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All Children's Coverage

We all have our routines. And while the otherworldly fellow in The Spaceman may have a very different mode of transportation from the rest of us— a super cool silver spaceship—he too has a routine: “I collect soil samples. I label the soil samples. And I file the soil samples. Then I move on to the next planet. And the next.”

The Spaceman is a cute little guy with a smooth pate, googly eyes and an even-tempered demeanor. But when he lands on a planet with huge beautiful flowers and an enormous black bird, his eyes light up and his mouth falls open in surprise because “once in a very rare while, one encounters something special . . . that causes one to forget all about soil samples.” Understandably, he becomes even more expressive when said bird flies off with his spaceship!

As the puckish protagonist gives chase through this strange new landscape, he is aided by a butterfly that takes him on a breathtaking airborne tour. Readers will delight in marveling with the Spaceman at each new discovery, from an inquisitive new dog-friend to the pleasure of play. As the Spaceman realizes this colorful planet is anything but ordinary, his smile grows ever wider.

Randy Cecil has written and illustrated several picture books, including the award-winning Lucy, and provided artwork for over 20 books such as the bestselling And Here’s to You! by David Elliott. In this foray into outer space, Cecil prompts readers to consider the value of making time for the serendipitous and the surprising—as well as the joy of finding a place where you feel truly at home. The Spaceman is a fun book to read aloud, with beautiful oil-on-paper illustrations for readers to contemplate as they make their own discoveries right along with our diminutive hero. It makes a wryly humorous, quietly moving case for prioritizing whimsy, relaxation and friendship.

The latest from author-illustrator Randy Cecil is a fun book to read aloud, with beautiful oil-on-paper illustrations for readers to contemplate as they make their own discoveries right along with our diminutive hero.

Sophia Henry Winslow and her neighbor Sophie Gershowitz are best friends with a lot in common. They both go by “Sophie,” love the color mauve, aren’t big fans of quesadillas and loathe gossip.

And both Sophies, as readers learn in Lois Lowry’s lovely and moving Tree. Table. Book., embody the saying that “age is just a number.” Although Sophie W. is 11 years old, and Sophie G. is 88 years old, they are undoubtedly kindred spirits who “have a true and lasting friendship, a friendship of the heart.”

When young Sophie’s parents explain to her that the elder Sophie has been having problems with her short-term memory—so much so that her son Aaron is considering moving her from their New Hampshire town to an assisted-living facility near him in Ohio—she is devastated. 

But also determined: She’s going to help Sophie G. prepare for cognitive testing so they won’t be separated. After all, “Sophie Gershowitz has taught me many things . . . I am still learning from her. And I think that learning from each other is one of the most important parts of friendship.” 

In order to prepare her friend for acing the most important exam ever, Sophie W. knows just the thing to use as a guide: the Merck Manual medical reference, provided by her friend and classmate Ralphie, whose dad is a doctor. Their precocious 7-year-old neighbor Oliver also joins the endeavor, cheering on the Sophies as they work through a series of exercises.

Lowry, winner of two Newbery Medals for The Giver and Number the Stars, does an excellent job building tension as Aaron’s impending visit—and the prospect of the Sophies’ lives changing forever—looms ever larger. When the test prep unlocks memories of Sophie G.’s childhood in Poland during World War II, Lowry conveys with sensitivity and realism Sophie W.’s sorrow upon realizing that things she’s only learned about in school have had a painful, lifelong impact on her beloved friend. 

Tree. Table. Book. is yet another story from a cherished author that will captivate readers as they reflect on the vagaries of history and the beauty of friendship, which are so poignantly conveyed in this timeless tale.

