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All Suspense Coverage

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The Bullet Garden

After writing a trio of books about ex-Marine sniper Bob Lee Swagger, author Stephen Hunter launched a second series featuring Bob Lee’s father, Earl Swagger, who is also a Marine and a Medal of Honor recipient to boot. It’s been 20 years since Hunter’s last installment in the senior Swagger series, but it comes roaring back this month with The Bullet Garden. The book serves as a prequel to the three Earl Swagger books that preceded it (Hot Springs, Pale Horse Coming and Havana), chronicling his adventures in France during the days immediately following D-Day. Swagger spearheads a secret mission to track down and kill German snipers who are systematically picking off Allied soldiers crossing the Normandy meadowlands (which the troops have nicknamed “bullet gardens”). A sniper himself, Swagger is a natural fit for the job at hand, but even his legendary skills will be sorely tested in this milieu. Fans of firearms history will find lots to like in The Bullet Garden, as will military strategy buffs, but there is truly something for everyone: a budding romance; layers of duplicity and intrigue; and an omnipresent sense of the importance of working together for a greater cause. 

Encore in Death

J.D. Robb’s Encore in Death is the (are you ready for this?) 56th entry in the wildly popular series featuring Eve Dallas, a police detective in 2060s New York City who, by my calculations, should be celebrating her first birthday just about now. Despite being set in a Blade Runner-esque future of androids, airboards (think hoverboards) and the much-appreciated automated chefs, Robb’s mysteries don’t need to rely on sci-fi trappings to engage the reader. They are straight-up classically constructed whodunits. And this case features a time-honored murder weapon: cyanide. Just as A-list actor Eliza Lane takes the stage for an impromptu song at her latest high society Manhattan party, there is a crash of glass, and Eliza’s husband, equally famous actor Brant Fitzhugh, collapses to the floor—dead, with the smell of bitter almonds emanating from his lips. The initial thinking is that Eliza was the intended victim, as Brant sipped from a poisoned cocktail he was holding for her, but as the investigation wears on, alternative possibilities present themselves. As all of the suspects have connections to the stage, there is no shortage of drama as the case unfolds. Robb is the pen name of legendary romance author Nora Roberts, and while that’s certainly evident in her descriptions of her male leads (“Those sea-green eyes still made her heart sigh, even after a decade . . .”), the suspense is also there in spades.

The Sanctuary

Of all the awful ways to die, being vertically bisected by an industrial saw like the murder victim in Katrine Engberg’s final Kørner and Werner mystery, The Sanctuary, must rank right up there at the top. The unidentified man’s left half turns up in a partially buried leather suitcase in a public park, and Copenhagen police detective Annette Werner is on the hunt for the killer. Clues lead to the remote island of Bornholm, an insular enclave where everyone knows everyone else’s secrets, but nobody seems disposed toward sharing any of that knowledge with the police. Subplots abound: a missing young man, possibly on the lam from the law, possibly the victim in the suitcase; a zealous preacher who roundly rejects the biblical teaching of turning the other cheek; a biographer whose scholarly visit to Bornholm to examine a deceased anthropologist’s letters is stirring up some old, long-quiet ghosts; a garbage bag full of money that nobody seems to be able (or willing) to account for. The identity of the culprit is an enormous surprise, but more surprising still is the emotional closure Engberg brings to long-running storylines, resulting in a very poignant moment for fans of the series in addition to a satisfying solution to the central mystery. 

The Twyford Code

Narrative conventions are cast to the four winds in Janice Hallett’s impressive second novel, The Twyford Code. The story consists of 200 fragmented voice transcriptions made by Steven “Smithy” Smith, a none-too-savvy mobile phone user who has only recently been released from prison in England. At loose ends, he decides to investigate the mysterious disappearance of his secondary school English teacher some 40 years back. Miss Iles (who often humorously appears in the transcriptions as “missiles”) had something of an obsession with the children’s books of one Edith Twyford, a character loosely based on real-life bestselling children’s author Enid Blyton. On a class field trip to Bournemouth to visit Twyford’s wartime home, “missiles” dropped off the map, never to be heard from again. As Smith’s belated investigation proceeds, he becomes increasingly obsessed with Twyford’s books as well, uncovering what may be hidden messages therein. State secrets, buried treasure, buried bodies? The clues are all there, but it will take a cannier puzzle-solving mind than mine to decipher them before Hallett is ready for the big reveal. The Twyford Code is easily one of the cleverest and most original mystery novels in recent memory, with an engaging main character, dialogue that grabs (and requires) your attention and more head-scratching suspense than any other three books combined.

A mystery told through voice transcriptions shouldn’t work, but The Twyford Code isn’t just this month’s best mystery—it’s one of the cleverest whodunits in recent memory.
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The Maltese Iguana 

Buckle up for another wild ride with Florida ne’er-do-well Serge A. Storms and his stoner sidekick, Coleman, in their 26th adventure, The Maltese Iguana by Tim Dorsey. The title, a nod to Dashiell Hammett’s The Maltese Falcon, refers not to a precious statue but instead to its modern-day Florida counterpart—an iguana-shaped bong. The basic premise of the book is that Serge Storms, now fully vaccinated after a long COVID-19 lockdown, decides a celebration is in order, upon which mayhem ensues, both figuratively and literally. Meanwhile, a CIA operation goes off the rails in Honduras, and after barely escaping with his life, the agency’s local contact makes his way to Florida, putting both him and the agents the CIA sends after him directly in Hurricane Serge’s path. There are murders, explosions, drugs, mercenaries, Florida history and folklore, wild parties, an exotic dancer, an appearance by Captain Kangaroo, a boxing rabbit and enough pingpong balls to fill the trunk of an old Ford LTD. Imagine one of those newspaper articles in which the headline begins with “Florida man” and then imagine the article extending to 336 pages. That will give you a pretty good idea of what to expect in The Maltese Iguana.

