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All Suspense Coverage

Juicy and dark, Rosemary Hennigan’s The Favorites is a standout dark academia thriller, with shades of Donna Tartt’s modern classic The Secret History and Emerald Fennell’s revenge fantasy film Promising Young Woman. Set at a Philadelphia law school in the days before and after the 2016 presidential election, The Favorites follows a bright young student dead set on avenging her older sister’s demise.

Jessica Mooney-Flynn enters Franklin University with one goal: ruin professor Jay Crane. As “Jessie Mooney,” the liberal Dublin native is accepted to Crane’s extremely select Law and Literature course and immediately begins her quest to become one of his infamous “favorites”: a status that is traditionally a gateway to prestigious clerkships, job opportunities and, if Jessica’s beloved older sister Audrey is any indication, a passionate affair. Back in Dublin, Audrey was the visiting professor’s favorite right before she dropped out of law school, self-isolated from her family and set out traveling, only to perish in a bus accident. Armed with text and email exchanges between the two—the last of which was Audrey’s missive “You know what you did”—Jessica seeks to entrap Crane. But what will happen when she too falls under his spell?

Hennigan knows the cloistered, clannish law school world firsthand: She studied the subject at both Trinity College, Dublin and the University of Pennsylvania. Jessica is a firecracker of a protagonist, intent on vigilante justice while still mourning the loss of her sister and fighting her growing attraction to an undeniably charismatic predator. Thanks to Hennigan’s strong voice and full embrace of the bumpy, twisty nature of retribution and revenge, The Favorites positively sings.

With its strong authorial voice and full embrace of the bumpy, twisty nature of retribution and revenge, The Favorites is a standout dark academia thriller.

Is the book always better than the movie or TV show? Better read these soon-to-be adaptations ASAP so you can decide.


The Sympathizer

By Viet Thanh Nguyen

April 14, 2024

Nguyen’s 2015 Pulitzer-Prize winning novel will be adapted as a miniseries by A24 (Everything Everywhere All at Once) and Team Downey (Sweet Tooth), set to air April 14, 2024 on HBO. Hoa Xuande will play the Captain, a North Vietnamese spy whose allegiance grows blurry after he joins a community of South Vietnamese refugees, with other by Sandra Oh and Robert Downey Jr. Read our review of Nguyen’s A Man of Two Faces.


Dark Matter

By Blake Crouch

May 8, 2024

Apple TV+ is adapting Crouch’s thriller sci-fi novel about a physicist who is sent into a parallel universe. Crouch is the creator and serves as an executive producer. Joel Edgerton (The Gift, Loving) will star. The television series will air on Apple TV+ on May 8, 2024. Read our review of Dark Matter.


Romancing Mr. Bridgerton (Bridgertons #4)

By Julia Quinn

May 16, 2024

After two incredibly successful seasons and one enchanting spinoff (Queen Charlotte: A Bridgerton Story), Netflix’s hit TV series Bridgerton, which follows the romantic adventures of the seven Bridgerton siblings in Regency-era London, is back for a third season. Created by Chris Van Dusen and produced by Shondaland (Grey’s Anatomy), season 3 features Colin Bridgerton as he helps his friend Penelope Featherington find a husband, only to fall in love with her himself. Luke Newton and Nicola Coughlin (Derry Girls) will star. The first four episodes premiere May 16, 2024 on Netflix.


Fire and Blood

By George R. R. Martin

June 16, 2024

Fire and Blood began its journey to screens in 2022 with season one of the HBO series House of the Dragon. Set 200 years before the events of TV phenomenon Game of Thrones, this prequel traces the reign of the Targaryen family, focusing on the succession war between the children of King Viserys I. Season two of House of the Dragon will premiere June 16, 2024 on HBO. Read our interview with Martin about The World of Ice and Fire, his encyclopedic history of Westeros and beyond.


It Ends with Us (It Ends with Us #1)

By Colleen Hoover

June 21, 2024

Hoover is one of the biggest names in the romance genre. In 2022, her novel It Ends With Us topped the New York Times bestseller list and the Publishers Weekly adult list for months. Now, the fan-favorite book will be hitting theaters as a movie starring Blake Lively and Justin Baldoni. Despite some push backs in the shooting schedule due to the SAG-AFTRA strike, the film is confirmed for release on June 21, 2024. Read our interview with Colleen Hoover for her novel It Starts with Us.


The Sweetness at the Bottom of the Pie (Flavia de Luce #1)

By Alan Bradley

TBD, but soon!

Bradley’s charming Flavia de Luce mystery series has sold over 4 million copies worldwide. Susan Coyne (Daisy Jones and the Six) is adapting the first novel into a feature film, which will debut at the upcoming Cannes Film Festival. Isla Gie (The Sandman) will play the titular character, an 11-year-old amateur detective and master poisoner who gets caught up in a murder investigation, alongside Martin Freeman (Sherlock, The Hobbit). Read our review of The Sweetness at the Bottom of the Pie.

