With an emphasis on psychological versus physical terror, Darling Girls is a one-sitting read full of twists and turns.
With an emphasis on psychological versus physical terror, Darling Girls is a one-sitting read full of twists and turns.
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Sally Hepworth’s Darling Girls is a feverish thriller rife with gaslighting and unreliable narrators, perfect for fans of Freida McFadden or Loreth Anne White.

Jessica, Norah and Alicia grew up in the same foster home, Wild Meadows, with a seemingly perfect foster mother, Miss Fairchild. When the novel opens, the now-adult women are all struggling thanks to what they endured in Miss Fairchild’s “care.” But when Wild Meadows is demolished and human remains are found underneath it, the ensuing investigation forces the three sisters to excavate their own complicated memories of what happened there.

Hepworth cannily builds this novel around the understanding that childhood trauma doesn’t always make sense to adult eyes. Each of the sisters’ experiences with Miss Fairchild are horrific in slightly different, almost inconceivable ways, leaving readers feeling like they are participating in some kind of collective hallucination. All three sisters have memories of babies being brought into the home, then disappearing at night. All three claim to have lived with a toddler named Amy—except the only Amy that existed in the house, according to police, was a doll. Hepworth’s deep dives into the point of view of each character keeps things feeling off-kilter and unmoored. As the tale of their spooky and bizarre childhood at Wild Meadows unfolds, we can’t help but wonder if the sisters’ odd experiences are a means of covering up their involvement in something dire. This is a novel where no one can be trusted at their word: Even as adults, the sisters are all still unreliable narrators. Jessica is addicted to Valium, Norah has severe anger issues that manifest as violence and Alicia has buried her past in a way that can only end in crisis. 

Extremely dark without ever showing violence on the page, Darling Girls portrays the horrors of psychological abuse, but the novel also offers catharsis. Jessica, Norah and Alicia survived a horrible ordeal. The discovery of the bones under Wild Meadows is the catalyst for them to be able to tell their story and begin to heal. 

With an emphasis on psychological versus physical terror, Darling Girls is a one-sitting read full of twists and turns.

With an emphasis on psychological versus physical terror, Darling Girls is a one-sitting read full of twists and turns.
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The Mystery Writer

I tend to be skeptical of conspiracy theorists—wait, let me rephrase that: I think most conspiracy theorists are bat-guano-crazy, howl-at-the-moon wingnuts. So it was with some trepidation that I embarked on the reading of Sulari Gentill’s The Mystery Writer. One of the main characters is a dyed-in-the-wool conspiracy theorist caught up in an online matrix of resistance, revolution and heaven knows what else, who is led by a character named Primus, who for all we know may be a 42-year-old who still lives in his mom’s basement. Rent free. But let’s put that aside for a moment, and focus on the protagonist, Theodosia “Theo” Benton. Theo has made her way from Tasmania to her brother’s house in Kansas in hopes of becoming a writer. Against all odds, she befriends her literary idol in a local coffee shop, published author Dan Murdoch, whose presence in the corporeal world is, unbeknownst to him, racing toward a violent close. Oh, also, he may have been the aforementioned Primus. Or not. Conspiracy theories are notoriously flexible that way. But when Theo begins to look into the death of her friend/mentor, she will be forced to come to terms with the real-world consequences of internet rants. Gentill’s follow-up to The Woman in the Library is an original and entertaining read with likable characters (even some of the wingnuts), although it may put me off Kansas for a while.

