Deborah Mason

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In 1992, Levon Brooks received a life sentence for the 1990 sexual assault and murder of a 3-year-old girl in rural Noxubee County, Mississippi. In 1995, Kennedy Brewer was sentenced to death for committing a similar crime in the same county—so similar, in fact, that it should have raised questions about the validity of Brooks’ conviction. Both men were innocent, yet they spent years of their lives in prison, until finally, in 2008, they were exonerated by DNA evidence. The murders were actually committed by Justin Albert Johnson, a convicted sex offender who lived near both victims. Oddly, Johnson had been a suspect in both of these cases, but each time, Johnson was excluded as a suspect because of the forensic evidence of Dr. Steven Hayne and Dr. Michael West.

In The Cadaver King and the Country Dentist, Radley Balko, a Washington Post reporter, and Tucker Carrington, the director of the George C. Cochran Innocence Project at the University of Mississippi School of Law, meticulously detail the absurd lengths to which Hayne and West would go to clinch guilty verdicts in hundreds of cases. If the stakes were not so high, Hayne’s and West’s shenanigans would seem nearly comical. But as Balko and Carrington make clear, Hayne and West were both the symptom and the product of a criminal justice system tainted by racism, cronyism and corruption.

This is a true crime story, but it is more than a report of the tragic murders of two young girls. The crime at the center of this book is the one committed by a justice system that is more concerned with conviction rates than unearthing the truth, by a state with a history of using incarceration to subjugate black men, and by two men whose greed and hubris blinded them to the lives they ruined. Compellingly written, The Cadaver King and the Country Dentist is a chilling reminder of what happens to the rule of law when the law forgets the rules.

 

This article was originally published in the March 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In 1992, Levon Brooks received a life sentence for the 1990 sexual assault and murder of a 3-year-old girl in rural Noxubee County, Mississippi. In 1995, Kennedy Brewer was sentenced to death for committing a similar crime in the same county—so similar, in fact, that it should have raised questions about the validity of Brooks’ conviction.

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To be clear, the title of this book by Alexander Langlands is Cræft, not “craft.” When we think of craft, we tend to think of expensive handmade objects, often considered anachronisms in a world of mass production and mass consumption. Cræft (pronounced “creft”) is the Anglo-Saxon root for the modern word “craft,” and it includes both the product and the process of crafting. But cræft has a more profound meaning: It is the wisdom, handed down from previous generations, that enables the crafter to create a perfectly useful object.

Langlands is an experimental archaeologist; he replicates ancient artifacts and processes to gain greater insights into the cultures that produced them. In Cræft, he explains how ancient craftsmen used their skill, available natural resources and especially cræft to solve the problems that life threw at them. Need temporary sheep pens? Use your weaving skills to create portable wicker fencing. Want a permanent solution for keeping sheep out of your grain fields? Forge tools that help you prune and manipulate trees to form hedgerows. No trees around? Use rocks to create dry stone walls of such cunning manufacture that they last for generations—without mortar.

Langlands is not merely describing the past; cræft has shaped our present and can enhance our future. Anyone who has walked in the English countryside can see how cræft molded the natural environment: Ancient burial mounds, weirs and dikes, even the barren moorlands that inspired the Brontë sisters testify to the human knack for devising ingenious solutions to difficult problems. The importance of cræft is demonstrated by the devastating effects its absence can have: The modern tendency to favor mechanization over cræft, Langlands posits, has resulted in flooding, soil degradation and global warming. In a world with diminishing resources, it might be wise to tap into cræft to ensure a sustainable future. Langlands has written an excellent introduction to guide us.

 

This article was originally published in the January 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

To be clear, the title of this book by Alexander Langlands is Cræft, not “craft.” When we think of craft, we tend to think of expensive handmade objects, often considered anachronisms in a world of mass production and mass consumption. Cræft (pronounced “creft”) is the Anglo-Saxon root for the modern word “craft,” and it includes both the product and the process of crafting. But cræft has a more profound meaning: It is the wisdom, handed down from previous generations, that enables the crafter to create a perfectly useful object.

