Deborah Mason

Review by

In Fatherland: A Memoir of War, Conscience, and Family Secrets (9 hours), New Yorker staff writer Burkhard Bilger recounts his search for the truth about his grandfather, Karl Gönner, a former Nazi party chief who was credited with shielding an Alsace village from Nazi reprisals—and also accused of being a war criminal who ordered the death of an innocent man.

Bilger’s narration of his book reflects the ambiguity of his family’s history. Raised in Oklahoma by German immigrant parents, Bilger has a barely perceptible Oklahoma twang, softened by years spent away from his birthplace. He also speaks fluent German, a clear legacy from his extended family that sometimes inflects his spoken English. Like Karl, Bilger’s voice is neither purely one thing nor another, but rather an unexpected amalgam reminding the listener that human stories are not drawn in black and white but in complex and varied shades of gray.

Read our starred review of the print edition of Fatherland.

New Yorker staff writer Burkhard Bilger’s narration of his book reflects the ambiguity of his family’s history.
Review by

Three months after her father died, Canadian author and artist Kyo Maclear took a DNA test from a genealogy website. Her resulting memoir, Unearthing: A Story of Tangled Love and Family Secrets, could have taken its subtitle from the test’s disclaimer: “You may discover unanticipated facts about yourself or your family.” Nothing was more unanticipated than the discovery that her beloved father, journalist and documentary filmmaker Michael Maclear, was not her biological father.

Maclear is able to piece together the facts of her biological father’s identity, even the names and locations of her half siblings. But she knows she is unable to uncover the truth of her origins—the hows and whys of her birth—without the help of her mother, her father’s unruly, Japanese ex-wife. And that is where her quandary lies, because her mother is firmly rooted in the present with no interest in reconstructing the past. Furthermore, even if her mother wanted to tell Kyo the entire story of her origins, her ability to piece it together fades as she gradually succumbs to dementia.

As Maclear probes more deeply into her the intertwined story of her three parents—her mother, her father, and her biological father—more questions are raised than can possibly be answered. What is identity? What obligations do we have to people who happen to share our DNA? As her mother’s memory fades, these questions become deeper, more personal. Reconciliation seems impossible to Maclear, though, when the other person will not or cannot break the lifelong silence. Challenging the idea that our life story follows an arc, Maclear instead posits life as a free-form construction of patches of memory, actions and silences.

Maclear’s writing is poetic in the best sense. Using the image of her mother’s wild, rambling garden as a foundation, Maclear examines these questions in detail, without proposing a pat answer to any of them because, ultimately, they are unanswerable. Instead, Maclear allows the reader to struggle with them as she did, granting her audience the space and silence to reconcile the gaps and secrets in their own lives.

When Kyo Maclear takes a DNA test from a genealogy website, her entire family history is uprooted, leading her on a disorienting yet rich exploration of identity.
Review by

Over 20 years ago, journalist Rebecca Clarren made a life-changing faux pas. While interviewing an Oglala Lakota farmer on Pine Ridge Reservation in South Dakota, Clarren mentioned that her family had once owned a ranch in South Dakota, in a place called Jew Flats. The farmer said nothing but smiled tightly, and Clarren realized that she had somehow offended him. It would take many years for her to understand fully why the presence of her family’s ranch on Jew Flats would be a source of profound skepticism, anger and sorrow to the Lakota nation.

Clarren’s ancestors escaped persecution in czarist Russia to establish that South Dakota ranch in Jew Flats. They braved drought, loneliness and disease, and transformed the ranch into the wellspring of their good fortune. But there is a dark flip side to this Horatio Alger story: The land, far from free, was paid for in the blood and grief of the Lakota Sioux, who had initially lived there.

In The Cost of Free Land: Jews, Lakota, and an American Inheritance Clarren interweaves the story of her family with the timeline of the U.S.policy of destroying the American Indian nations. She documents in harrowing detail not only the many ways the government lied to, battled against and outright stole from the Indigenous peoples, but also how her family, and many others like them, directly benefited from these depredations. The injustices committed by the government against Native peoples are so vast and comprehensive that their reverberations are still felt—and Clarren makes a strong case that all non-Indigenous U.S. residents benefit directly or indirectly from them to this day.

If telling this history were Clarren’s sole goal, it would be worthy and timely, but this book is far more ambitious. Drawing on Jewish traditions of reconciliation, Clarren seeks to find a path for meaningful reconciliation and reparation for the harm done to Native people. Learning our history is a crucial first step, and Clarren’s helpful research resources makes this task easier. But that is only the beginning of the process, and Clarren’s present-day family provides a remarkable model for compensation, repentance and transformation that can begin to heal the wounds from our past.

