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Norah Piehl

Bibsy Cross and the Bad Apple

Review by Norah Piehl

With Bibsy Cross and the Bad Apple, award-winning author Liz Garton Scanlon launches a new chapter book series starring a lovable protagonist “with a whole lot to say.” Eight-year-old Bibsy loves school and learning (especially about science), and she has adored all of her teachers—that is, until third grade, when her teacher is stern Mrs. Stumper, who “doesn’t seem that keen on Bibsy either.”

Bibsy enjoys sharing ideas and stories with her class, but Mrs. Stumper thinks Bibsy’s interjections are often “a stone too far.” All too often, when Bibsy and her encouraging parents share their nightly “sweet-and-sour” good news and bad news at dinner, Bibsy’s sour is about her stressful relationship with her teacher. Fortunately, Bibsy is resilient. As her parents note, “If there is one true thing about Bibsy, it is that her sours almost always become sweet.”

So when the upcoming science fair gives Bibsy a chance to flex her creativity and enthusiasm for learning by conducting experiments and creating a poster with her best friend, Bibsy might just gain the courage to speak up for herself one more time—and encourage Mrs. Stumper to change her approach to discipline, not only toward Biby but also toward her other students.

Scanlon’s story, which is written in conversational free verse, combines an exuberant, endearing protagonist with an empowering, STEM-focused plot. Ho’s cheerful black-and-white illustrations are punctuated with bright spots of red that are as bold as Bibsy’s personality. Readers who fall in love with Bibsy are in luck: Knopf is simultaneously publishing a second novel in the series about Bibsy’s attempt to win the library’s bike-a-thon. Hopefully many more adventures will follow.

Within the conversational free verse of Bibsy Cross and the Bad Apple, Liz Garton Scanlon and Dung Ho combine an exuberant, endearing protagonist with an empowering, STEM-focused plot.
Science Fiction & FantasyAudioFantasy

A Letter to the Luminous Deep

Review by Norah Piehl

Sylvie Cathrall’s debut fantasy, a series opener, offers an aquatic variation on dark academia, unfolding entirely through a series of letters and other documents. Set 1,000 years after a mysterious event called “the Dive” sent almost all of humankind underwater, A Letter to the Luminous Deep (12.5 hours) begins with reclusive E. Cidnosin writing to scholar Henerey Clel about her discovery of an unidentified “elongated fish.” Listeners soon discover, through letters between E.’s sister, Sophy, and Henerey’s brother, Vyerin, that E. and Henerey have disappeared under unexplained circumstances. Part mystery, part slowly building romance, Cathrall’s lyrical fantasy utilizes poignant details and quaint language to conjure an evocative underwater world. The use of different narrators for each letter writer—Claire Morgan, Kit Griffiths, Justin Avoth and Joshua Riley—is an effective way to differentiate the characters, and the novel’s unhurried pacing allows listeners to relish the art of letter writing.

Read our starred review of the print version of A Letter to the Luminous Deep.

Part mystery, part slowly building romance, Sylvie Cathrall's lyrical fantasy, A Letter to the Luminous Deep, utilizes poignant details and quaint language to conjure an evocative underwater world.
Children's & YAYA NonfictionYA

Woe

Review by Norah Piehl

This reviewer is emphatically not a cat person. So it’s a testament to my faith in Lucy Knisley that I eagerly picked up Woe: A Housecat’s Story of Despair. 

The comics included here will be familiar to the bestselling author’s numerous social media followers; over many years she chronicled the misadventures and many (many) demands of her charmingly grouchy cat Linney as webcomics. Now, they’ve been collected into a single volume for the first time. Readers unfamiliar with Linney will benefit from Knisley’s introduction, in which she explains why her drawings of Linney don’t look exactly the way one might expect a cat to look: “A lifetime of trying to draw cats ‘well,’” Knisley writes, “has shown me that it’s much better to try to draw their personality, rather than an accurate visual representation.” 

