Deborah Mason

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There are times when only a gothic novel will do, and such times call for Gallant (7.5 hours) by V. E. Schwab, author of the Shades of Magic series. Everything you could possibly want is present in Schwab’s latest standalone: a mysterious manuscript, a haunted house (the titular Gallant) and an unlikely heroine in the form of Olivia Prior, the orphan who unravels Gallant’s secrets.

Actor Julian Rhind-Tutt delivers an outstanding performance as the audiobook narrator. As a veteran film and voice actor, he brings nuance and sensitivity to his reading, with a low, husky voice that makes listening to Gallant a unique pleasure. Rhind-Tutt sounds like he’s sitting with you in a darkened room, confiding a secret so profound that only you, his listener, can be trusted with it.

Read our review of the print edition of Gallant.

The low, husky voice of actor Julian Rhind-Tutt makes listening to V. E. Schwab’s Gallant a unique pleasure.
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If you enjoy hiking up and down remote mountains while laden with excessive outdoor gear, then The Hiking Book From Hell is probably not the travelogue you’re looking for. On the other hand, if you enjoy strolling through your city, hanging out in pubs or chatting with strangers, then author Are Kalvø is your man. Kalvø, one of Norway’s most popular satirists, is a cheerful urbanite with little to no interest in nature. In his mid-40s, however, he realized that many of his friends were joining the swelling ranks of people who subject themselves to deprivation and possibly even death in pursuit of an “authentic” experience with nature. This insight brought Kalvø face to face with life’s most profound question: Is it them, or is it me?

Kalvø also had serious questions about Norwegians’ mania for nature. As a committed extrovert, he found their quest for isolation and silence disturbing. Also, nature worship can be exclusionary; the high cost of equipment and clothing ensures that nature is reserved for the well-off, while proposals to make the outdoors more accessible to disabled people are vigorously opposed. And if people went into nature to lose themselves in a transcendent experience, then why were there so many nature selfies on Instagram?

Accompanied by his wife, the “Head of Documentation,” Kalvø went on two nature treks to see what all the fuss was about—but he never really found out. Climbing steep, fog-bound mountains in the rain is as much fun as you would expect. Skiing for miles can be pretty boring. And, as he discovered, there’s something about being one with nature that changes ordinary people into boastful, unbearably smug liars who tell you with a straight face that a hike is “lovely” when they really mean “likely to kill you.”

But Kalvø tells his story with such deft humor and affectionate irony, wonderfully conveyed by Lucy Moffatt’s translation, that all you can do is laugh at his misadventures—and be grateful that you’re reading The Hiking Book From Hell in the comfort of your home.

Are Kalvø, an urbanite with no interest in nature, tells of venturing into the outdoors with such deft humor that all you can do is laugh at his misadventures.
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As we age, most of us will experience a debilitating or life-threatening illness at some point. Two nonfiction books take an unflinching look at this reality while painting a compassionate picture of how we and our health care providers could approach illness and death with more empathy, honesty and courage.

Healing

Cover of Healing by Theresa Brown

Healing: When a Nurse Becomes a Patient is Theresa Brown’s searingly honest and deeply personal account of her experiences as a breast cancer patient. Brown, a registered nurse with a Ph.D. in English literature, has written and lectured extensively about the American health care system. As a former oncology and hospice nurse, Brown knew that patients often got a raw deal, but only after her own diagnosis did she realize how needlessly cruel that deal could be.

Brown has profound gratitude for her family, friends and medical team, who all supported her as she recovered, but she is also angry. She faced a host of necessary evils during her treatment, including invasive diagnostic procedures, painful surgeries and debilitating side effects from chemotherapy. But in a series of devastating vignettes, Brown also details the many unnecessary evils she endured in a system that favors profit over the needs of the patient: Diagnoses were delayed, questions left unanswered, test results undelivered. She was even forced to negotiate byzantine regulations on her own because her health care providers were stretched too thin to ensure that these basic duties were fulfilled effectively or graciously. Even though Brown was a seasoned health professional with extensive knowledge and professional contacts, she had to fight to be treated humanely. One can only imagine the obstacles less experienced patients must face every day.

