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All Historical Mystery Coverage

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In A Tempest at Sea, a twisty and turbulent installment of Sherry Thomas’ perennially entertaining Lady Sherlock mystery series, a glamorous Christie-esque cast sails into danger on the open seas.

A Tempest at Sea is the seventh adventure of Charlotte Holmes, a brilliant detective who solves mysteries while pretending to be the assistant of her brother, Sherlock, who in Thomas’ series does not exist and is merely the front for Charlotte’s exploits. The sleuth has recently faked her death in order to hide from Moriarty, a criminal mastermind whom Charlotte has tangled with in prior books. But now British spymaster Lord Remington has offered her a chance to return to her former life with his protection if she can find a missing dossier. The documents are soon to leave the country on the RMS Provence, protected by Moriarty’s minions. Charlotte disguises herself as a wealthy dowager and boards the ship, but then things get even more complicated. Two days into the voyage, one of the most notable passengers, a volatile self-made millionaire with a shady past, is shot dead. Charlotte and her beau, Lord Ingram, must get to the bottom of what happened, in addition to finding the dossier and protecting Charlotte’s secrets.

Thomas’ confidence and ease at the helm of the series is obvious, and she’s clearly having fun playing with the tropes and stock characters of the historical mystery subgenre. A Tempest at Sea recalls treasured Agatha Christie novels like Death on the Nile and Murder on the Orient Express, which feature a divergent group of personalities assembled for a luxury voyage that soon turns deadly. The Provence is a state-of-the-art, first-class-only steamer vessel spiriting old money and new to a host of disparate destinations, and the mystery makes the most of this setting. It’s the ultimate locked-door location—days from land, in international waters—and unlike the equally popular country house setting, there’s no escape, no reprieve and few hiding places.

There are rumblings of trouble among the passengers even before their departure, with entitled, resentful old money bumping up against the nouveau riche (both literally and figuratively). Everyone seems to harbor a secret agenda, and Thomas excels at developing these characters, especially their petty biases. Charlotte’s mother shows up and proceeds to act out against those of lesser station, and an aristocratic passenger loudly embarasses the sister of the eventual murder victim. Even in these minor skirmishes, the danger is palpable.

Though it’s not all smooth sailing—there are occasional gaps in logic, even if the charm of the characters, settings and twists outweighs them—it’s a joy to see the well-oiled Holmes team spring into action and to watch Ingram and Charlotte’s romantic relationship thrive.

It’s a joy to see Charlotte Holmes spring into action (and to watch her romantic relationship thrive) in Sherry Thomas’ A Tempest at Sea.
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Jacqueline Winspear, author of the beloved Maisie Dobbs series, has created a new character for readers to admire. Part Agatha Christie, part “The Equalizer,” The White Lady follows Elinor White, a former World War II operative unafraid to leverage her past to help those who cannot help themselves.

It’s 1947, and Elinor has settled into a home in the British countryside, one granted to her by the government as thanks for her classified service to the nation. Her bucolic life is missing one thing, though: the sense of purpose that came with her wartime career. But when Elinor sees her neighbors Jim and Rose Mackie being violently harassed by Jim’s criminal family, she decides to use her skills to protect them. 

The White Lady alternates between Elinor’s quest to bring down the Mackie crime family in 1947, her work during World War II and her initiation into espionage as a Belgian teenager during World War I. Winspear’s writing is especially effective when conveying the incredible danger Elinor and her sister, Cecily, face as they work to undermine the German military, and the wrenching moral decisions that come with such work. 

The traumas of the past, especially the difficulty of leaving violence behind, are constant refrains throughout the novel. Elinor is haunted by the premature loss of her childhood innocence and, eventually, her family, while Jim and Rose struggle to escape Jim’s criminal birthright. Elinor’s quest to bring down the Mackie family is prompted by her affection for Jim, Rose and especially their young daughter, Susie, but it also provides her with a way to seek absolution for the terrible things she did as a spy.

The White Lady doesn’t shy away from dark subjects, and historical mystery readers searching for a bit of grit and a complex main character will admire its uncompromising storytelling.

Historical mystery readers searching for a complex main character will admire the uncompromising storytelling of Jacqueline Winspear’s The White Lady.
STARRED REVIEW
April 11, 2023

14 marvelous Victorian mysteries

Maybe it’s the gaslight, maybe it’s the ever-present fog, maybe it’s the shadow of Sherlock Holmes looming over it all, but there’s something so very satisfying about a mystery set in the Victorian era. Here are 14 of our favorites—including some spectacular modern takes on Holmes himself.
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Art in the Blood

In Art in the Blood, author Bonnie MacBird revives the favored and famous detective Sherlock Holmes and the indispensable, recently married Dr. Watson.