Lois Lowry’s Tree. Table. Book. will captivate readers as they reflect on the vagaries of history and the beauty of friendship, which are so poignantly conveyed in this timeless tale.
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Brendan Wenzel’s award-winning picture books (Every Dreaming Creature, A Stone Sat Still) invite readers to look carefully at every image. Two Together continues his exploration of perspective, this time through the eyes of a dog and a cat traveling home together. Two Together easily stands alone, but also fits as a companion to Wenzel’s They All Saw a Cat and Inside Cat. With simple rhymes and a rolling cadence, the text follows the animal friends as they walk through the woods, cross a stream and encounter other obstacles before arriving at their cozy home. Dog and cat enjoy different aspects of their journey—one two-page spread shows them caught in a rain shower (which dog appreciates while cat decidedly does not) before they are dried by a breeze and the warm sun (which cat loves and dog barely tolerates). The differences in their experiences are subtle, but readers will love discovering these moments of personality.

Wenzel further encourages close scrutiny through varying the art styles and media used. When readers first meet them, the dog and cat look very similar, both drawn in loose lines and muted shades as they walk toward a pond. But from the moment they see their reflections in the water, the picture book takes off, and for most of the book, the dog appears in a highly saturated, finger-paint style whereas the cat is drawn in scratchy lines of colored pencil. Sometimes a spread is fully divided, with the dog’s smeary boldness occupying the left and the cat’s sharp edges on the right. When they look at a bird, or a frog, or a bear, the creature is drawn as a composite of these contrasting styles. 

But when the dog and the cat look at each other, “two together face-to-face,” their appearances reverse. Suddenly, it is clear: The art is not representing what they look like, but how they see the world! 

While the rhymes aren’t always perfect, the simple sentences and descriptive words paired with vivid images will make Two Together excellent for developing readers.

Readers will love discovering a dog and cat’s moments of personality as they enjoy different aspects of their journey home in Two Together.
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Celebrated Deaf poet Raymond Antrobus originally resisted the idea of writing children’s books because of what he called “snobbery” in a 2021 interview with The Guardian. Thankfully, Antrobus came to see the immense importance of these stories, and released a tremendous debut picture book, Can Bears Ski? Readers will delight at his latest offering, Terrible Horses, which features a protagonist with hearing aids who fights with his older, much cooler sister. 

The picture book form is a wonderful vehicle for Antrobus’ poetry, which shines through each lovely line in the use of poetic devices such as alliteration and repetition. Despite these higher-level literary elements, the narrative is instantly relatable, conveying the tensions of sibling rivalry and all the associated emotions. Declarative sentences combine to form poetic yet authentically childlike stanzas that sing. Though Terrible Horses is not overtly about the Deaf experience, Antrobus provides thoughtful and gentle representation by expressing the little brother’s unique type of isolation. 

Ken Wilson-Max’s whimsical mixed media illustrations unite with Antrobus’ careful word choice to show the explosiveness of the siblings’ fights and the healing power of words as the protagonist retreats to write “stories about terrible horses” in which he is a lonely little pony “that can’t compete / that can’t speak / that can’t sleep.” These stories comfort the young narrator, but they also serve to heal the sibling relationship once his sister reads them and starts to better understand her little brother. The energy of Wilson-Max’s colorful line drawing enhances this rich story, creating the perfect combination for children and their caregivers and storytellers.

Ken Wilson-Max’s whimsical mixed media illustrations unite with Raymond Antrobus’ careful word choice to show the explosiveness of fights between siblings and the healing power of words.

Signs of Hope, the Revolutionary Art of Sister Corita Kent presents readers with the life and art of nun, teacher and artist Sister Corita Kent. Written from the perspective of one of her many students, this vibrant picture book biography depicts the lessons Sister Corita taught about art and the world around us, encouraging her students to see “what everyone else sees, but doesn’t see.” Sister Corita taught the art of the ordinary, found in street signs, billboards and signs at the grocery store. To her, these things are art! 

From her messy and exciting classroom, Sister Corita encourages her students to think outside the box when drawing. With Sister Corita, there is no right or wrong way: There is just art. Always calm and busy, she gathers words clipped from magazines, excited to see what these words might be arranged to say. With her bold works, Sister Corita both celebrates and marches for peace and justice during the anti-Vietnam war movement, and the world begins to notice this “revolutionary nun.”