Drawing on Jewish traditions of reconciliation, Rebecca Clarren seeks to find a path for meaningful reconciliation and reparation for the harm done to Native American people.
Review by

Published 20 years ago, Neil Gaiman’s Coraline (3.5 hours) is a near-perfect horror story, pitting brave but misunderstood Coraline against a narcissistic monster in a battle for her soul. Sophisticated and profound, this treasure of a middle grade novel, beloved by readers of all ages, is now available in a new audiobook, performed by a full cast for the first time.

All 11 actors contribute to an excellent re-creation of Gaiman’s creepy world, but three standout performers deserve special mention. Julian Rhind-Tutt, whose voice is tailor-made for gothic novels, is excellent as the narrator, and Julian Clary, who clearly understands feline psychology, is totally convincing as a smug but surprisingly helpful cat. But it is teenage actor Pixie Davies’ portrayal of Coraline that gives this audiobook its power. Davies conveys all of Coraline’s complexity—her courage and loyalty, as well as her whininess and selfishness—with skill and confidence. As a result, this audiobook is delightful.

Coraline is sophisticated and profound, a treasure for readers of all ages and now available in a new audiobook, performed by a full cast for the first time.
Review by

All hell broke loose when Casey Parks came out to her family. But amid all their weeping and wailing and gnashing of teeth, there was a bright spark that came to dominate Parks’ personal and professional life for over a decade, which she recounts in Diary of a Misfit (14.5 hours). Parks’ stern, conservative grandmother took her aside and told her a secret: “I grew up across the street from a woman who lived as a man.” Parks’ search for this person sent her back to her childhood homes in Louisiana and Mississippi, and her investigation becomes entwined with her own story of growing up gay in the Deep South.

Parks has been deeply wounded by her family and her church, and as both author and narrator, she tells her story at some remove, as if she’s faithfully recounting it to a friend or therapist while trying not to relive her pain. Ironically, her restraint makes the scars she bears more evident—but it also makes her reconciliation with her past more triumphant.

Read our starred review of the print edition of Diary of a Misfit.

As both author and narrator, Casey Parks’ restraint makes the scars she bears more evident—but it also makes her reconciliation with her past more triumphant.
Review by

Adam Rutherford (A Brief History of Everyone Who Ever Lived, Humanimal) earned his undergraduate degree and Ph.D. from University College London, including several years studying in the university’s Galton Laboratory. This straightforward sentence hides a deep irony. As readers of his book How to Argue With a Racist know, Rutherford is passionately anti-eugenics—while Francis Galton, for whom the Galton Laboratory is named, was the 19th-century scientist who coined the term eugenics and pioneered its ideology.

Divided into two distinct parts, Control: The Dark History and Troubling Present of Eugenics first outlines the history of eugenics, then lays out the scientific, ethical and moral arguments against it. The history is messy indeed. Galton and his contemporaries were brilliant scientists, statisticians and polymaths—but also white supremacists with repugnant ideas. First hailed as a way to promote positive attributes in humanity, eugenics quickly devolved into a racist movement that used mass sterilization and even murder to remove people with “undesirable” traits such as alcoholism, Down syndrome and schizophrenia from the human gene pool. Eugenics laws in the United States inspired Nazi euthanasia laws, and the Nazi classification of races owes a lot to the American model. Most ironically, the pseudoscience of eugenics gave birth to the actual science of genetics.

Rutherford believes this history is not over. He fears the politicians, scientists and entrepreneurs who use eugenic ideas for their own advancement or profit, and this fear gives the second half of the book its power. Rutherford has faith in science. It is genetics, he argues, that provides the best proof that eugenics has never and will never work. Our genome is too complex and intertwined for scientists to cleanly pluck negative traits from or insert positive traits into our biological makeup.

Eugenics is not science, Rutherford explains, but the corruption of science for the purpose of controlling people who are weak, vulnerable and poor. And it is this very corruption, as Control clearly demonstrates, that makes eugenics’ followers unworthy to determine who is and isn’t worthy of life.

Adam Rutherford builds on his previous works in Control, a powerful book that outlines the history of eugenics and offers impassioned arguments against it.
Review by

From childhood, death neither repulsed nor frightened Hayley Campbell but instead spurred her curiosity. So it was only natural that Campbell, a freelance journalist based in London, would interview people who make a living from death: not just a funeral director and an embalmer but also a crematorium operator, a crime scene cleaner, an executioner and more.