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The Murder of Mary Russell

Sherlock Holmes groupies will need to adjust their sights while reading Laurie R. King’s latest Sherlock Holmes and Mary Russell mystery, The Murder of Mary ...

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A Conspiracy in Belgravia

The game’s afoot—this time with a feminist, gender-bending twist—in a Sherlock Holmes-inspired mystery that is sure to attract any fan of the Great Detective.

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A Lady’s Guide to Gossip and Murder

If practiced well, the oft-maligned art of gossip can unearth as much evidence as a CSI team. Just ask the Countess of Harleigh, back for ...

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Murder on Cold Street

In her fifth adventure, Lady Sherlock must prove her longtime friend Inspector Treadles innocent of a double murder in which he was found with the ...
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Maybe it's the gaslight, maybe it's the ever-present fog, maybe it's the shadow of Sherlock Holmes looming over it all, but there's something so very satisfying about a mystery set in the Victorian era. Here are 14 of our favorites—including some spectacular modern takes on Holmes himself.
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Colleen Cambridge’s Mastering the Art of French Murder is a delightful cozy mystery set in post-World War II Paris with a cast of American expats, including Julia Child.

Tabitha Knight is settling into life in Paris, living with her grandfather and Oncle Rafe. Tabitha spends her days exploring the City of Light, tutoring her fellow Americans in French and learning how to cook from her best friend and neighbor, student chef Julia Child. When a young woman with ties to the Child family is found murdered in their apartment building—killed by a knife from Julia’s kitchen, no less—the police turn their attention to the chef-in-training. The investigation is further complicated when a note written by Tabitha is discovered in the victim’s pocket. To clear both their names, Tabitha sets out to discover who killed the woman and why. 

Cambridge skillfully blends fact with fiction in Mastering the Art of French Murder. Julia Child, along with her husband and sister, really did live in Paris in 1949, but Tabitha and her family are fictional characters. Cambridge captures Julia’s joie de vivre and passion for French cuisine, transporting readers into her kitchen during her early years at Le Cordon Bleu cooking school. Cambridge’s Julia whips up several meals during the mystery, each more mouthwatering than the last. 

A figure as iconic as Julia could overshadow the rest of the characters, but Tabitha is a charming protagonist. She’s brave, resourceful and fiercely loyal to her friends and family, and while the former factory worker isn’t a perfect detective, her instincts are sharp. Her charming chemistry with the lead detective, Inspecteur Merveille, is an added bonus that will have readers rooting for their relationship to deepen in future books. 

Mastering the Art of French Murder is a love letter to the sights, sounds and delights of Paris, from the small daily markets to the thriving nightlife. Readers will enjoy navigating the city alongside Tabitha as she untangles the mystery, as well as getting to see a whole new side of the beloved Julia Child.

The charming Mastering the Art of French Murder follows Tabitha Knight—who just so happens to be Julia Child’s best friend—as she unravels a mystery in post-World War II Paris.
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The Magistrate

Police procedural novels set in China often have a decidedly different feel from their European and American counterparts. As public servants are paid so poorly in the Middle Kingdom, there is a thriving shadow economy of grift and clandestine deal-making. The rule book is scarcely more than a fairy tale, broadly ignored by law enforcement and the criminal element alike. Case in point: Brian Klingborg’s The Magistrate. His protagonist, Deputy Chief Inspector Lu Fei, is one of only a handful of honest cops, and thus he is roundly despised by most of the higher-ups. However, on the rare occasion when a fact-driven investigation is required, Lu is the go-to guy. As The Magistrate begins, someone is targeting corrupt officials and subjecting them to excruciating torture and/or death. It soon becomes evident that a series of medieval interrogation methods are being utilized, all on the orders of someone calling themself the Magistrate. When his longtime nemesis, Mr. Xu, a corrupt fellow cop, succeeds in sidelining Lu with a trumped-up murder charge, it will take some clever planning and more than a little assistance from some supposed bad guys for the canny policeman to prevail. With its nonstop action, suspense galore, fascinating locale and compelling characters (even/especially the nefarious ones), The Magistrate ticks all the boxes.  