Mara Rockliff’s text is clever and thoughtful. Caldecott Honor recipient Melissa Sweet uses watercolor, collage and mixed media in colorful artwork that is bold and richly layered, taking inspiration from Sister Corita’s own pop art. Quotes from Sister Corita and quotes she herself found inspiring are interspersed among the illustrations. As this book culminates, the student narrator charges us all to share what we have learned with others. With this final appeal, the handwritten quotes transition to words from Sister Corita’s former students: “She didn’t teach us how to draw or paint so much as she taught us to care.”

Together, writer and artist have created a beautiful book reminding us all “to make art all our lives and to make our lives ART,” just as Sister Corita taught. Signs of Hope is a dynamic and inspiring book for art lovers everywhere.

With thoughtful text from Mara Rockliff and bold artwork from Melissa Sweet, Signs of Hope is a dynamic and inspiring book for art lovers everywhere.
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In some ways, Grant Snider’s Poetry Comics is exactly what you’d expect—a series of short narratives that combine lyrical words with cartoons. But in almost every other way, this collection manages to surprise readers at each turn of the page.

Poetry Comics is loosely structured around seasons of the year, beginning in spring with tadpoles and leafing trees, and wrapping up in winter with snowfall and the boredom of being stuck indoors. But not all the topics of Snider’s poems—which are mostly in free verse but include some rhyming verses—are seasonal in nature. Many are introspective, touching on personal growth and the creative process in ways that will resonate with readers of various ages: “Maybe a moment is a taste— / a pickle’s sour crunch. / If only there were a way / to put it on paper / I could capture a moment / in all its wild power.” A recurring exploration of “How to Write a Poem” addresses frustration and revision before reaching a joyful conclusion.

Most of the poems include one or two figures leaping acrobatically through panels, often interacting with birds, insects, plants, trees and other elements of the natural world. The pen-and-ink illustrations, colored and edited digitally, span a gorgeous range of pastel and more saturated hues (on display to particularly great effect in “Poem for Painting My Room”). At times, the artwork is more conceptual, as in “Best Friends,” which visualizes a friendship via shapes in two different colors, or “Shape Story,” whose creative panel structure might prompt readers to think not only about what makes a poem but about how comics are constructed.

That may be the greatest value of Snider’s creativity-infused collection: Young readers and aspiring creatives who might be daunted by the prospect of writing a traditional poem or drawing a full graphic novel will find in these pages dozens of new models for, as Snider puts it, helping “say things / I never knew were in me.”

Grant Snider’s Poetry Comics are often introspective, touching on personal growth and the creative process in ways that will resonate with readers of various ages.

The title of Laura Bontje’s playful picture book is a palindrome sentence that can be read forward or backward. Palindromes are something that Hannah, protagonist of the delightful Was It a Cat I Saw?, loves: As Bontje tells us, “Anything Hannah could do forwards, she could do backwards too.” Hannah likes palindromes so much that she not only sees them everywhere—she also speaks in them.

Hannah is mostly alone in her palindrome-filled world until she meets a boy who has lost his cat. The feline’s name is Otto, of course! As they search their neighborhood for the missing feline, Hannah finds that her new friend appreciates wordplay just as much as she does. After meeting a variety of people and pets along the way, the two do find Otto, but it then turns out they’ve strayed so far from home that they’ve become lost. Never fear, though: Hannah has a trick up her sleeve to get them home safe and sound. (Astute readers may be able to pick up on the clues that reveal Otto’s journey—and the children’s way home.) Once back home, Hannah finds out her new friend’s name, in a final surprise for readers.

Each palindrome word or phrase is bolded, enabling young readers to easily identify them. Illustrator Emma Lidia Squillari’s muted palette includes gentle pinks, greens and yellows, giving the illustrations a traditional, retro feel. While the two main characters are white, there is some diversity presented in the children and families they encounter on their adventure.

