Katie Garaby

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Shelly Jay Shore’s tenderhearted debut, Rules for Ghosting, is equal parts ghost story, Jewish family epic and achingly sweet queer love story. With great care placed on each of these components, Shore has gifted readers with a haunting tale full of grief, joy and desire. 

From the time that Ezra Friedman was young, he was able to see dead people. This wouldn’t be a problem for some, but growing up in a funeral home made it all a bit more complicated. From his grandfather’s ghost giving him judgmental glares when Ezra transitioned, to the never-ending influx of spectral strangers that appeared while families grieved, there seemed to be no escape. It only made sense that when it came time to choose a profession of his own, Ezra ran to the opposite end of the life cycle and became a doula. But when his dream job falls through and his mom runs away with the rabbi’s wife, Ezra finds himself right back at the family business, trying to pick up the pieces. This time, however, a very cute volunteer usher named Jonathan seems to be making eyes at Ezra. Things in that area seem promising—until Jonathan’s deceased husband, Ben, starts showing up. Can Ezra hold his family together, save the business and keep his heart from breaking into pieces? Only time will tell. 

Rules for Ghosting is for romance readers who like their stories with an undercurrent of sadness; think Anita Kelly or Ashley Poston. Ezra and Jonathan are both actively grieving: Ezra the loss of a job and his parents’ marriage, while Jonathan is only a year out from the loss of Ben. Both try to put one foot in front of the other while finding happiness in everyday joys like queer family dinner and sloppy kisses from Ezra’s pitbull. These small moments of humor and brevity bring lightness to a book that otherwise deals with many of life’s difficult trials. Shore takes her time with the central love story, choosing to focus at first on building out Ezra’s friend group and setting up his chaotic family dynamic. It’s nearly halfway through the book before Ezra and Jonathan do more than cast flirty glances at each other or have a passing conversation. But worry not: Shore more than makes up for that restraint in the second half of the book.

A gentle love story with a beautiful, queer, Jewish relationship at its center, Rules for Ghosting will make you laugh and make you cry, maybe even at the same time.

A gentle, ghostly love story with a queer Jewish relationship at its center, Rules for Ghosting will make you laugh and make you cry, maybe even at the same time.
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In Casey McQuiston’s The Pairing, two former flames, one food-and-wine tour across Europe and an unhinged hookup competition make for a delicious and decadent queer romance. 

In their nearly two decades of friendship, Kit and Theo have been many things to each other: childhood besties, first crushes, romantic partners and now, estranged exes. After a devastating breakup four years ago, mid-flight to the European foodie tour of their dreams, neither has heard a single word from the other. Theo has found their groove as a bartender and aspiring sommelier, Kit graduated from pastry school in France and both have left a wake of lovers in their path. With a month left before the voucher for the trip they never took expires, Kit and Theo both rebook the tour—only to find that great minds think alike. But time heals all wounds and both characters are completely over each other. So much so that when Theo makes a bet with Kit on who can hook up with their hot Italian tour guide first, it feels like a perfectly reasonable thing to accept. And heck, why not go all out with a full-on hookup competition? But as this “friendly” competition heats up, Theo and Kit find it hard to ignore what they’re really craving.

Two exes actively hooking up with other people doesn’t exactly sound like the traditional road to a Happily Ever After. But The Pairing is what happens when an immensely talented and much-beloved author levels up. McQuiston deftly crafts a complex love story, one that not just any writer could pull off, and the result is testament to their talent. The care Kit and Theo have for each other is clearly evident, manifesting in the tender way they handle their day-to-day travels together and discussion of their competition. While they may be actively sleeping with other people, they are never far from the other’s thoughts: In one particularly sexy scene, Theo and Kit find themselves on adjoining patios with their lovers, apart but together, the sounds they know so well fueling them towards their finish. Theo and Kit’s relationship is delightfully queer and nontraditional, playing with gender roles in and out of the bedroom, so it makes sense that their path back to each other would be similarly unconventional.

A Bacchanalian romp from Monaco to Pisa to Paris, The Pairing is best accompanied by a Campari spritz and a cornetto alla marmellata di albicocche, ideally whilst seated in a little Italian cafe. But regardless of the location, you will devour this book with unbridled gusto.

A bacchanalian romp from Monaco to Pisa to Paris, The Pairing is a testament to Casey McQuiston’s talent.
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In The Mistress Experience, the final chapter of Scarlett Peckham’s wildly fun Society of Sirens series, courtesan Thais Magdalene brings the fight for women’s rights to her bedroom and winds up finding her very own happily ever after. 