In All the Living and the Dead: From Embalmers to Executioners, an Exploration of the People Who Have Made Death Their Life’s Work (9 hours), author and narrator Campbell is a probing investigator who elicits honest answers from her subjects. She is also an active observer of their work, even dressing a dead man for his funeral. With each interview, it’s clear she is affected by the presence of death, particularly after witnessing the preparation of a baby’s body for a forensic autopsy. 

Campbell’s voice becomes more introspective as she considers how the actions of death workers enable the living to meet death on their own terms. Though ironic at times, she is never ghoulish. Instead, her tone is always even, quietly emphasizing that death is the most natural thing in the world.

Read our starred review of the print edition of All the Living and the Dead.

As author and narrator, Hayley Campbell’s tone is always even, quietly emphasizing that death is the most natural thing in the world.
Review by

World War II is remembered as a conflict between democratic and fascist countries. But during the 1940s, nearly 10% of the residents of the world’s largest democracy were considered second-class citizens because of their race. Half American: The Epic Story of African Americans Fighting World War II at Home and Abroad by Matthew F. Delmont, a professor of history at Dartmouth College, chronicles how Black Americans had to fight for the right to combat racism abroad because of the racism at home.

The irony of this was not lost on African Americans, who were acutely aware of how segregation kept them from full citizenship. Adopting a “Double Victory” strategy, Black Americans treated the war as a means of defeating foreign fascism and domestic racism. Half American recounts the history of this struggle, from Langston Hughes’ newspaper coverage of the Spanish Civil War to the mistreatment—even murder—of returning African American veterans. Furthermore, Delmont demonstrates that this story is not frozen in the past but is key to understanding—and changing—our present.

This book would have been a significant contribution to our knowledge of World War II history even if Delmont had only focused on the performance of African American combat troops. The Tuskegee Airmen are famous, but fewer people are aware of the Black Panthers, a Black tank battalion that served in Italy, or the Montford Point Marines, who were the first African American marines and fought valiantly at the battles of Saipan and Iwo Jima. But Half American is more than an excellent introduction to this underappreciated chapter of military history. It is also a groundbreaking illumination of African American civilians’ complex involvement in World War II.

In addition to official records, Delmont used archives, oral histories and contemporary coverage from the Black press to document his work. As a result, Half American gives voice not only to prominent African American leaders such as Hughes, W.E.B. Du Bois and Thurgood Marshall, but also to Black soldiers, factory workers and other everyday people who contributed to the war effort—people who are rarely mentioned in history books, even though they created history.

During World War II, Black Americans had to fight for the right to combat racism abroad because of the racism at home. In Half American, Matthew F. Delmont chronicles that fight.
Review by

In This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something—Anything—Like Your Life Depends on It (6.5 hours), Australian journalist Tabitha Carvan offers an exuberant celebration of obsessions. Through her candid exploration of her own fascination with Benedict Cumberbatch, star of “Sherlock,” The Imitation Game and Doctor Strange, Carvan makes the case that women shouldn’t hide or diminish what brings them pleasure—rather, they should embrace it.

Tabitha Carvan
Read our interview with Tabitha Carvan: “When something brings people so much joy, why can’t we just let it?”

Carvan is a witty and ironic writer, and voice actor Tanya Schneider does an excellent job conveying the author’s humorous perspective. Why is it acceptable for a man to plaster his office with paraphernalia for his favorite sports team, but a woman can’t wear her Benedict Cumberbatch hoodie outside her house without embarrassment? Amid the humor, Carvan still takes her subject seriously, and Schneider not only captures Carvan’s perplexity as to why female obsessions remain hidden but also convincingly articulates Carvan’s argument that women need to share their passions publicly. We need to embrace the joy and strength that our passions bring us, Carvan insists.

Both funny and profound, this is a deeply enjoyable audiobook.

Voice actor Tanya Schneider convincingly articulates Tabitha Carvan's argument that women need to share their passions publicly. Both funny and profound, this is a deeply enjoyable audiobook.
Review by

Reading One Hundred Saturdays: Stella Levi and the Search for a Lost World by Michael Frank is like watching an artist piece together a mosaic. A splash of blue sea here. A mother’s song over there. The smell of Purim pastries. The flash of first love. But the mosaic is never completed. Instead, a terrible wind descends, leaving the artist to pick up the pieces as best she can and begin a new image.