Storm Watch

C.J. Box’s Joe Pickett mysteries have been excellent since the Wyoming game warden’s very first case, 2001’s Open Season. But Box’s latest novel, Storm Watch, is perhaps the most intricately plotted and fully realized of the bunch so far. Joe is on the trail of a wounded elk as an immense winter storm closes in, but he soon stumbles across something totally unexpected: a semi-decapitated body in a mysterious shed far off the beaten track. Joe only has time to take some photos before beating a hasty retreat in hopes of outrunning the snow. When he returns after the storm, the body has disappeared. What initially seems to be a lack of interest on the part of the sheriff soon morphs into a full-blown, high-level warning that Joe keep his nose out of matters that don’t concern him. (As if that could ever happen.) Conspiracies abound, reaching up to the highest levels of state government and involving uber-wealthy absentee ranchers, bitcoin miners and underground militias. There is a lot going on, but Box keeps all the balls in the air, culminating in an ending sequence that’s pure gold and extremely satisfying on multiple levels.

Murder at Haven’s Rock

Canadian author Kelley Armstrong is perhaps best known for her Rockton mysteries, a series of seven books set in the titular village, which is hidden in Canada’s Yukon wilderness and serves as a refuge for those who cannot be effectively protected by the authorities. The Rockton series’ protagonist, detective Casey Duncan, is breaking ground on a similar endeavor with her husband, Sheriff Eric Dalton. Their new village, Haven’s Rock, will differ from Rockton in only one major way: Casey and Eric plan to handpick the residents in hopes of eliminating some of the shortcomings of the Rockton project. But things do not get off to a good start. Murder at Haven’s Rock, the title of the new book, says it all. It starts when a couple of construction crew members break the cardinal rule—Do Not Venture Out Into The Forest—and never return. Casey and Eric launch a search for the missing workers but instead find the body of an unknown woman who has been stabbed to death. Just like Armstrong’s Rockton series, Murder at Haven’s Rock is an immediately intriguing mystery populated by well-drawn characters. It’s certainly accessible as a standalone read, but I wouldn’t be surprised if readers new to Armstrong immediately seek out her previous books after finishing this superb series starter.

The Cliff’s Edge

The mother-and-son writing team known in the publishing world as Charles Todd (the mother of which, Caroline Todd, died in 2021) boasts two hit series, each set in the years immediately following World War I. The first features Inspector Ian Rutledge, a cop haunted by the ghost of a wartime casualty, and Todd began the second in 2009, a spinoff series centered on Bess Crawford, a former combat nurse marked by her own war experience. As the 13th installment, The Cliff’s Edge, opens, Bess accepts a temporary nursing position to care for a wealthy woman after a surgery. While she is on duty, a tragic accident takes place nearby: Two men, Gordon Neville and Frederick Caldwell, fall from a rocky outcropping, with Frederick dying from his injuries. But things take an ominous turn when it is revealed that the two men shared a contentious past and that Frederick’s injuries seem inconsistent with his fall. It falls to Bess to care for Gordon, who has a dislocated shoulder and a badly broken arm, and she finds herself drawn into the mystery of what actually transpired at the cliff’s edge. Both men’s grieving and angry family members complicate the situation, as does a local cop bent on pinning a murder on Gordon. As is always the case with the Bess Crawford books, the writing is perfectly evocative of the period; the conversational style, relationships and manners are all very “Downton Abbey”-esque, making for an exceptionally pleasurable ride to the ultimate reveal.

Batten down the hatches—Serge Storms is back. Read our review of Tim Dorsey’s absolutely wild Florida-set caper in this month’s Whodunit column.
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You Know Her

Meagan Jennett’s You Know Her is a crackerjack debut thriller. A book about a serial killer is not necessarily notable; there are many of those on the racks at bookstores. Books about female serial killers are in somewhat shorter supply, and a book in which said female serial killer is a narrator is fairly unusual. But here’s the kicker: You kinda want her to get away with it. Our soon-to-be-murderer Sophie Braam is a bartender when You Know Her begins. She has seen it all, and most of what she has seen has not been pretty. And then one day, a minor grievance becomes the proverbial backbreaking straw. A stolen glass of wine should not be a death sentence, you might argue, but if you had that argument with Sophie, there’s a good chance she would bring you around to her way of thinking. Sophie’s new best friend (although it is a somewhat guarded friendship) is police officer Nora Martin, one of the investigators of the first of Sophie’s murders. Nora has also seen it all, or so she thinks, but nothing can really prepare her for Sophie. Which brings us to kicker number two: You also kinda want the skillful, hardworking Nora to solve the murders. She deserves a big win to help her rise to the rank of detective, which would be a reward to be savored in her toxic, good-ol’-boy, small-town police department. Only one can win—let the games begin.

The Last Heir to Blackwood Library

Hester Fox’s The Last Heir to Blackwood Library contains romance, fantasy, the occult and religious zealotry gone off the rails; in short, it’s not your standard whodunit. However, fans of supernaturally tinged mysteries from authors such as T. Jefferson Parker and John Connolly will be intrigued by this historical spin on the subgenre, and other readers will be enticed by Fox’s first-rate writing, which is engrossing from page one. In 1927 London, the fortunes of one Ivy Radcliffe have radically changed. One day, she is sharing a drafty bed-sit apartment with her best friend and living hand to mouth. The next day, she is anointed Lady Hayworth, complete with manor house, staff, motorcar, income and a couple of handsome potential suitors. However, the solicitor who informed Ivy of her windfall neglected to tell her about the previous title holders, all of whom met with a premature and mysterious death. The Last Heir to Blackwood Library hews more closely to the mystery and suspense genre than to any other, I would say. And even though it’s more of a “whatdunit” than a whodunit, mystery readers of all types will enjoy it.

So Shall You Reap

There are series that readers return to again and again for nonstop action or a “ripped from the headlines” vibe. And then there are series that readers devour because the protagonist is a person of evident strength of character. Martin Walker’s Chief of Police Benoit “Bruno” Courreges, for example, or Louise Penny’s Chief Inspector Armand Gamache. Donna Leon’s Commissario Guido Brunetti would emerge close to the top of any such list as well. As So Shall You Reap opens, Leon’s Venetian sleuth visits a lovely, albeit somewhat neglected, old palazzo to inquire for a friend as to whether the property is for sale. A Sri Lankan man answers the door and informs him that the house is not on the market. It will not be their last interaction: The following evening, Brunetti will identify the man’s body after it is pulled from a canal. The subsequent investigation unearths inflammatory political screeds both from Sri Lanka and Italy in the man’s personal effects, which seem to be at odds with his devout Buddhism and calm demeanor during his interaction with Brunetti. It tosses Brunetti’s thoughts back to his time at university, when he was somewhat more radical in his politics than he is now as a world-weary policeman approaching retirement age. Italy in Brunetti’s younger days was plagued with bombings, kidnappings and murders, some of which are still unsolved. But one of them is about to be solved, in part by the dogged persistence of Brunetti, and in part by the almost humanlike persistence of a dog. This is the 32nd book in the series, and if it is your first Commissario Brunetti mystery, you will most likely turn immediately to the other 31.