Healing is both a moving memoir and a clarion call to action. When health care becomes a profit-making industry, dominated by hedge funds and corporate interests, we all lose. Instead, Brown argues, we must return to a system where meeting the patient’s needs—physical, emotional and social—is the priority.

The Day I Die

Cover of The Day I Die by Anita Hannig

In The Day I Die: The Untold Story of Assisted Dying in America, anthropologist Anita Hannig takes a different but no less passionate approach to her examination of death and dying in America. After becoming interested in how Oregon’s assisted dying law worked, Hannig embedded herself in a volunteer group that helps terminally ill patients take advantage of the law. She soon realized that the law, with its many hoops and barriers, could be like Henry Wadsworth Longfellow’s girl with the curl on her forehead. When it works, the law is very good. Hannig’s case studies of patients who have enough luck and resources to meet the demands of the statute demonstrate that assisted death can be, paradoxically, life-affirming. Autonomy can be restored to patients who have long been at the mercy of their diseases, and knowing when one will die can be an opportunity for reconciliation, reunion and gratitude.

But when things go bad, the law can be horrid. It is reasonable to have strict conditions surrounding assisted dying to ensure that the decision to end one’s life is freely made. But those conditions can have devastating effects upon patients who desperately want to die but cannot meet the requirements. Patients with ALS, for example, might lose their ability to communicate their assent before the deadline. Advanced Alzheimer’s patients are categorically denied access to assisted dying because they have lost the ability to fully understand their decision. Hannig rigorously details these and other situations in which people’s physical or mental deterioration, lack of resources or sheer bad luck result in a painfully prolonged life and terrifying death.

In her introduction, Hannig acknowledges the anthropologist’s dilemma: The act of observation is an imperfect tool for research, since it can change both the observer and the observed. However, it can also change the reader, since it is impossible to read Hannig’s book without being moved. Regardless of your stance on assisted dying, The Day I Die will make you reconsider how dying could and should be.

The personal stories in these nonfiction books set a more humane benchmark for patients and providers.
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In African Town (7 hours), co-authors Charles Waters and Irene Latham use a series of first-person narrative poems to tell the story of the Clotilda—the last American slave ship—and to reveal the fates of the enslaved passengers and their captors.

Each character’s perspective unfolds in a particular poetic structure that reflects their personality, and the audiobook cast members incorporate the cadence of these poems into their performances without ever sounding forced or contrived. Consequently, the listener experiences not only an epic story of terror, grief and heroism but also the unique humanity of each character, including the Clotilda—a ship that is infinitely more humane than her masters.

The accompanying downloadable PDF is packed with valuable information, including a glossary, timeline and additional information about the characters. African Town is an emotionally complex, searingly honest and extremely rewarding experience for teen and adult listeners alike.

Irene Latham and Charles Waters discuss ‘African Town,’ their novel in verse about the last group of Africans brought to America and enslaved.

African Town is an emotionally complex, searingly honest and extremely rewarding experience for listeners of all ages.
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In Of Blood and Sweat: Black Lives and the Making of White Power and Wealth, Clyde W. Ford confronts readers with a difficult truth about the current state of American affairs: Our politics, economy and social structure are inextricably linked to the enslavement of Black people. The freight trains and trucks that carry goods across the country follow the rail lines and roads built by enslaved people. Our insurance companies, banks and stock exchanges—in both the North and the South—are direct descendants of the institutions that financed and protected the slave trade and commodities produced with slave labor. Our Constitution is the result of compromises with slave-holding states, ensuring through the three-fifths clause, the Fugitive Slave Clause and the Electoral College that power remained in the hands of powerful white men and that slavery continued to flourish.