In Knisley’s artwork, Linney is a vaguely cat-shaped being with personality to spare. She is the color of butterscotch pudding, with a fluffy tail, no nose to speak of, and eyes and a mouth that are expressive beyond belief. Her green eyes can go wide and attentive, or squinty and sly (and in at least one case, they’re lit with the fire of devilry); her one canine tooth sticks out when she yowls in despair or just for attention. 

Knisley’s comics chronicle dynamics that will be familiar to pet owners, and cat owners in particular: the pet who whines loudly for food only to turn up their nose at what’s on offer; the toddler whose fur-pulling affection is barely tolerated; the long-suffering spouse who grudgingly indulges the cat’s foibles. Since the real-life Linney passed away in 2020, Knisley also chronicles the inevitable pain of losing a beloved member of the family in sections that will undoubtedly affect readers emotionally, whether they’re cat people or not. The individual cartoons are short and clever, but collectively, they compile a funny, touching saga that explores what it means to care for a beloved four-legged companion through thick and thin.

Woe: A Housecat’s Story of Despair is a funny, touching saga that explores what it means to care for a beloved four-legged companion through thick and thin.
FictionAudio

Bad Habit

Review by Norah Piehl

Spanish novelist Alana S. Portero debuts with Bad Habit (5.5 hours), a brief but stunning coming-of-age novel set in a working-class neighborhood of Madrid during the 1980s and 1990s. The unnamed narrator describes her early awareness of hostility towards her nascent trans identity, hostility which exponentially compounds other dangers like drugs and poverty that confront all of the neighborhood’s young people: “We grew up like that: generations of working-class kids dreaming up whole worlds in the very same plots that might one day become our final resting places.” Actress Alexandra Grey, who is a trans woman, reads with a smooth and resonant voice that mirrors the lyricism of Portero’s words in Mara Faye Lethem’s English translation. This image-rich, unsentimental portrayal of a vibrant yet vulnerable place will transport readers into a world and a life worth understanding.

Read our starred review of the print version of Bad Habit.

Actress Alexandra Grey resonantly reads Alana S. Portero’s stunning debut, Bad Habit, chronicling a trans girl’s coming of age in 1980s Madrid.
Children's & YAPicture BookChildren's

Simone

Review by Norah Piehl

Pulitzer-winning novelist Viet Thanh Nguyen (The Sympathizer) takes his first foray into children’s books with Simone, a thoughtful and emotionally intense family story set during the California fire season. Simone, a young Vietnamese American girl, is dreaming of floating in the ocean when she is awakened by her mother (whom she calls M&aacute, the only Vietnamese word she knows). A wildfire is approaching their town, and they’ve been ordered to evacuate.

Simone and her mother are prepared with go bags and an evacuation route—but even then Simone has to make tough choices: “I’ll be back for you,” she reluctantly says to the books and toys she can’t take. The pain of leaving things behind and the panic of vacating her home in an emergency remind Simone’s m&aacute of when floods forced her to evacuate her childhood home in Vietnam and abandon everything but her precious crayons. Despite the disorientation and chaos at the evacuation shelter, Simone’s m&aacute helps Simone find a path forward: “You don’t fight fire with fire, / You fight fire with water,” she says.

Minnie Phan’s hand-lettered text reinforces Simone’s first-person perspective, and Phan’s colored pencil and watercolor palette gorgeously interprets the book’s themes. Simone dreams in color, but when she awakens, the world is black and white, with the only remaining colors the red and orange of the flames. Likewise, her mother’s memories of Vietnam are blue, like the floodwaters that engulfed her home. Toward the end, as Simone and her new friends use artwork to remember their homes and to re-imagine their future, color returns to the pages. The illustrations combine with Nguyen’s words—“It’s up to us”—to offer a vision of hope and healing in the wake of generations of displacement.