Heart of the Nile

Although many readers regard Will Thomas’ Barker & Llewelyn mysteries as an homage to those starring Sherlock Holmes and Dr. Watson, I would suggest that they more closely resemble Rex Stout’s Nero Wolfe and Archie Goodwin mysteries. In both cases, the main sleuth’s assistant is the narrator, with both Goodwin and Llewelyn taking a decidedly tongue-in-cheek tone, especially in regard to the vicissitudes of their curmudgeonly senior partners. Both teams regularly run circles around the cops, be it NYPD or Scotland Yard, engendering awe (occasionally) and annoyance (much more regularly). Thomas’ latest mystery, Heart of the Nile, is the 14th installment in the series. It deals with the discovery of a mummy in the British Museum’s collection of ancient artifacts, the treasure trove of looted antiquities fondly known as “England’s Attic.” This particular mummy, however, may be the remains of Egypt’s most famous queen, Cleopatra. Supporting that notion is an immense uncut ruby laid in the chest cavity once occupied by her heart. The ruby disappears, people start to meet untimely and violent deaths, and Cyrus Barker and Thomas Llewelyn are summoned to unravel the mystery. This is an exceptionally entertaining series, jampacked with Victorian arcana and 19th-century London history, anchored by the quick wit and pithy observations of narrator Llewelyn.

In this month’s Whodunit column, Meagan Jennett’s crackerjack debut thriller tracks that doomed friendship. Plus, read all about the latest Commissario Brunetti mystery.
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Blood Will Tell by Heather Chavez zeroes in on the complicated relationship between Frankie Barrera and her younger sister, Izzy. Frankie always stands by her sister, even when Izzy makes questionable decisions, but things change when Frankie is wrongfully implicated in a child abduction case—a crime that may involve Izzy. When a dark incident from the past resurfaces, Frankie is forced to face difficult truths and the sisters’ bond is tested to its breaking point. Enriched by themes of family, duty and commitment, this captivating thriller will spark lively dialogue among readers. 

Rita Todacheene, the protagonist of Ramona Emerson’s Shutter, is a crackerjack forensic photographer with the Albuquerque, New Mexico, police. Brought up on the Navajo Nation Reservation by her grandmother, Rita has become disconnected from her past, in part because the ghosts of crime victims torment her. While Rita is photographing a suicide case, the victim’s ghost reveals that she was murdered and urges Rita to find the culprits. Things take a dangerous turn when Rita is targeted by a violent cartel. A multilayered work of crime fiction, Shutter will electrify readers. 

In Dervla McTiernan’s The Murder Rule, Hannah, a law student at the University of Virginia, lives with her troubled mother, Laura. Hannah works for the university’s chapter of the Innocence Project, researching cases in which people were convicted of a crime but maintained their innocence. As the novel unfolds, McTiernan incorporates entries from Laura’s diary that describe the death of her lover years ago, with a connection between that incident and a case Hannah researches adding a chilling twist to the narrative. Book clubs will find plenty to discuss in this complex novel, such as the difficulties of true justice and the nature of memory. 

Chris Pavone turns up the tension in the compelling Two Nights in Lisbon. During a trip to Lisbon, Portugal, Ariel’s younger husband, John, vanishes without a trace, leaving her alone in a strange country. John can’t be reached by phone, and the authorities are unable to find him. Frantic and frightened, Ariel comes to realize that John himself is a mystery, and his disappearance draws her into a web of danger. A consistently suspenseful tale, Two Nights in Lisbon explores the secrets that can separate husband and wife

Bring some suspense to your reading group with these impossible-to-put-down titles.

S.A. Cosby’s All the Sinners Bleed is at once a gripping character study and a darkly compelling example of Southern noir. As in his previous critically acclaimed novels (My Darkest Prayer, Blacktop Wasteland and Razorblade Tears), Cosby delves into the history, heart and hypocrisy of his home state of Virginia with anger and grace.

Titus Crown has an impressive resume: star quarterback of his state championship-winning high-school football team; top of his class at the University of Virginia and Columbia; standout FBI agent for 12 years. In 2016, he was elected the first-ever Black sheriff of Charon County, Virginia, where he grew up. It’s an experience he describes as being similar to living “in a no-man’s-land between people who believed in him, people who hated him because of his skin color, and people who believed he was a traitor to his race.”

Alas, the one-year anniversary of Titus’ election is marked not by celebration but by fear and grief, thanks to a shooting at the local high school. A young Black man named Latrell kills Mr. Spearman, a beloved white teacher. After a tense standoff, Latrell is dead, too, shot by Titus’ deputies.

Soon Titus learns that this shocking and seemingly inexplicable event is the tip of a truly horrifying iceberg. He was already well aware that “the ability of one human to visit depravity upon another was boundless as the sea and as varied as there were grains of sand on a beach,” and that belief holds true: Over the course of his investigation into the shooting at the school, Titus discovers that a serial killer who preys on Black children has been living among the close-knit Charon County community for years.

As he and his deputies race to catch the killer, Titus must also contend with neo-Confederates determined to march through Charon’s annual Fall Fest, persistent political pressure and his own personal struggles. Unresolved trauma and uneasy relationships with his father and brother peck away at Titus’ equanimity as he strives to protect the citizens of Charon County while reckoning with the pain of his past.

All the Sinners Bleed is a nerve-jangling, thought-provoking, often heartbreaking read, but also one that reminds readers “there was beauty in the world . . . if you knew where to look. It was there if you were brave enough or foolish enough to seek it.”