The Stars Turned Inside Out

It’s been six years since author Nova Jacobs’ debut, The Last Equation of Isaac Severy, hit the bookstands, garnering an Edgar Award nomination for best American debut. And then we waited, and waited some more. I am quite happy to report that her second novel, The Stars Turned Inside Out, is well worth the intermission. Deep underground, in a secret location somewhere outside Geneva, the Large Hadron Collider goes about its business of smashing subatomic particles, allowing scientists to conduct all manner of experiments regarding the nature of the universe. When the body of physicist Howard Anderby is found in one of the tunnels, having apparently been exposed to lethal levels of radiation, security consultant Sabine Leroux is called in to determine the cause. Her investigation unearths several troubling situations that lend credence to the idea that Anderby’s death was not accidental. Sabine conducts interviews with other physicists and staff on-site, volleying scientific jargon back and forth, but it is all clearly explained, never overwhelming and will engender curiosity in the non-scientist reader. In Jacobs’ first book, the murder mystery was overlaid with mathematics; in this book, the murder mystery is overlaid with physics. I live in hope that the next one will feature chemistry or biology, and that I can further my education while doing what I enjoy—reading murder mysteries. 

Cast a Cold Eye

If violence is your cuppa oolong, look no further than Cast a Cold Eye, installment two of Robbie Morrison’s Depression-era, Scotland-set Jimmy Dreghorn series. His first, Edge of the Grave, won the 2021 Bloody Scotland Debut Prize for Crime Novel of the Year and I wouldn’t be surprised if the sequel carries on in that grand tradition. Violent crime in 1930s Glasgow tends to be domestic abuse or the result of gang-related scuffles, with fists, knives or razors as the weapons of choice. So when a boatman is executed with a single bullet to the back of the head, it is a shock. Inspector Jimmy Dreghorn and his sidekick, “Bonnie” Archie McDaid, get the case. The pair is awash in contrasts: Dreghorn is complex and unlucky in love, a John Rebus-like character out of place in the era; McDaid is a onetime Olympian wrestler who employs his martial arts skills to great advantage, often with humor that will be appreciated by readers, if not by his opponents. Morrison paints the Glasgow milieu in somber shades of gray and brown, often water-streaked and more than occasionally blood-streaked as well. The dialog is spot on, which is to say that there is a good case to be made for having a Scots-English dictionary near at hand. If you’re here for the action, the history, the brothers-in-arms camaraderie and a cracking good story, you’ve come to the right place, laddie.

Pay Dirt

V.I. Warshawski returns for her 22nd adventure in Sara Paretsky’s latest mystery, Pay Dirt. In this installment, the PI is not in her usual digs in Chicago, but rather in Lawrence, Kansas. That will not keep her out of trouble, though; she manages to find that pretty much anywhere. This time it’s in the form of Sabrina Granev, a teenage soccer player barely clinging to life after being found in a drug house, and a second woman who was not so lucky—found dead in the same house a few days later. The mystery explores financial greed; closely held family businesses; the mutual back-scratching of corporate interests, politicians, law enforcement officials and jurists; and a bunch of ripped-from-the-headlines points of contention: critical race theory (and ongoing racism in general), the specter of reparations, conspiracy theories, “wokeness” and more. And of course there are a couple of murders, and if the bad guys have their way, they will add Warshawski to that (growing) list. Warshawski remains in top form as she ages; battered some by life, perhaps a bit more acerbic and wryly cynical, but still a keen observer and first-person chronicler. As was the case with the 21 volumes that preceded it, Pay Dirt is unputdownable, a worthy addition to one of the finest series in modern suspense fiction.

Plus, the latest whodunits from Sulari Gentill, Robbie Morrison and Sara Paretsky round out a great month in suspense fiction.

Anyone who thinks we live in a post-racial world clearly hasn’t been paying attention. The highly justified anger over Black pain inflicted by white privilege is undeniable—but what happens when one grieving mother decides to exact revenge? With notes of Hush . . . Hush, Sweet Charlotte and Othello, Sara Koffi’s While We Were Burning is a searing debut with a complex and compelling dual narration that dares readers to question their own perspectives on everyday, casual racism.