In Simone, Minnie Phan’s illustrations combine with Viet Thanh Nguyen’s prose to offer a vision of hope and healing in the wake of generations of displacement.
Audio

The Unclaimed

Review by Norah Piehl

Much has been written about the recent epidemic of loneliness in America. The Unclaimed: Abandonment and Hope in the City of Angels (9.5 hours), an impeccably researched collaboration by sociologists Pamela Prickett and Stefan Timmermans, traces that epidemic to its tragic and perhaps inevitable conclusion, as it follows the stories of four individuals whose bodies are unclaimed and destined for county disposal after their death. Nan McNamara’s direct and compelling narration mirrors the clarity of the text, which combines personal narratives with historical and cultural context, including the not insignificant task of explaining the bureaucratic apparatus surrounding death. Most moving are the stories of people providing ritual and ceremony for those they never knew: abandoned infants, forgotten veterans, the deserted and estranged. The extensive afterword is worth a listen, too, to understand and fully appreciate the complexities of the issue and the work involved in creating this heartbreaking but essential project.

This impeccably researched audiobook, compellingly narrated by Nan McNamara, traces the American epidemic of loneliness to its tragic and perhaps inevitable conclusion in the stories of four individuals whose bodies are unclaimed after their death.
Children's & YAMiddle GradeChildren's

Poetry Comics

Review by Norah Piehl

In some ways, Grant Snider’s Poetry Comics is exactly what you’d expect—a series of short narratives that combine lyrical words with cartoons. But in almost every other way, this collection manages to surprise readers at each turn of the page.

Poetry Comics is loosely structured around seasons of the year, beginning in spring with tadpoles and leafing trees, and wrapping up in winter with snowfall and the boredom of being stuck indoors. But not all the topics of Snider’s poems—which are mostly in free verse but include some rhyming verses—are seasonal in nature. Many are introspective, touching on personal growth and the creative process in ways that will resonate with readers of various ages: “Maybe a moment is a taste— / a pickle’s sour crunch. / If only there were a way / to put it on paper / I could capture a moment / in all its wild power.” A recurring exploration of “How to Write a Poem” addresses frustration and revision before reaching a joyful conclusion.

Most of the poems include one or two figures leaping acrobatically through panels, often interacting with birds, insects, plants, trees and other elements of the natural world. The pen-and-ink illustrations, colored and edited digitally, span a gorgeous range of pastel and more saturated hues (on display to particularly great effect in “Poem for Painting My Room”). At times, the artwork is more conceptual, as in “Best Friends,” which visualizes a friendship via shapes in two different colors, or “Shape Story,” whose creative panel structure might prompt readers to think not only about what makes a poem but about how comics are constructed.

That may be the greatest value of Snider’s creativity-infused collection: Young readers and aspiring creatives who might be daunted by the prospect of writing a traditional poem or drawing a full graphic novel will find in these pages dozens of new models for, as Snider puts it, helping “say things / I never knew were in me.”

Grant Snider’s Poetry Comics are often introspective, touching on personal growth and the creative process in ways that will resonate with readers of various ages.
FictionAudioPoetry

Root Fractures

Review by Norah Piehl

Award-winning poet Diana Khoi Nguyen traverses deeply personal emotional landscapes in her second collection, Root Fractures. Nguyen’s poems, as the title suggests, trace her family’s fractures, from their origins in Vietnam, to her father’s attempts to resettle and assimilate in California, to her brother’s self-erasure from the family. Movingly read by Nguyen herself, the audiobook offers a close approximation of attending a poetry reading. Perhaps the most challenging aspect of producing this audio version was that Nguyen, who’s also a multimedia artist, often incorporates photographs and unique text treatments in her written work. The audiobook of Root Fractures comes with a PDF of these poems, whose visual forms are also described on the recording. Clever techniques, such as muted sound to approximate grayed-out text or multiple tracks to replicate overlapping text, make the auditory experience a beautiful complement to the visual one.

Read our starred review of the print edition of Root Fractures.