Picture books encouraging wordplay make for fun read-alouds for the preschool crowd, and Was It a Cat I Saw? is an excellent choice for either the home or classroom. Even older readers who consider themselves beyond picture books may still be inspired to follow Hannah and start looking for palindromes everywhere they go.

Picture books encouraging wordplay make for fun read-alouds, and Was It a Cat I Saw? is an excellent, inspiring choice for either the home or classroom.
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With bold, cartoon-style art by illustrator Hatem Aly and delicious rhyming patterns by Omar Abed, The Book That Almost Rhymed (Dial, $18.99, 9780593406380) will immediately grab the eyes and ears of young readers and their caregivers. This picture book is a pure delight, sure to be a huge success at storytimes and bedtimes alike.

In rollicking iambic couplets, The Book That Almost Rhymed tells the story of a young writer proud to read his work aloud until his sister interrupts to alter every perfectly crafted rhyme. For example, what starts with “She ruined every rhyming verse, / so now my story sounds much—” concludes, thanks to his sister, with “MORE MAGNIFICENT!” Each time, the protagonist bravely soldiers on, adapting to the changes and keeping his cool, while Aly’s illustrations adjust accordingly in eclectic and exciting elements ways.

Despite the complexity of their design and the intricacies of layering digital illustrations, Aly keeps the illustrations visually simple and reminiscent of a child’s drawings. Because the rhymes are so tidy, young readers will easily be able to anticipate most of the originally intended rhyming words, which makes it even more fun when the page turns and the sister’s unexpected alterations arrive. Near the end, as the siblings prepare to face their biggest foe yet, the rhymes build the tension beautifully: “At last! They reached the treasure chest, / but something blocked them from their quest—/ the fiercest beast you could imagine! / A vicious, fire-breathing—” but instead of the expected “dragon,” the page turn reveals a surprise certain to result in peals of laughter.

As clever as every line of this book is, perhaps the most impressive part is how Abed blends the frustrations and responsibilities that come with having a younger sibling with immensely creative wordplay, especially as the ending reveals that the sister’s additions weren’t quite as random as they first seemed. In a perfect combination of pictures and text, the siblings work together to save the day, reminding us all of the power of collaboration and spontaneity.

Omar Abed blends the frustrations and responsibilities that come with having a younger sibling with immensely creative wordplay, perfectly matched by Hatem Aly’s exciting, intricate illustrations.

Each night, while the other ghosts are out haunting, Shinbi chooses to instead make tiny flower bouquets and look at the constellations from a rock that makes for a perfect viewing spot. One night she sees a shooting star and decides to follow it. As she chases, she makes a wish: Shinbi wants a friend. When she returns to her rock, she discovers that someone has left a message: “Hi.” Shinbi leaves a note in return: “Are you a ghost too?”

When the light of day arrives, the rock’s shadow stretches on the ground and opens his eyes. Upon finding Shinbi’s response, he quickly writes on a leaf, “I’m Greem. I am a shadow cast from this rock.” 

And so an unlikely friendship begins. Each night, Shinbi leaves a gift or note for Greem. Each day, Greem leaves a gift or note for Shinbi. As their friendship grows, these two friends wish for a way they could finally meet. 

Written and illustrated by Cat Min, The Shadow and the Ghost (Levine Querido, $18.99, 9781646143689) is a heartwarming tale of an unlikely pair doing whatever it takes to make their friendship work. With colored pencil sketching and watercolors, bright and vivid illustrations bring these sweet characters to life. Though Shinbi and Greem have simple designs, Min is able to give both of them personality and expression on every page. Multiple wordless spreads highlight the shifting colors of the sky as time passes, culminating in the friends coming together during a night illuminated with rich and vibrant shooting stars. 

Children will love watching this unlikely friendship bloom, and readers of all ages will enjoy pondering the creative ways friends find to connect. May Shinbi and Greem inspire us all to look up to the stars and wonder who else might be looking at the same sky. Just wish on a star and you might find out!

