Book reviews archive

by Thane Tierney

It’s the mid-1960s, right at the start of Mao Zedong’s Cultural Revolution, and the Red Guards are methodically upending—many would say demolishing—the cultural heritage of China. Books are burned, artifacts are smashed, history is erased. But two plucky biology students, Mei and Peng, are determined to rescue a lotus seed from the university library.

This isn’t just any seed. It is a seed from thousands of years ago, allegedly dropped from the sky by a dragon as a gift for a long-ago emperor, with the power to confer a wish on its recipient. But the emperor died before getting to make that wish. Mei, a scientist by nature, is skeptical of the legend, but she wants to protect the seed from the Red Guards, so she takes it.

Here, Rachel Khong’s multigenerational saga Real Americans splits into three narratives, following Mei, her daughter and her grandson through 60-odd tumultuous years after she immigrates to America. The narration isn’t linear; Mei, who plays the pivotal role at the book’s brief outset, largely recedes into the background until the final third of the book, when, as an elderly retired geneticist, she reflects on her life choices and how they have affected her family: “Aren’t we lucky? Our DNA encodes for innumerable possible people, and yet it’s you and I who are here. . . . In this place, on this small blue rock, innumerable miracles: redwoods, computers, stingrays, pianos, you and me.”

Through intervening events and discoveries, Khong implicitly asks a very pertinent question: What does it mean to be a “real American”? Is it enough to be born in the U.S.? Can you assimilate from a foreign country, a foreign culture? Is there something in our genetics that binds us inevitably to the lands of our ancestral origins? Real Americans’ answers are at once complex and compelling, as science and philosophy sit cheek by jowl with history and elements of magic. As the three narrative strands merge, their denouement is unexpected yet perhaps predestined: the fruit of a seed planted long ago.

In Rachel Khong’s multigenerational saga, Real Americans, science and philosophy sit cheek by jowl with history and elements of magic.

Children's, Children's & YA, Middle Grade

Children's & YA Middle Grade Children's

Poetry Comics

Review by Norah Piehl

by Norah Piehl

In some ways, Grant Snider’s Poetry Comics is exactly what you’d expect—a series of short narratives that combine lyrical words with cartoons. But in almost every other way, this collection manages to surprise readers at each turn of the page.

Poetry Comics is loosely structured around seasons of the year, beginning in spring with tadpoles and leafing trees, and wrapping up in winter with snowfall and the boredom of being stuck indoors. But not all the topics of Snider’s poems—which are mostly in free verse but include some rhyming verses—are seasonal in nature. Many are introspective, touching on personal growth and the creative process in ways that will resonate with readers of various ages: “Maybe a moment is a taste— / a pickle’s sour crunch. / If only there were a way / to put it on paper / I could capture a moment / in all its wild power.” A recurring exploration of “How to Write a Poem” addresses frustration and revision before reaching a joyful conclusion.

Most of the poems include one or two figures leaping acrobatically through panels, often interacting with birds, insects, plants, trees and other elements of the natural world. The pen-and-ink illustrations, colored and edited digitally, span a gorgeous range of pastel and more saturated hues (on display to particularly great effect in “Poem for Painting My Room”). At times, the artwork is more conceptual, as in “Best Friends,” which visualizes a friendship via shapes in two different colors, or “Shape Story,” whose creative panel structure might prompt readers to think not only about what makes a poem but about how comics are constructed.

That may be the greatest value of Snider’s creativity-infused collection: Young readers and aspiring creatives who might be daunted by the prospect of writing a traditional poem or drawing a full graphic novel will find in these pages dozens of new models for, as Snider puts it, helping “say things / I never knew were in me.”

Grant Snider’s Poetry Comics are often introspective, touching on personal growth and the creative process in ways that will resonate with readers of various ages.

Cookbooks, Food & Drink, Nonfiction

Nonfiction Food & Drink Cookbooks

Noodles, Rice, and Everything Spice

Review by Yi Jiang

by Yi Jiang

Often, cookbooks languish on our kitchen shelves, only to be referenced once in a blue moon—but the exuberant illustrations of Noodles, Rice, and Everything Spice: A Thai Comic Book Cookbook will have you turning to its recipes for years to come. In 2020, Thai Belgian cartoonist Christina de Witte sought to further connect with her Thai heritage by taking language lessons, which is how she met Mallika Kauppinen, who started teaching Thai via Zoom after moving to Finland from Thailand. The result is this unique cookbook, in which cartoon versions of de Witte and Kauppinen lead you through the fundamentals of Thai cooking and an array of common recipes whose steps are whimsically drawn out. Tools, ingredients, stirring guidelines, timers, heat levels and more are diagrammed in a manner that provides both joy and exceptional clarity unmatched by most cookbooks.