S.A. Cosby’s All the Sinners Bleed is a nerve-jangling, thought-provoking, often heartbreaking read that follows the first Black sheriff of a rural county in Virginia.
STARRED REVIEW
May 23, 2023

Readers’ Choice: Best Books of 2023 (so far)

The best books of 2023 (so far) as determined by BookPage.com readers include the latest from Abraham Verghese, Kate Morton, Jenny Odell and Ann Napolitano, as well as a remarkable debut from Margot Douaihy.
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Book jacket image for Death Comes to Marlow by Robert Thorogood

Death Comes to Marlow

This engaging cozy mystery is an homage to Agatha Christie with a trio of warmhearted friendships at its core.

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Book jacket image for The Great Reclamation by Rachel Heng

The Great Reclamation

The prose in Rachel Heng’s second novel is alive. Each character is rich with complexity and depth, each snapshot brimming with imagery.

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Book jacket image for A Sinister Revenge by Deanna Raybourn

A Sinister Revenge

Deanna Raybourn’s masterful balance between romance and mystery makes A Sinister Revenge a standout entry in an already excellent series.

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Book jacket image for Saving Time by Jenny Odell

Saving Time

Many writers have imitated Jenny Odell’s unique style since the publication of How to Do Nothing, but Saving Time proves that no one can do Odell like Odell.

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Book jacket image for The White Lady by Jacqueline Winspear

The White Lady

Historical mystery readers searching for a complex main character will admire the uncompromising storytelling of Jacqueline Winspear’s The White Lady.

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Book jacket image for Scorched Grace by Margot Douaihy

Scorched Grace

Scorched Grace is an entertaining and devastating mystery that introduces Sister Holiday, a queer nun with a clever, curious mind and a fatalistic yet somehow still hopeful heart.

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Book jacket image for Hello Beautiful by Ann Napolitano

Hello Beautiful

This bighearted domestic novel from the author of Dear Edward reaches comforting highs and despairing lows as it sharply examines the many ways that families pull each other together and apart.

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Book jacket image for Homecoming by Kate Morton

Homecoming

One of the delights for readers of a mystery is picking up little crumbs of evidence along the way. As Homecoming gallops toward its close, you may think you know what’s coming, and the foreknowledge is both ghastly and thrilling.

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Book jacket image for The Stolen Heir by Holly Black

The Stolen Heir

This highly anticipated spinoff to Holly Black’s bestselling Folk of the Air trilogy offers a tale deliciously wrought with mistrust and longing.

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Book jacket image for The Covenant of Water by Abraham Verghese

The Covenant of Water

Abraham Verghese, probably the best doctor-writer since Anton Chekhov, upends all of our expectations again and again in his long awaited follow-up to Cutting for Stone.

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Recent Features

The best books of 2023 (so far) as determined by BookPage.com readers include the latest from Abraham Verghese, Kate Morton, Jenny Odell and Ann Napolitano, as well as a remarkable debut from Margot Douaihy.

Blood Sugar by Sascha Rothchild

Promising Young Woman meets “Dexter” in this highly suspenseful and strangely empowering thriller from an Emmy-nominated screenwriter.

Blood Sugar jacket

The Cage by Bonnie Kistler

Part locked-room mystery, part legal thriller, The Cage is tailor-made to be read in one breathless session.

The Cage jacket

Geiger by Gustaf Skördeman

Geiger is a truly excellent first novel: deeply researched, painstakingly crafted and thrilling on every page.

Geiger jacket

The Half Life of Valery K by Natasha Pulley

With unexpected twists, a paranoid atmosphere and a fascinating narrator, The Half Life of Valery K is a superb work of historical fiction and an excellent mystery.

The Half Life of Valery K jacket

Lavender House by Lev AC Rosen

Mystery lovers will be thoroughly entertained by this thoughtful noir that examines midcentury LGBTQ+ life through a cast of dynamic characters.

Lavender House jacket

Little Sister by Gytha Lodge

A teenage girl covered in blood interrupts Detective Chief Inspector Jonah Sheens’ afternoon pint—and Gytha Lodge’s mystery only gets more unpredictable from there.

Little Sister jacket

Sometimes People Die by Simon Stephenson

Simon Stephenson’s darkly hilarious Sometimes People Die harks back to classic English satire a la Kingsley Amis or Evelyn Waugh—just with more murder.

Sometimes People Die jacket

Winter Work by Dan Fesperman

Dan Fesperman’s intense post-Cold War mystery savvily addresses both the personal and political pressures facing an East German spy.

Winter Work book cover

The Woman in the Library by Sulari Gentill

Readers are treated to an inventive and expertly crafted mystery-within-a-mystery in Sulari Gentill’s The Woman in the Library.

The Woman in the Library jacket

You’re Invited by Amanda Jayatissa

This thoroughly satisfying and beautifully plotted thriller deconstructs the trope of the crazy ex-girlfriend.

You're Invited jacket

Discover more of BookPage’s Best Books of 2022.

2022 was a year marked by meta mysteries, Cold War thrillers and complicated women.
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The Double Agent

The problem with being a double agent is that if you put a foot wrong, there is always someone ready—even eager—to kill you. In the case of Alexsi Ivanovich Smirnoff, the situationally heroic hero of William Christie’s The Double Agent, there are not two but three agencies poised to be either his savior or his executioner, depending on their mood and the day of the week: the Brits, the Germans and the Russians. It’s 1943, and the slippery spy has been captured in Iran by the British, who promptly recruit him to infiltrate the German forces in Italy. His exploits amid the Vatican and members of the Italian aristocracy are particularly dicey and well rendered, and as Alexsi makes his way across the European theater of the war, he becomes entangled in and surreptitiously shapes real-life events, such as the assassination attempt on Winston Churchill. Alexsi is an engaging character despite being self-serving to the max; in his defense, if he wasn’t so consistently out for number one, he would have been summarily executed ages ago. Although it is not strictly necessary to read Christie’s first novel starring Alexsi (2017’s A Single Spy), after reading The Double Agent, you will surely want to. I would suggest tackling them in chronological order for optimal reading enjoyment.