In the suburbs of Memphis, Tennessee, Elizabeth Smith’s life looks perfect, but appearances are deceiving. Her marriage is hanging on by a thread, her lifelong struggle with insomnia makes even getting out of bed a challenge, and the other white women around her—including neighbor and co-worker Patricia—don’t feel like real friends. When Patricia is found dead, strung up in a tree while still wearing her Halloween costume, Elizabeth plunges even deeper into despair. Enter Brianna, a stunning and kind Black woman whom Elizabeth hires as her personal assistant, and who quickly becomes a close friend and confidante. But unbeknownst to Elizabeth, Brianna has her own agenda: After the death of her beloved teenage son due to a 911 call from Elizabeth’s neighborhood, she’s out for blood, and she’s certain Elizabeth can get her closer to her goal. Then there’s the unexpected twist of Brianna’s attraction to Elizabeth’s husband . . .

Author Koffi, who hails from Memphis herself, seeks to explore unlikable female characters and “humanize Black women by giving them space on the page to breathe.” Hopefully, this accomplished debut is the first of many books where she will have the opportunity to do just that. Both Elizabeth and Brianna are fully realized women, fighting personal and societal demons and, in Brianna’s case, trying to survive in a world that would rather have her dead, or at least quiet and submissive. Beginning and ending with a bang, with a host of grisly surprises in between, While We Were Burning provokes deep thought and frustration, posing the fervent, urgent question: When will justice truly be served?

Sara Koffi’s While We Were Burning is a searing thriller that dares readers to question their own perspectives on everyday, casual racism.
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In Close to Death, the fifth installment of his meta Hawthorne and Horowitz mystery series, Anthony Horowitz delivers another diabolically complex whodunit, rife with misdirection and murder.

When an obnoxious resident of the ritzy and otherwise close-knit Riverside Close neighborhood is murdered, law enforcement officials are puzzled. The remaining residents of the luxury community immediately close ranks—they all had motive to kill the unlikable Giles Kenworthy. So London officials call on former detective-turned-private investigator Daniel Hawthorne and his partner, John Dudley, to solve the sensational crime. Within weeks, the case is closed. Five years later, writer Anthony Horowitz is getting desperate. He’s written four crime novels with Hawthorne, mostly by following the prickly detective and chronicling his work. Now though, Horowitz has a looming publishing deadline for their next book, but the pair haven’t solved a case in months. He asks Hawthorne to revisit the already-solved Kenworthy case for an easy-to-write, ready-made mystery. But Hawthorne withholds almost as much information as he shares, and Horowitz realizes there’s much more to this case.

Horowitz (the real-life writer, not the character in his books) is a master of intricately plotted and deeply satisfying mysteries, and Close to Death is no exception. This fifth installment in the Hawthorne and Horowitz series is structured very differently than the previous works: Rather than having the fictional Horowitz follow Hawthorne’s sleuthing in real time, the pair are reviewing a long-closed case. Still, Horowitz is in the dark for much of the novel, trying to make sense of Hawthorne’s brief recaps and terse explanations. Horowitz is also deeply curious about Dudley, Hawthorne’s previous assistant. Why did the pair stop working together? Did it have something to do with the Kenworthy murder? Readers will enjoy following Horowitz as he works to unravel the many mysteries that surround this particular case.

Close to Death offers a supremely engrossing and expertly plotted mystery that will challenge and delight even the most well-read mystery fans. Suspects include two former nuns, a celebrity dentist, a landscaper and a chess champion, all of whom have secrets to hide. The clues are there for readers to find, hidden in this Agatha Christie-style mystery. This installment may be the strongest book yet in the superb series.

Close to Death offers a supremely engrossing and expertly plotted whodunit that will challenge and delight even the most well-read mystery fans.
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When she was 8 years old, Hazel Sharp came to Mirror Lake, North Carolina, with her mother, a grifter who, in the span of six years, married the local police detective, embezzled money from her brother-in-law and vanished, leaving Hazel behind. Hazel spent her adolescence balancing relief that her stepfather still loved her with suspicion surrounding her mother’s crimes and disappearance.

