanists and, beyond that, the public.” A new director encouraged them to eat the collection, but, committed to their mission, they refused. Using the diaries and letters of the botanists, as well as later-recorded oral histories, Parkin paints a suspense-filled record of this harrowing time in history.

The Forbidden Garden uncovers the tragic, inspiring story of Russian botanists who sacrificed everything to preserve a quarter million seeds during World War II.
NonfictionHistoryAmerican History

The Barn

Review by Harvey Freedenberg

The savage murder of 14-year-old Emmett Till at the hands of a group of white men outside the small town of Drew, Mississippi, on August 28, 1955, stained the nation and galvanized the Civil Rights movement. In The Barn: The Secret History of a Murder in Mississippi, noted sports journalist and Mississippi native Wright Thompson brilliantly recounts the story of that lynching, while deeply exploring the history and culture of the Mississippi Delta out of whose soil it emerged.

Wright made an estimated 100 visits to the barn where Till died, a site whose location has long been shrouded in mystery. To recount the terror of Till’s final night, when he was kidnapped, tortured and shot for supposedly whistling at a white woman (a report disputed by many), Wright relies on the vivid memories of Till’s cousin Rev. Wheeler Parker Jr., who accompanied Till on the fateful trip south from Chicago and was fortunate the killers did not take his life as well.

Midway through The Barn, Thompson detours from Till’s story to excavate the vivid history of the Delta’s “gumbo mud,” which includes the birth of blues music in the person of Charley Patton on a plantation some 10 miles from the barn and the activities of Confederate general Nathan Bedford Forrest, the first Grand Wizard of the Ku Klux Klan. Wright painstakingly traces the rise and fall of a hardscrabble agricultural economy, which produced both men like Till’s uncle Moses Wright, a sharecropper whose home the teenager was visiting at the time of his murder, and J.W. Milam and Roy Bryant, the two people tried (and acquitted) for Till’s murder.

Thompson was raised in Clarksdale, Mississippi, near the farm Wright’s mother’s family first owned in 1913 and that it maintains to this day, and by parents who taught him to reject the bigotry that infected his home state. And so, he is acutely sensitive to his own ambivalence about what it means to be a Mississippian. “We spend so much time in the past here and yet so little time learning the history of who we are and how we got here,” he writes. The Barn is Thompson’s brave, forthright effort to begin the process of eradicating some of that ignorance.

Wright Thompson reckons with the culture of the Mississippi Delta and the murder of Emmett Till in his brilliant, probing history, The Barn.
NonfictionHistoryCultural History

Paper of Wreckage

Review by Stephen Elliott

The oral history form can sometimes feel like a cop-out—a notebook dump that requires the author to do little but interview and transcribe and put passages in a reasonable order. 

But Paper of Wreckage: The Rogues, Renegades, Wiseguys, Wankers, and Relentless Reporters Who Redefined American Media gets a pass. The book’s subject, the New York Post’s past 50 years, includes so many famous and infamous characters, world events and weird historical side quests that the oral history form makes perfect sense. Plus, most of the subjects interviewed are colorful storytellers in their own right, making the blocks of text propulsive and vibrant without authorial intervention. 

This could be a book about journalism, sports journalism, political journalism, gossip journalism, celebrity, serial killers, labor, New York City, Donald Trump or Rupert Murdoch. Instead, it’s all of the above. Authors Susan Mulcahy and Frank DiGiacomo, both Post veterans themselves, have a sense for narrative (or at times, comedic) timing. Some well-known figure is described negatively and then immediately shows up to defend themself (or admit wrongdoing). An interviewee describes a funny or bad experience with a Post co-worker, only for the co-worker to respond directly in the next paragraph. Even journalists remember things differently. 

Two ex-Posties compare Murdoch’s arrival at the tabloid in the 1970s to Hitler’s arrival in Poland. But for the most part, the crew at the newspaper didn’t take themselves too seriously. Some went on to illustrious stints at more respectable publications, but still recall their time at the Post as the most fun and memorable of their careers. It was a funnier, dirtier, meaner, more violent and more exciting newsroom than most—including the New York Daily News and New York Times, with whom the Post has traded scoops and staffers back and forth for generations. 

The story sobers as it nears the present day. The paper’s right-wing politics become more entrenched, and the embrace of longtime Page Six stalwart Donald Trump and his presidency sour even those who still held out hope for the paper. The publication whiffs on the transition to television and then the internet, and its sway in New York faded. But the ride up to that point will entertain anyone interested in media, politics, celebrity or good stories. 

Paper of Wreckage is a vibrant oral history of the New York Post that recounts the tabloid’s sordid—and legendary—glory days.
NonfictionHistoryAmerican History

Book and Dagger

Review by Alejandro Ramirez

Though physicists get the most attention when it comes to academic contributions to war efforts, the United States’ nascent intelligence team also relied on experts of another sort. Elyse Graham’s Book and Dagger: How Scholars and Librarians Became the Unlikely Spies of World War II, tells the thrilling story of the professors, archivists and artists who were recruited by the U.S. and British governments to become highly effective spies and intelligence agents during the Second World War. 