Viet Thanh Nguyen's The Sympathizer is the latest addition to a slate of upcoming book-to-screen adaptations you won’t want to miss.
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The Bullet Garden

After writing a trio of books about ex-Marine sniper Bob Lee Swagger, author Stephen Hunter launched a second series featuring Bob Lee’s father, Earl Swagger, who is also a Marine and a Medal of Honor recipient to boot. It’s been 20 years since Hunter’s last installment in the senior Swagger series, but it comes roaring back this month with The Bullet Garden. The book serves as a prequel to the three Earl Swagger books that preceded it (Hot Springs, Pale Horse Coming and Havana), chronicling his adventures in France during the days immediately following D-Day. Swagger spearheads a secret mission to track down and kill German snipers who are systematically picking off Allied soldiers crossing the Normandy meadowlands (which the troops have nicknamed “bullet gardens”). A sniper himself, Swagger is a natural fit for the job at hand, but even his legendary skills will be sorely tested in this milieu. Fans of firearms history will find lots to like in The Bullet Garden, as will military strategy buffs, but there is truly something for everyone: a budding romance; layers of duplicity and intrigue; and an omnipresent sense of the importance of working together for a greater cause. 

Encore in Death

J.D. Robb’s Encore in Death is the (are you ready for this?) 56th entry in the wildly popular series featuring Eve Dallas, a police detective in 2060s New York City who, by my calculations, should be celebrating her first birthday just about now. Despite being set in a Blade Runner-esque future of androids, airboards (think hoverboards) and the much-appreciated automated chefs, Robb’s mysteries don’t need to rely on sci-fi trappings to engage the reader. They are straight-up classically constructed whodunits. And this case features a time-honored murder weapon: cyanide. Just as A-list actor Eliza Lane takes the stage for an impromptu song at her latest high society Manhattan party, there is a crash of glass, and Eliza’s husband, equally famous actor Brant Fitzhugh, collapses to the floor—dead, with the smell of bitter almonds emanating from his lips. The initial thinking is that Eliza was the intended victim, as Brant sipped from a poisoned cocktail he was holding for her, but as the investigation wears on, alternative possibilities present themselves. As all of the suspects have connections to the stage, there is no shortage of drama as the case unfolds. Robb is the pen name of legendary romance author Nora Roberts, and while that’s certainly evident in her descriptions of her male leads (“Those sea-green eyes still made her heart sigh, even after a decade . . .”), the suspense is also there in spades.

The Sanctuary

Of all the awful ways to die, being vertically bisected by an industrial saw like the murder victim in Katrine Engberg’s final Kørner and Werner mystery, The Sanctuary, must rank right up there at the top. The unidentified man’s left half turns up in a partially buried leather suitcase in a public park, and Copenhagen police detective Annette Werner is on the hunt for the killer. Clues lead to the remote island of Bornholm, an insular enclave where everyone knows everyone else’s secrets, but nobody seems disposed toward sharing any of that knowledge with the police. Subplots abound: a missing young man, possibly on the lam from the law, possibly the victim in the suitcase; a zealous preacher who roundly rejects the biblical teaching of turning the other cheek; a biographer whose scholarly visit to Bornholm to examine a deceased anthropologist’s letters is stirring up some old, long-quiet ghosts; a garbage bag full of money that nobody seems to be able (or willing) to account for. The identity of the culprit is an enormous surprise, but more surprising still is the emotional closure Engberg brings to long-running storylines, resulting in a very poignant moment for fans of the series in addition to a satisfying solution to the central mystery. 

The Twyford Code

Narrative conventions are cast to the four winds in Janice Hallett’s impressive second novel, The Twyford Code. The story consists of 200 fragmented voice transcriptions made by Steven “Smithy” Smith, a none-too-savvy mobile phone user who has only recently been released from prison in England. At loose ends, he decides to investigate the mysterious disappearance of his secondary school English teacher some 40 years back. Miss Iles (who often humorously appears in the transcriptions as “missiles”) had something of an obsession with the children’s books of one Edith Twyford, a character loosely based on real-life bestselling children’s author Enid Blyton. On a class field trip to Bournemouth to visit Twyford’s wartime home, “missiles” dropped off the map, never to be heard from again. As Smith’s belated investigation proceeds, he becomes increasingly obsessed with Twyford’s books as well, uncovering what may be hidden messages therein. State secrets, buried treasure, buried bodies? The clues are all there, but it will take a cannier puzzle-solving mind than mine to decipher them before Hallett is ready for the big reveal. The Twyford Code is easily one of the cleverest and most original mystery novels in recent memory, with an engaging main character, dialogue that grabs (and requires) your attention and more head-scratching suspense than any other three books combined.