Here, the artist is Stella Levi, a 99-year-old Jewish woman living in New York City. The mosaic is the Juderia, the main Jewish quarter on the island of Rhodes, where Levi was born in 1923. And the wind is the Holocaust, which reached the Juderia in the last months of World War II and scattered Levi’s parents, family, friends and community. One Hundred Saturdays is the story of that time and place, but it is also much more: a story of friendship, survival, reinvention and courage.

Frank, author of The Mighty Franks and What Is Missing and a 2020 Guggenheim Fellow, met Levi by chance—or perhaps serendipity—when he rushed in late to attend a lecture, and the elegant older woman in the chair next to him struck up a conversation. The following Saturday, he found himself in Levi’s Greenwich Village apartment, the first of 100 Saturdays that he would spend with her over the following six years. Over the course of those visits, Levi became both a friend and muse as she recounted the minutest details of her life, from its rich beginning to its remarkable present.

Maira Kalman’s illustrations, heavily influenced by Matisse with their deceptive simplicity, rich colors and delicate textures, are perfect complements to Levi’s story, portraying vanished scenes from life on Rhodes before the Holocaust. Together with the text of Frank’s beautiful book, they create a sensitive portrait of an extraordinary woman. Fiercely independent, keenly intelligent and remorselessly honest, Levi refuses to be defined solely by the tragedy of her youth. Her life has been a constant evolution, and her final years are being lived with the same vitality as her earliest ones.

One Hundred Saturdays is the story of a Jewish community before the Holocaust, but it is also much more: a story of friendship, survival, reinvention and courage.
Feature by

True-crime books are frequently framed as guilty pleasures. Often sensational or even lurid, they feed our inner rubberneckers. But in the hands of a tenacious reporter, true crime can also expose devastating truths about human nature.

 We Carry Their Bones

Book jacket for We Carry Their Bones by Erin Kimmerle

We Carry Their Bones is Erin Kimmerle’s firsthand account of the discovery, exhumation and identification of 51 bodies buried in unmarked graves on the grounds of the Dozier School for Boys in Marianna, Florida. Truthfully, it is obscene to call Dozier a school. The inspiration for Colson Whitehead’s The Nickel Boys, Dozier was a prison where boys and young men were exploited, abused and often left to die from their injuries, beginning in 1900 and lasting until its closure in 2011. Kimmerle, a professor of forensic anthropology, led the team of volunteers and students who combed through layers of obstinate Florida clay to find and reclaim these lost boys, despite fierce opposition from townspeople and politicians.

Kimmerle’s commitment to finding the truth was grounded in her identity as a scientist. She didn’t fit facts to a predetermined answer but allowed the facts to lead her. Her dedication to clarity is reflected in her writing style as well. Without ever losing the thread of her story, Kimmerle outlines precisely, patiently and clearly each step of her task—including dealing with court appearances, bureaucratic battles and hostile town officials, as well as the myriad engineering and scientific difficulties she faced.

But We Carry Their Bones is not just a procedural: Kimmerle’s account of how her investigation unfolded also illuminates why it was so important. Unearthing these boys’ bodies likewise unearthed Dozier’s history, forcing onlookers everywhere to confront the racism and classism that sanctioned the crimes Dozier employees committed against so many young people. And most of all, restoring the boys’ names and returning their remains to their families brought both healing to the survivors and a measure of justice to the dead, demonstrating that something like peace is possible if amends are sincerely made.

 Trailed

Book jacket for Trailed by Kathryn Miles

In 1996, Julianne Williams and Laura Winans, two young women deeply in love, were murdered while backpacking in Shenandoah National Park. Kathryn Miles, a journalist and science writer, learned about their murder several years later while teaching at Unity College, where Laura had been a popular student. An enthusiastic backpacker herself, Miles was fascinated by the case and set out to write an article about the double murder. Instead, she ended up writing her fifth book, Trailed: One Woman’s Quest to Solve the Shenandoah Murders.

Reading Trailed is like taking an interesting and often treacherous hike with a friend who is not afraid to explore the side trails. The main trail in the book is, of course, the story of Julianne and Laura, their deaths and the investigation that followed. But as Miles became more immersed in their story, she discovered other trails that looped back to Julianne and Laura: similar murders in and around the National Park System, especially of young women, members of LGBTQ communities and people of color; the lack of law enforcement resources allocated to park rangers; the many flaws in the initial investigation of Julianne’s and Laura’s murders that eventually led to the prosecution and persecution of a man who was probably innocent; and the community of cold case investigators and exoneration attorneys who helped Miles hunt for the real killer.