After her stepfather dies, Hazel is shocked to learn that he left her his lake house. Her two stepbrothers are similarly stunned and immediately suspicious of Hazel. Her curious inheritance comes with its own mysteries, like lights turning on by themselves, shadowy figures appearing in photos and cryptic messages left behind by her stepfather. Then, Hazel’s world is thrown into even more chaos when a relentless drought causes the murky waters of Mirror Lake to recede and reveal two sunken cars. One of the cars is the vehicle her mother allegedly fled in.

Megan Miranda’s last thriller, The Last to Vanish, danced with adding gothic elements to its remote Appalachian setting. In Daughter of Mine, the bestselling author fully embraces the gloom. The tone is decidedly oppressive, as if a noxious secret is waiting to envelop Hazel and Mirror Lake like a fog. The other residents’ open hostility to Hazel, who was after all just a child when her mother’s embezzlement occurred, doesn’t seem so much unrealistic as it does befitting of the threatening atmosphere. Another chilling element is how Hazel’s stepfather appears to be communicating with her from beyond the grave, both in extremely creepy notes left on the fridge—check the basement, check the crawl space, check the attic—and the fact that he left the house entirely to Hazel rather than his biological children, as if he knew only she can uncover the secrets it keeps. Hazel is something of an unreliable narrator, but not because she’s dishonest: Her memories of the summer her mother disappeared are understandably clouded by the fact that she was only 14 when it happened.

In Daughter of Mine, Miranda commits to her flirtation with the gothic, embracing all things creepy, unexplainable and unreliable as the mystery unravels.

In Daughter of Mine, Megan Miranda commits to her flirtation with gothic elements, embracing all things creepy, unexplainable and unreliable.
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Meddy Chan and her meddlesome family are back in The Good, the Bad, and the Aunties, Jesse Q. Sutanto’s delightful final entry in her bestselling Dial A for Aunties trilogy.

Meddy and her new husband, Nathan, are ending their extended honeymoon with a stop in Jakarta, Indonesia, where they’ll spend the Lunar New Year with Meddy’s extended family. Of course, Meddy’s mom and the Aunties have traveled from America to celebrate, too. The holiday kicks off with a visit from a special admirer of Second Aunt’s—who may or may not be a mafia lord. He brings gifts to woo Second Aunt and the Chans, but accidentally gives away something very valuable, meant for a rival crime boss. Meddy and the Aunties jump into action to retrieve the gift and wind up facing down criminals, kidnappings and rude teenagers in their wildest outing yet. 

You don’t need to read the first two Dial A for Aunties mysteries to follow all the hijinks in The Good, the Bad, and the Aunties, but fans of the series will recognize how much Meddy has grown, especially when it comes to asserting herself to her loving but domineering Aunties. They may frustrate Meddy with their headstrong opinions, but they will delight readers with their often unintentional funny moments. All of the humor is top notch, despite the threats of warring crime lords and kidnappings. It’s touching to see how each Auntie thrives during their return to Indonesia, and Meddy and Nathan’s relationship is another highlight. Nathan is as steady and supportive as ever, despite all the chaos. When the book ends, Meddy’s no longer looking back on all the troubles she and the Aunties have escaped; instead, she’s looking forward to her future with Nathan. 

The Good, the Bad, and the Aunties is a fun, fast-paced read and a satisfying conclusion to the popular series.

With top notch humor and endearing relationships, The Good, the Bad, and the Aunties is a satisfying conclusion to Jesse Q. Sutanto’s beloved series.

Who doesn’t love a pretty village? In these two debut mysteries, rolling countryside, cobbled streets and grand medieval manors create perfectly pastoral backdrops for murder most foul. 

The Antique Hunter’s Guide to Murder

Freya Lockwood is at loose ends: Her ex-husband is forcing the sale of their London home; their daughter, Jade, has left for university; and it’s been years since Freya’s been enthused about anything aside from motherhood. 