A mystery told through voice transcriptions shouldn’t work, but The Twyford Code isn’t just this month’s best mystery—it’s one of the cleverest whodunits in recent memory.
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The Maltese Iguana 

Buckle up for another wild ride with Florida ne’er-do-well Serge A. Storms and his stoner sidekick, Coleman, in their 26th adventure, The Maltese Iguana by Tim Dorsey. The title, a nod to Dashiell Hammett’s The Maltese Falcon, refers not to a precious statue but instead to its modern-day Florida counterpart—an iguana-shaped bong. The basic premise of the book is that Serge Storms, now fully vaccinated after a long COVID-19 lockdown, decides a celebration is in order, upon which mayhem ensues, both figuratively and literally. Meanwhile, a CIA operation goes off the rails in Honduras, and after barely escaping with his life, the agency’s local contact makes his way to Florida, putting both him and the agents the CIA sends after him directly in Hurricane Serge’s path. There are murders, explosions, drugs, mercenaries, Florida history and folklore, wild parties, an exotic dancer, an appearance by Captain Kangaroo, a boxing rabbit and enough pingpong balls to fill the trunk of an old Ford LTD. Imagine one of those newspaper articles in which the headline begins with “Florida man” and then imagine the article extending to 336 pages. That will give you a pretty good idea of what to expect in The Maltese Iguana.

Storm Watch

C.J. Box’s Joe Pickett mysteries have been excellent since the Wyoming game warden’s very first case, 2001’s Open Season. But Box’s latest novel, Storm Watch, is perhaps the most intricately plotted and fully realized of the bunch so far. Joe is on the trail of a wounded elk as an immense winter storm closes in, but he soon stumbles across something totally unexpected: a semi-decapitated body in a mysterious shed far off the beaten track. Joe only has time to take some photos before beating a hasty retreat in hopes of outrunning the snow. When he returns after the storm, the body has disappeared. What initially seems to be a lack of interest on the part of the sheriff soon morphs into a full-blown, high-level warning that Joe keep his nose out of matters that don’t concern him. (As if that could ever happen.) Conspiracies abound, reaching up to the highest levels of state government and involving uber-wealthy absentee ranchers, bitcoin miners and underground militias. There is a lot going on, but Box keeps all the balls in the air, culminating in an ending sequence that’s pure gold and extremely satisfying on multiple levels.

Murder at Haven’s Rock

Canadian author Kelley Armstrong is perhaps best known for her Rockton mysteries, a series of seven books set in the titular village, which is hidden in Canada’s Yukon wilderness and serves as a refuge for those who cannot be effectively protected by the authorities. The Rockton series’ protagonist, detective Casey Duncan, is breaking ground on a similar endeavor with her husband, Sheriff Eric Dalton. Their new village, Haven’s Rock, will differ from Rockton in only one major way: Casey and Eric plan to handpick the residents in hopes of eliminating some of the shortcomings of the Rockton project. But things do not get off to a good start. Murder at Haven’s Rock, the title of the new book, says it all. It starts when a couple of construction crew members break the cardinal rule—Do Not Venture Out Into The Forest—and never return. Casey and Eric launch a search for the missing workers but instead find the body of an unknown woman who has been stabbed to death. Just like Armstrong’s Rockton series, Murder at Haven’s Rock is an immediately intriguing mystery populated by well-drawn characters. It’s certainly accessible as a standalone read, but I wouldn’t be surprised if readers new to Armstrong immediately seek out her previous books after finishing this superb series starter.

The Cliff’s Edge

The mother-and-son writing team known in the publishing world as Charles Todd (the mother of which, Caroline Todd, died in 2021) boasts two hit series, each set in the years immediately following World War I. The first features Inspector Ian Rutledge, a cop haunted by the ghost of a wartime casualty, and Todd began the second in 2009, a spinoff series centered on Bess Crawford, a former combat nurse marked by her own war experience. As the 13th installment, The Cliff’s Edge, opens, Bess accepts a temporary nursing position to care for a wealthy woman after a surgery. While she is on duty, a tragic accident takes place nearby: Two men, Gordon Neville and Frederick Caldwell, fall from a rocky outcropping, with Frederick dying from his injuries. But things take an ominous turn when it is revealed that the two men shared a contentious past and that Frederick’s injuries seem inconsistent with his fall. It falls to Bess to care for Gordon, who has a dislocated shoulder and a badly broken arm, and she finds herself drawn into the mystery of what actually transpired at the cliff’s edge. Both men’s grieving and angry family members complicate the situation, as does a local cop bent on pinning a murder on Gordon. As is always the case with the Bess Crawford books, the writing is perfectly evocative of the period; the conversational style, relationships and manners are all very “Downton Abbey”-esque, making for an exceptionally pleasurable ride to the ultimate reveal.