Short comics offer context—the origin of guay tiaw, or “boat noodles,” for example—or pull you into a slice of Kauppinen’s childhood. Our guides are present throughout, drawn onto photos of their meals—floating in a pool of curry, grabbing fistfuls of rice and engaging in other such hijinks. From the liveliness of its writing to the brightness of its color palette, the vibrancy of every aspect of Noodles, Rice, and Everything Spice captures Thai cuisine in such a way that you can almost taste its bold flavors just through reading.

With its vibrant illustrations, Noodles, Rice, and Everything Spice captures Thai cuisine in such a way that you can almost taste its bold flavors.

Children's & YA, YA, YA Fiction

Children's & YA YA Fiction YA

Icarus

Review by Mariel Fechik

by Mariel Fechik

For many years, Icarus Gallagher has slipped into the dangerous Mr. Black’s mansion on opportune nights to steal priceless artworks and replace them with perfect forgeries created by Icarus’ father, Angus. Their strange mission is one of revenge: Mr. Black hurt Angus’ family, and so Angus has spent almost two decades trying to hurt Mr. Black.

As a consequence of his father’s obsession, Icarus lives a half-life devoid of any real connection. At 17, he only has a year before he can leave and never see Angus again. Until then, he’ll keep his head down.

Except one night, Icarus is caught by Helios, Mr. Black’s teenage son. While he originally appears to be a threat that could expose Icarus, the two soon form a tentative friendship—and then something more intense. For Icarus, a boy made of want, it’s almost more than he can bear. But his connection with the broken, golden Helios might prove to be the key to freedom for both of them.

K. Ancrum’s extraordinary fifth novel Icarus is an elegant, multifaceted gem about art, power and fear. Ancrum performs a confident high-wire act in balancing the weighty manifestations of these themes alongside those of connection, desire and contradiction.

Icarus—book and boy—is the embodiment of raw yearning, and all of Ancrum’s characters wear their hearts on the tips of their tongues. Occasionally the book’s dialogue can feel unrealistic or even overwrought, showing an honesty and openness not necessarily common among 17-year-old boys. But there is an intimate truth in the intensity of feeling behind their words, and this is one of Ancrum’s greatest skills as a writer.

“Some of us lead lives that would require suspension of belief from others,” Ancrum writes in the novel’s dedication. Perhaps she references the unreality of a teenaged art thief who tends ferns and scales buildings, but maybe she’s simply talking about the unreality of everyday injuries and ecstasies: the cold rage of abuse; the emptiness of grief; the rapturous beauty and agony of being touched.

Ancrum’s prose is also thrillingly decadent in certain moments, channeling the masterpieces of art whose power she telegraphs through every page. Often sudden bluntness, either of sentence length or metaphor, gives an edge to the gilded phrasing. In Ancrum’s novel, Icarus’ wings striving for the heat of the sun becomes both a beautiful representation of queer love and a sharp, artful subversion of the original Greek mythos.

In her extraordinary fifth novel, Icarus, K. Ancrum performs a confident high-wire act, balancing the weighty manifestations of connection, desire and contradiction.

Children's & YA, YA, YA Fiction

Children's & YA YA Fiction YA

How Do I Draw These Memories?

Review by Linda M. Castellitto

by Linda M. Castellitto

In her creative and contemplative debut How Do I Draw These Memories?: An Illustrated Memoir, Jonell Joshua reflects on the people, places and events that helped her become the person—and artist—she is today.

An interesting pastiche of illustrative styles give this mixed-media memoir a scrapbook-like feel, and Joshua’s artistic range is on full display in painterly full-page pieces, expertly drawn black-and-white comics and colorful, vibrant illustrations. Through the inclusion of photographs of prominent figures in her life, Joshua also illuminates the ways in which others’ perspectives can become woven into our own.

The author’s childhood years were peripatetic: After Joshua’s father’s death when she was very young, she moved with her mother and brothers to her grandparents’ home in Savannah, Georgia. She and her brothers also lived with their other grandparents in New Jersey while her mother sought treatment for bipolar disorder. The author notes, “I envied the schoolmates who’d grown up together. . . . I kept tabs on how many [schools] I’d gone to. It was like a game I played in my head. Five elementary schools, four middle schools, one high school.”