Viviana Valentine Goes Up the River

Since last we checked in on plucky Viviana Valentine, she’s been promoted from girl Friday to full-time sleuthing partner in the private investigation agency of Tommy Fortuna, allegedly the Big Apple’s number one gumshoe. Oh, Tommy is still the boss, but Viviana proved her mettle in her first outing (Viviana Valentine Gets Her Man), and Tommy is practically a sensitive, New Age guy as 1950s male bosses go. Emily J. Edwards’ follow-up, Viviana Valentine Goes Up the River, is clever and witty, and it features some of the snappiest narration and dialogue in modern whodunits. This time out, Viviana and Tommy investigate some mysterious happenings in and around the home laboratory of Buster Beacon, a wealthy socialite/inventor. Their stay at Buster’s estate in upstate New York is punctuated by an evening gathering of neighbors and investors, all blissfully unaware of the impending snowstorm that will keep them imprisoned for some time in their gilded cage. This would not be so bad, were it not for the inconvenience of a locked-room murder in their midst, which will bring their jolly gathering to a screeching halt. The mystery has a pleasingly convoluted Knives Out vibe, Agatha Christie-esque but with a modern overlay of dry humor, much of it provided by Viviana’s narration. It’s good fun from beginning to end, with a surprise or two for even the most jaded suspense-o-phile.

The Eden Test

An upstate New York setting also figures prominently in Adam Sternbergh’s cinematic psychological thriller The Eden Test, even though it’s set seven-odd decades later. Daisy and Craig’s marriage seems, if not on the rocks, at least headed firmly in that direction. One of them has taken a lover, and there are more secrets bubbling not far beneath the surface. So Daisy takes matters into her own hands and books a week at a couples therapy retreat built on the concept of seeking seven answers to seven relationship questions in seven days. Phones are forbidden, and sometimes it appears that honesty has been proscribed as well. It doesn’t take long for things to go slightly off the rails, and then more than slightly. The counselors are a bit weird, as are the staff and the townspeople, and the whole scenario is filled with the sort of unease that you might find in “Twin Peaks” or at the Overlook Hotel in Stephen King’s The Shining, minus the supernatural component. And just when you think you have anticipated the big reveal, author Sternbergh delivers “the big nope,” forcing you to reconsider your so-called aha! moment.


Read our review of The Eden Test audiobook, narrated by Carlotta Brentan.


The Body by the Sea

When I reviewed Jean-Luc Bannalec’s The Granite Coast Murders a couple of years back, I opined that the author’s portrayal of Brittany, France, was mesmerizing, noting that “it has been elevated into my top 10 places I need to visit, all thanks to Bannalec.” I would hope, however, that when I do finally visit Brittany, I can sidestep the murders that seem to bedevil Commissaire Georges Dupin. Bannalec’s latest Brittany novel, The Body by the Sea, opens in the seaside town of Concarneau, where Dr. Chaboseau, a noted cardiologist, has just taken a header from a balcony above Dupin’s favorite restaurant, the Amiral. Chaboseau had reportedly been involved in some contentious business relationships in the town, although perhaps nothing that should have risen to the level of homicide. Still, somebody was responsible; moreover, it will not be the last murder in this chain of events. Short-staffed thanks to a holiday weekend, Commissaire Dupin is the only on-duty cop save for a couple of very green recruits, so the case is rife with obstacles from the get-go. There is, however, a novel twist, so to speak: Some facets of Dupin’s current case echo plot points from a pre-World War II novel, which was in turn based on a real crime. Curiouser and curiouser, and it all leads to just the sort of surprise ending that readers long for. And as before, they are treated to fun facts about the food, landscape and denizens of Brittany along the way.

Start your summer early with two tales of vacations gone murderously wrong—plus a snappy 1950s mystery and an eerie marriage-centric thriller.
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Jonathan Darcy and Juliet Tilney, amateur sleuths and the children of two of Jane Austen’s most beloved couples, return to solve another mystery together in The Late Mrs. Willoughby by Claudia Gray. 

Jonathan Darcy is attempting to fit in at a house party thrown by his former schoolmate and bully, Mr. Willoughby. Jonathan’s idiosyncrasies and difficulty with social situations made him an easy target at school, so he’s not exactly thrilled to see Willoughby again. However, he’s desperate to prove to his parents, Pride and Prejudice’s iconic Lizzy and Darcy, that he can make and maintain friendships. 