Movingly read by author Diana Khoi Nguyen herself, the audiobook of Root Fractures offers a close approximation of attending a poetry reading.
Audio

The Fury

Review by Norah Piehl

Alex Michaelides has crafted a superb psychological thriller in The Fury (8 hours), combining classic whodunit elements with contemporary storytelling techniques. Glamorous American actress Lana Farrar invites a small circle of friends (and frenemies) to her private Greek island for a getaway. This includes playwright and consummate hanger-on Elliot Chase, who narrates the story. After one of their number turns up dead, Elliot reveals ever more secrets and lies—including some of his own. Alex Jennings’ reading, with its measured pace and conversational, almost confessional tone, perfectly captures Elliot’s personality, as well as the varied voices of the small cast of characters. Listeners will be loath to press pause on this entirely unpredictable tale.

Read our review of the print edition of The Fury.

Listeners will be loath to press pause on this entirely unpredictable tale of a Greek island getaway gone wrong.
Children's & YAYA FictionYA

49 Days

Review by Norah Piehl

Agnes Lee’s debut graphic novel, 49 Days, opens with a series of short vignettes about a young woman trying to make a journey but being foiled—sometimes in dramatic and frightening fashion—by the forces of nature. Every day, she must start her journey only to fail again.

These opening sections are intentionally disorienting for the reader, as they are for the young protagonist, Kit—who, readers soon discover, is actually making her way through what’s known in Buddhist tradition as the bardo, a 49-day space between death and rebirth. 

Kit has died in an accident, and over the course of the novel, Kit’s attempts to reach the afterlife are interspersed with two other narratives: first, Kit’s memories of growing up in a loving family and falling in love; and second, glimpses of how Kit’s two siblings, mother and other loved ones are coping in the wake of her death. 

For Kit’s Korean American family, many memories and important moments center around food, prayer and ritual. Lee, who illustrates the New York Times’ “Metropolitan Diary” column, excels at capturing small moments of family life—learning a new word, sharing a meal together, begging to keep a stray cat—and at conveying intense grief—finding new pain in old joys, falling apart at the sight of that beloved cat waiting by the door of an empty room.

Lee cleverly utilizes three different colors, in addition to black and white, to indicate these three different narrative strands: Kit’s metaphysical journey is a soft blue, while her memories are a muted orange and the activities of her living family are a gentle pink. This is an unusual, profoundly moving graphic novel whose elegance belies its complexity and whose emotional impact only grows upon rereading.

49 Days is an unusual, profoundly moving graphic novel whose elegance belies its complexity and whose emotional impact only grows upon rereading.
Audio

Wellness

Review by Norah Piehl

Following Jack and Elizabeth from their meet cute as alt rock-loving college students in 1990s Chicago to their contemplation of a move to the suburbs in the early 21st century, the audiobook of Nathan Hill’s second novel Wellness (19 hours) chronicles not only the couple’s evolving love story but also the ever-shifting wellness culture that forms its partial backdrop. Even though the audio version of this expansive novel stretches to almost 19 hours, Ari Fliakos’s warm, intelligent narration sustains listeners’ interest. Fliakos, who also read Hill’s (even longer) debut, The Nix, excels at differentiating among a dozen or more primary and secondary characters of different genders and ages, making the dialogue sections especially engaging. With wry humor and pathos, this Gen X coming-of-(middle)-age novel makes for a profoundly emotional and humanistic listening experience.

Read our starred review of the print edition of Wellness.

With wry humor and pathos, this coming-of-(middle)-age novel makes for a profoundly emotional and humanistic listening experience.
Children's & YAYA FictionYA

Shut Up, This Is Serious

Review by Norah Piehl

It would be an understatement to say that her dad’s abrupt departure from the family has disrupted Belén’s life. Ever since he abandoned Belén, her older sister Ava and their mom in their East Oakland neighborhood, Ava has seemed distant and dismissive, and their mom is hardly ever home. Even Belén’s former refuge, books and reading, hasn’t come through for her. Now, in the midst of senior year of high school, she’s on the verge of flunking out. To make things even more complicated, Belén’s brilliant, ambitious best friend, Leti, is pregnant, and Leti’s lifelong dream of attending UC Berkeley hangs in the balance, especially when Leti’s racist parents learn her boyfriend is Black. Belén wants to be a good friend to Leti, but how can she, when she’s barely holding herself together?