How to Survive Everything

The first line of Ewan Morrison’s How to Survive Everything grabs readers by the throat: “I’m still alive, and if you’re reading this then that means you’re still alive, too. That’s something.” The Scottish writer’s thriller is set in the not-too-distant future, where rumors abound of a new disease that far outstrips COVID-19. Narrator Haley Cooper Crowe is an outspoken and plucky 16-year-old girl. (“Hold on . . . If you’re reading this, it’s also possible I’m dead. . . . If you found me lying there dead, I hope I wasn’t too gross.”) Haley’s family is a microcosm of modern-day political discord vis-a-vis pandemics. Her father, Ed, is a survivalist, a gun-toting libertarian determined to protect his family; her mother is a pandemic denier who accuses Ed of being an alarmist who’s ready to jump on any bandwagon that promises impending apocalypse. Long story short, Ed, convinced another pandemic is about to begin, kidnaps Haley and her younger brother, Ben—and then the troubles really begin. Morrison seamlessly channels the voice and attitude of a teenage girl: Haley is by turns insightful, hilarious, cynical and, like many teens, wise beyond the perceptions of those who surround her. How to Survive Everything is a spot-on fable for the pandemic era. Or, perhaps, it would be more accurate to regard it as a textbook.

A World of Curiosities

Reviewing Louise Penny gets more difficult with each new installment of her Chief Inspector Gamache mysteries, because each of her books improves upon the body of work that precedes it. One can advance that opinion a limited number of ways before it becomes severely repetitive. Nonetheless, the latest case of Armand Gamache, A World of Curiosities, is another superb achievement. The title refers to “The Paston Treasure,” a real-life painting by an anonymous Flemish artist that shows off the eclectic collecting habits of the Paston family in 17th-century England. The painting is housed in Norfolk, England, so it is something of a surprise when a full-scale replica of it turns up in a walled-in room in Gamache’s quiet Three Pines village in Quebec. And it’s even more of a surprise when the replica appears slightly different from the original, featuring collectibles that had not even been conceived of at the time the artwork was created. And then the murders begin, with the key question being what connection they could possibly have to the recently discovered painting. The reappearance in town of a young man and woman whose mother was brutally murdered a decade before complicates matters further. Penny weaves together all these narratives—the series of modern-day killings, the decade-old bludgeoning murder and the haunting artwork that has remained shrouded in mystery across the centuries—with a master’s deft hand.

Secrets Typed in Blood

Some of the giddiest delights experienced by mid-20th-century suspense aficionados were summoned forth by author Rex Stout in his mysteries starring grumpy armchair detective Nero Wolfe and his smart-alecky assistant/biographer, Archie Goodwin. Stout died in 1975, and with the exception of tributes in print and on screen, Nero Wolfe and Archie Goodwin passed away with their creator—until 2020, when Stephen Spotswood’s Fortune Favors the Dead introduced readers to brilliant sleuth Lillian Pentecost and her stalwart assistant, Willowjean “Will” Parker. While not an intentional homage to the Nero Wolfe mysteries, the Pentecost & Parker series will thrill fans of Stout’s iconic characters. They share a 1940s New York City setting, and the dynamic between the central characters is very similar; the biggest change is simply that Spotswood’s duo is composed of two women, with one of them, Will, being gay. In the latest installment, Secrets Typed in Blood, the canny pair takes the case of Holly Quick, a pulp magazine writer who thinks that someone is committing real-life murders that mimic her stories, down to the smallest detail. The tension ratchets up dramatically when the latest killing mirrors a story that Holly has not even published yet, thus shrinking the suspect pool considerably. I was a huge fan of the Nero Wolfe series and am on my way to becoming as big an admirer of the Pentecost & Parker mysteries.

Inspector Gamache is back, and author Louise Penny has crafted a truly haunting case for him to solve. Read our review in this month’s Whodunit column!
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Secluded Cabin Sleeps Six

If I had to sum up Lisa Unger’s Secluded Cabin Sleeps Six in 10 words, I would say “Cast of ‘Friends,’ dark and stormy night, soundtrack by Disturbed.” This friend group is much more disturbed than Ross, Chandler, Monica, et al., but there are parallels: a sister/brother pair; a female friend from the past; some canoodling that is, shall we say, detrimental to the group dynamic. Siblings Hannah and Mako are celebrating Christmas at their parents’ house when their father finds an unusual gift under the tree: DNA genealogy kits for the whole family, from an anonymous Santa. A few months later, when Hannah, Mako, their respective spouses and another couple head up to a remote cabin to unplug, the other shoe drops. Some of them did the kit and were unexpectedly proven to be the progeny of the same man, and they are not happy to know who (and what) their biological father was. Secrets abound in this psychological thriller; even the cabin itself harbors a hidden history, giving off unnerving vibes to renters and readers alike. At 400 pages, it’s a long book for a one-sitting read, but you’ll be sorely tempted.

1989

1989 is Val McDermid’s second installment of a trilogy (which this reviewer hopes will become a quadrilogy or even a quintology) featuring Scottish investigative reporter Allie Burns. The series began with 1979, and in the sequel, readers are mired with Allie in the late ’80s, when mobile phones were the size of lunchboxes, when AIDS was ravaging the U.K., when a jetliner was bombed out of the sky over Lockerbie, Scotland, and when the Soviet Union was on the verge of collapse. All in all, not a time to be nostalgic for, and true to form, McDermid spins the tale without a whiff of sentimentality. Allie works for media mogul Ace Lockhart, who bears more than a passing resemblance to newspaper publisher Robert Maxwell (father of Ghislaine, of Jeffrey Epstein-associate infamy): flamboyant, bullying and destined for disgrace. Lockhart, who has a number of business ventures based in the Eastern bloc, senses the upcoming upheaval and sends his daughter to secure his interests in the changing political landscape. When she is kidnapped in East Berlin, Lockhart sends Allie Burns on a rescue mission, and in short order, things careen out of control. You don’t need to read 1979 to hit the ground running with 1989, but you will want to have Wikipedia open to look up all the fascinating historical and cultural moments McDermid references along the way.