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BookPage Top Pick in Nonfiction, December 2017

Step aside, James Bond. There’s a new sexy spy hero in town, and this one has the advantage of being real. His name is La Rochefoucauld, Robert de La Rochefoucauld, and his career as a résistant in Nazi-occupied France is the subject of Paul Kix’s The Saboteur: The Aristocrat Who Became France’s Most Daring Anti-Nazi Commando.

La Rochefoucauld, the carefree second son of one of France’s most distinguished families, was an unlikely hero. A bit of a ne’er-do-well, La Rochefoucauld was in no way the exemplary son that his beloved elder brother was. But La Rochefoucauld inherited the same sense of duty that had marked generations of his family, and at the age of 19, when France capitulated to Germany, he was determined to continue the fight against the Nazis.

After rigorous—and downright dangerous—training in England, La Rochefoucauld parachuted into France and began his spectacular career as a saboteur of Nazi operations. Captured, tortured and condemned to death by the Germans, La Rochefoucauld managed to escape from certain doom time and time again. If this were fiction, the plot would be fantastical; as a work of nonfiction, it is a testament to the resilience and ingenuity of the human spirit.

Kix’s sharp, well-paced writing is perfect for telling La Rochefoucauld’s story. But this is more than a gripping yarn of daring-do. La Rochefoucauld was a complex character, and Kix’s portrait is nuanced and moving. We are introduced to La Rochefoucauld when he is about to testify in the trial of an accused war criminal and collaborator—for the defense. Obviously, this is not your stereotypical resistance fighter, and Kix’s book poses the big questions: What is duty? What is courage? What is loyalty?

Like many veterans of his generation, La Rochefoucauld rarely spoke about his experiences to his family. We are fortunate to have Kix’s richly detailed book so we can remember the remarkable courage of an extraordinary man.

 

This article was originally published in the December 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Step aside, James Bond. There’s a new sexy spy hero in town, and this one has the advantage of being real. His name is La Rochefoucauld, Robert de La Rochefoucauld, and his career as a résistant in Nazi-occupied France is the subject of Paul Kix’s The Saboteur: The Aristocrat Who Became France’s Most Daring Anti-Nazi Commando.

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Few would disagree that the climax of the 2016 Democratic National Convention was when Khizr Khan, a Gold Star Father, held up his copy of the U.S. Constitution and challenged Donald Trump to read it. It was an audacious gesture that was grounded in firmly held conviction. Regardless of one’s politics, there was something profoundly admirable about this man.

In his eloquent memoir, An American Family, Khan retraces the steps that brought him from his grandfather’s house in Pakistan to the stage of the Democratic National Convention. His grandfather instilled in Khan a compassionate morality that is firmly rooted in Islam. Throughout his life, his grandfather’s wisdom guided Khan. It sustained him through his struggle for an education; his lyrical romance with his wife, Ghazala; his single-minded determination to succeed in America; and, ultimately, his grief at the death of his beloved son, Captain Humayun Khan, who sacrificed his life while protecting others from a suicide bomber.

Khan opens his book by describing his first encounter with the Declaration of Independence and the Constitution while he was a law student in Lahore, Pakistan. The documents’ assertion of inalienable rights and equality resonated with Khan, who lived in a society that promised neither. He never doubted the promise of the words he read in Lahore.

Khan’s story is both unique and archetypal. Like generations of immigrants before them, the Khans sacrificed in order to achieve the American Dream. They became citizens and raised their three sons to be good men. When Humayun joined the Army, the Khans, although fearful, respected his commitment to his country.

Sometimes it takes a newcomer to point out the beauty that old-timers take for granted. America, more than any other country, was founded upon ideals: individual freedoms, equal protection and due process of law. Khan reminds us that these ideals are worth fighting—and even dying—for. The Khans truly are the most American of families.

 

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

In his eloquent memoir, An American Family, Khizr Khan retraces the steps that brought him from his grandfather’s house in Pakistan to the stage of the Democratic National Convention.

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Jennet Conant’s latest book, Man of the Hour: James B. Conant, Warrior Scientist, is a magisterial biography of one of the 20th century’s most influential men: her own grandfather. James B. Conant, a brilliant scientist, had a career that was so varied and vital to our country that this book could easily have been called “Man of Many Hours.”