Ford wants readers to realize the lasting and severe harm that slavery has done to our country on both an intellectual level and a visceral, emotional one. There is no lack of evidence to support his argument, and his book is very well researched and documented. But unlike histories that are so loaded with documents, statistics and official accounts of proceedings that they numb the reader, transforming the tragedy of the past into mere abstraction, Of Blood and Sweat adroitly avoids these pitfalls. Instead, Ford weaves the stories of real people who lived through these times into his narrative, making the information feel immediate and alive. The author of 13 fiction and nonfiction books, including the memoir Think Black, Ford brings to life Antoney and Isabell, an Angolan couple who were among the first enslaved Africans brought to Virginia in 1619; Briton Hammon, an enslaved man whose New England owner permitted him to become a sailor; S.G.W. Dill, a white former Confederate soldier who became a passionate advocate for equality—and was murdered for it by white supremacists; and countless others, the sinners and the sinned against, whose lives illuminate not only what happened but why.

More importantly, Ford makes a clear case that the past is never over. The wounds inflicted by slavery have never healed, and he argues that they will continue to harm our country until we deal with them honestly. For many Americans, reading Of Blood and Sweat will be an excellent first step in that process.

Some histories are so loaded with documents and statistics that they numb the reader, but Clyde W. Ford’s Of Blood and Sweat feels immediate and alive.
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In 2019, the New York Times Magazine published 10 articles written by a team headed by Pulitzer Prize winner Nikole Hannah-Jones. Collectively known as the 1619 Project, these essays argue that the arrival of the first enslaved Africans in Virginia in 1619 ​​was a defining event for our nation, one that has affected basically every aspect of life in the centuries since. The 1619 Project: A New Origin Story (19 hours) expands on this original work with additional essays and literary works.

The essays alone would have made compelling listening, but the pairing of historical analysis with artistic interpretation makes the audiobook especially moving. Some pieces are read with great passion, such as Hannah-Jones’ “Democracy.” Others, like Khalil Muhammed’s reading of “The Sugar Trade,” have a determined objectivity that underscores the human misery behind the historical fact. But nothing compares to the gut punches delivered by ZZ Packer’s short story “An Absolute Massacre” or Rita Dove’s poem “Youth Sunday.”

The audiobook’s variety of voices and styles allows the listener to understand American history on a profoundly human level. The result is a powerful lesson not only about what our history is but also how it feels.

Read our starred review of the print edition of ‘The 1619 Project.’

The variety of voices and styles in The 1619 Project audiobook allows the listener to understand American history on a profoundly human level.
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We all have one. That friend or relative who cannot hold a conversation without bringing up their pet conspiracy theory. The one who believes COVID-19 is a hoax or that a certain former secretary of state actually wore a mask made from the face of a dead child. The one who frightens and confuses you in equal measure, leaving you to wonder what happened to your dear friend or favorite uncle. The one you might be thinking about cutting off, because the mere thought of listening to one more lecture about the faked moon landing sends you around the bend.

Before you do, however, you really should read Off the Edge: Flat Earthers, Conspiracy Culture, and Why People Will Believe Anything by Daily Beast reporter Kelly Weill. Since starting at The Daily Beast in 2016, Weill has focused on how conspiracy theories flourish on social media. In Off the Edge, Weill uses flat-eartherism as a case study, documenting its surprising roots in a 19th-century socialist utopian commune, its truly astonishing endurance and popularity, and its links to other conspiracy theories, including QAnon. In addition to conducting meticulous research for her debut book, Weill had searching and substantive conversations with flat-earth believers that informed her understanding of how conspiracy theories evolve, grow and converge. She is especially critical of the role YouTube and Facebook have played in this history, but she is equally clear that the mainstream media, including some of her own articles, are also at fault.

Weill’s investigation of flat-eartherism makes clear that adherence to a conspiracy theory is not intellectual but emotional. Fear and uncertainty about the world and one’s place in it fuel a desperate desire for clarity—even if that clarity is rooted in a nonsensical worldview that drives a wedge between the believer and their loved ones. But there’s still hope for these broken relationships. Weill shows that people can and do recover from their fever dreams, but not through intellectual argumentation alone. If the exploitation of fear can divide us, only compassion and openheartedness can lay the groundwork to draw us together again.