Viviana Valentine Gets Her Man

Emily J. Edwards’ Viviana Valentine Gets Her Man is, hands down, this month’s most entertaining mystery. Set in 1950 New York City, it chronicles the adventures of a plucky Pennsylvania country girl, the titular Viviana Valentine. Upon arriving penniless in the Big Apple, Viviana sweet-talks her way into a girl Friday job for Tommy Fortuna, a Philip Marlowe-esque private investigator who calls her dollface. But after Tommy goes MIA and a dead body is found on his office floor, Viviana is forced to take the helm of the agency, clear Tommy’s name and crack the case he was working on. Whatever she lacks in experience, Viviana more than makes up for with her in-your-face attitude, wicked sense of humor and snappy one-liners. Her friends and acquaintances include high society debutantes, models, mobsters, cops both arrow-straight and morally flexible and a host of other ’50s types that would slot neatly into a black-and-white detective film. Edwards nails the tone, with dialogue and milieu evocative of classic noir, and presents the era warts and all: conversations that are a bit politically incorrect; men behaving toward women in ways that are borderline or flat-out predatory; and a towering amount of smoking and drinking.

The Devil’s Blaze

In the same fashion that Sean Connery is the quintessential James Bond for many cinema aficionados, Basil Rathbone is widely regarded as the definitive silver screen Sherlock Holmes, even though the most famous films in which he took on the role are not set in the original Victorian and Edwardian eras but smack in the middle of World War II. Author Robert J. Harris expands upon those midcentury films with his Sherlock Holmes in WWII series, the second volume of which (after 2021’s A Study in Crimson) is The Devil’s Blaze. The Germans have developed a truly insidious weapon to use against their English adversaries, a death machine of some sort that causes people to spontaneously erupt into flames. As usual, there are only two people in England clever enough (or devious enough, depending on your point of view) to approach a mystery of this magnitude: Sherlock Holmes (natch) and his longtime archnemesis, Professor James Moriarty. There is certainly no love lost between the pair, but they are forced to forge an uneasy alliance to try and save England from this terrifying new weapon. Harris never lets readers forget that this is a Sherlock Holmes novel, with the narrative turning on a dime—or a twopence, if you prefer—such that only an experienced fishmonger would be able to sort through all the red herrings. Holmes is as cerebral and arrogant as die-hard fans would expect, and Watson hews closely to actor Nigel Bruce’s portrayal in the Rathbone films: thoughtful, taciturn and usually a step behind his mentor. And Moriarty, well, he should be giving TED Talks on the subject of villainy.

Lisa Unger will make you think twice about dabbling with DNA ancestry kits, plus Val McDermid returns with a new Allie Burns novel in this month’s Whodunit.

There comes a time in every hit man or woman’s life to hang up the garrotte and stow away the guns. The assassin protagonists of these books are understandably world- and work-weary, but old habits die hard when you’re a killer for hire.

It’s impossible not to like Billie, Mary Alice, Natalie and Helen, even if Deanna Raybourn’s Killers of a Certain Age makes it abundantly clear that the quartet could easily kill someone and get away with it if they so desired. After all, they’ve done just that many, many times during their 40-year careers as elite assassins for an international organization called the Museum.

The women are smart and funny, each with a specialty (poison, bombs, weapons) and all with extensive training in planning and carrying out assassinations. As Billie quips, “Our job is to eliminate people who need killing.” So it’s quite a shock when, before they’ve even had a chance to enjoy the all-expenses-paid retirement cruise arranged by the Museum, the women realize someone has decided that they need killing—someone who just might be on the board of their former employer. The women take a moment to indulge their anger like any longtime employee would (“We’ve given forty years to those assholes and this is how they repay us.”) and then surge into action, joining forces to figure out who’s after them and why.

Raybourn, an Edgar finalist and bestselling author of the Veronica Speedwell historical mystery series, has created a group of protagonists who are as reliably charming as they are impressively badass. It’s fascinating to follow along as they map out routes, create disguises, work their connections and improvise weapons. They handle it all with practiced aplomb, even if they occasionally groan with aggravation after battles to the death leave them feeling achier than they used to. But the four “avenging goddesses” are also able to use sexism and ageism to their strategic advantage, given that the combo renders them virtually invisible.

Ingenuity and instinct combine with deadly determination in this memorable thriller that celebrates friendship, ponders the meaning of loyalty, and offers plenty of action-packed entertainment among all the, well, killing.

In contrast to the ladies’ collaborative approach, there can only be one top-notch killer in the world of Seventeen. Screenwriter John Brownlow’s debut novel gives that number one spot to his brashly confident narrator, a man known only as Seventeen.

To achieve assassin supremacy, you must kill your predecessor—but Sixteen suddenly disappeared eight years ago. He’s the first assassin in 100 years to have done so, making Seventeen the only one who hasn’t truly earned his spot, according to his handler (who, of course, goes by “Handler”). Seventeen’s a consummate professional nonetheless, with a practical approach to his work: “I’m not saying what I do is a public service exactly, but actions have consequences.”

Now, though, it seems Seventeen himself may have begun to suffer the consequences of his chosen career path. After a multitarget assignment gets a bit messy, and he completes two subsequent jobs in Berlin without his usual finesse, he worries he might be losing his touch, and it seems like Handler might agree. When he informs Seventeen his next job is to find Sixteen and take him out, Seventeen’s hunch intensifies. Can he find and finish Sixteen before Handler sends someone else to finish him, too?

Brownlow’s snappy prose and brief chapters will have readers eagerly flipping the pages. Sixteen may be off the grid, but he’s not going to be off his game: He’s too smart to let his guard down, and he’s got 20 years of experience on Seventeen. As the ultimate showdown nears, compelling secondary characters add to the darkly humorous fun, intense action scenes amp up the suspense, and Seventeen reflects on the tragic childhood events that set him on his ruthless career path. That exploration of the far-ranging effects of trauma, as well as forays into geopolitics and governmental corruption, bolster the cleverly constructed, propulsive thrill ride that is Seventeen.

Can an assassin ever truly retire? The characters in these two thrillers are about to find out.
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international mysteries
STARRED REVIEW

July 2022

6 thrilling international mysteries

Have your passports and alibis ready—your ultimate summer getaway awaits.

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When something seems too good to be true, it probably is. In her U.S. debut, Miss Aldridge Regrets, British author Louise Hare illustrates that idea with deliciously suspenseful, Agatha Christie-esque results. 