The infamous Thais fetches a pretty penny for a single night in her bed and sees no customer twice. And so to raise enough money to finally open a women’s institute, she and her fellow activists who make up the Society of Sirens decide to auction off a month-long engagement of her services. Lord Alastair Eden, who bids on Thais by proxy to ensure his privacy, is the lucky winner. Confident in nearly all aspects of his life except for the bedroom, Alastair wants Thais to teach him how to please his future wife. Neither of them expect to develop feelings. (Do they ever?) But Alastair finds bawdy, kind Thais surprisingly charming, and Thais finds much to admire in the shy, proper nobleman. Is their attraction strong enough for them to defy society’s expectations—not to mention their own ideas of what they deserve and where their duty lies? 

Peckham is known for her nontraditional heroines, and has never wasted time trying to fit her leading ladies into a neat and tidy happy ending. (Think open marriages and paramours who live in separate houses.) Thais’ pursuit of a more traditional HEA involving marriage and children might therefore initially come as a surprise to readers. But Peckham stresses that these supposedly conventional choices have always felt out of reach for Thais, who started working in a brothel at 9 and was first auctioned off by age 14. Although Thais hasn’t lacked attention from men, she has lacked kindness, care and being seen for more than what she can offer in the bedroom. Thais and Alastair are perfect foils for each other, and it is such a joy to watch her needle the prudish lord. In one early scene, Alastair cooks for Thais, and it’s so sweet that it’s hard to not be a complete pile of goo by the end. This book is full of similar loving, simple acts of kindness (but is also still so very sexy), and readers will undoubtedly fall hard for both main characters.

The Mistress Experience is a sparkling conclusion to an already dazzling series. I only wish we had more sirens to look forward to.

A romance between a bawdy courtesan and the shy nobleman who wins a month with her, The Mistress Experience is a sparkling conclusion to an already dazzling series.
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Filled with fun tropes, disability representation modeled after the author’s own experience and beautiful writing, Out on a Limb is a love story so sweet you want to squeal with glee. Originally self-published, Hannah Bonam-Young’s lovable rom-com is a must-read gift to the genre. 

Winnifred “Win” McNulty is used to forging her own path. Not one to tolerate being coddled for her limb difference, Win has spent most of her life trying to prove to everyone around her that she can make it just fine on her own, thank you very much. But that all changes one very steamy night at her best friend’s annual Halloween bash, when Win hops into bed with the very handsome Bo. Caught up in the moment, they rely on Win’s irregular use of birth control and find themselves facing a surprise pregnancy. Bo recently lost the lower part of one of his legs to cancer (he’s now in remission), and wasn’t sure if he’d be able to have children. So he’s elated at the news, shocked but genuinely excited. Meanwhile, Win decides to view her pregnancy as a way to level up into adulthood after spending her 20s flailing. The two plan to navigate pregnancy and parenthood as friends only, because that’s what good, responsible future caretakers would do. But if Win and Bo have learned anything, it’s that things rarely go according to plan. 

Here is my romance hot take, the absolute hill I will die on: I love a surprise pregnancy. That’s right, I said it. Out on a Limb perfectly deploys this tricky, often unpopular trope with two of the best main characters a reader could ask for. All the while, Bonam-Young winks at the reader, letting us know not to worry since Win and Bo secretly have big, tenderhearted feelings for each other. Both are softies who’ve had a bit of life thrown at them and, as a result, are scared of the possibility of a good thing. We watch them unlearn past hurts, often from time spent operating in an ableist society, and be seen for the very first time by a partner. It’s an incredible thing to bear witness to, and it makes for a powerful love story.

“Isn’t that all we ever want? To be seen and heard?” Win says at one point. “Validated, even when we’re not able to ask for it?” Out on a Limb allows readers to feel all of those things alongside its characters, and the romance world is better, kinder and more expansive for it.

Hannah Bonam-Young will make you a believer in the oft-loathed surprise pregnancy trope with Out on a Limb.
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Daphne and her fiancé had the perfect meet cute: On a windy day in a park, Peter chased down her hat. They fell in love, and moved back to his lakeside hometown of Waning Bay, Michigan. Everything was picture-perfect—until Peter’s bachelor party weekend, when he realized he was in love with his childhood best friend, Petra. And so Daphne finds herself adrift in a town where she knows basically no one, bearing witness to her ex-fiancé and his new fiancée’s disgusting displays of love. The only person who can understand her grief is Miles, Petra’s ex. Daphne proposes they become roommates, and soon, they hatch a scheme. What if they post some easy to misinterpret pictures and make Petra and Peter think they are together?