Before you cut off a loved one who won’t shut up about their pet conspiracy theory, you really should read Kelly Weill’s extraordinary debut book, Off the Edge.
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Oliver Roeder is very serious about games. With a Ph.D. in economics with a focus on game theory, the author of Seven Games: A Human History argues that games—those activities that force us to suspend the normal rules of life in order to overcome self-imposed obstacles in the name of fun—are what make us human. Rather than homo sapiens, we are, he says, “homo ludens”: the humans who play. To make his case, Roeder takes a fascinating look at seven enduring games: checkers, chess, Go, backgammon, poker, Scrabble and bridge.

Roeder chose these games because, despite being easy to learn (with the exception of bridge), they all require strategic skills that can take years to acquire. In fact, they call for many human qualities: forethought, the ability to see both the big picture and small details, and even, in the case of bridge, the ability to communicate efficiently but obliquely with a partner.

For Roeder’s purposes, however, the main thing that unites these games is that they have all been conquered by artificial intelligence. A great deal of each chapter details how computer scientists seeking to make computers more “human” have taught them to play these games. Initially clumsy, the computers became more skilled as their programmers exploited the computers’ ability to make astronomical calculations in a matter of seconds. This advantage eventually crushed human masters of these games, including former World Chess Champion Garry Kasparov and professional Go player Lee Sedol.

It would seem that AI’s triumphs have made games for humans meaningless, but Roeder argues that they haven’t. Instead, the masters of these games have harnessed the computer’s power, using it to improve their skills and bring their expertise to new levels. However, the progress of human and automated intellect is not where games’ salvation lies. Instead, it’s the strivers—the players among us who love the challenge of overcoming those self-imposed obstacles—who will ensure that games continue to enrich our humanity.

Seven Games is a fascinating look at how humans fare against artificial intelligence and asserts that games are what make us human.
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We appear to be living in a golden age of crime stories, with podcasts and series galore, but this popular fascination is truly timeless, everlasting and ever evolving. L.R. Dorn’s debut novel, The Anatomy of Desire (8 hours), updates Theodore Dreiser’s classic 1925 crime drama, An American Tragedy, by using the documentary format to explore whether Instagram influencer Cleo Ray murdered her ex-girlfriend in the middle of a lake.

Dorn uses interview transcripts, director commentary and courtroom clips to strip away Cleo’s “all-American girl” social media personality and expose the traumas fueling her relentless ambition. This narrative structure is perfect for the audiobook format, and it’s compellingly and convincingly performed by a fine ensemble cast. Tony Award winner Santino Fontana stands out as the documentary director Duncan McMillan, and Marin Ireland portrays a formidable defense attorney, but Shelby Young absolutely shines as Cleo. From Cleo’s chirpy pretrial Instagram posts to her gut-wrenching testimony, Young delivers a performance that is as vulnerable as it is ruthless, as loving as it is spiteful.

Make some popcorn, settle in, and get ready to devour an extremely enjoyable story.

The unique documentary format of L.R. Dorn’s crime novel makes for a winning audiobook, compellingly performed by a fine ensemble cast.
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Filled with humor, misadventures, triumphs and sorrow, Amor Towles’ novel The Lincoln Highway (16.5 hours) follows Emmet Watson, his kid brother, Billy, and their friends Duchess and Woolly on an epic road trip from Nebraska to New York.

Each chapter is told from a different point of view, and Edoardo Ballerini narrates as all but two of the characters. He brings nuance to each voice, but his reading of Billy’s perspective is especially convincing. Billy, the precocious child who inspires much of the novel’s action, runs the risk of becoming more symbol than character, but Ballerini captures the wistfulness and vulnerability of a young boy far from home. Marin Ireland is gloriously brassy and brittle as Sally, a sassy Penelope figure who refuses to stay home, and Dion Graham imbues Ulysses, a homeless African American veteran doomed to crisscross America, with weary dignity and courage.

Sometimes, audiobooks merely narrate the original text. In this case, the performances by Ballerini, Ireland and Graham augment it, giving The Lincoln Highway increased complexity and humanity.