Cat Min brings two sweet characters to life in The Shadow and the Ghost, a heartwarming tale of an unlikely pair doing whatever it takes to make their friendship work.
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Cece Bell’s laugh-out-loud-funny Animal Albums From A to Z kicks off with a note about how she loves “finding and acquiring old albums, especially those created by animal musicians.” She then proceeds to present with wholehearted dedication and sincerity her collection of (fictional) animal record albums, starting with an armadillo on an accordion and ending with zebras playing zydeco.

In order from A to Z, the recto of each spread features a brilliantly composed album cover with rich colors, indelible characters and track listings, which offer song titles that alone hint at eccentric and enchanting settings and characters beyond what’s featured in the book. 

Lyrics for one song from each album are printed on the verso, and every set is a world of its own containing vivid characters, bizarre story lines and plenty of humor. There’s the armadillo with an “aromatic armpit”; the dramatic love triangle of Bud, Betty and Brad in the form of a barbershop tune sung by beagles; a “teeny tiny teacup toad”; and much more. It’s fortunate that the lyrics to “Whoa, That Weevil Is Weird,” which tell the story of Miss Tanya, who can juggle two fleas and a pea, make the cut for this collection. Expect giggles: Readers will struggle to keep a straight face during lyrics for songs like “Dare I Suggest a Different Deodorant” by Darryl and the Dodo Devilettes; “Edith’s Ensemble Is So Embarrassing” by Ella Fontaine; and “Our Umpire’s Out with an Ulcer” by Ursula Umbrellabird. 

Bell, who received a Newbery Honor for El Deafo, a graphic novel memoir about her hearing loss, demonstrates here that music is for everyone. She covers a wide range of genres: Western swing, surf music, rockabilly, jazz, folk and lots more. Backmatter includes biographies for each animal artist and a QR code that takes fans to recordings of the songs. Animal Albums, which will surely go down as one of the year’s top picture books, is the best kind of weird and wonderful—from A to Z.

Featuring songs with vivid characters, bizarre storylines and plenty of humor, Animal Albums from A to Z is the best kind of weird and wonderful.

Uma Krishnaswami is an author living in Victoria, British Columbia, while Uma Krishnaswamy is a well-known illustrator in Chennai, India. Their names are not their only similarities: Both have an inventive, inspiring approach that makes potentially complex topics fun, child-friendly and accessible. 

Look! Look! is a companion to the creators’ previous collaboration, Out of the Way! Out of the Way!, in which a boy helps protect a young tree. Their new picture book follows a girl in India whose curiosity sparks a remarkable discovery. In between two dusty fields strewn with garbage, the child notices a gray lump. She calls her friends over to look, and together, the children brush away dirt to uncover large stone slabs. With the help of their families and nearby villagers, the site is cleared, the hole is dug deeper, and eventually a long-forgotten well is revealed. At each step in the process, the simple refrain, “Look, look!” helps punctuate the action and move the story forward. The story comes to fruition when rain arrives, bringing more transformation: “The rain had woken deep, sleeping springs, sending fresh clear water bubbling up into the old well.” 

Krishnaswami’s spare, lyrical text is complemented by Krishnaswamy’s bright, decorative palette of vibrant yellows, greens and earthy ochres. White space is used especially effectively. In one spread, plump gray rain clouds float above a patchwork of fields, while in others, small spot art vignettes provide lots of details to look at and discuss.

The back matter note (unlike many) is written with a child audience in mind. Entitled “The Old Well in This Story,” it explains that the well featured in Look! Look! is one of many ancient wells in India, which are now being rediscovered to help combat increasing drought caused by climate change.

Look! Look!’s spare, lyrical text is complemented by Uma Krishnaswamy’s bright, decorative palette of vibrant yellows, greens and earthy ochres.

Allie Millington’s warmly emotional, wryly funny Olivetti is an engaging debut novel about the power of stories. This treasure of a tale offers hope for healing after incredibly hard times. 