To say that James realized an impressive array of achievements is to damn him with faint praise. An outstanding research chemist at Harvard, he was crucial to understanding the structure of chlorophyll. In recognition of his vision and talent, he was selected as the president of Harvard soon after turning 40. What would have been the capstone achievement for most people turned out to be a steppingstone for James.

Appointed by Eisenhower as the high commissioner to Germany, he ushered West Germany into NATO. Later, after sputnik, he became a powerful voice for strengthening the public school system. But James is perhaps most famous for his work on the Manhattan Project. It is likely that the Project would have failed without his steady and wise presence, but his most famous achievement haunted him. Postwar, James was horrified by the threat of nuclear proliferation, and he argued strongly against developing the hydrogen bomb. The politics of the time—McCarthyism, Stalin’s aggression, Truman’s inexperience—doomed his ideas, but one wonders what the world would be like now if James had been heeded.

Jennet Conant has written about her grandfather before, in her earlier books 109 East Palace and Tuxedo Park. But while there is genuine pride in her grandfather, she never allows it to cloud her judgment. Jennet can be quite critical of her subject, especially when detailing the devastating impact his prolonged absences had upon his wife and sons. In other words, she brings to her task the same objectivity, thoroughness and interest that her grandfather brought to his. Insightful and rich in detail, this book is a fitting tribute to a remarkable man.

 

This article was originally published in the October 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Jennet Conant’s latest book, Man of the Hour: James B. Conant, Warrior Scientist, is a magisterial biography of one of the 20th century’s most influential men: her own grandfather. James B. Conant, a brilliant scientist, had a career that was so varied and vital to our country that this book could easily have been called “Man of Many Hours.”

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The Choice is more than an eloquent memoir by Holocaust survivor and psychologist Edith Eva Eger. It is an exploration of the healing potential of choice. When someone chooses to harm us, our sense of self can later be overwhelmed by the memory of that pain. But Eger, who has helped countless trauma patients, believes that we can regain our autonomy by choosing to confront the past—a lesson she learned from her own experience.

When Eger was 16, Josef Mengele, the abhorrent Auschwitz physician, made horrific choices for her. He chose for Eger to live and sent her parents to die. That same day, he chose Eger to dance “The Blue Danube” for his entertainment. Although a prisoner, Eger infused that dance with all the joy that dancing always brought her. Mengele gave her a loaf of bread as a reward for her bravura performance. Eger shared the loaf with the other prisoners, and later, a girl who had eaten that bread chose to help Eger, saving her life as a result. The ability to choose, even though those choices were circumscribed by an electrified fence, gave Eger the strength to survive.

After the war, she repressed these memories to spare others the pain of her experience. Wracked with guilt for having survived when so many perished, Eger watched her marriage crumble. Another choice confronted her: Stay mired in the past, or face it and learn to live in the present. Her journey took her back to Auschwitz, where she unlocked the last and darkest memory of that first day, and forgave not only her tormentors but also, and most importantly, herself.

Eger is not suggesting that she is unscarred by her experience, but that she lives a life filled with grace. The Choice is not a how-to book; it is, however, an invitation to choose to live life fully.

 

This article was originally published in the September 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The Choice is more than an eloquent memoir by Holocaust survivor and psychologist Edith Eva Eger. It is an exploration of the healing potential of choice. When someone chooses to harm us, our sense of self can later be overwhelmed by the memory of that pain. But Eger, who has helped countless trauma patients, believes that we can regain our autonomy by choosing to confront the past—a lesson she learned from her own experience.

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New York Times Magazine correspondent Suzy Hansen begins her book, Notes on a Foreign Country: An American Abroad in a Post-American World, with her investigation into a lethal coal-mine fire in Soma, Turkey. She is shocked to learn of America’s role in the creation of an ineffectual union that failed to protect its members. Hansen had always assumed that American policies were essentially benign; we seek to “modernize” less developed countries and to democratize them—certainly not to cause harm.

Hansen argues that Americans are dangerously innocent about American interventions in other countries. When confronted with intractable hostilities abroad, we don’t realize these hostilities are frequently the result of U.S. policies that have caused great harm—a history that is rarely taught in American schools.