Read our starred review of the print edition of ‘The Lincoln Highway.

Narration by Edoardo Ballerini, Marin Ireland and Dion Graham augment Amor Towles’ text, giving The Lincoln Highway increased complexity and humanity.
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Charlie Barnes, the hero of Joshua Ferris’ novel A Calling for Charlie Barnes (11.5 hours), has pancreatic cancer. Or maybe he doesn’t. He is a shyster, a con man and a liar. Or perhaps he’s a dreamer, a nobody who could be a somebody, if only the planets would align in his favor and grant him some grace. The task of discovering the true Charlie falls to his novelist son, Jake, the narrator of this hilarious and tragic story of love, failure and redemption.

Nick Offerman, best known as the laconic misanthrope Ron Swanson on “Parks and Recreation,” delivers a powerful performance as Jake. His whiskey-soaked baritone swings effortlessly from world-weary cynicism to wickedly dry observations about siblings and stepmothers. Like his namesake in The Sun Also Rises, Jake Barnes is a flawed and vulnerable character, but Offerman’s deft reading convinces the listener that Jake also has the strength necessary to understand and forgive the inexplicable and unforgivable.

Read our starred review of the print edition of ‘A Calling for Charlie Barnes.’

Nick Offerman delivers a powerful performance as Jake Barnes, the narrator of Joshua Ferris’ hilarious and tragic story of love, failure and redemption.
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As art historian Catherine McCormack points out in Women in the Picture: What Culture Does With Female Bodies, galleries and museums are full of paintings and statues of women in various guises and genres. Indeed, there are so many that we rarely take time to consider the implications of how they are depicted. We see a Madonna, and we think, “That’s a Madonna.” Few question how the Madonna is depicted, or even why the Madonna is depicted.

McCormack wants us to ask these questions, but she also wants us to consider by whom and for whom an artwork was created. She examines four archetypes of women in Western European art—Venus, the Madonna, the damsel in distress and the monstrous woman—to examine their impact on not only how we look at art but also how we view women in general.

Because so much of this art was created by male artists for male clients, McCormack argues, we have become accustomed to viewing these images through male eyes. As a result, when we see Titian’s “Rape of Europa,” we see a technically brilliant, erotically charged depiction of a myth, not the terror and brutality of the rape that is about to take place. When we see a Madonna, we see an idealized vision of motherhood, not how that mother is trapped by her hearth and home. Sphinxes, witches and gorgons, McCormack believes, are not existential threats to male heroes but the projection of misogynistic fears of powerful women.

McCormack’s purpose is twofold. First, rather than ditching Western European art, she wants us to engage with it critically, deliberately and honestly so that we can begin to recognize the impact of the male artist’s perspective and reinterpret his art with fresh eyes. Second, she wants to encourage women artists to take these subjects and represent them in ways that expose their realities to future generations. As a result, Women in the Picture is a thought-provoking call to action for artists and viewers alike.

Catherine McCormack looks closely at four archetypes of women in art to examine not only how we look at art but also how we view women in general.
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A Spanish queen. A Florentine printer. An English wool merchant. A disgruntled German monk. A Genoese explorer. According to Patrick Wyman, author and narrator of The Verge: Reformation, Renaissance, and Forty Years that Shook the World (11.5 hours), these are among the actors who gave birth to the modern world. Wyman argues that from 1490 to 1530, a series of economic, religious and state-building revolutions transformed Europe from a backwater into the dominant global power. And like the song says, it was money—in the form of increasingly available credit—that made the world go round.

Creator of the podcast series Tides of History and Fall of Rome, Wyman is a skilled performer with obvious enthusiasm for his subject. His reading is also enhanced by the book’s structure: Each chapter focuses on a particular historical figure who in some way acted as a midwife to the new age, and Wyman’s narration emphasizes their humanity, warts and all. As a result, he makes this economic history of Europe an entertaining and informative audiobook.

Podcaster Patrick Wyman skillfully narrates his engaging economic history of Europe.

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