Batten down the hatches—Serge Storms is back. Read our review of Tim Dorsey’s absolutely wild Florida-set caper in this month’s Whodunit column.
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You Know Her

Meagan Jennett’s You Know Her is a crackerjack debut thriller. A book about a serial killer is not necessarily notable; there are many of those on the racks at bookstores. Books about female serial killers are in somewhat shorter supply, and a book in which said female serial killer is a narrator is fairly unusual. But here’s the kicker: You kinda want her to get away with it. Our soon-to-be-murderer Sophie Braam is a bartender when You Know Her begins. She has seen it all, and most of what she has seen has not been pretty. And then one day, a minor grievance becomes the proverbial backbreaking straw. A stolen glass of wine should not be a death sentence, you might argue, but if you had that argument with Sophie, there’s a good chance she would bring you around to her way of thinking. Sophie’s new best friend (although it is a somewhat guarded friendship) is police officer Nora Martin, one of the investigators of the first of Sophie’s murders. Nora has also seen it all, or so she thinks, but nothing can really prepare her for Sophie. Which brings us to kicker number two: You also kinda want the skillful, hardworking Nora to solve the murders. She deserves a big win to help her rise to the rank of detective, which would be a reward to be savored in her toxic, good-ol’-boy, small-town police department. Only one can win—let the games begin.

The Last Heir to Blackwood Library

Hester Fox’s The Last Heir to Blackwood Library contains romance, fantasy, the occult and religious zealotry gone off the rails; in short, it’s not your standard whodunit. However, fans of supernaturally tinged mysteries from authors such as T. Jefferson Parker and John Connolly will be intrigued by this historical spin on the subgenre, and other readers will be enticed by Fox’s first-rate writing, which is engrossing from page one. In 1927 London, the fortunes of one Ivy Radcliffe have radically changed. One day, she is sharing a drafty bed-sit apartment with her best friend and living hand to mouth. The next day, she is anointed Lady Hayworth, complete with manor house, staff, motorcar, income and a couple of handsome potential suitors. However, the solicitor who informed Ivy of her windfall neglected to tell her about the previous title holders, all of whom met with a premature and mysterious death. The Last Heir to Blackwood Library hews more closely to the mystery and suspense genre than to any other, I would say. And even though it’s more of a “whatdunit” than a whodunit, mystery readers of all types will enjoy it.

So Shall You Reap

There are series that readers return to again and again for nonstop action or a “ripped from the headlines” vibe. And then there are series that readers devour because the protagonist is a person of evident strength of character. Martin Walker’s Chief of Police Benoit “Bruno” Courreges, for example, or Louise Penny’s Chief Inspector Armand Gamache. Donna Leon’s Commissario Guido Brunetti would emerge close to the top of any such list as well. As So Shall You Reap opens, Leon’s Venetian sleuth visits a lovely, albeit somewhat neglected, old palazzo to inquire for a friend as to whether the property is for sale. A Sri Lankan man answers the door and informs him that the house is not on the market. It will not be their last interaction: The following evening, Brunetti will identify the man’s body after it is pulled from a canal. The subsequent investigation unearths inflammatory political screeds both from Sri Lanka and Italy in the man’s personal effects, which seem to be at odds with his devout Buddhism and calm demeanor during his interaction with Brunetti. It tosses Brunetti’s thoughts back to his time at university, when he was somewhat more radical in his politics than he is now as a world-weary policeman approaching retirement age. Italy in Brunetti’s younger days was plagued with bombings, kidnappings and murders, some of which are still unsolved. But one of them is about to be solved, in part by the dogged persistence of Brunetti, and in part by the almost humanlike persistence of a dog. This is the 32nd book in the series, and if it is your first Commissario Brunetti mystery, you will most likely turn immediately to the other 31.

Heart of the Nile

Although many readers regard Will Thomas’ Barker & Llewelyn mysteries as an homage to those starring Sherlock Holmes and Dr. Watson, I would suggest that they more closely resemble Rex Stout’s Nero Wolfe and Archie Goodwin mysteries. In both cases, the main sleuth’s assistant is the narrator, with both Goodwin and Llewelyn taking a decidedly tongue-in-cheek tone, especially in regard to the vicissitudes of their curmudgeonly senior partners. Both teams regularly run circles around the cops, be it NYPD or Scotland Yard, engendering awe (occasionally) and annoyance (much more regularly). Thomas’ latest mystery, Heart of the Nile, is the 14th installment in the series. It deals with the discovery of a mummy in the British Museum’s collection of ancient artifacts, the treasure trove of looted antiquities fondly known as “England’s Attic.” This particular mummy, however, may be the remains of Egypt’s most famous queen, Cleopatra. Supporting that notion is an immense uncut ruby laid in the chest cavity once occupied by her heart. The ruby disappears, people start to meet untimely and violent deaths, and Cyrus Barker and Thomas Llewelyn are summoned to unravel the mystery. This is an exceptionally entertaining series, jampacked with Victorian arcana and 19th-century London history, anchored by the quick wit and pithy observations of narrator Llewelyn.