The year is 1936, the place is Soho, London, and the star of the show is 26-year-old Lena Aldridge. She has a regular gig at the Canary Club, owned by sleazy criminal Tommy Scarsdale. When she’s not singing, she goes on dates with her married lover and tries not to think about how much she misses her late father, Alfie.

Every day, Lena wonders: Will her big break ever come? The future’s looking bleak, but then a stranger named Charles Bacon appears with an astonishing proposal. His employer, an old friend of Alfie’s, is offering Lena a role in his Broadway play, and he’ll pay for first-class passage to New York City aboard RMS Queen Mary. Lena is thrilled and trepidatious, but then her boyfriend dumps her. And then Tommy’s murdered. After deciding that fate is urging her to exit stage right, Lena sets sail. 

Readers will be enchanted by the period charm of Hare’s ocean liner setting and will swoon as Lena gets to know Will, a Black musician. Will notices right away that Lena is also Black, even though she’s been successfully passing as white for years. Lena knows that being Black will be even more of an issue in America than it was in England, a big change she’s not sure she’s ready for.

She’s also not ready for what happens on the Queen Mary: Someone murders one of the Abernathys, a wealthy family that Charles insisted Lena spend time schmoozing. As the ship glides across the Atlantic, its posh sheen gradually dulls in the wake of destructive secrets and even more murders. Everyone’s a suspect, and the red herrings pile up as an alarmed Lena thinks, “I felt as though I were trapped inside my own detective novel.” Readers will enjoy playing sleuth, racing to figure out who did it, how and why, even as they ponder the ultimate question: Will Lena survive the trip to New York unscathed?

Miss Aldridge Regrets' 1930s ocean liner setting will enchant mystery readers even as author Louise Hare seeds disquiet and red herrings amid all the glam.

Daniel Nieh’s Take No Names is a blast from start to finish, a classic crime thriller that shifts into an over-the-top action romp.

Chinese American Victor Li is keeping a low profile in Seattle after being wrongfully accused of killing his father, who secretly worked for a Chinese criminal syndicate (the plot of Nieh’s 2019 debut, Beijing Payback). Drinking buddy Mark Knox recruits Victor to his security tech business for Victor’s computer skills and ability to speak Chinese and Spanish. But it’s not long before Mark enlists Victor in a lucrative side job: breaking into a government storage yard to steal and then sell unclaimed items seized from deported immigrants. It’s on one of these ventures they discover a painite, a rare gem worth a cool $250,000. The pair smuggle the gem to a buyer south of the border, where they are soon embroiled in a scheme by a U.S. military contractor to derail construction of a new Chinese-built airport in Mexico City.

Along the way, the two men form uneasy alliances with Victor’s estranged sister, Jules, and Sun Jianshui, who once worked for the same criminal syndicate as Victor’s father—and was the person who actually killed him. The interactions among all four main characters lead to both humorous and emotionally charged moments as they try to worm their way out of the mess they’ve gotten themselves into. Victor and Mark are particularly likable, a pair of outcasts who have forged a unique and unexpected friendship.

Nieh, who has lived in the United States, China and Mexico, maintains a steady balance of humor, action and thrills, while also making some barbed commentary on American capitalism and Chinese globalization. The twists and turns come often, keeping the intrepid Victor and Mark on their toes as they run for their lives from one chapter to the next. What starts as a Joe R. Lansdale-esque crime thriller morphs halfway into an espionage caper à la Mission Impossible. If it sounds a bit over the top, it is—but that’s what makes Take No Names such an irrepressibly fun read.

Daniel Nieh's Take No Names is a blast from start to finish, a classic crime thriller that shifts into an over-the-top action romp.

What better to read on a hot summer day than a chilling thriller set in, well, Iceland? In Outside, Reykjavik native and internationally bestselling author Ragnar Jónasson turns the snowy “fjord-indented coastline [and] reindeer-haunted wilderness” of the Nordic island’s eastern highlands into an antagonist just as dangerous to the book’s central characters as the murderer (or perhaps murderers?) in their midst.

At first, there’s no thought of life-threatening peril when four college friends reunite for a woodsy weekend hike to hunt ptarmigan and catch up on one another’s lives. There’s Daniel, an aspiring actor who lives in London; Gunnlaugur, an argumentative lawyer; Helena, an inscrutable engineer; and Ormann, a wealthy tour company owner and leader of their trip.

An unexpected blizzard catches the quartet off guard, its fierce winds and zero visibility sending them into survival mode. Ormann knows of a hut they can hole up in until the worst of the weather passes—but just getting there is onerous as the snow piles higher, the air gets colder and the mostly amateur hikers’ nerves become frayed.

Once they get to the cabin, things get even scarier as frustration transforms into fear and life-or-death decisions are made more difficult by years-old resentments boiling up to the surface. Their paranoia grows in the cabin’s suffocatingly small space as Helena thinks to herself, “Guns, isolation, fear, and uncertainty—they were such an explosive cocktail.”

Jónasson inspires fast page turns via quick cuts among the four characters as they reflect on the past (so many secrets!) and frantically strategize about the present. Mini cliffhangers keep the story humming along; the author doesn’t shy away from ending chapters with lines like, “He had never been so afraid in his life.”

Spare prose and brisk pacing make for an immersive read that’s less about the individual characters and more about what they become when they’re forced together, no longer able to dissemble or hide. Will they work together to save themselves before it’s too late? Can they? Outside is an intriguing study of isolation, claustrophobia and the particular menace to be found in beautiful yet unforgiving terrain.

Outside is an intriguing study of isolation, claustrophobia and the particular menace to be found in beautiful yet unforgiving terrain.
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The Drowning Sea is an atmospheric procedural starring a detective at a crossroads in her life.

Retired Long Island homicide detective Maggie D’arcy is spending the summer in West Cork, Ireland, with her Irish boyfriend, his son and her teenage daughter. They vacation in the picturesque village of Ross Head, but the idyllic trip is cut short when human remains wash up on the shore near their cottage. The body is that of Polish immigrant Lukas Adamik, whose disappearance months earlier led many in Ross Head to assume that he had returned to Poland. But when the police determine that the body was only recently deceased and rule out an accident or suicide, the mystery of where Lukas has been—and what happened to him—consumes the small community.