Raised in a conservative New Jersey town, Hansen, too, was “an innocent abroad” when she arrived in Turkey in 2007 on a fellowship from the Institute of Current World Affairs. Despite a Harvard education, Hansen had no understanding of how America’s fear of communism led it to support strongman dictatorships, destroy local economies and even encourage and support fundamentalist Islamist militants. Paradoxically, the foreign country she ends up taking notes on is her own.

Painfully honest, this book can be a difficult read, but Hansen leaves us room to hope that, while our innocence has harmed the world, self-knowledge and empathy can help heal it.

 

This article was originally published in the August 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Painfully honest, this book can be a difficult read, but Hansen leaves us room to hope that, while our innocence has harmed the world, self-knowledge and empathy can help heal it.

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The Brontë sisters were publicity shy. The three writers used masculine pseudonyms both to overcome the bias against female authors and to preserve their privacy as the respectable, unmarried adult daughters of an Anglican clergyman. Charlotte even continued to use her nom de plume well after the death of her sisters and the critical success of her novels. She also vehemently denied that she served as the model for her most famous heroine, Jane Eyre—even publicly scolding William Makepeace Thackeray for introducing her as “Jane Eyre.” And yet, despite these protestations, Charlotte acknowledged that every emotion that Jane experiences in the novel was also experienced by her creator.

Jane Eyre, which is subtitled “An Autobiography,” is, in many ways, also an autobiography of Charlotte Brontë. Rochester is based in part on Charlotte’s great unrequited love, Constantin Héger, and Charlotte’s sister Maria was the model for doomed little Helen Burns. But in The Secret History of Jane Eyre, John Pfordresher explores how Jane Eyre is more than a superficially autobiographical novel; it is a complex emotional self-portrait of the author. Pfordresher, a professor of English at Georgetown University, is obviously a great admirer of Charlotte, and he uses her letters, earlier work and life experiences to explore his topic. But he also uses the novel itself as a kind of treasure map to find where Charlotte has hidden herself in Jane’s story. In an especially interesting section, Pfordresher uses his expertise in Victorian art to show how Jane’s drawings, as described in the novel, express Charlotte’s deep and turbulent emotional life. The moon, used in many key scenes, is symbolic of Charlotte’s yearning for the mother taken from her at a young age.

This is a fascinating and authoritative book, written with intelligence, wit and affection, and full of surprises. Reader, I recommend it.

 

This article was originally published in the July 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

The Brontë sisters were publicity shy. The three writers used masculine pseudonyms both to overcome the bias against female authors and to preserve their privacy as the respectable, unmarried adult daughters of an Anglican clergyman. Charlotte even continued to use her nom de plume well after the death of her sisters and the critical success of her novels. She also vehemently denied that she served as the model for her most famous heroine, Jane Eyre—even publicly scolding William Makepeace Thackeray for introducing her as “Jane Eyre.”

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When staring up at a starlit night, who doesn’t wonder how the universe began, how the stars were born or how we happen to be here on Earth? These questions have existed since the beginning of time, but only recently have we been able to find any of the answers. Yet the answers, which are being discovered with dizzying speed, are not easily accessible to the general public. Everyone has heard of the big bang and Einstein’s theory of general relativity, but precious few of us have the time to learn the science behind them. Happily, in Astrophysics for People in a Hurry, Neil deGrasse Tyson answers our questions about how the universe ticks—without the painful mathematics.

Perhaps no one has done more to educate the nonscientific community about the universe than Tyson. As director of the Hayden Planetarium at the American Museum of Natural History, an author and a popular television personality, Tyson is, for many, the face of astrophysics—and for good reason. He is passionate about astrophysics and wants everyone else to be, too. This book, a compilation of 12 essays he wrote for Natural History magazine, is infectiously enthusiastic, humorous and, above all, accessible. Tyson is able to convey complicated concepts with clarity.

Ultimately, reading Astrophysics for People in a Hurry is both a humbling and exhilarating experience. Compared to the vast and expanding universe, we are tiny, irrelevant specks. But at the same time, by encouraging us to take a cosmic perspective, Tyson also reminds us that everything around us and in us—the Earth, the elements, perhaps even life itself—originated in space. We truly are made out of stars.