Willoughby is newly wed, although the marriage is already strained. His wife, Sofia, has realized her husband only married her for her fortune, and she is suffering from the simultaneous insults of his illegitimate child with a nearby village woman and his still-burning infatuation with his neighbor, Marianne Brandon.

Juliet, the daughter of Catherine and Henry Tilney from Northanger Abbey, is visiting Marianne, having befriended her during the first installment in the series, The Murder of Mr. Wickham. Marianne is still traumatized by the events of that book, but she’s doing her best to reenter society, even if that means attending a dinner party with her much loathed former beau and his new wife. Unfortunately, it’s at this very dinner that Mrs. Willoughby dies of poisoning, right in front of Juliet and Jonathan. 

Jonathan and Juliet once again set out to find the killer. Jonathan’s analytical mind and Juliet’s facility for observing and understanding others make them a powerful crime-busting pair, despite being confined by the social strictures of their time. They quickly realize that Mrs. Willoughby may not have been the intended victim, given that her husband has no shortage of enemies.

Gray firmly establishes that Jonathan is autistic in The Late Mrs. Willoughby, having hinted at such in The Murder of Mr. Wickham. While Juliet does not always understand his quirks, her easy acceptance of them is heartwarming. This also allows romance to begin slowly blossoming between the pair, which will thrill fans who picked up on Jonathan and Juliet’s chemistry in the first book.

The familiar conventions of Austen’s world, cameos from beloved characters and a potential new romance will make The Late Mrs. Willoughby a sure hit for historical mystery fans.

With cameos from beloved Jane Austen characters and a potential new romance, The Late Mrs. Willoughby is sure to be a hit for historical mystery fans.
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The Lock-Up

John Banville’s latest Quirke/Strafford mystery, The Lock-Up, stretches the boundaries of the genre. Ostensibly a police procedural set in 1958 Dublin, The Lock-Up is far more interested in its protagonists’ inner lives than it is in their detective work, and rather than celebrate its sleuths as bringers of order and righters of wrongs, it shows how their efforts toward justice can be, ultimately, meaningless. That said, it is well worth the read, because Banville’s characters fairly leap off the page. Pathologist Quirke is irascible as ever, but also lonely and grieving: “The thing about grief was that you could press upon it at its sharpest points and blunt them, only for the bluntness to spread throughout the system and make it ache like one vast bruise.” Detective Inspector St. John Strafford is a Protestant in a Catholic country, and a cop to boot—something for everyone to loathe. Together they investigate the death of Rosa Jacobs, a young Jewish woman with possible links to Wolfgang Kessler, a German refugee who made good in postwar Ireland and now appears to be involved with some shady dealings in the newly established country of Israel. The Lock-Up is beautifully written, the sort of book that makes you pause, reread a line and chew on it for a bit before continuing. Oh, and the ending? Good luck figuring that out before the precise reveal ordained by Banville.

Beware the Woman

Megan Abbott is one of the most skilled architects of suspense alive and has won or been a finalist for just about every major crime fiction award. Her latest thriller, Beware the Woman, finds her in top form once again. As the book opens, Jed and Jacy have just discovered that they are soon to become parents. They plan a holiday in Michigan’s Upper Peninsula to visit Jed’s father, Dr. Ash, who lives in a luxurious “cabin” deep in the woods. As experienced readers will know, going to visit reclusive relatives in remote forests is like opening the attic door in a horror movie: guaranteed drama. As a retired physician, Dr. Ash is solicitous to a fault about Jacy’s pregnancy. When minor complications arise, he becomes rather heavy-handed about directing her care, never mind that he has not been a practicing physician for decades. Understandably, Jacy takes some exception to this but finds, to her dismay, that her husband has aligned with his father, and she soon becomes a virtual prisoner, held incommunicado. For sheer escalating tension, Beware the Woman rates right up there with Stephen King’s Misery; it just shouts to be read in one sitting.

The Last Drop of Hemlock

Katharine Schellman’s second Vivian Kelly mystery, The Last Drop of Hemlock, is set in Prohibition-era New York City. Vivian is a seamstress and delivery girl by day but a waitress at a speak-easy by night, doing the Charleston with lonely men in return for drinks. Said speak-easy, the Nightingale, is decidedly illegal and only exists as a result of liberally greased palms. Thus, an element of criminal activity is never far from the forefront. This time out, Vivian uses her connections to take a second look at a death that was initially ruled a suicide. The victim was Uncle Pearlie, a bouncer at the Nightingale who had purportedly just made a fortune via mysterious means. But when Vivian and her band of ne’er-do-wells go to his home, they find that his secret cache of cash has been emptied. Any lingering doubts that he was murdered are erased when his pregnant girlfriend comes forward and reveals that Pearlie’s windfall involved some particularly unpleasant gangsters. In the first book in the series, Last Call at the Nightingale, Schellman introduced a large and interesting cast of characters while also spinning a consistently suspenseful yarn. That is certainly still the case in book two, as Schellman tops herself in nearly every category.