While How Do I Draw These Memories? begins with the author’s earliest memories and ends approximately in the present, the memoir moves back and forth chronologically in between, resulting in a reading experience that’s more akin to an assemblage. As Joshua moves from state to state, school to school, her memoir also switches between narrators and storytelling styles—straightforward prose, Q&A format, illustrated narratives, etc.

Additional insight is offered via sections like the informative and empathetic “Bipolar Disorder—From My Perspective” and a detailed chronicle of her path from post-high school uncertainty to where she is today: an illustrator whose clients include the New York Times, CRWN Magazine, and NPR; and someone whose memories remind her that “The moments of joy I felt growing up . . . felt immeasurable. The love I was raised with is the love I carry with me.”

An interesting pastiche of illustrative styles give How Do I Draw These Memories? a scrapbook-like feel. Jonell Joshua’s artistic range is on full display in painterly full-page pieces, expertly drawn black-and-white comics and colorful, vibrant illustrations.

Contemporary Romance, Romance

Romance Contemporary Romance

Funny Story

Review by Katie Garaby

by Katie Garaby

Daphne and her fiancé had the perfect meet cute: On a windy day in a park, Peter chased down her hat. They fell in love, and moved back to his lakeside hometown of Waning Bay, Michigan. Everything was picture-perfect—until Peter’s bachelor party weekend, when he realized he was in love with his childhood best friend, Petra. And so Daphne finds herself adrift in a town where she knows basically no one, bearing witness to her ex-fiancé and his new fiancée’s disgusting displays of love. The only person who can understand her grief is Max, Petra’s ex. Daphne proposes they become roommates, and soon, they hatch a scheme. What if they post some easy to misinterpret pictures and make Petra and Peter think they are together?

In our introduction to the leading couple of Emily Henry’s Funny Story, a frustrated Daphne is annoyed that Max is listening to Jamie O’Neal’s “All By Myself” at top volume, stoned. It’s not exactly love at first sight, but they’re both deeply charming and relatable, showcasing Henry’s skill at crafting engaging yet realistic characters that immediately hook readers’ hearts. You want Daphne and Max to heal. You want them to bump into their exes and make out so hard that everyone is a little uncomfortable. (But who cares! Peter and Petra should suffer!) Henry also expertly sidesteps the worry-inducing pitfalls of having a couple bound, at least initially, by grief. No one wants a happy ending undercut by the characters using each other as an emotional scratching post. Thankfully, Max and Daphne’s relationship is simply one part of their individual healing journeys, not the entirety of them. With a supporting cast of helpful family and friends, meaningful and passionate purpose in their community and a little bit of therapy, all things are possible. The work they each put in on their own only makes the love story more satisfying.

With her signature laugh-out-loud banter and flawed but lovable characters, Henry has created another novel that’s everything her readers have come to expect, without falling into predictable patterns. Funny Story is Emily Henry at her best.

Featuring laugh-out-loud banter and flawed but lovable characters, Funny Story is Emily Henry at her best.

Animals, Nonfiction

Nonfiction Animals

Dogland

Review by Linda M. Castellitto

by Linda M. Castellitto

“One last job” is a popular story trope, from the prolific criminal’s last heist before going straight to the world-weary detective’s final case before turning in their badge. In Dogland: Passion, Glory, and Lots of Slobber at the Westminster Dog Show, it’s a much-lauded samoyed named Striker who’s on the verge of retirement, and his big finale is the 2022 Westminster Dog Show.

Tommy Tomlinson, a Pulitzer Prize finalist and author of The Elephant in the Room, leads readers behind the scenes and in front of the judges as he crosses the country touring 100-plus dog shows, a three-year-long venture he affectionately calls “Dogland.”

With wry wit and fascinating detail, Tomlinson explores what it takes to be a contender for Best in Show. For example, dogs must first compete in often ill-attended smaller shows, called clusters, to gain experience and name recognition: “If Westminster is the Super Bowl, clusters are the regular season.” The dogs must be the best of “breed standard,” as if “humans decided that George Clooney was the consummate man, and we measured all other men by which ones were the Clooneyest.”

“Are those dogs happy?” is a question on the author’s mind as he tours the swirl of training, grooming and “for your consideration” ads in trade publications. Tomlinson spends copious time with Striker and his handler, Laura King, traces the history of canine competition and takes a look at dog shows in popular culture. (Perhaps not surprisingly, “People I talked to in Dogland seem ambivalent about [2000 mockumentary] Best in Show.”)