In this month’s Whodunit column, Meagan Jennett’s crackerjack debut thriller tracks that doomed friendship. Plus, read all about the latest Commissario Brunetti mystery.
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Blood Will Tell by Heather Chavez zeroes in on the complicated relationship between Frankie Barrera and her younger sister, Izzy. Frankie always stands by her sister, even when Izzy makes questionable decisions, but things change when Frankie is wrongfully implicated in a child abduction case—a crime that may involve Izzy. When a dark incident from the past resurfaces, Frankie is forced to face difficult truths and the sisters’ bond is tested to its breaking point. Enriched by themes of family, duty and commitment, this captivating thriller will spark lively dialogue among readers. 

Rita Todacheene, the protagonist of Ramona Emerson’s Shutter, is a crackerjack forensic photographer with the Albuquerque, New Mexico, police. Brought up on the Navajo Nation Reservation by her grandmother, Rita has become disconnected from her past, in part because the ghosts of crime victims torment her. While Rita is photographing a suicide case, the victim’s ghost reveals that she was murdered and urges Rita to find the culprits. Things take a dangerous turn when Rita is targeted by a violent cartel. A multilayered work of crime fiction, Shutter will electrify readers. 

In Dervla McTiernan’s The Murder Rule, Hannah, a law student at the University of Virginia, lives with her troubled mother, Laura. Hannah works for the university’s chapter of the Innocence Project, researching cases in which people were convicted of a crime but maintained their innocence. As the novel unfolds, McTiernan incorporates entries from Laura’s diary that describe the death of her lover years ago, with a connection between that incident and a case Hannah researches adding a chilling twist to the narrative. Book clubs will find plenty to discuss in this complex novel, such as the difficulties of true justice and the nature of memory. 

Chris Pavone turns up the tension in the compelling Two Nights in Lisbon. During a trip to Lisbon, Portugal, Ariel’s younger husband, John, vanishes without a trace, leaving her alone in a strange country. John can’t be reached by phone, and the authorities are unable to find him. Frantic and frightened, Ariel comes to realize that John himself is a mystery, and his disappearance draws her into a web of danger. A consistently suspenseful tale, Two Nights in Lisbon explores the secrets that can separate husband and wife

Bring some suspense to your reading group with these impossible-to-put-down titles.

S.A. Cosby’s All the Sinners Bleed is at once a gripping character study and a darkly compelling example of Southern noir. As in his previous critically acclaimed novels (My Darkest Prayer, Blacktop Wasteland and Razorblade Tears), Cosby delves into the history, heart and hypocrisy of his home state of Virginia with anger and grace.

Titus Crown has an impressive resume: star quarterback of his state championship-winning high-school football team; top of his class at the University of Virginia and Columbia; standout FBI agent for 12 years. In 2016, he was elected the first-ever Black sheriff of Charon County, Virginia, where he grew up. It’s an experience he describes as being similar to living “in a no-man’s-land between people who believed in him, people who hated him because of his skin color, and people who believed he was a traitor to his race.”

Alas, the one-year anniversary of Titus’ election is marked not by celebration but by fear and grief, thanks to a shooting at the local high school. A young Black man named Latrell kills Mr. Spearman, a beloved white teacher. After a tense standoff, Latrell is dead, too, shot by Titus’ deputies.

Soon Titus learns that this shocking and seemingly inexplicable event is the tip of a truly horrifying iceberg. He was already well aware that “the ability of one human to visit depravity upon another was boundless as the sea and as varied as there were grains of sand on a beach,” and that belief holds true: Over the course of his investigation into the shooting at the school, Titus discovers that a serial killer who preys on Black children has been living among the close-knit Charon County community for years.

As he and his deputies race to catch the killer, Titus must also contend with neo-Confederates determined to march through Charon’s annual Fall Fest, persistent political pressure and his own personal struggles. Unresolved trauma and uneasy relationships with his father and brother peck away at Titus’ equanimity as he strives to protect the citizens of Charon County while reckoning with the pain of his past.

All the Sinners Bleed is a nerve-jangling, thought-provoking, often heartbreaking read, but also one that reminds readers “there was beauty in the world . . . if you knew where to look. It was there if you were brave enough or foolish enough to seek it.”

S.A. Cosby’s All the Sinners Bleed is a nerve-jangling, thought-provoking, often heartbreaking read that follows the first Black sheriff of a rural county in Virginia.
STARRED REVIEW

Our top 10 books of June 2023

Our top picks for June include the latest from S.A. Cosby, Dominic Smith and Uzma Jalaluddin, plus the first major biography of Martin Luther King Jr. in decades.

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Book jacket image for Horse Barbie by Geena Rocero
LGBTQ

Geena Rocero was a trans pageant queen in the Philippines who became a successful model in the United States. As you’d expect, her life story is a completely engrossing whirlwind.

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Family & Relationships

Humorist Harrison Scott Key’s memoir of the fallout following his wife’s affair offers plentiful food for thought about faith, humor, courage and love.

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Children's & YA

Bestselling author Becky Albertalli’s latest novel offers a gentle, hilarious and authentic look at figuring out who you are on your own timeline.

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Black History

Jonathan Eig’s monumental biography takes Martin Luther King Jr. down from his pedestal, revealing his flaws, needs, dreams, hopes and weariness.