The Pigeon

Joe Brody, aka Joe the Bouncer, returns in David Gordon’s The Pigeon, the latest entertaining entry in the popular series. It should be noted that bouncer does not begin to encompass Joe’s duties. He serves as a sheriff of sorts for the criminal underworld of New York City, a mediator for organizations not exactly noted for solving disputes within the confines of the legal system. His longtime pal Gio sets him up with what should be an easy gig, and one that pays well too: recover a gangster’s stolen racing pigeon. The bird’s worth is in the neighborhood of $1 million, and Joe will collect a 5% reward upon recovery. Under normal circumstances, it would be a simple B & E—stuff the bird into a paper bag and exit stage left. But it turns out that the pricey Central Park-adjacent apartment building the bird is being kept in features one of the most sophisticated security systems this side of Fort Knox. Before Joe can snatch the pigeon, a squad of hit men is hot on his trail. He makes good his escape through a long-unused dumbwaiter, but his troubles are far from over. His FBI agent girlfriend is questioning her judgment in being associated with the criminal element, the gangster is still clamoring for his missing pigeon and the hit men know where Joe lives, works and plays. There is plenty of humor in the mix, as in an Ed McBain or Elmore Leonard novel, and plenty of action, too, realistically delivered without being egregiously graphic.

Quirke and Strafford team up again, plus Megan Abbott returns with a terrifying pregnancy thriller in this month’s Whodunit column.
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The Devil’s Playground

I am a huge fan of noir mystery novels set in the early heyday of Hollywood, back when the iconic hillside sign still read “Hollywoodland.” This love likely started via books by Raymond Chandler and Nathanael West, and it carries through to the latest Tinseltown tome I have happened upon: The Devil’s Playground by Craig Russell. The year is 1927, and our leading lady is studio fixer Mary Rourke, who operates on the shady side of the law when necessary to cover up scandals that could threaten one (or more) of Hollywood’s Golden Age stars. Mary is summoned in the dead of night (a portentous phrase, to be sure) to the home of actress Norma Carlton, star of the supposedly “cursed” production The Devil’s Playground. Mary is stunned to find Norma dead, apparently by her own hand. This could tank the film, so a quick fix must be enacted to ensure that the public never suspects suicide. It all becomes more complicated post-fix, when the studio’s doctor discovers that Norma was strangled. Fast-forward to 1967, and journalist Paul Conway has been hired to find the one remaining copy of The Devil’s Playground, which is supposedly at a remote location in the California desert—if it even exists. If the search succeeds, Paul will be rewarded handsomely for his efforts. However, he will find more than he bargained for, including one of the most creative twist endings I have experienced in ages. The Devil’s Playground is definitely on my shortlist for best mystery of the year.

Dead Man’s Wake

You don’t have to wait long for the action to begin in Paul Doiron’s 14th novel featuring Maine Game Warden Investigator Mike Bowditch, Dead Man’s Wake. It starts with a literal bang in Act I, Scene 1: Mike and his fiancée, Stacey Stevens, are celebrating their engagement, but the festivities are interrupted by a speedboat crash on the adjacent lake. When they arrive at the scene, there is no wrecked boat in sight. But what is in sight is rather more gruesome: a recently severed human arm. The next day, the search team uncovers not one but two dead bodies, those of a local developer and his married girlfriend, and the whole situation begins to seem less like a tragic accident and more like a pair of premeditated murders. Homicide investigations don’t really fall under Mike’s purview, but as one of the local cops ruefully notes, Mike seems to insinuate himself into more such investigations than is usual for a game warden. There is no shortage of suspects: the cuckolded biker husband of the female victim; a pair of frat boys who had been racing around the lake; a female tourist who claimed to have witnessed the whole shebang but whose story seems less credible as the investigation wears on. Doiron packs in lots of twists and turns, and enough suspense to keep you reading well past bedtime.