 

This article was originally published in the May 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

When staring up at a starlit night, who doesn’t wonder how the universe began, how the stars were born or how we happen to be here on Earth? These questions have existed since the beginning of time, but only recently have we been able to find any of the answers. Yet the answers, which are being discovered with dizzying speed, are not easily accessible to the general public. Everyone has heard of the big bang and Einstein’s theory of general relativity, but precious few of us have the time to learn the science behind them. Happily, in Astrophysics for People in a Hurry, Neil deGrasse Tyson answers our questions about how the universe ticks—without the painful mathematics.

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Dani Shapiro is a novelist and short story writer, but above all she is a memoirist. In her three earlier memoirs—Slow Motion, Devotion and Still Writing—Shapiro used the lens of her own life to explore family tragedy, the search for meaning and the act of writing. In her latest memoir, Hourglass: Time, ­Memory, Marriage, she examines her marriage to journalist and screenwriter Michael Maren.

By almost every measure, they have a strong marriage: They’ve been together for 18 years, coped with their young son’s rare and dangerous illness and succeeded in a business where very few people thrive. And yet, like every other marriage, there are fault lines. Maren, a former war correspondent, is addicted to adrenaline, and Shapiro fears that he regrets their safe life. She is also terrified that they will end their lives in poverty. They are both haunted by the deaths and illnesses of their parents. In Hourglass, Shapiro paints a beautiful portrait of a marriage that miraculously flourishes despite fear and guilt.

This is not a chronology of a marriage: It is a memoir, and while the lives we lead are linear, our memories rarely are. Shapiro analyzes her marriage by linking together the memories of seemingly unrelated events, recounting each episode with clarity and beauty. The story of Maren’s futile battle with an annoying woodpecker deepens the meaning of Shapiro’s rediscovery of her old journals. In a particularly moving episode, Shapiro recalls a vision of her grandchildren playing with her friend’s grandchildren. The golden beauty of that dream may never come true, but nonetheless its very existence becomes a real part of the structure of the marriage.

Together these memories form a reality that is as diaphanous, fragile and as surprisingly resilient as a spider web. Hourglass is not only a profound and moving reflection on Shapiro’s marriage, but on all marriages.

This article was originally published in the April 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Dani Shapiro is a novelist and short story writer, but above all she is a memoirist. In her three earlier memoirs—Slow Motion, Devotion and Still Writing—Shapiro used the lens of her own life to explore family tragedy, the search for meaning and the act of writing. In her latest memoir, Hourglass: Time, ­Memory, Marriage, she examines her marriage to journalist and screenwriter Michael Maren.

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Since before Marco Polo published his account of adventures in Central Asia and China, the West has been fascinated by the East and vice versa. However, the fascination has also been accompanied by confusion on both sides. Why, an American might ask, are Koreans so dominated by familial desires, whereas a Korean might ask with equal bewilderment how an American could justify fulfilling a personal dream, even if it meant flouting parental wishes. In her latest book, The Girl at the Baggage Claim, Gish Jen explores the gap between the interdependent East and the individualistic West.

Jen, the author of four novels, a collection of short stories and the acclaimed Tiger Writing: Art, Culture, and the Interdependent Self, is well suited to this task. Born in Scarsdale, New York, to Chinese immigrants, every aspect of her life has been shaped by the cultural values both of her parents and of the America in which she was raised. Indeed, even her name is a blending of her two cultures. Jen has a variety of names, reflecting her different relationships: She has a Chinese name, Ren Bilan, and an American name, Lillian Jen; names that reflect her marital status (Gish O’Connor, Lillian O’Connor); and names that reflect confusion about her name (Jen Gish, and the incorrectly pronounced “Geesh Jen”). But her pen name is “Gish Jen,” a choice that deliberately stakes out her individual identity as an author.

Jen holds up a comprehensive and scholarly mirror to both worldviews—and be warned: Her mirror is honest, and at times provocative. Her intent, however, is not merely to explain their differences. Instead, Jen promotes a new worldview, an “ambidependence” that recognizes the values of interdependence while still nourishing the creativity that arises from individuality. The Girl at the Baggage Claim is the first step toward bridging the gap.