She once worked as an antiques hunter alongside her mentor, the debonair and wickedly intelligent Arthur Crockleford. They returned stolen antiquities to their rightful owners, a pursuit both exhilarating and fulfilling. But after a trip to Cairo ended terribly, Freya cut contact. She hasn’t spoken to Arthur or returned to her hometown of Little Meddington in the 20 years since.

As C.L. Miller’s The Antique Hunter’s Guide to Murder opens, Freya’s beloved and fabulous Aunt Carole calls with news of Arthur. He’s been found dead in his Little Meddington shop, and Carole’s convinced he’s been murdered. To add to the emotional upheaval, Arthur left Freya a letter imploring her to find the culprit using cryptic clues he’s set out for her.

The quest begins at an antiques enthusiasts’ weekend at nearby Copthorn Manor. The ivy-covered mansion is set on beautiful grounds, but inside the house, things are far from pretty. The shifty cast of characters present is filled with likely suspects, all of whom are ill-mannered at best and dangerous at worst. Can Freya and Carole untangle the deadly connections between past and present before the killer strikes again?

Miller adds authenticity by name-checking real antiques with help from her late mother, the author and “Antiques Roadshow” expert Judith Miller. Readers will enjoy following the trail of clues alongside Freya and Carole, who must also contend with their conflicting feelings about Arthur. This series kickoff capably combines a treasure hunt, a murder mystery and complex relationship dynamics, and is sure to keep readers curious and engaged, while perhaps pining for their own special antique, too.

How to Solve Your Own Murder

Kristen Perrin’s How to Solve Your Own Murder also centers on amateur sleuths who are aunt and niece. Although in this lively, twisty tale, Great-Aunt Frances is the recently deceased victim, found in the library of her stately mansion in the village of Castle Knoll.

Her 25-year-old great-niece and aspiring mystery novelist, Annie, is present for this sad discovery, being one of the family members and advisors Frances summoned to Gravesdown Hall to discuss her will. But while Frances’ demise is a terrible shock to the group, it wouldn’t have surprised Frances herself: In 1965, a fortuneteller told the then-teenager, “All signs point toward your murder,” and she’s been trying to preemptively solve her own murder ever since.

Castle Knoll residents have long scoffed at Frances’ belief in the prophecy, and bristled at her investigations of their foibles and indiscretions—all of which are detailed on a floor-to-ceiling murder board. That board will come in handy, since Frances left Annie and the other guests at Gravesdown an assignment: Whoever solves Frances’ murder within the week will be the sole heir to her money and property. If the police crack the case first, the estate will be turned over to real estate developers, thus destroying the charm of the village filled with those who doubted Frances.

Those drawn into Frances’ game include Saxon, her nephew and the village coroner; handsome and enigmatic Detective Crane; and Walter, her lawyer and friend. There are secrets and conflicts of interest galore, plus multiple ways to access Gravesdown Hall undetected, making for an absolute pile of red herrings. And while Castle Knoll is “like a picture on a biscuit tin,” there’s plenty of ill intent roiling beneath its delightful surface. Can Annie stay safe and find the murderer before week’s end? 

Perrin juggles characters and clues with aplomb, sketching in the past via teen Frances’ journals and immersing readers in the present through Annie’s determined, good-hearted point of view. Readers will root for her as she gains hard-won confidence in this entertaining exploration of family secrets.

All whodunit fans know that little country towns are really dens of sin.
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The Boy Who Cried Bear

Building on the success of her Rockton series, Kelley Armstrong’s Haven’s Rock series is about a secret town in Canada’s Yukon wilderness, where people fleeing a dangerous situation can hide safely in the company of other, similarly afflicted residents. Think of it as a private witness protection program, with security provided by remoteness rather than hiding in plain sight. The latest installment, The Boy Who Cried Bear, has an absolute doozy of a setup. As you’d expect from the title, one of the residents, a preteen boy, sees a bear while on a hike. Or perhaps a yeti. Or perhaps it is just a tall tale, because he swears the bear had human eyes. But when the boy disappears into the forest, and bear fur is found near where he went missing, the search becomes a race against time to find him before the cold and the wildlife finish him off. His mother remains unconvinced.. She knows her son would not go off into the forest on his own, and she strongly suspects that one of the other members of the community is a pedophile. The truth of the matter is slightly more complicated. OK, a lot more complicated. And dangerous enough that a couple of folks will die violently before it becomes evident.