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Fiction

Lisa See’s spellbinding historical novel, inspired by the true story of a female physician, vividly depicts 15th-century China with artfully woven details, rich characters and descriptive language.

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Humor

Bitingly funny and full of blistering commentary and fierce familial love, Greg Marshall’s memoir is a winning debut.

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Children's

Sweet and cozy—much like the cream puffs Mole makes—Mole Is Not Alone lends itself well to both storytime read-alouds and quiet snuggles before bed.

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Contemporary Romance

Uzma Jalaluddin’s Much Ado About Nada is a heartwarming, tender and utterly winning adaptation of Jane Austen’s Persuasion.

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Fiction

With Return to Valetto, Dominic Smith doesn’t reinvent the wheel, but he doesn’t need to: He is a master of his trade who has executed a flawless novel that satisfies on all counts.

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Family Drama

Mary Beth Keane’s down-to-earth characters in Gillam are reminiscent of Anne Tyler’s wonderfully authentic Baltimore personalities.

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Our top picks for June include the latest from S.A. Cosby, Dominic Smith and Uzma Jalaluddin, plus the first major biography of Martin Luther King Jr. in decades.
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The Lock-Up

John Banville’s latest Quirke/Strafford mystery, The Lock-Up, stretches the boundaries of the genre. Ostensibly a police procedural set in 1958 Dublin, The Lock-Up is far more interested in its protagonists’ inner lives than it is in their detective work, and rather than celebrate its sleuths as bringers of order and righters of wrongs, it shows how their efforts toward justice can be, ultimately, meaningless. That said, it is well worth the read, because Banville’s characters fairly leap off the page. Pathologist Quirke is irascible as ever, but also lonely and grieving: “The thing about grief was that you could press upon it at its sharpest points and blunt them, only for the bluntness to spread throughout the system and make it ache like one vast bruise.” Detective Inspector St. John Strafford is a Protestant in a Catholic country, and a cop to boot—something for everyone to loathe. Together they investigate the death of Rosa Jacobs, a young Jewish woman with possible links to Wolfgang Kessler, a German refugee who made good in postwar Ireland and now appears to be involved with some shady dealings in the newly established country of Israel. The Lock-Up is beautifully written, the sort of book that makes you pause, reread a line and chew on it for a bit before continuing. Oh, and the ending? Good luck figuring that out before the precise reveal ordained by Banville.

Beware the Woman

Megan Abbott is one of the most skilled architects of suspense alive and has won or been a finalist for just about every major crime fiction award. Her latest thriller, Beware the Woman, finds her in top form once again. As the book opens, Jed and Jacy have just discovered that they are soon to become parents. They plan a holiday in Michigan’s Upper Peninsula to visit Jed’s father, Dr. Ash, who lives in a luxurious “cabin” deep in the woods. As experienced readers will know, going to visit reclusive relatives in remote forests is like opening the attic door in a horror movie: guaranteed drama. As a retired physician, Dr. Ash is solicitous to a fault about Jacy’s pregnancy. When minor complications arise, he becomes rather heavy-handed about directing her care, never mind that he has not been a practicing physician for decades. Understandably, Jacy takes some exception to this but finds, to her dismay, that her husband has aligned with his father, and she soon becomes a virtual prisoner, held incommunicado. For sheer escalating tension, Beware the Woman rates right up there with Stephen King’s Misery; it just shouts to be read in one sitting.

The Last Drop of Hemlock

Katharine Schellman’s second Vivian Kelly mystery, The Last Drop of Hemlock, is set in Prohibition-era New York City. Vivian is a seamstress and delivery girl by day but a waitress at a speak-easy by night, doing the Charleston with lonely men in return for drinks. Said speak-easy, the Nightingale, is decidedly illegal and only exists as a result of liberally greased palms. Thus, an element of criminal activity is never far from the forefront. This time out, Vivian uses her connections to take a second look at a death that was initially ruled a suicide. The victim was Uncle Pearlie, a bouncer at the Nightingale who had purportedly just made a fortune via mysterious means. But when Vivian and her band of ne’er-do-wells go to his home, they find that his secret cache of cash has been emptied. Any lingering doubts that he was murdered are erased when his pregnant girlfriend comes forward and reveals that Pearlie’s windfall involved some particularly unpleasant gangsters. In the first book in the series, Last Call at the Nightingale, Schellman introduced a large and interesting cast of characters while also spinning a consistently suspenseful yarn. That is certainly still the case in book two, as Schellman tops herself in nearly every category.