Graham recounts the various missions made possible by professional researchers recruited from university campuses by the Office of Strategic Services, the precursor to the CIA. These men and women put their skills to use in unexpected ways, such as drawing strategic insights from the most mundane texts, like Moroccan phone directories that revealed munitions factory locations, and scientific journals available only in Europe, which kept the Allies abreast of nuclear developments.

A Hollywood version of Book and Dagger would feature heart-pounding scenes of disheveled scholars digging for scraps of crucial information in stacks of ancient tomes. Without falling into this mire of tropes, Graham follows some recurring characters and includes some thrilling scenes of sabotage. The book is also about how the OSS and U.S. military relied on unique, research-driven perspectives to outsmart and outmaneuver the Nazis. With a keen ear for narrative prose, Graham builds suspense and intrigue, and the book is a pulpy delight.

Graham acknowledges that spycraft is a complicated, messy business, and readers may find this tale of underdog heroism difficult to square with the CIA’s later history of surveillance and subterfuge in U.S. and international politics. Even so, a story where a passion for knowledge and appreciation for outsiders defeats a regime fueled by hatred and greed is most welcome. Book and Dagger is a necessary reminder of the value of the humanities and the importance of the freedom of information and ideas at a time when both of those things are under threat.

Elyse Graham’s thrilling history of how scholars and librarians helped the U.S. outsmart the Nazis is a pulpy delight.
NonfictionHistoryCultural HistoryCultural CriticismArts & Culture

American Scary

Review by Amanda Haggard

Any horror writer doing their job knows how to tap into the fears that plague us most. Jeremy Dauber’s American Scary: A History of Horror, from Salem to Stephen King and Beyond provides a robust account of how art has reflected American dread for centuries. As it turns out, our history is rife with foundational fear, making it prime territory for some scary storytelling. 

Dauber starts his “tour of American fear” with our country’s bloody beginnings and proclivity for blaming the devil for everything from bad weather to miscarriage (hello, Salem!). He then passes through slavery, the Industrial Revolution, the Civil War and beyond to more contemporary paranoias reflected in film: murderous technology (The Terminator), individual indifference (the Final Destination series) and surveillance (Paranormal Activity), to name a few. 

One of his strongest examples illuminates the anxieties of women living in the late 19th century with Kate Chopin’s “The Story of an Hour.” In the story, when a woman is told that her husband has died in an accident, her reaction is one of great, unexpected joy and an overwhelming sense of liberation. Just when you think that’s the end of the tale, she discovers the news was given in error: Her husband is still very much alive. The tale ends with her death, which somehow feels less tragic than her loss of freedom. “Chopin’s most pressing contributions to the American fearfulness,” writes Dauber, “. . . consist of the suggestion that liberation, at least for women, is impossible; that, in the end, that sort of awakening . . . is but an illusion.”

Clocking in at over 400 pages with an at-times academic approach, American Scary may come off a bit intimidating at first. But for lovers of all things macabre, the book is worth its weight. Dauber’s attention to the details of myriad cultural touchstones, both famous and obscure, will entice those who care to tiptoe deeper into the darkest of the dark. Dauber acknowledges as well that things in the real world are often scarier than the stories we tell; it’s not a new take, but it’s one he makes exceptionally well. 

American Scary’s greatest success is making readers consider what art may be born of our late-night anxieties. Spooky stuff, huh?

 

The rigorous yet still enticing American Scary invites readers to peer into the horror show of American history through the lens of literature and film.
NonfictionHistory

The Stalin Affair

Review by Roger Bishop

In the summer of 1941, Germany broke its wartime alliance with the Soviet Union and invaded the Soviet frontier. Joseph Stalin was stunned and unprepared, and his army suffered many casualties. Hitler’s about-face was good news for Great Britain’s prime minister, Winston Churchill. Now, Germany’s forces would be split, and Great Britain and the Soviet Union had a common enemy. 

Only four months prior, President Franklin D. Roosevelt had agreed to aid Great Britain and appointed millionaire businessman Averell Harriman to be his personal liaison to Churchill. As bestselling historian Giles Milton describes in his vivid portrayal of high-stakes diplomacy and personal relations during World War II, The Stalin Affair: The Impossible Alliance That Won the War, this invitation “would lay the foundations of a remarkable, if bizarre, three-power wartime alliance.”

Soon after Germany’s invasion of the Soviet Union, the Soviet ambassador presented a formal request to the U.S. government for $2 billion in guns, ammunition and aircraft. Once the decision was made to help the tyrannical government, with whom the U.S. strongly disagreed on almost everything, Harriman soon found his mission expanded. He worked closely with Churchill and Stalin, coordinating the ordering and shipping of military supplies. He was also FDR’s eyes and ears, reporting back the goings-on of political leaders. Harriman’s astute judgment of Stalin, as a leader suspicious of everyone and focused on dominating all the territories “liberated” by his army, would prove critical. Milton writes that “Averell had helped to manage a complex relationship between three leaders with widely different backgrounds, approaches, and goals,” often assuaging Stalin’s fears of betrayal to keep the alliance on course. 