The Guest Room

Tasha Sylva’s debut novel, The Guest Room, is a creepy psychodrama in which all the major characters have deeply disturbing weird streaks. Let’s start with Tess. Some time back, her sister, Rosie, was killed, and the murder was never solved. Still in a malaise of grief, Tess has taken to renting out Rosie’s room for Airbnb-style stays. Tess has a bad habit, though. When her guests are out, she gleefully rummages through their stuff. Tess’ latest lodger is Arran, who requests a one-month lease while looking for permanent lodgings. And naturally, the first time Arran leaves, Tess surreptitiously paws through his meager belongings and finds a diary. The diary reveals Arran to be a rather obsessive man—by many people’s definition, a stalker. He is affable, though, and quite handsome, which has not gone unnoticed by Tess. This brings us to Nalika, Tess’ beautiful friend. After Nalika and Arran meet, Tess reads the newest entry in his diary and realizes the latest object of his obsession might be Nalika. And maybe Tess is a bit jealous about that. Or more than a bit. The Guest Room is much more character-driven than plot-driven, but there are a couple of excellent plot surprises along the way. I will eagerly await Sylva’s next novel, and I bet you will too. 

A Stolen Child

A Stolen Child is Sarah Stewart Taylor’s fourth entry in her excellent series featuring American police detective Maggie D’arcy, who has relocated to Ireland and joined the Garda, the national police force of the island nation. Despite years of experience as a police detective in Long Island, Maggie is relegated to beat cop status upon passing the Garda entrance exam. But when a well-known fashion model is murdered and her toddler daughter is kidnapped, the force is stretched so thin that Maggie’s commanding officer decides to make use of her detecting talents. As Maggie takes charge of the two-pronged investigation into the murder/abduction, she quickly finds out that witnesses are few and far between and often reluctant to the point of intransigence. A Stolen Child is a nicely done, step-by-step police procedural, but it also offers much more than that: well-drawn characters; an insightful look at a rapidly gentrifying urban hub and its denizens; and off-duty relationships that lend notes of warts-and-all humanity to the players.

 

Craig Russell’s suspenseful look at the dark side of Old Hollywood blows our mystery columnist away, plus two perfect police procedurals and a deeply creepy debut thriller.
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Kirsty Manning’s new cozy mystery transports readers to 1938 Paris, where glamour and decadence collide with murder.

Australian reporter Charlotte “Charlie” James has just accepted her dream job: She’s the new Paris correspondent for a major international newspaper. After a devastating personal loss, Charlie is looking forward to starting anew in Paris and jump-starting her career. Her first assignment is to ingratiate herself with well-connected members of Parisian society while covering the extravagant Circus Ball, hosted by British expats Lord and Lady Ashworth. The lavish ball is a smashing success—until a wealthy investor is found murdered. Charlie covers the crime for her paper and her investigation reveals a growing list of suspects, all wealthy and powerful. As Charlie closes in on the truth, she brings herself closer to a murderer who may strike again.

Manning highlights the opulence and decadence of interwar Paris in this engaging and delightful mystery. The City of Light comes alive through her descriptions of haute couture and Parisian cuisine. Charlie is an engaging sleuth, too: She’s intelligent, empathetic and a skilled reporter. She’s keenly aware that the 1930s news industry is a male-dominated profession, but she refuses to let that mindset hold her back. Her relationship with Inspecteur Bernard, the French detective heading up the murder investigation, is also a highlight. Journalists and police officers often find themselves at odds in mysteries, especially cozy mysteries, but Charlie and Bernard quickly strike up a cordial working relationship that benefits them both. 

The Paris Mystery is a fizzy, fast-paced caper full of glitz, glamour and intrigue.

The Paris Mystery is a fizzy, fast-paced caper full of glitz, glamour and intrigue set in the interwar City of Light.
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Sun Damage

If you reveled in the shenanigans of Patricia Highsmith’s The Talented Mr. Ripley, you’re the target audience for Sabine Durrant’s Sun Damage. A caper novel set in the sun-drenched south of France, Sun Damage follows a con man named Sean who plays Svengali to his acolyte, Ali, as they set up an elaborate scheme to relieve a young socialite of her fortune. It all goes sour when said socialite is killed in a boating accident that is perhaps not as much an “accident” as it appears. Ali realizes that she is at risk of taking the fall for the death, so she does what any good con artist would do: exits stage left. With any luck, that would have left Sean holding the bag, but of course, Ali’s plan soon goes remarkably awry. Durrant ratchets up the suspense as Ali does her level best to stay at least one step ahead of Sean, who is in hot pursuit, while also trying to elude the authorities. Or perhaps that is not what is really going on after all, because if there is one thing that Durrant is exceptional at, it is misdirection. This book needs to be read on a float in a swimming pool, or better yet, on a Mediterranean beach somewhere. But keep an eye on your valuables.