In our introduction to the leading couple of Emily Henry’s Funny Story, a frustrated Daphne is annoyed that Miles is listening to Jamie O’Neal’s “All By Myself” at top volume, stoned. It’s not exactly love at first sight, but they’re both deeply charming and relatable, showcasing Henry’s skill at crafting engaging yet realistic characters that immediately hook readers’ hearts. You want Daphne and Miles to heal. You want them to bump into their exes and make out so hard that everyone is a little uncomfortable. (But who cares! Peter and Petra should suffer!) Henry also expertly sidesteps the worry-inducing pitfalls of having a couple bound, at least initially, by grief. No one wants a happy ending undercut by the characters using each other as an emotional scratching post. Thankfully, Miles and Daphne’s relationship is simply one part of their individual healing journeys, not the entirety of them. With a supporting cast of helpful family and friends, meaningful and passionate purpose in their community and a little bit of therapy, all things are possible. The work they each put in on their own only makes the love story more satisfying. 

With her signature laugh-out-loud banter and flawed but lovable characters, Henry has created another novel that’s everything her readers have come to expect, without falling into predictable patterns. Funny Story is Emily Henry at her best.

Featuring laugh-out-loud banter and flawed but lovable characters, Funny Story is Emily Henry at her best.
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When beginning this review, I promised myself that I wouldn’t go overboard with baseball puns to describe just how wonderful KT Hoffman’s sports romance, The Prospects, is. Like “Hoffman hits it out of the park with his debut” or “Gene and Luis are the grand slam of relationships.” I tried my hardest, but damn if baseball doesn’t lend itself to describing the absolute home run that is this book.

As the first openly trans professional baseball player, Gene Ionescu is no stranger to hope and hard work. He thrives on it; and baseball loves an underdog. The minor league Beaverton Beavers are like a second family to him, and he feels safe and supported among his teammates. Until Luis Estrada, his former teammate and current rival, gets traded to the Beavers and suddenly all that Gene has built for himself feels threatened. At first, Gene and Luis can’t work together on or off the field. But a begrudging friendship blooms during long hours on the bus and intimate after-hours practices. As Gene and Luis find their stride, they gain the attention of the heavy hitters in the Major Leagues and see each other with fresh eyes. Had Gene never really noticed how sexy and kind Luis was? And does Luis really need to head to his own place when Gene’s apartment (and maybe Gene himself) feels like home? Soon their tenuous friendship gives way to tender new love. But with the Majors calling, the two must decide what they truly want, both from each other and their baseball careers.

The legendary Yankee catcher Yogi Berra is quoted as saying, “Love is the most important thing in the world, but baseball is pretty good, too.” So what happens when a book mixes romance and America’s favorite pastime? You get the perfection that is The Prospects. I will be the first to admit that everything I learned about sports, I learned from sports romance novels. But as an expert on the genre, I can tell the difference between a writer who is just using a baseball diamond as a backdrop and a writer who loves the game so fiercely it almost outshines their love for the main characters. Hoffman is one of the latter. Every corner of this book shines, from the tender love of Gene and Luis to the charming found family that surrounds them and the game that brings them all together. The Prospects is about dreaming big, finding love and blowing the roof off simply by existing. It’s a debut so good it’s in a league of its own. (I’ll see myself out.)

KT Hoffman’s The Prospects is a perfect baseball romance that overflows with love for the sport and its main characters.
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The Phoenix Bride, Natasha Siegel’s stunning sophomore novel, is a breathtakingly beautiful novel about forbidden love in 17th-century London.

The year is 1666, one year after the bubonic plague wreaked havoc on London. Young widow Cecilia Thorowgood lost her husband, who was a childhood friend and a love match, to the disease. Without financial means of her own, Cecilia finds herself trapped in her sister’s home, deep in the throes of a paralyzing depression and hounded by a slew of doctors who try to cure it with scalpels and leeches. When Cecilia shows no signs of improvement, her sister decides to take the risk of hiring a foreign doctor. David Mendes is not only Portuguese, but also Jewish. He and his father recently immigrated to England, where they can publicly practice their faith. Their new home is a marked improvement from Portugal, but antisemitism still runs rampant. However, David and Cecilia form a friendship despite the social barriers between them, born out of their grief over the loss of loved ones. Cecilia deeply mourns her husband, and David has yet to move on from the death of Manuel, a friend whom he loved secretly for years. As the two begin to heal, they realize the love they have for each other is beyond anything they could have imagined. But is it enough to help them overcome seemingly insurmountable societal odds?