Hard Girls

J. Robert Lennon’s thriller, Hard Girls, is the story of Jane and Lila Pool, a pair of twins dealt a bad hand in life early on. When they were youngsters, their mother left one day and never came back. There were rumors about her departure, perhaps a clandestine lover or something altogether darker. Their distracted professor father didn’t keep much of a rein on them after that, and in fact paid them as little attention as possible. It wasn’t abuse, exactly, but it was certainly benign neglect. And as is often the case with twins, Jane and Lila were competitors as well as sibs, further egging each other on with each passing year, until one night a series of escalating events culminated in homicide. Justifiable? Arguably, but the actions they took after the fact muddied those waters significantly. They parted company with some recriminations, but with little choice in the matter. And so they remained for quite some time until out of the blue, their missing mother reappears in their lives, leading them on a merry chase across the continent and deep into Central America. I am just scratching the surface here: There are CIA-related complications, deadly expats, car chases, first-rate skulduggery and the weirdly resilient family ties that bind. All in all, Hard Girls is an original, multilayered and quite engrossing thriller.

★ Little Underworld

You could make a case for the prosecution that PI Jim Beely doesn’t mean to murder Vern Meyer in the opening scene of Chris Harding Thornton’s Little Underworld. It would be a hard sell, though, as Meyer molested Beely’s 14-year-old daughter, and Beely does, after all, hold Meyer’s head underwater rather longer than the world record for holding one’s breath. He thinks long and hard about how to dispose of the remains, and finally throws the body into the backseat of his car and heads back to town, with a plan to meet his undertaker friend who, for a fee, will help him dispose of the evidence. There he happens upon crooked cop Frank Tvrdik, who greets him with “Hate to break it to you—You got a dead guy in your backseat.” But Frank doesn’t much care about the body, except perhaps as leverage to get Beely’s help in taking down a corrupt politician. And nobody cares that the politician is corrupt, except that his corruption seems to be getting in the way of their corruption, and that cannot be allowed. Little Underworld is set in 1930s Omaha (of all places), with period-correct dialogue that is often darkly hilarious, reminiscent in tone of black-and-white gumshoe movies from the golden age of Hollywood. 

★ Black Wolf

The big news in mystery circles these days is Juan Gómez-Jurado’s Antonia Scott series, which has sold like panqueques (hotcakes) in its home country of Spain. Volume two of the trilogy, Black Wolf, has just been released. The temptation is strong to compare central character Antonia Scott to Stieg Larsson’s antihero Lisbeth Salander, but a) that has been done already by pretty much every reviewer up to now, and b) I think a much more apt comparison is to Keigo Higashino’s uber-talented police consultant Dr. Manabu Yukawa, aka Detective Galileo. Both Scott and Yukawa visualize connections that others miss, and both are in high demand with the police for their brainiac skills. Scott’s police contact is Jon Gutiérrez, a strong but slightly less than graceful gay man from the Basque Country. While Gutiérrez is trying (and failing) to fish a dead body out of a river in Madrid, a mafia figure is murdered in his home a half-day’s drive away on the south coast. The man’s wife is targeted as well, but she escapes, albeit barely. In hot pursuit is an assassin known as the Black Wolf (in Spanish, la loba negra). It falls to Antonia and Jon to track her down before the killer locates her. There is one area in which a comparison to Larsson is warranted: The Antonia Scott series is hands-down the best suspense trilogy to come along since Larsson’s Millennium Trilogy. Nothing else even comes close. The third one needs to arrive soon—make it so.