There’s no ambivalence in the connection between Striker and his handler, forged via countless hours together and a remarkable 111-show-winning partnership. Tomlinson’s love for dogs shines through in a moving essay about his late pooch Fred, and his playful “Pee Break” interludes that rank dogs in art, advertising and the like make Dogland ever more jovial. To wit, those lucky enough to meet a show dog mustn’t pet the dog’s carefully coiffed head, but rather “go for the scritch under the chin.” Wise words from a winning read.

Tommy Tomlinson’s wry, witty Dogland leads readers behind the scenes and in front of the judges at 100-plus dog shows around the country.

Medicine, Memoir, Nonfiction

Nonfiction Memoir Medicine

Committed

Review by Carla Jean Whitley

by Carla Jean Whitley

Writing saved Janet Frame’s life.

In 1951, the 27-year-old writer was scheduled for a lobotomy. She’d spent her adulthood in psychiatric facilities, and the extremely damaging practice was in its heyday. But after Frame’s debut book won a literary award, a doctor called off the procedure.

Frame is one of many authors Suzanne Scanlon references to create a throughline between reading, writing and illness in her memoir, Committed: On Meaning and Madwomen. Here, the author of novels Promising Young Women and Her 37th Year, an Index, traces her entwined reading and mental health histories.

In her early 20s, Scanlon spent more than two years in a psychiatric hospital and experienced shorter hospitalizations for several years to follow. Both during that first stint and the years since, she’s turned to books for insight into the world and her own mental health, a practice mirrored in her childhood. When her mother was dying, 8-year-old Scanlon created order from the grief and chaos around her through imaginative play. The immersive nature of this coping strategy is akin to what Scanlon now finds in literature.

Committed leaps across time, mirroring how Scanlon comes to understand her own narrative, organizing an unconventional timeline from her fragmented memories. She also plays with form, occasionally breaking from running narrative with lists explaining her illness, or switching from first- to second-person to place the reader in a scene.

Committed is also about authors who faced mental illness, among them Marguerite Duras and Sylvia Plath. Janet Frame, Scanlon writes, is “the patron saint of writers once institutionalized, the long-institutionalized, the young women everywhere told they were hopeless, what would become of them now, defined by the places where they lived.”

“What we call mental illness is so rarely portrayed with any depth or complexity,” Scanlon writes. But as she combs the archives of her reading, she finds “information about what it means to be alive in [any] shifting historical moment.” By lacing her story with literary analysis and cultural history, she creates a thoughtful reflection on how societal expectations can impact people, women in particular, and how writing and reading can provide a port in the storm.

In her stirring memoir, Committed, Suzanne Scanlon tracks her entwined reading and mental health histories.

Mystery & Suspense, Suspense

Mystery & Suspense Suspense

Darling Girls

Review by Elyse Discher

by Elyse Discher

Sally Hepworth’s Darling Girls is a feverish thriller rife with gaslighting and unreliable narrators, perfect for fans of Freida McFadden or Loreth Anne White.

Jessica, Norah and Alicia grew up in the same foster home, Wild Meadows, with a seemingly perfect foster mother, Miss Fairchild. When the novel opens, the now-adult women are all struggling thanks to what they endured in Miss Fairchild’s “care.” But when Wild Meadows is demolished and human remains are found underneath it, the ensuing investigation forces the three sisters to excavate their own complicated memories of what happened there.

Hepworth cannily builds this novel around the understanding that childhood trauma doesn’t always make sense to adult eyes. Each of the sisters’ experiences with Miss Fairchild are horrific in slightly different, almost inconceivable ways, leaving readers feeling like they are participating in some kind of collective hallucination. All three sisters have memories of babies being brought into the home, then disappearing at night. All three claim to have lived with a toddler named Amy—except the only Amy that existed in the house, according to police, was a doll. Hepworth’s deep dives into the point of view of each character keeps things feeling off-kilter and unmoored. As the tale of their spooky and bizarre childhood at Wild Meadows unfolds, we can’t help but wonder if the sisters’ odd experiences are a means of covering up their involvement in something dire. This is a novel where no one can be trusted at their word: Even as adults, the sisters are all still unreliable narrators. Jessica is addicted to Valium, Norah has severe anger issues that manifest as violence and Alicia has buried her past in a way that can only end in crisis.

Extremely dark without ever showing violence on the page, Darling Girls portrays the horrors of psychological abuse, but the novel also offers catharsis. Jessica, Norah and Alicia survived a horrible ordeal. The discovery of the bones under Wild Meadows is the catalyst for them to be able to tell their story and begin to heal.