Fatal Legacy

Flavia Albia is a private informer, an ancient Roman precursor to the contemporary private investigator that conveniently utilizes the same abbreviation: PI. Flavia returns for her 11th case in Lindsey Davis’ intricate and entertaining historical mystery Fatal Legacy. The book starts out simply enough, with Flavia in pursuit of a pair of deadbeats who skipped out on their bill at her family’s restaurant. But after she deals with this infraction, the family of said deadbeats hires her for a much more complicated task involving a legacy that may not be entirely legal (would that be an “illegacy”?) and a surprising number of folks eager to obscure the truth for their own advantage. The debtors belong to the Tranquilla family, who were once enslaved but then freed by their former master’s will. But there isn’t any documentation asserting the freedom of one of them, Postuminus, and if Flavia can’t prove his status, his daughter’s impending marriage will be in jeopardy. Flavia is a witty observer of Roman family life and the low-grade skulduggery that was seemingly omnipresent in the ancient metropolis; it will be the rare reader indeed who does not get at least one unexpected chuckle per chapter. For my part, I will be seeking out Davis’ back catalog and paying regular visits to antiquity with Flavia. 

An Honest Man

Crime fiction icon Michael Connelly referred to Michael Koryta as “one of the best of the best, plain and simple,” and Koryta’s most recent offering, An Honest Man, supports that statement and then some. The titular honest man also happens to be a killer, and the book explores that dichotomy via two plots that dovetail nicely over the course of the narrative. The first follows Israel Pike, a convicted murderer and now prime suspect in a mass killing on an expensive yacht off the coast of Salvation Point Island, Maine. Israel’s accuser and nemesis is his uncle, the island’s police deputy Sterling Pike. The second storyline is about 12-year-old Lyman Rankin, who stumbles upon an injured, hatchet-wielding young woman who threatens his life if he should tell anyone she is hiding in an abandoned house on the island. Before Israel’s and Lyman’s stories resolve, there will be violence galore and the reveal of a seamy criminal underbelly, whose powers-that-be will stop at nothing to avoid prosecution. Koryta is a force to be reckoned with in modern suspense, and An Honest Man is one of his finest achievements to date.

The Lady From Burma

Allison Montclair’s author biography mentions that she devoured hand-me-down Agatha Christie paperbacks while growing up. Just as in Christie’s novels, murders abound in Montclair’s work, often in the most innocent of locales. Her sleuths, Iris Sparks and Gwendolyn “Gwen” Bainbridge, run a matchmaking service in post-World War II London. Their fifth adventure, The Lady From Burma, opens with a visit from the aforementioned lady from Burma, Mrs. Adela Remagen, who has a strange request for the duo: find a suitable wife for her husband. For she is dying and wants to ensure that her husband, Potiphar, has someone to care for him after she is gone. An eccentric entomologist with an affection for tropical insects, Potiphar is perhaps not the easiest client for Iris and Gwen’s small agency to match. And then Mrs. Remagen gets herself murdered. If you are in the mood for a modern-day rendering of Dame Christie, look no further. The Lady From Burma will be right up your alley.

Lindsey Davis’ latest Flavia Albia mystery reveals the criminal side of antiquity, plus two well-crafted novels of suspense and a delightful historical mystery in this month’s Whodunit column.
STARRED REVIEW
August 7, 2023

Five excellent midcentury mysteries

The period between the end of World War II and the close of the ’60s has always been a fruitful setting for mysteries. There’s something irresistible about seeing the seamy side of an era that was oh-so put-together—on the surface, that is.
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Recent Features

The period between the end of World War II and the close of the ’60s has always been a fruitful setting for mysteries. There’s something irresistible about seeing the seamy side of an era that was oh-so put-together—on the surface, that is.
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In William Kent Krueger’s exquisite The River We Remember, newspaper editor Sam Wicklow wants to write a book about the experiences of the Dakota Sioux people of Jewel, Minnesota. One character describes his project as telling “The history of this place. The whole history. The true history.” And that’s exactly what Krueger so adroitly achieves in this novel, excavating both the history and truth of a memorable town through one compelling mystery: Who killed the town’s wealthiest landowner, a tormented bully of a man named Jimmy Quinn whom no one seemed to like, and left him lying in the Alabaster River to be gnawed on by catfish?