The Pigeon

Joe Brody, aka Joe the Bouncer, returns in David Gordon’s The Pigeon, the latest entertaining entry in the popular series. It should be noted that bouncer does not begin to encompass Joe’s duties. He serves as a sheriff of sorts for the criminal underworld of New York City, a mediator for organizations not exactly noted for solving disputes within the confines of the legal system. His longtime pal Gio sets him up with what should be an easy gig, and one that pays well too: recover a gangster’s stolen racing pigeon. The bird’s worth is in the neighborhood of $1 million, and Joe will collect a 5% reward upon recovery. Under normal circumstances, it would be a simple B & E—stuff the bird into a paper bag and exit stage left. But it turns out that the pricey Central Park-adjacent apartment building the bird is being kept in features one of the most sophisticated security systems this side of Fort Knox. Before Joe can snatch the pigeon, a squad of hit men is hot on his trail. He makes good his escape through a long-unused dumbwaiter, but his troubles are far from over. His FBI agent girlfriend is questioning her judgment in being associated with the criminal element, the gangster is still clamoring for his missing pigeon and the hit men know where Joe lives, works and plays. There is plenty of humor in the mix, as in an Ed McBain or Elmore Leonard novel, and plenty of action, too, realistically delivered without being egregiously graphic.

Quirke and Strafford team up again, plus Megan Abbott returns with a terrifying pregnancy thriller in this month’s Whodunit column.
STARRED REVIEW
May 23, 2023

Readers’ Choice: Best Books of 2023 (so far)

The best books of 2023 (so far) as determined by BookPage.com readers include the latest from Abraham Verghese, Kate Morton, Jenny Odell and Ann Napolitano, as well as a remarkable debut from Margot Douaihy.
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The best books of 2023 (so far) as determined by BookPage.com readers include the latest from Abraham Verghese, Kate Morton, Jenny Odell and Ann Napolitano, as well as a remarkable debut from Margot Douaihy.

Is there truly honor among thieves? When one half of a con woman duo ghosts her partner, their loyalty to each other is put to the ultimate test. Promising Young Woman meets Heartbreakers in Wendy Heard’s sharp and sexy You Can Trust Me

Summer (not her real name) has been thieving since childhood and learned from the best: her itinerant mother, who abandoned Summer when she was 17 years old. Now almost 30 and based in Los Angeles, Summer has taken in a younger stray named Leo who ran away as a teenager after an unspeakable family tragedy. The women live together in a tricked-out van and relish in their specialties: Summer pickpockets rich, drunk clubgoers, and Leo cozies up to older men before financially sucking them dry. But when Leo unexpectedly falls for tech entrepreneur and environmentalist Michael Forrester and accepts an invitation to his private island, Summer finds herself alone . . . and worried. Where is Leo? Why hasn’t she reached out since her first night with Michael? And how can Summer get her friend back?

Heard, author of The Kill Club, She’s Too Pretty to Burn and other stylish thrillers, deftly alternates between Summer’s and Leo’s perspectives. Leo’s timeline lags a few days behind Summer’s but gradually catches up as the two keep narrowly missing each other and encounter the same deceptive, deadly characters set on eradicating them both. Heard keeps the stakes high—Summer doesn’t want to get the authorities involved, as she doesn’t even have a birth certificate—and the secrets plentiful, as Leo recalls the painful personal history she’s never even told Summer. Both protagonists are equal parts savvy and vulnerable, as well as all too aware of materialistic LA culture (Heard lives in LA herself) and the ways they can take advantage of it. You Can Trust Me blends realistic character development and nail-biting heists, resulting in a tale of a most unique, potentially murderous alliance.

You Can Trust Me blends realistic character development and nail-biting heists as it follows two con women who are in over their heads.
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The Devil’s Playground

I am a huge fan of noir mystery novels set in the early heyday of Hollywood, back when the iconic hillside sign still read “Hollywoodland.” This love likely started via books by Raymond Chandler and Nathanael West, and it carries through to the latest Tinseltown tome I have happened upon: The Devil’s Playground by Craig Russell. The year is 1927, and our leading lady is studio fixer Mary Rourke, who operates on the shady side of the law when necessary to cover up scandals that could threaten one (or more) of Hollywood’s Golden Age stars. Mary is summoned in the dead of night (a portentous phrase, to be sure) to the home of actress Norma Carlton, star of the supposedly “cursed” production The Devil’s Playground. Mary is stunned to find Norma dead, apparently by her own hand. This could tank the film, so a quick fix must be enacted to ensure that the public never suspects suicide. It all becomes more complicated post-fix, when the studio’s doctor discovers that Norma was strangled. Fast-forward to 1967, and journalist Paul Conway has been hired to find the one remaining copy of The Devil’s Playground, which is supposedly at a remote location in the California desert—if it even exists. If the search succeeds, Paul will be rewarded handsomely for his efforts. However, he will find more than he bargained for, including one of the most creative twist endings I have experienced in ages. The Devil’s Playground is definitely on my shortlist for best mystery of the year.