In one short year, Belén’s life has become almost completely unrecognizable. Unfortunately, her relatives all claim that one thing is entirely too recognizable: Belén’s resemblance to her father, a high school dropout. Is she fated not only to look like him but also to repeat his various failings? Are she and Leti doomed to retrace old ways of thinking and being, or can they outline new and different paths for themselves?

Debut novelist Carolina Ixta lives and works in Oakland, and her knowledge of and affection for the city is apparent on every page of Shut Up, This Is Serious. Ixta doesn’t shy away from representing the city’s complexities—its vast socioeconomic inequalities, its legacy of racial tensions, its rich but complicated Mexican American community—in clear-eyed detail conveyed through Belén’s intimate first-person narration. While the setting is so vivid that Oakland itself almost becomes a character, Belén’s story still manages to take center stage. Many of her struggles—to find self-acceptance and confidence; to shed harmful relationships and seek out healthy ones; to accept help from supportive adults; to imagine a better future for herself, her family and her friends—will resonate with a wide swath of readers, who will be captivated by Belén and Leti’s efforts to thrive.

Caroline Ixta doesn't shy away from representing Oakland’s complexities—its vast socioeconomic inequalities, its legacy of racial tensions, its rich but complicated Mexican American community—in clear-eyed detail conveyed through protagonist Belén's intimate first-person narration.
Children's & YAYA FictionYA

Gwen & Art Are Not in Love

Review by Norah Piehl

Lex Croucher’s delightful young adult debut novel is set in an alternate version of England in the Middle Ages, one in which the primary political turmoil is a conflict between the Catholics and the Arthurian cultists—those who are convinced that the Arthurian legends are true and that the once and future king is destined to rise again. Meanwhile, inside the castle walls, the King of England’s daughter, Gwen (short for Gwendoline, not Guinevere) is bristling over her impending marriage to Art (yes, short for Arthur), the descendant of King Arthur who is destined to unite the two factions.

As the title of Gwen & Art Are Not in Love suggests, the two are anything but a love match. When they were younger, they fought over trivial matters, but when they reunite as young adults they realize their impending nuptials might be ill-advised for other reasons. When Arthur visits the royal court for the annual tournament, Gwen spots him kissing another young man; Arthur, in turn, uncovers Gwen’s secret diary that confesses her attraction to Lady Bridget Leclair, the only female knight of the realm.

The two reluctantly enter into a pact: They’ll pretend to get along, in order to keep one another’s secrets safe. The marriage bit? They’ll figure it out later. But plans have a way of getting complicated, especially when Arthur has eyes for Gwen’s quiet, studious brother Gabriel, the heir to the throne.

Croucher, the author of a number of irreverent Regency rom-coms, clearly has a lot of fun with their material here, and they offer readers a quirky, queer Arthurian remix with serious undertones. Lighthearted and genuinely entertaining banter soon gives way to political machinations and intense battlefield scenes that throw the stakes for the main characters into high contrast. Fans of Arthurian romance will find much to appreciate here, as well those who enjoy queer reimaginings of history and literature. But anyone who enjoys a swashbuckling tale of talented, thoughtful young people coming into their own will root for Gwen and Art (and Bridget and Gabriel) as they discover their true purpose, and maybe save England at the same time.

Correction, December 6, 2023: This article previously used incorrect pronouns for author Lex Croucher. Croucher uses they/them pronouns.

Lex Croucher offers readers a quirky, queer Arthurian remix in which lighthearted, entertaining banter alternates with political machinations and intense battlefield scenes.

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