This book will break you open with its beautiful writing, and readers will find themselves wringing their hands, wondering how on earth David and Cecilia could ever be together. Siegel does not soften history to make it easier for her characters to find love, a popular tactic in other queer historical romances. Instead, she finds subtle ways for her characters to bend the rules while not outright disregarding them, allowing them to find their own happily ever after even though traditional markers like marriage remain out of reach. David and Cecilia’s victory feels realistic and hard won, pushing readers to reconsider what an HEA looks like. And while Seigel handles many heavy subjects in The Phoenix Bride such as grief, trauma, antisemitism and biphobia, the romance doesn’t feel weighed down by these issues. Cecilia is a darkly funny heroine and while David is a more serious foil for her, they have a charming ease with each other that creates lighter moments to balance the weightier aspects of the story.

The Phoenix Bride is a gorgeous romance about healing from trauma, making peace with grief and finding love where it doesn’t seem possible. This glorious follow-up to her debut, Solomon’s Crown, firmly establishes Seigel as a writer to watch.

Natasha Siegel’s beautifully written The Phoenix Bride pushes readers to reconsider what happily ever after looks like.
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Martha Waters’ fifth and final Regency Vows romance, To Woo and to Wed, ends the series on a high note. In this second-chance romance, Waters once again brings us into a world full of heat and charm, where love matches are plentiful and happily ever afters are guaranteed.

Life as a widow isn’t half-bad for Lady Sophie Bridewell. In fact, it’s quite freeing. She can spend her days in the library reading and eating French pastries to her heart’s content. Not too shabby! But when her sister Alexandra, who is also a widow, shares that she is being courted but doesn’t want to get married and leave Sophie alone, well, that just won’t do. A decade ago, she rejected her own true love, the Marquess of Weston, rather than jeopardize her sisters’ potential betrothals, and she refuses to let that sacrifice be for nothing. Instead, Sophie approaches West with a proposition: They’ll fake an engagement until Alexandra is married, then go their separate ways. This actually works out quite well for West, whose malevolent, meddling father has begun pushing him to marry. A fake engagement to the woman he loves—er, loved—should be easy. But as their “fake” feelings get more and more real, Sophie and West must work to leave the past behind and look towards the future.

In a Waters romance, friend groups are supportive and families are, for the most part, loving. (Parents even make sex jokes about their children’s love lives!) Regency novels are a very popular subgenre, especially after the success of “Bridgerton,” but Waters’ work is still exciting, fun and fresh. She twists the norms of the time to suit her own purposes and creates characters that feel shockingly contemporary. Sophie and West are some of her most endearing leads; you’d be hard pressed to find two people more worthy of love. The responsibility they believe they owe to their families and to each other constantly tugs them in different directions. Both are so deeply invested in being a noble martyr that, at a certain point, you just want to force them to sit down and talk instead of continuing to assume what’s best for each other. But isn’t that part of the fun and frustration (funstration? frun?) of reading romance? Watching two people dance around each other and feeling the tension build until they tear each other’s clothes off and bang until their problems are solved? Destiny is waiting for these two, if they can just get out of their own way.

To Woo and to Wed is a perfect ending to the Regency Vows series, solidifying its status as one of the most entertaining historical romance series on shelves today.

To Woo and to Wed is a perfect ending to the Regency Vows series, solidifying its status as one of the most entertaining historical romance series on shelves today.
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It is a truth universally acknowledged that all the young ladies who make their debut are looking for one thing and one thing only: a wealthy husband. Or are they? In Don’t Want You Like a Best Friend by Emma R. Alban, our heroines Beth and Gwen want anything but. When the two meet at a party early in the social season (Gwen’s fourth and Beth’s first), they hit it off immediately. They decide to spend their time setting up their widowed parents instead of searching for their own husbands, hoping that a happy marriage between the two will allow Gwen and Beth a bit more freedom. There is just one small problem: Their parents seem to have had a romance of sorts in the past, and now might actually hate each other. Never ones to say no to a challenge, Gwen and Beth find every excuse to spend more time together and plot their parents’ inevitable union. But when a suitor begins to express interest in Beth, the two must face the fact that the love story they are crafting might just be their own.