It’s been a few years since what 12-year-old Ernest Brindle calls “the Everything That Happened,” which drastically changed his family life. His dad, Felix, disappears into his work; Ernest’s three siblings focus more on hobbies than togetherness; and Ernest memorizes words from his beloved Oxford English Dictionary to soothe his anxiety. He escapes to the roof of Valley View Apartments, where his family used to gather for stargazing, when he’s feeling misunderstood or lonely.

Ernest’s mom, Beatrice, has tried to bring the family closer again, to no avail. Through it all, a dark green typewriter named Olivetti (like the brand) has been silently watching, wishing he could help. “Humans take their mouths for granted,” he thinks. “I would do anything for the chance to say anything.” But it’s typewriter code “to never let what has been typed into us back out.” 

When Beatrice suddenly sells Olivetti to the Heartland Pawn Shop and disappears, Olivetti is as stunned and worried as the rest of the Brindle family. And when Ernest goes to the shop and confesses via typing that he thinks Beatrice fled because of him, Olivetti casts aside the typewriter code and offers his assistance. He’s not the only one: Quinn, the pawnshop owner’s confident daughter, informs Ernest that she’ll help track down his mom, too.

Boy and typewriter take turns narrating the trio’s suspenseful and stressful mission, and Millington uses flashbacks to fill in the contours of the Brindle family’s life and Olivetti’s unusual existence. The author winningly blends magic and realism, poignancy and mystery, as her characters close in on what’s happened to Beatrice, bonding through adversity along the way. Her lovely notion of a typewriter as a repository of secrets and dreams is finely rendered, and she imbues Olivetti’s heavy steel case and clackity keys with compassion and determination. This heartfelt tale movingly explores the beauty and importance of communication—whatever form it may come in—while encouraging readers to welcome the singular joy of finding kindred spirits in unexpected places.

Allie Millington winningly blends magic and realism, poignancy and mystery in Olivetti, a heartfelt tale that movingly explores the importance of communication.
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“Who invented love, anyway?” Elio Solis wonders as he starts to see ultraviolet colors whenever his classmate, Camelia, is around. Eighth grade has been full of changes, both inside, where his emotions run wild, and outside, where it seems like all his guy friends talk about is girls. “The hormones were poppin’ / I mean, everyone was down bad!”

The adults in his life are giving Elio mixed messages about how to be a man: His dad tells him that the Solis way is to be macho and “suck it up,” while his mom is trying to teach him feminist values. Then betrayal strikes, and suddenly the only color Elio can see is red.

Award-winning author Aida Salazar’s previous middle grade novel-in-verse about puberty, The Moon Within, featured a Latina girl. In a letter to the reader, Salazar reveals that Ultraviolet came about because her tween son and his friend asked her to write a similar story that reflected their experiences with “puberty, first crushes, gender and rites of passages” as cisgender Latino boys. And she delivers.

Salazar’s verse is captivating, with the imagery of the text heightening when Elio’s emotions rise. Maintaining a conversational tone sprinkled with mentions of farts and boogers to entertain, she also loads in similes like “A collision of feelings / blisters me / like molten lava” to illustrate the dual nature of being an awkward but thoughtful young person. Goofy pop-culture references, such as a video game called “Mindcrack” (referencing Minecraft), and an alpha male-type social media influencer who is never named, are easily recognizable. 

Commenting on topics that range from patriarchy to colonialism, the internet to peer pressure, and first loves to heartbreaks, Salazar delivers a fully intersectional look at what it means to try to embody masculinity without toxicity. She filled a gap she saw in middle grade literature, and countless readers will see themselves in the pages, regardless of race or gender, but especially Latino boys. 

Commenting on topics that range from patriarchy to colonialism, the internet to peer pressure, and first loves to heartbreaks, Aida Salazar delivers a fully intersectional look at what it means to try to embody masculinity without toxicity.

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