In addition to relying on a vast archive of official records of events, Milton also uses accounts written by some of the less prominent observers of this political alliance, which brings a sense of immersion and immediacy to The Stalin Affair. Among the previously unpublished sources are letters from Harriman’s daughter, Kathy, who accompanied her father and worked as a news service reporter. Her many letters to family and friends give us a special window into events. 

Milton’s outstanding writing and research make The Stalin Affair an authoritative and lively account that shows how despite tensions, strong egos and different approaches to leadership, these unlikely partners worked together to end the war. 

The Stalin Affair is an authoritative and lively account of the unlikely World War II alliance among the U.S., Great Britain and the Soviet Union.
NonfictionTrue CrimeHistory

Scotland Yard

Review by Alice Cary

“Scotland Yard has been called in.” Those authoritative words imply the renowned reputation of the London Metropolitan Police, first established in 1829 as the world’s first professional, centrally organized police department. The name, in case you were wondering, comes from the fact that its headquarters were built on a piece of land facing a small street called Great Scotland Yard.

Simon Read eloquently explains the force’s long-standing allure in his hard-to-put-down history, Scotland Yard: A History of the London Police Force’s Most Infamous Murder Cases. “It’s something woven into our cultural fabric,” Read writes, “a conduit between history and pop culture. We can trace today’s true crime obsession, in large part, to the Yard’s early cases with their sensational news coverage, in-depth narratives of criminal trials and the celebration of detectives.”

Read brings all of the gory details to life in 19 notable cases that span the course of a century, drawing from official case files, newspaper reportage, trial transcripts and detectives’ notes. His crisp, evocative prose gets right to the heart of the matter, which is usually bloody: foggy nights, a cavalcade of shady characters and a surprising number of dismembered bodies, many discovered in trunks. With chapter titles like “A Death in Duddlewick” and “A Murder in the Manor,” readers will be forgiven for feeling entertained by these grisly tales: Some cases read like Charles Dickens’ novels brought to life, and, in fact, Dickens modeled Bleak House’s Mademoiselle Hortense after Maria Manning, whose execution he witnessed in 1849.

Readers will delight in learning about the evolution of detective work and forensics. During the Jack the Ripper investigation, for instance, “sniffer dogs” were briefly deployed for the first time. “The Crumbles” chapter describes a house of horrors in which crime scene investigators began using rubber gloves (thank goodness!). Ballistics started playing a role in the 1927 murder of police constable George Gutteridge, with the press declaring that the murderers were “hanged by a microscope.”

Read’s previous titles include Human Game: The True Story of the ‘Great Escape’ Murders and the Hunt for the Gestapo Gunmen, and he has cemented his reputation for escorting readers through real-life, spine-tingling adventures with this volume. Modern crime fanatics will find themselves captivated by the enduring relevance and mystique of these Victorian-era crimes.

Simon Read brings the gory details of Victorian-era crimes to life in his thrilling history of Scotland Yard.
NonfictionHistory

Hiroshima

Review by Stephen Elliott

Four decades after the publication of his landmark on-the-ground reporting about the atomic bomb experiences of six Hiroshima survivors, journalist and author John Hersey returned to Japan to document what had become of his subjects over the years. Some embraced their hibakusha (the Japanese term for Hiroshima and Nagasaki survivors) identity, becoming regular presences on the speaking and memorial circuit. Others had preferred to keep their experiences private at first, and engaged with the public later in life. Most experienced medical fallout for the rest of their lives, and some died before Hersey could return.

“His memory, like the world’s, was getting spotty,” Hersey wrote of one survivor, decades after the bombing that killed some 80,000 to 150,000 civilians.

Now, four more decades later, M.G. Sheftall, an American professor living in Japan, has taken another crack at making sure the world’s memory remains clear. In Hiroshima: The Last Witnesses, he painstakingly reports on the lives of several other survivors in what, with remaining witnesses nearing 100 years old, could be the final firsthand recounting of the events of August 6, 1945. His subjects include a promising young student, girls tasked with working to prepare the city for an American invasion and a young military aide.

The similarities to Hersey’s findings do not stop with a title. Though Sheftall’s subjects were, generally, much younger than Hersey’s on the day the U.S. dropped the bomb, their lives tracked similar paths: chronic and debilitating medical conditions, survivor’s guilt, internal struggles over whether to publicize their experiences and a complicated blame game focused on both the Americans who wrought the destruction and a militaristic Japanese society that brought the war home.

Sheftall’s story is brutal but necessary (a second volume about Nagasaki survivors is on the way). In carefully recording the experiences of remaining hibakusha, he is providing crucial labor in service to our collective memory. But he does so with a literary flair that belies any stereotypes of academic writers and at times surpasses Hersey’s famous work of journalism.

Painful in substance but lyrical in form, Hiroshima should be required reading for political leaders, those interested in war and peace, and anyone who has grown numb to the specific horrors of World War II.

In this careful recording of the experiences of Japanese atomic bomb survivors, M.G. Sheftall provides a crucial service for our collective memory of Hiroshima.

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