Our mystery columnist hails Juan Gómez-Jurado’s Antonia Scott novels as the best suspense series since Stieg Larsson’s Millennium Trilogy.

What happens in Vegas . . . never stays in Vegas. It’s no secret that the bright lights of Sin City just barely disguise a dark legacy of bad deals, gangsters and buried bodies. What happens when post-COVID craziness and cryptocurrency fads come on the scene, fatalities pile up and two estranged sisters are caught in the middle? Chris Bohjalian’s The Princess of Las Vegas is a thrilling symphony of royal impersonators, teenage hackers and run-down casinos with multiple mysteries at its core.

Actor Crissy Dowling has found her calling in the form of a long-dead princess. Her Diana Spencer cabaret act is the toast of the Buckingham Palace casino, and she enjoys every perk: a complimentary suite and cabana, a close friendship with her “Charles” and all the free avocado toast she can eat. So what if her pill-popping and bulimia make daily cameos, and her politician lover has gone back to his wife? But then Crissy’s bosses are both found dead, supposedly by suicide. At the same time, Crissy’s sister, Betsy, a wild child turned social worker, moves to Las Vegas to follow her new boyfriend into what promises to be a bright future in cryptocurrency, her newly adopted teenage daughter in tow. To make it out alive from the chaos that ensues, Crissy must evolve beyond the glamour girl persona she’s adopted on and offstage—and reconnect with the sister she blames for their mother’s tragic demise.

New York Times bestselling author Bohjalian is no stranger to quirky folks in increasingly twisted situations, as fans of his 2018 novel, The Flight Attendant, which was adapted into a buzzy, darkly hilarious HBO series starring Kaley Cuoco, already know. In Crissy, whose reverence for Diana has escalated into full-blown obsession, and Betsy, who strives to save everyone while also obtaining her own personal prosperity, Bohjalian has created two distinctively fascinating narrators that he then places in a setting where anything can happen, including copious violence. The Princess of Las Vegas will leave the reader with both a yearning for Sin City excitement and a deep sigh of relief at being exactly where they are.

Chris Bohjalian’s latest thriller, The Princess of Las Vegas is a thrilling symphony of run-down casinos, teenage hackers and royal impersonators with multiple mysteries at its core.
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Veronica Speedwell, Deanna Raybourn’s lepidopterist turned sleuth, returns for the ninth time with all of her signature wit, wry observations and keen detective work.

A Grave Robbery finds Veronica and her lover, Stoker, faced with a strange and unsettling case on their home shores of England. When their patron, a collector of natural wonders and (occasionally) unnatural curiosities, acquires a lifelike wax model, he assigns Stoker the task of inserting a clockwork mechanism into his “Sleeping Beauty” so that she will appear to breathe. Much to their horror, Stoker and Veronica discover that the model is not a waxwork at all, but a meticulously preserved cadaver: a young woman who was pregnant at the time of her death. The pair embark on a quest to discover Beauty’s true identity, ascertain the means of her demise and determine if foul play could have been involved.

As with the other novels in her series, Raybourn revels in the minutiae of the Victorian era, this time providing readers with an ever-fascinating study of the period’s rituals—and technological advances—regarding mourning and the preservation of the dead. Nods to Mary Shelley as well as Burke and Hare compliment the macabre subject matter, which lends a darker spin to the proceedings this time around.

Longtime readers of the series will be pleased, and perhaps relieved, to find Veronica and Stoker in lockstep in this installment, with any romantic conflict set aside for the time being. As in prior books, their relationship offers a delightful counterpoint to the tension of the central mystery. An abundance of secondary characters, including fan favorites like J.J. Butterworth and Lady Rose, make frequent appearances (which may overwhelm readers who haven’t started from book one). Raybourn also introduces a young mortician named Plumbtree, who may become a series regular from hereon.