The acclaimed author of 19 Cork O’Conner mysteries, Krueger is no stranger to the form. He sets the scene beautifully, beginning with the discovery of Quinn’s body on Memorial Day 1958, as Sheriff Brody Dern and his part-time deputy, retired sheriff Connie Graff, begin to investigate. The author is a superb director of his large cast of characters, including café owner Angie Madison, who lost her husband in World War II; her 14-year-old son, Scott, who is eager to meet life head-on despite the congenital hole in his heart; and female attorney Charlie Bauer, who, after the war, worked on behalf of Japanese American families who had lost their lives, savings and livelihoods while incarcerated in camps. The aftermath of WWII—and war in general—haunts The River We Remember. Brody, a veteran who has PTSD, is an intriguing central protagonist, and holds several surprising secrets; one of his early actions in the investigation is particularly jaw-dropping.

William Kent Krueger dives into the darkness of 1950s America.

In this page-turning, but also rewarding read, Krueger deepens the tightly-plotted central mystery by examining many horrors of history that reach out to affect the present day. Suspicion for Quinn’s murder soon falls on Noah Bluestone, a Dakota Sioux veteran who has recently returned to Jewel with a Japanese wife, Kyoko. Numerous prejudices run deep throughout the novel, including those against Quinn’s German widow, Marta, and Wendell Moon, a Black cook at Angie’s café. Krueger excels at embracing both the beauty and the sordid side of his characters’ lives, making them feel alive and all too human. 

At one point, Sam’s wife asks her husband, “This book you’re going to write, if you ever do, I wouldn’t count on it being a bestseller. . . Why don’t you write a mystery instead? Everybody loves a good mystery.” The beauty of The River We Remember is that it’s an excellent mystery but also so much more, making readers care about all of these flawed lives while unearthing painful truths about the xenophobia and racism nestled within small-town America.

William Kent Krueger’s page-turning, rewarding mystery The River We Remember is a superb exploration of the prejudices and complexities of post-World War II America.

Julia Kelly has written numerous international bestsellers in the realms of contemporary and historical romance as well as historical fiction (The Last Dance of the Debutante). Now, she’s setting her writerly sights on historical mystery with the new Parisian Orphan series, set in London during the Blitz.

In the meticulously researched, murder-and-intrigue-laden A Traitor in Whitehall, Kelly turns the locked-room trope up a notch by beckoning readers deep underground to the Churchill War Rooms (CWR), a command center established by Prime Minister Winston Churchill. It was constructed to be safe from bombs and prying enemy eyes, cloaked in concrete and characterized by tight security measures—but although every employee is extensively vetted, the CWR is not immune to the darkest human impulses.

Why Julia Kelly decided to set a murder mystery within Churchill’s secret headquarters.

Evelyne Redfern learns this the hard way in the most horrifying first week at work ever. After a patriotic-yet-unchallenging stint at a munitions factory, she is hired for the CWR typing pool by an old family friend, Mr. Fletcher, who knew Evelyne’s parents, French society page regular Genevieve and louche British adventurer (as well as neglectful parent) Sir Reginal Redfern. Their bitter and highly publicized divorce when Evelyne was a child earned her the media nickname “The Parisian Orphan.” 

Now in her 20s, Evelyne has been enjoying the relative anonymity of London but, after months of boredom at her factory job, is ready to make a more meaningful contribution to the war effort. She’s keeping an eye out for anything unusual at the CWR, per Mr. Fletcher’s instructions. Certainly, stumbling across the body of a recently murdered co-worker fits the bill. It’s a shocking yet fortuitous discovery: Since age 16, Evelyne has been a constant reader of mystery novels, and she thinks, “having adjusted to the reality of there being a dead body in my presence, I had been drawn to investigate.”

A minister’s aide named David Poole joins Evelyne’s crime-solving efforts; he’s been on the hunt for a mole, and it’s likely the murder is linked with treason. Kelly emphasizes the duo’s relentless search for the killer via tense, realistic interrogations and nerve-wracking cat-and-mouse sequences through underground hallways and the streets of London. A cast of opinionated side characters and a wealth of fascinating historical details add to the fun in this engaging, atmospheric series kickoff.

A murder takes place in Winston Churchill’s secret war rooms in Julia Kelly’s engaging, atmospheric A Traitor in Whitehall.

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