With an emphasis on psychological versus physical terror, Darling Girls is a one-sitting read full of twists and turns.

Cozy Mystery, Mystery, Mystery & Suspense

Mystery & Suspense Mystery Cozy Mystery

Close to Death

Review by Jamie Orsini

by Jamie Orsini

In Close to Death, the fifth installment of his meta Hawthorne and Horowitz mystery series, Anthony Horowitz delivers another diabolically complex whodunit, rife with misdirection and murder.

When an obnoxious resident of the ritzy and otherwise close-knit Riverside Close neighborhood is murdered, law enforcement officials are puzzled. The remaining residents of the luxury community immediately close ranks—they all had motive to kill the unlikable Giles Kenworthy. So London officials call on former detective-turned-private investigator Daniel Hawthorne and his partner, John Dudley, to solve the sensational crime. Within weeks, the case is closed. Five years later, writer Anthony Horowitz is getting desperate. He’s written four crime novels with Hawthorne, mostly by following the prickly detective and chronicling his work. Now though, Horowitz has a looming publishing deadline for their next book, but the pair haven’t solved a case in months. He asks Hawthorne to revisit the already-solved Kenworthy case for an easy-to-write, ready-made mystery. But Hawthorne withholds almost as much information as he shares, and Horowitz realizes there’s much more to this case.

Horowitz (the real-life writer, not the character in his books) is a master of intricately plotted and deeply satisfying mysteries, and Close to Death is no exception. This fifth installment in the Hawthorne and Horowitz series is structured very differently than the previous works: Rather than having the fictional Horowitz follow Hawthorne’s sleuthing in real time, the pair are reviewing a long-closed case. Still, Horowitz is in the dark for much of the novel, trying to make sense of Hawthorne’s brief recaps and terse explanations. Horowitz is also deeply curious about Dudley, Hawthorne’s previous assistant. Why did the pair stop working together? Did it have something to do with the Kenworthy murder? Readers will enjoy following Horowitz as he works to unravel the many mysteries that surround this particular case.

Close to Death offers a supremely engrossing and expertly plotted mystery that will challenge and delight even the most well-read mystery fans. Suspects include two former nuns, a celebrity dentist, a landscaper and a chess champion, all of whom have secrets to hide. The clues are there for readers to find, hidden in this Agatha Christie-style mystery. This installment may be the strongest book yet in the superb series.

Close to Death offers a supremely engrossing and expertly plotted whodunit that will challenge and delight even the most well-read mystery fans.

History, Nonfiction

Nonfiction History

Chamber Divers

Review by Anne Bartlett

by Anne Bartlett

June 1939: British naval sub HMS Thetis sinks in sea trials. Ninety-nine people die. August 1942: Allied forces raid the coastal town of Dieppe in German-occupied France. Thousands are killed, captured or wounded, in part because coastal scouting was minimal. September 1942: British-manned torpedoes attack German battleship Tirpitz. All crewmen are captured or killed. Catastrophes have a way of concentrating the mind: Do it right next time. Luckily for the Allies in World War II, a group of scientists in London risked their lives in secret pressure chamber “dives” to give future underwater and amphibious missions better odds.

Author Rachel Lance is a biomedical engineer and blast injury specialist who has worked on underwater equipment for the U.S. Navy, making her unusually suited to unveil the forgotten story of these scientists in Chamber Divers: The Untold Story of the D-Day Scientists Who Changed Special Operations Forever.

Their project at University College London was led by J.B.S. Haldane, a brilliant, annoying eccentric who hired scientists shunned by others, among them Jewish refugees, women and Communist sympathizers. As the bombs in the Blitz exploded around them, these scientists subjected themselves again and again to dangerous pressure in chambers that simulated deep underwater dives in order to design more effective breathing equipment for submarine crews, frogmen and torpedo riders.

Relying on their experiment notes, Lance takes us inside the metal tubes where scientists suffered life-threatening injuries. She explores their backgrounds and relationships, which included a love affair between Haldane and research colleague Helen Spurway. And she ranges throughout combat zones to show us the dangers of underwater action, from the perspective of individual combatants on both sides. But Lance’s singular strength is her lucid explanations of the complex science behind the experiments, making it accessible to untrained readers. Lance also uncovers the combination of official secrecy, prejudice against outsiders and bureaucratic skullduggery that obscured this story until now.

Lance begins her book with the Dieppe disaster and ends with D-Day—an Allied triumph that might have gone badly wrong without the chamber divers’ dedication and resilience. Chamber Divers is a necessary reminder that not all war heroes were on the front lines.