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Since before Marco Polo published his account of adventures in Central Asia and China, the West has been fascinated by the East and vice versa. However, the fascination has also been accompanied by confusion on both sides. Why, an American might ask, are Koreans so dominated by familial desires, whereas a Korean might ask with equal bewilderment how an American could justify fulfilling a personal dream, even if it meant flouting parental wishes. In her latest book, The Girl at the Baggage Claim, Gish Jen explores the gap between the interdependent East and the individualistic West.

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Let’s face it: We are fascinated by cannibalism, from Hannibal Lecter to the brain-eating zombies in “The Walking Dead.” In Cannibalism: A Perfectly Natural History, zoologist Bill Schutt writes about cannibalism with a delightful mixture of humor and scholarship.

Our horror of cannibalism is so deeply instilled that we assume it is an aberration resulting from extreme conditions such as starvation. Until fairly recently, most zoologists shared that belief. However, research since the 1990s has demonstrated that cannibalism is anything but rare in the animal kingdom. Schutt makes a convincing and frequently hilarious argument that cannibalism is a logical and successful strategy that many animals—especially insects, amphibians and fish, but also birds and mammals—employ in order to ensure the survival of their species.

The book is at its best, however, when discussing human cannibalism. Schutt writes movingly about the tragic Donner Party, one of the most infamous examples of starvation-induced human cannibalism. He also discusses the ongoing debate about whether ritual cannibalism—the consumption of human flesh for liturgical or spiritual reasons—actually exists, or if it is a rumor based on ignorance and fear, as well as an excuse for genocide and exploitation. But the most sobering reading comes when he explores the links between cannibalism and emerging diseases, and the implications for our own future in the face of diminishing resources.

Erudite, amusing and often moving, this is a compelling examination of a serious topic. Be prepared for some pretty curious looks, though—most people aren’t used to hearing bursts of laughter from someone reading a book emblazoned with the title Cannibalism!

 

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Let’s face it: We are fascinated by cannibalism, from Hannibal Lecter to the brain-eating zombies in “The Walking Dead.” In Cannibalism: A Perfectly Natural History, zoologist Bill Schutt writes about cannibalism with a delightful mixture of humor and scholarship.
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While thousands worked on the Manhattan Project, it is doubtful that e = mc2 would have been translated into the atomic bomb without Enrico Fermi. Given his role in ushering in the Atomic Age, it is surprising that, until now, there has been no major biography of Fermi in English; The Pope of Physics: Enrico Fermi and the Birth of the Atomic Age, by husband and wife authors Gino Segrè and Bettina Hoerlin, does an excellent job of filling that gap.

Although Fermi didn’t discover nuclear fission, he arguably made the greatest contributions towards harnessing its power. The first nuclear chain reaction took place in December 1942, at the University of Chicago, under his direct supervision. Afterward, he was a leader in the development of the atomic bomb.

The main problem for any biographer of Fermi is the nature of his work, which depended upon complex mathematical models, an intuitive understanding of the workings of the atomic nucleus, and intricate experimentation. Happily, the authors’ clear explanations ensure that the reader is not only able to follow Fermi’s contributions to science, but also understand their impact on his life story.

Segrè and Hoerlin both had family connections with Fermi: His uncle was one of Fermi’s closest colleagues, and her father worked with him on the Manhattan project. Together, they paint an affectionate and honest portrait of a man who was defined by his contradictions. Fermi, nicknamed “The Pope” for his infallibility, was both a theoretical and an experimental physicist, nearly a contradiction in terms. He was deeply apolitical, but politics nevertheless molded his life, from his increasingly uneasy relationship with Mussolini, which culminated in his arrival as a refugee to the United States, to his defense of Robert Oppenheimer during the McCarthy era. Unemotional, he inspired great love from his wife, friends and colleagues, and yet his own children suffered from his aloofness.

In all, this comprehensive and enjoyable biography is a valuable introduction to the life of Fermi. 

While thousands worked on the Manhattan Project, it is doubtful that e = mc2 would have been translated into the atomic bomb without Enrico Fermi.

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