A cheeky, queer twist on the The Parent Trap, Don’t Want You Like a Best Friend is a rollicking romp through Victorian England. Alban crafts a deliciously clever romance for Gwen and Beth. While the girls are helping their parents reconnect, they are able to first explore a friendship, one that naturally gives way to their own true feelings. Gwen and Beth are a fantastically fun couple, and it’s such a delight to watch them discover their love for each other. The juxtaposition of the young women’s new and exciting feelings with their cynical, seasoned parents’ second chance at love provides a great balance to the narrative. Alban captures all of these feelings on the way to providing two satisfying and hopeful HEAs. And while the love stories shine, the familial relationships are also noteworthy and charming. Although they couldn’t be more different, Gwen’s devil-may-care father and Beth’s wary, weary mother both show that a parent’s love knows no bounds.

If you are looking for a bighearted queer romance with stolen kisses and grand gestures, then Alban’s Don’t Want You Like a Best Friend is the book for you. A sweet and sensual historical romance, it will have you full of champagne giggles and matchmaking mischief.

Emma R. Alban’s Don’t Want You Like a Best Friend is a bighearted, queer and historical spin on The Parent Trap.
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In Midnight Ruin, Katee Robert takes readers back to the city of Olympus with a story of redemption and possibility between lovers old and new.

Eurydice Dimitriou has a reputation—no, not that kind. She is the innocent Dimitriou sister. The nice one. The gentle one. But after Orpheus Makos very publicly shatters her heart, she is ready to step out of the shadows and find her own way in Olympus. Who better to guide her on this new path than Charon Ariti, Hades’ right-hand man? Charon has given everything to ensure the safety of Hades’ territory, but he’s ready to find someone he can call his own, and he has a soft spot for the youngest Dimitriou. 

But things are never that simple, especially in Olympus. Charon and Eurydice should be the perfect pair, but Eurydice can’t quite forget her first love, especially since Orpheus is committed to winning her back. As things begin to heat up among the trio, the city of Olympus continues to unravel as outside forces threaten its safety.  

Robert is known for pushing the envelope, especially when it comes to exploring kink and polyamorous partnerships. But she does so deftly and with care, never losing her sense of fun, and that is why readers keep coming back. A Robert romance is full throttle, fast paced and consistently jaw-dropping. I certainly didn’t see puppy play on my 2024 romance bingo card, but here we are. (Turns out you can teach an old dog new tricks!)  

For fans of the series, Midnight Ruin is both an exciting continuation of the larger narrative and a necessary breather. After a string of enemies-to-lovers romances, it feels good to spend time with this gentler trio. As the political unrest in Olympus ramps up, their quiet love story is a small respite amid the chaos. Each partner plays an important role in the dynamic: Orpheus’ renewed sense of loyalty, Charon’s gentle guidance, Eurydice’s kind but determined heart. If you were to take one out of the equation, the relationship would no longer work. It’s impossible not to hope for this trio to secure their love.

Dangerous and thrilling, Midnight Ruin is a classic Katee Robert romance. You never quite know where you are going, but you’ll gleefully enjoy the ride all the same.

Dangerous and thrilling, Midnight Ruin showcases Katee Robert’s ability to explore kink and polyamorous partnerships deftly and with care.
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Lana Ferguson’s The Fake Mate is the perfect introduction to the wild world of the omegaverse, a romance subgenre where people (who are often also wolf-shifters) are divided into a hierarchy of alphas, betas and omegas. Fun and easy, The Fake Mate is all pheromones and big, sexy energy. It’s the literary equivalent of a really delicious snack, the kind that once you open the bag, you just can’t stop before it’s gone.

Despite being a successful doctor, omega Mackenzie Carter can’t seem to get her grandmother to register that she’d rather focus on her career than dating. And after a string of horrible dates who seem more interested in her tail than her mind, it only makes sense to lie and tell Gram that she’s met someone. Enter Noah Taylor, a gruff cardiologist at Mackenzie’s hospital who has kept the fact that he’s an alpha hidden from the board. When his secret gets out, he needs to convince everyone that he’s happily settled down and nothing like the stereotypical aggressive alpha. It’s a practically perfect setup for a fake-dating arrangement. But once Mackenzie and Noah become friends with benefits, it’s almost impossible for this alpha and omega to ignore the pull of fate.