In Chamber Divers, Rachel Lance uncovers the Navy scientists who risked their lives to improve the odds of underwater and amphibious missions in World War II.

Coming of Age, Fiction, Literary Fiction

Fiction Literary Fiction Coming of Age

Bad Habit

Review by Laura Sackton

by Laura Sackton

In her first work to be translated into English, Spanish poet, playwright and author Alana S. Portero captures the complexities of trans girlhood and adolescence. Set in the working-class San Blas neighborhood of Madrid in the 1980s and 1990s, Bad Habit, is full of chaotic, messy, vibrant life. The unnamed protagonist, a trans girl who possesses an unshakable knowledge of herself but lacks a way to express it safely, has a singular first-person narrative voice. Her campy humor, biting observations and poetic musings will leave a lasting impression on readers.

Portero balances long, meaty passages of self-reflection with vivid scenes grounded in sensory detail. The resulting mix reads like a fictional memoir, a woman baring her soul with a wink. It even follows the expected beats of a coming-of-age memoir: the protagonist’s childhood and early realization that her gender is at odds with how the world sees her; her first bittersweet experience of love; her teenage exploits in Madrid’s downtown party scene; her painful attempts to blockade herself in the closet; her tentative forays into trans life.

Portero writes about the intersections of gender, sex, desire and longing—intersections that collide in the body—with incredible thoughtfulness and nuance. She also beautifully portrays trans sisterhood and found family. Many trans women play important roles in the protagonist’s life, often in surprising and unpredictable ways. These women are lonely, crass, loving, tough and each distinct. The care they give one another radiates off the page, even, and especially, when the narrative gets grim.

Sometimes Mara Faye Lethem’s translation feels a bit clunky; occasional oddly constructed sentences may take a moment to untangle. But this hardly matters, because the prose overall is so fresh. The protagonist’s ability to see herself and the people in her life both up close and from a distance is irresistible. Bad Habit is queer fiction at its painful, honest, celebratory best, rejoicing in the beauty of trans lives while simultaneously acknowledging the violence that the world too often thrusts upon them.

The campy humor, biting observations and poetic musings of Bad Habit’s heroine will leave a lasting impression on readers. This is queer fiction at its painful, honest, celebratory best.

Nonfiction

Nonfiction

Ascent to Power

Review by Roger Bishop

by Roger Bishop

Harry S. Truman had served only 42 days as vice president when Franklin D. Roosevelt died on April 12, 1945. Truman had been a respected senator, best known for creating a commission that tracked government spending and saved the country millions during World War II, but despite FDR’s ailing health, the president had done nothing to prepare his successor to assume the highest office in the country. In a pointed diary note from May 6, 1948, Truman wrote, “I was handicapped by lack of knowledge of both foreign and domestic affairs—due principally to Mr. Roosevelt’s inability to pass on responsibility. He was always careful to see that no credit went to anyone else for accomplishment.”

How Truman moved to end the war and met many other challenges with long-range implications in both international affairs and domestic policy is the subject of David L. Roll’s sprawling, insightful, well-researched and engagingly written Ascent to Power: How Truman Emerged From Roosevelt’s Shadow and Remade the World. This period, Roll writes, “spawned the most consequential and productive events since the Civil War,” and the U.S. “emerged from the Second World War as the most powerful nation in the world.” Skillfully presenting often conflicting accounts of events as perceived by key figures, Roll shows that despite numerous missteps, controversies and public criticism, the Truman administration’s record of achievement is ultimately impressive.

As the Cold War developed, Truman broke from FDR’s friendly approach to the Soviet Union, blaming the nation for “destroy[ing] the independence and democratic character” of Europe. Truman boosted U.S. military strength “as a means of preventing war.” Although he faced strong opposition from Congress, Truman continued to pursue New Deal policies and introduced a courageous civil rights agenda far beyond anything ever proposed by a previous president. His international affairs initiatives, which became known as the Truman Doctrine, helped revive the economies of Western Europe and Japan, and “made bold and risky decisions that led to the liberation of millions of human beings” abroad—though Roll also admits that Truman’s support of Zionism came “at great cost to the lives of Palestinian Arabs,” who were driven from their homes and businesses to become “starving and dispossessed.”

In 1952, Winston Churchill told Truman, “You more than any other man saved Western civilization.” Ascent to Power’s carefully crafted narrative superbly shows how he did it.

Ascent to Power is a carefully crafted biography that superbly captures the presidency of Harry S. Truman.

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Real Americans