Dead Man’s Wake

You don’t have to wait long for the action to begin in Paul Doiron’s 14th novel featuring Maine Game Warden Investigator Mike Bowditch, Dead Man’s Wake. It starts with a literal bang in Act I, Scene 1: Mike and his fiancée, Stacey Stevens, are celebrating their engagement, but the festivities are interrupted by a speedboat crash on the adjacent lake. When they arrive at the scene, there is no wrecked boat in sight. But what is in sight is rather more gruesome: a recently severed human arm. The next day, the search team uncovers not one but two dead bodies, those of a local developer and his married girlfriend, and the whole situation begins to seem less like a tragic accident and more like a pair of premeditated murders. Homicide investigations don’t really fall under Mike’s purview, but as one of the local cops ruefully notes, Mike seems to insinuate himself into more such investigations than is usual for a game warden. There is no shortage of suspects: the cuckolded biker husband of the female victim; a pair of frat boys who had been racing around the lake; a female tourist who claimed to have witnessed the whole shebang but whose story seems less credible as the investigation wears on. Doiron packs in lots of twists and turns, and enough suspense to keep you reading well past bedtime.

The Guest Room

Tasha Sylva’s debut novel, The Guest Room, is a creepy psychodrama in which all the major characters have deeply disturbing weird streaks. Let’s start with Tess. Some time back, her sister, Rosie, was killed, and the murder was never solved. Still in a malaise of grief, Tess has taken to renting out Rosie’s room for Airbnb-style stays. Tess has a bad habit, though. When her guests are out, she gleefully rummages through their stuff. Tess’ latest lodger is Arran, who requests a one-month lease while looking for permanent lodgings. And naturally, the first time Arran leaves, Tess surreptitiously paws through his meager belongings and finds a diary. The diary reveals Arran to be a rather obsessive man—by many people’s definition, a stalker. He is affable, though, and quite handsome, which has not gone unnoticed by Tess. This brings us to Nalika, Tess’ beautiful friend. After Nalika and Arran meet, Tess reads the newest entry in his diary and realizes the latest object of his obsession might be Nalika. And maybe Tess is a bit jealous about that. Or more than a bit. The Guest Room is much more character-driven than plot-driven, but there are a couple of excellent plot surprises along the way. I will eagerly await Sylva’s next novel, and I bet you will too. 

A Stolen Child

A Stolen Child is Sarah Stewart Taylor’s fourth entry in her excellent series featuring American police detective Maggie D’arcy, who has relocated to Ireland and joined the Garda, the national police force of the island nation. Despite years of experience as a police detective in Long Island, Maggie is relegated to beat cop status upon passing the Garda entrance exam. But when a well-known fashion model is murdered and her toddler daughter is kidnapped, the force is stretched so thin that Maggie’s commanding officer decides to make use of her detecting talents. As Maggie takes charge of the two-pronged investigation into the murder/abduction, she quickly finds out that witnesses are few and far between and often reluctant to the point of intransigence. A Stolen Child is a nicely done, step-by-step police procedural, but it also offers much more than that: well-drawn characters; an insightful look at a rapidly gentrifying urban hub and its denizens; and off-duty relationships that lend notes of warts-and-all humanity to the players.

 

Craig Russell’s suspenseful look at the dark side of Old Hollywood blows our mystery columnist away, plus two perfect police procedurals and a deeply creepy debut thriller.

Sometimes you can’t help but root for the bad guys. 

Such is the case with housekeeper-turned-criminal mastermind Mrs. Dinah King and her eclectic gang of co-conspirators in Alex Hay’s debut novel, The Housekeepers. The novel is set in London’s wealthy Park Lane in 1905 during the height of the Edwardian era, which Hay describes in his introduction as a time of “opulence, scrappy characters, remarkable flashes of modernity, and layers of corruption that exist just underneath all that glamour.” 

The sprawling de Vries mansion, where Mrs. King works, is “seven floors high from cellars to attics. Newly built, all diamond money, glinting white” with treasures in every room: “stupendous Van Dycks, giant crystal bowls stuffed with carnations. Objets d’art in gold and silver and jade, cherubs with rubies for eyes and emeralds for toenails.” When we first meet Mrs. King, she is already on her way out the door, fired for certain indiscretions and making a mental list of everything of value as she goes. Unlike many disgruntled employees dismayed by the sudden loss of a steady paycheck, she is already plotting to turn her misfortune into opportunity. After recruiting a ragtag team of women, Mrs. King reveals her plot to take her former employers for everything they have.

From the outset, Hay makes it clear that Mrs. King is calling the shots. She tells her team in no uncertain terms that “we will have one object, one single plan. There will be no grumbling, no discord. If you’re given an order, you follow it.” And they do it with panache and style, right under the noses of the de Vries and their guests during a lavish costume ball.

Hay is equally in control, weaving a quick-fire, almost whimsical story of class and privilege, of low and high society. Half the fun is watching as the team stealthily smuggles in various burglary tools and smuggles out their pilfered treasures. But, as with most criminal endeavors, the slightest miscue or misstatement threatens to upend everything midheist. 

Already an award-winning book in its native U.K., The Housekeepers is mischievous, suspenseful and just plain fun from start to finish.

Alex Hay’s The Housekeepers is mischievous, suspenseful and just plain fun as it follows a gang of female thieves in Edwardian England.

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