In addition to that, Maggie’s hostess, Lissa Crawford, asks her to look into the disappearance of her childhood governess, Dorothea. The Crawfords were once the owners of the local manor, Rosscliffe House, which Lissa sold after her family was beset by unfortunate circumstances. Chief among them was her father’s tragic suicide on the cliffs, after which Dorothea vanished. As Maggie investigates what happened to Dorothea, she realizes her case may be linked to the murder of Lukas.

The previous two Maggie d’Arcy mysteries have been set in both Ireland and Long Island, but The Drowning Sea completely immerses readers in Ross Head. Author Sarah Stewart Taylor creates a rich and slightly gothic atmosphere, with the ocean beating against the treacherous, wind-swept cliffs as Rosscliffe House looms over it all. Despite this subtle shift in tone, The Drowning Sea continues the series’ exploration of the inner life of its main character: Maggie becomes increasingly obsessed with the case, her dogged detective work serving as a distraction from the reasons for her retirement and the question of whether to uproot her and her daughter’s lives by permanently moving to Ireland.

The Drowning Sea‘s gorgeous backdrop and stalwart sleuth will satisfy and impress mystery readers, particularly fans of traditional whodunits.

The Drowning Sea's gorgeous setting and stalwart sleuth will satisfy and impress mystery readers, particularly fans of traditional whodunits.
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In Julie Mayhew’s Greek island-set thriller, Little Nothings, little cuts do lasting damage and friendships are as intense and heartbreaking as romantic relationships.

Thanks to her friendless childhood and dysfunctional family, Liv Travers never felt like she belonged. Even getting married to her husband, Pete, and giving birth to a daughter, Ivy, didn’t fundamentally change how she felt. But bonding with Beth and Binnie at a singalong music class for mothers and babies radically shifted her perspective.

So when an interloper comes along and rocks their happy triad, it’s intolerable. The new girl, Ange, is shinier and bossier than Liv’s other friends. Soon she has them all in her thrall, and the vibe shifts from supportive and homey to acquisitive and competitive, like a suburban London version of “Keeping Up with the Kardishians.” Regular group outings now take place at fashionable restaurants with bills totalling hundreds of pounds a pop. Every part of the group’s lifestyle gets an upgrade, and everyone is expected to conform. It’s hard to keep up financially, and even worse, Ange seems to want to run Liv off. Liv is excluded from group events with flimsy excuses, and no one else notices the manipulation. All the “little nothings,” the cuts and insults delivered so casually, add up, and the hostilities increase during an expensive group vacation to the Greek island Corfu. How far will Liv go to protect her found family, and what will she risk?

Rather than follow a chronological timeline, Mayhew uses flashbacks to reveal what pushed Liv and her friends to the brink. It’s an effective, psychologically driven structure, with each flashback being triggered thematically by an event in the present. As the full picture emerges, it’s easy to wonder if any friendship is worth all that drama, especially as neither Beth nor Binnie really seems to have Liv’s back. But to Liv, these women aren’t just friends, they’re soulmates; Mayhew even likens the intimacy of these female friendships to marriage. In a way that’s reminiscent of both Nikki May’s thriller Wahala and the novels of Patricia Highsmith, the intense relationships are vital to the women’s sense of their own identities. Vowing to not be that lonely girl again, Liv in particular hangs on with the fervor of a person in a rocky marriage warding off divorce.

Anchored by a deliciously layered and desperately unreliable narrator, Little Nothings enriches the familiar setup of an intruder shaking up a happy idyll with a compelling, creative structure and distinctive voice. It’s obvious that what Liv needs are better friends and a truckload of therapy, but singular obsessions make for seductive and fun reading, even if the depth of Liv’s interiority makes the other characters look thin and shabby by comparison. A good choice for fans of relationship-driven stories with a sinister edge, Little Nothings hits the same sweet spot as the works of Lucy Foley and Liane Moriarty.

With her Greek-island set thriller, Little Nothings, Julie Mayhew hits the same seductive sweet spot as writers like Lucy Foley and Liane Moriarty.

Nothing ever happens in Ebbing—until one horrific weekend. Local Gone Missing follows a variety of residents in the tiny English seaside town, from an inquisitive cleaning lady with a dark past to vacationers with a secret agenda. It all comes to a head during a chaotic musical festival, one that ends with dual overdoses, a possible murder and a host of spilled secrets. Hopping back and forth before and after the incidents, New York Times bestselling author Fiona Barton spins a tangled web of dirty money, bloodshed and deceit.

For Dee Eastwood, a cleaning woman and wife of a recovering addict, it’s business as usual until one of her clients, the demanding Pauline, asks if Dee has seen Pauline’s husband, Charlie. The retired, formerly wealthy couple are living in a trailer until they have the money to fix up their crumbling estate, and Charlie has been struggling to pay the residential facility fees for his adult daughter, Birdie, who incurred a brain injury after a home invasion decades ago. Meanwhile, Detective Elise King, newly in remission from breast cancer, recalls seeing Charlie pre-disappearance at Ebbing’s first music festival—right before two young people overdosed on drugs of unknown origin. Are the two events related? When Elise finds Charlie’s decomposing body, even more questions arise.

Though Local Gone Missing‘s plot is wonderfully twisty with a surprising and satisfying conclusion, it’s the characters who stand out. Ebbing’s weekenders have their own complex motivations—especially a mild-mannered gay caterer and a middle-age father who are mysteriously connected to each other, and maybe to Charlie as well—but it’s the locals who will really draw readers in. Foremost among them is the compelling and well-drawn Elise, who’s struggling to adjust to life back on the force after returning from medical leave. Her retired librarian neighbor Ronnie, who’s eager to play amateur sleuth and surprisingly adept at sussing out clues, provides much-needed comic relief in this intense story of greed gone terribly wrong. Thanks to Barton’s airtight plotting and impeccable characterization, a minibreak by the sea will never seem relaxing again.

Using airtight plotting and impeccable characterization, Fiona Barton spins a tangled web of dirty money, bloodshed and deceit in Local Gone Missing.

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