Fans of the Veronica Speedwell series certainly won’t be disappointed with this latest, more gothic mystery—and they’ll be thrilled to see Veronica and Stoker happily in love.

Fans of the Veronica Speedwell mysteries certainly won’t be disappointed with this latest, more gothic installment—and they’ll be thrilled to see Veronica and Stoker happily in love.
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STARRED REVIEW

March 12, 2024

9 true crime-inspired mysteries and thrillers

With the huge boom in true crime books, podcasts and documentaries has come a parallel wave of mysteries and thrillers that examine the pleasures and pitfalls of the genre. These books form a literary hall of mirrors, turning the voyeuristic gaze of true crime back upon the reader. You may not like what you find.

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Conviction

A true crime podcast leads a woman on a dangerous adventure across Europe in Denise Mina’s crackling new novel, Conviction.
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Devil House

In his shapeshifting, extraordinarily ambitious third novel, musician and writer John Darnielle proves his versatility yet again.
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catchherwhenshefalls

Catch Her When She Falls

Catch Her When She Falls is wildly suspenseful and almost gothic in tone, providing thrills without any gritty or gory aspects.
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lasttovanish

The Last to Vanish

The latest from Megan Miranda is a perfectly balanced cross between a cold-case mystery and a psychological thriller that features a fascinating amateur sleuth.
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WAKE

Author Shelley Burr won the 2019 Crime Writers’ Association Debut Dagger award for WAKE. After reading it, you’ll totally understand why.
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Recent Features

These books turn the voyeuristic gaze of true crime back upon the reader. You may not like what you find.
STARRED REVIEW

Our top 10 books for March 2024

The best new books of the month include highly anticipated follow-ups from Sloane Crosley, Sasha LaPointe and Juan Gómez-Jurado.
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Book jacket image for 49 Days by Agnes Lee

49 Days is an unusual, profoundly moving graphic novel whose elegance belies its complexity and whose emotional impact only grows upon rereading.

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Ian Moore’s culinary cozy mystery Death and Fromage brings readers back to the picturesque Vallée de Follet in France, where murder is on the menu.

British expat Richard Ainsworth enjoys a quiet life running a bed-and-breakfast in Vallée de Follet, Moore’s peaceful stand-in for the Loire Valley. A middle-aged film scholar, Richard prefers the slow pace of the French countryside and the company of his beloved hens. But his tranquil life is challenged when a culinary scandal explodes involving feuding Michelin-starred chefs, cheese sabotage, nasty reviews and a possible murder. Valérie d’Orçay, a beautiful and mysterious return guest at the B&B, decides to investigate and asks for Richard’s help, bringing perhaps too much excitement to the expat’s life. As the bodies pile up, Valérie and Richard uncover a decades-old betrayal that’s about much more than cheese.

In the second installment of his Follet Valley series, Moore captures the beauty and drama of life in a small town. Richard is an unconventional hero: He’s unassuming and quick to deploy self-deprecating humor. Valérie, his lodger and investigation partner, fits the sleuth bill much better. She’s beautiful, brave and an exceedingly competent bounty hunter. They’re an unlikely pair, but they work well together while unraveling the many mysteries that surround them. 

Moore’s wry humor is a highpoint of Death and Fromage, as Richard’s self-deprecating British wit is often at odds with his French neighbors to great comedic effect. Secondary characters like the dogged commissaire Henri LaPierre and Richard’s estranged wife, Clare, provide both tension and laughs as they circle Richard and the investigation. Clare is a hilarious force of nature, often steamrolling Richard to get what she wants. 

The series would benefit, however, from deepening the characters of Valérie and Richard. It would be nice to see Richard come into his own, rather than following the lead of others, and while Valérie is an entertaining femme fatale, she has potential to be so much more. Hopefully, both characters will grow in future installments of this charming series.

In his second Follet Valley cozy mystery, author Ian Moore captures the beauty and drama of life in the French countryside.

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