Like Kimmerle, Miles uses a true-crime story to shed light on society’s ills. Miles believes that Laura and Julianne weren’t murder victims who happened to be lesbians; they were murder victims because they were lesbians. Similarly, the flawed investigation shows the disastrous impact that confirmation bias can have on an innocent man—while letting the guilty man remain free. Meticulously honest and lyrically written, Trailed is an elegy to two young women and an indictment of the system that failed them.

 Rogues

Book jacket for Rogues by Patrick Radden Keefe

In Rogues: True Stories of Grifters, Killers, Rebels and Crooks, a collection of 12 articles previously published in The New Yorker, author and journalist Patrick Radden Keefe undertakes a different kind of sleuthing. There is no single crime that unites these pieces; for that matter, not every piece concerns a crime. The article on Anthony Bourdain, for example, is remarkably crime-free, if you discount his use of illegal drugs. Instead, Keefe focuses on “rogues”—not the jolly scallywags that the word often evokes but rebels, outliers, rule-breakers and operators who recognize no boundaries between themselves and the objects of their obsessions.

Keefe introduces readers to a notable rogues’ gallery, including a woman who must spend her life in hiding after informing on her mobster brother, an assistant professor who went on a shooting spree after being denied tenure, an IT guy in a Swiss bank who spilled the beans on hundreds of tax evaders and a lawyer who defends only death penalty cases. “Buried Secrets,” which details the struggle between an honest Guinean president and an unscrupulous Israeli diamond merchant over the world’s richest iron ore deposit, could easily have come straight out of a John le Carré novel. “The Avenger,” on the other hand, is a heartbreaking account of a man’s search for his brother’s murderer, the Lockerbie bomber.

Keefe has written several lengthy investigative books, including Empire of Pain, the comprehensive story of the Sackler family’s complicity in the opioid crisis. By contrast, he is working within the confines of 10,000-word articles in Rogues, so there is little room for self-reflection or digression. Instead, he makes full use of journalistic tools for fact-finding: keen observation, meticulous research and insightful interviews with the rogues, their associates and their victims. As a result, each essay is a taut, highly honed yet powerful reflection on the creative and corrosive effects of obsession.

Read more: Patrick Radden Keefe narrates the audiobook for ‘Rogues.’

Scientists and journalists are on the case in three noteworthy books about unsolved murders and other long-buried secrets.
Review by

The dystopia envisioned in singer-songwriter Janelle Monáe’s third album, Dirty Computer, provides the backdrop for her first story collection, The Memory Librarian: And Other Stories of Dirty Computer (12 hours).

New Dawn, a totalitarian regime that rules through surveillance and memory erasure, has deemed that only the “clean” are worthy. Others—particularly members of the LGBTQ community, people of color and their allies—are labeled “dirty computers” and must be reprogrammed or destroyed. The five stories of The Memory Librarian, each written in collaboration with a distinguished speculative fiction author (Alaya Dawn Johnson, Danny Lore, Eve L. Ewing, Yohanca Delgado and Sheree Renée Thomas), describe the fear of living under such a regime as well as the joy and courage that can be found in a community of resistance.

Monáe’s narration of the preface and first story is elegant and measured. Her reading of “The Memory Librarian” is particularly taut, reflecting the balancing act that the librarian Seshet must perform between her duties under New Dawn and the hidden memories and desires of her inner life. Voice actor Bahni Turpin’s performance of the remaining four tales is electrifying, particularly in the finale, “Time Box Altar(ed),” in which three children learn to dream of a better future, and then fight for it.

Elegantly narrated by author Janelle Monáe and voice actor Bahni Turpin, The Memory Librarian explores the joy and courage that can be found in a community of resistance.
Review by

There are times when only a gothic novel will do, and such times call for Gallant (7.5 hours) by V. E. Schwab, author of the Shades of Magic series. Everything you could possibly want is present in Schwab’s latest standalone: a mysterious manuscript, a haunted house (the titular Gallant) and an unlikely heroine in the form of Olivia Prior, the orphan who unravels Gallant’s secrets.

Actor Julian Rhind-Tutt delivers an outstanding performance as the audiobook narrator. As a veteran film and voice actor, he brings nuance and sensitivity to his reading, with a low, husky voice that makes listening to Gallant a unique pleasure. Rhind-Tutt sounds like he’s sitting with you in a darkened room, confiding a secret so profound that only you, his listener, can be trusted with it.

Read our review of the print edition of Gallant.

The low, husky voice of actor Julian Rhind-Tutt makes listening to V. E. Schwab’s Gallant a unique pleasure.

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Trending Features