The Fake Mate pulls out a bunch of tropes that rom-com readers know and love: fake dating, workplace romance and a good, old-fashioned grumpy/sunshine pairing. But the omegaverse has its own tropes, like the alpha/omega dynamic, heat cycles and knotting. (Google at your own risk.) Ferguson doesn’t compromise when blending these two worlds, creating an exciting entry point for folks who want to dip their toes into the omegaverse but aren’t quite sure where to start. Mackenzie and Noah are easy to fall for and fun to root for, and the stakes of their story are breezily low. There’s something reassuring and deeply satisfying about a book that’s easy to slide into, a little banana-pants and blessed with an almost alarming amount of spice; judging by The Fake Mate and her debut, The Nanny, that particular combination seems to be Ferguson’s specialty.

Whether you’re new to the omegaverse or a longtime fan, the scorching The Fake Mate will thrill those in search of a book that turns the heat all the way up.

The Fake Mate, Lana Ferguson’s omegaverse rom-com, is all pheromones and big, sexy energy.
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Cat Sebastian’s We Could Be So Good is a sweet workplace romance that follows two men who work at a newspaper in late 1950s New York City. It reads like a love letter to the queer pulp novels of the era, but with an infusion of hope not often seen in literature about the time period. 

Nick Russo is a gruff, working-class journalist from Brooklyn who has worked his way up the ladder to become a lead journalist for The Chronicle. Charmingly naive Andy Fleming is the begrudging heir to his family media empire and Nick’s future boss. Nick is prepared to hate Andy, who he sees as a pretty boy who has had everything handed to him, but that’s easier said than done. During their first encounter, Nick finds Andy literally stuck—his tie jammed in a filing cabinet. Andy’s lovable mess charms the grumpy journalist, and soon Nick is helping Andy with small, everyday tasks like keeping track of keys as well as bigger issues like navigating the politics of the paper. Nick, who has long known he is gay, is content to merely pine for his hapless friend. But then Andy begins to question his own feelings for Nick and whether they could be more than platonic.

We Could Be So Good takes place in the oft-romanticized late 1950s, which are a particularly fascinating and high-stakes backdrop for a queer historical romance. It would be easy to fill both men with shame and self-loathing, given the threats to their safety. And yet this book is filled with so much hope. The queer scene was beginning to blossom in this era, with pulp novels acting like a road map for the LGBTQ+ community. Nick and Andy read these books, and Sebastian incorporates plot devices and tropes from them into her work. However, instead of the shame and violence that often accompanied contemporary 1950s narratives, Sebastian gives Nick and Andy a safe space to explore their sexuality. They even experience some (albeit minor) degree of acceptance from their families. These refreshing choices prevent the story from being bogged down by the toxicity of the time period, allowing the reader to experience queer optimism if not outright joy.

With We Could Be So Good, Sebastian adds a tender, heartening stunner of a love story to her already-impressive body of work.

Cat Sebastian’s midcentury romance is a tender, heartening stunner of a love story.
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In A Rogue at Stonecliffe, Candace Camp takes readers on a wild adventure full of romance and suspense in Regency England. 

More than a decade ago, the love of Annabeth Winfield’s life left without a word. Forced to wonder if she made it all up in her head, Annabeth begrudgingly attempted to get on with her life. She clearly didn’t mean as much to Sloane Rutherford as he meant to her. With time, Annabeth finds herself engaged to the perfectly fine, albeit a little boring, Nathan. So naturally, that’s when Sloane returns, warning Annabeth that she is in trouble.

Sloane has actually spent the last decade as a spy and is attempting to leave that life behind him when a ruthless, anonymous blackmailer threatens Annabeth. He is desperate to keep her safe, but the plucky Annabeth is not about to let Sloane lock her in a parlor. As the stakes increase and the two find themselves constantly together while trying to stop the blackmailer, old feelings rise to the surface and they wonder if there isn’t a bit of unfinished business between them.

A cornerstone of the historical romance subgenre with a mile-long backlist, Camp knows a thing or two about creating compelling characters. While the blackmailing plotline is often confusing, the love story is on point. The chemistry between Sloane and Annabeth absolutely crackles, and it’s perfectly believable that, despite being separated for a decade, these two would still be head over heels for each other. Folks who love a Regency romance rife with palpable sexual tension and intrigue will have a wonderful time reading A Rogue at Stonecliffe.

Those in search of a Regency romance rife with palpable sexual tension and intrigue will have a wonderful time reading A Rogue at Stonecliffe.

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