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FictionInspirational FictionHistorical Fiction

Two inspirational novels seek to warm readers’ hearts

Feature by Edith Kanyagia

From the Greek isle of Corfu to Washington’s Whidbey Island, hope can always be found in friendship.

★ Where the Wandering Ends

The latest novel from bestselling author and three-time Emmy Award-winning producer and journalist Yvette Manessis Corporon is a work of incredible depth, brimming with turmoil, compassion and remarkable historical detail.

Set on the gorgeous Greek island of Corfu, Where the Wandering Ends is a multigenerational, decades-spanning story that begins in 1946, when Greece appears to be on the verge of civil war. Despite the brewing unrest, life in Katerina’s village of Pelekito remains calm. She even has the opportunity to go to school, unlike provincial girls in older generations. 

As the conflict between communists and monarchists escalates, the war eventually reaches Pelekito, and the villagers are forced to flee. Katerina is separated from her best friend, Marco, but they both promise to someday return.

Corporon’s characters are indelible and authentic. Katerina’s father, Laki, is horrified by the divisions in his country: “Greek killing Greek. Cousin killing cousin. Brother killing brother. . . . Laki never would have imagined that his own people would turn against each other the way they had.” Meanwhile, Marco’s mother, Yianna, holds fast to the stories told by her own mother, who was a maid to Princess Alice, wife of Prince Andrew, both of whom were exiled from Greece after the Greco-Turkish War of 1922.

Written with a perceptive eye, Where the Wandering Ends considers the challenges faced by people during wartime and highlights the determination to survive despite painful circumstances. Corfu’s beauty, which Corporon describes in sumptuous detail, is juxtaposed against the turbulence and devastation caused by war. Fascinating historical facts and references to mythological Greek tales intertwine with moving scenes, tension-building plot points and surprising revelations to create a powerful, soaring story. This is a spectacular novel about the enduring devotion of family and the steadfast loyalty between friends.

★ Heirlooms

Bestselling author Sandra Byrd blends romance, laughter, community and family secrets in her novel Heirlooms, a delightful story of uplifting female friendships.

After her husband’s death, Choi Eunhee, a Korean woman living in the United States, turns to Helen Devries for help. It’s 1958, and both women are Navy widows. While living together in Helen’s farmhouse on Whidbey Island, Washington, the women assist each other through their losses and develop a lifelong friendship. 

In the present day, Helen’s dying wish is that her granddaughter Cassidy Quinn will pack up the attic at the Whidbey Island house with help from Eunhee’s granddaughter Grace Kim. While going through Helen’s hope chest, Cassidy and Grace discover a family secret. 

Meanwhile, Cassidy must work to save her grandmother’s property from foreclosure, so she turns to her ex-boyfriend Nick for help. Helen’s house was the setting of many beloved summers for Cassidy, and she dreams of reinstating her grandmother’s garden to its former glory. 

Helen and Eunhee’s friendship is much like the garden, tended with loving care over many years. As the women draw faith and strength from each other, their bond becomes akin to sisterhood. From this foundation grows Cassidy and Grace’s own connection, and the two young women learn to lean on each other throughout Cassidy’s fight for her grandmother’s house and garden and as Grace begins to doubt her chosen career path.

With warmth and sensitivity, Heirlooms examines the challenges faced by immigrants living in the United States, and the difficulties for women seeking health care and financial security for both themselves and their children throughout American history. As friends become family, readers will marvel at the strength found in community and the deep connections that can exist between generations.

Authors Yvette Manessis Corporon and Sandra Byrd intertwine past and present in two stories of love, courage and survival.
Children's & YAPicture BookChildren's

Celebrate the start of a new academic year with two picture books

Feature by Lisa Bubert

Lupe Lopez: Rock Star Rules

Lupe Lopez is ready to rock and roll her way into kindergarten. Fresh from a summer of drumming and perfecting her hip new look, she knows all rock stars make their own rules. Lupe is committed to never letting anyone tell her what to do, being as loud as possible and making “fans, not friends.” Unsurprisingly, this works great for Lupe—but not so well for Ms. Quintanilla, Lupe’s new teacher. 

Little by little, Lupe learns that even rock stars have to adhere to the rules (sometimes). Drumming belongs more on a stage than in the classroom, and friends are much better than fans—especially when they start a band together! Best of all, Lupe finds a way to remain the one-of-a-kind, “Texas-size” kindergarten rock star she is. 

Lupe Lopez: Rock Star Rules is a fun, fresh addition to the back-to-school picture book canon. It’s perfect for young readers who march to the beat of their own drums but may benefit from a gentle reminder to respect the needs of others around them. 

Lupe is the brainchild of a picture book dream team: co-writers e.E Charlton-Trujillo and Pat Zietlow Miller (Be Kind), and illustrator Joe Cepeda. Stonewall Award-winning Charlton-Trujillo’s influence as a South Texas native is clear in the familiar and joyful portrait of Lupe’s predominantly Latinx Hector P. Garcia Elementary school, complete with the requisite map of Texas on the classroom wall and bilingual labeling of classroom objects. (Don’t miss the nod to legendary Tejano musician Selena in Ms. Quintanilla’s name.) 

Zietlow Miller’s signature voice contributes to the story’s rhythm and narrative structure, both of which make Lupe Lopez: Rock Star Rules an excellent read-aloud. Children will love drumming along with Lupe when she shouts “¡Ran! ¡Rataplán! Boom-tica-bam! ¡Pit-a-pat. Rat-a-tat. Wham-wham-wham! ¡Soy famosa!” 

Pura Belpré Honor recipient Cepeda’s crisp, classical illustration style is perfect for a story with this much heart. He spares no detail in bringing Lupe to life on the page, right down to the pigtails in her hair and the pencils she uses for her drumsticks. 

Together, Charlton-Trujillo, Zietlow Miller and Cepeda have created an unforgettable heroine who will leap off the page and right onto your bookshelf. Fans of feisty heroines such as Russell and Lillian Hoban’s Frances, Ian Falconer’s Olivia and Monica Brown and Sara Palacios’ Marisol McDonald will be clamoring to join Lupe’s band.

One Boy Watching

As many children in rural areas know, living in the country often means being the first to board the school bus in the morning and the last to get dropped off at the end of the day. It means mornings of quiet reflection as the world wakes up and evenings spent on winding gravel roads toward home. 

One Boy Watching is a nearly wordless picture book that opens as the sun is just barely beginning to rise, when a school bus arrives at a boy’s rural home. Some introductory descriptions follow the unnamed protagonist as he steps onto the bus (“Twenty-eight empty seats. . . . One bus at sunrise under an infinite sky.”), but the scene’s beauty can be found in the serene spaces between those phrases. The reader is invited to sit peacefully, to breathe deeply, to soak in the prismatic watercolor and colored pencil sunrise skies. 

Author-illustrator Grant Snider, the creator of the popular webcomic “Incidental Comics,” reprises the same hushed feeling found in his earlier picture books, including What Color Is Night and What Sound Is Morning. His artistry seems simple: It’s light on distinct detail and heavy on bold lines, capturing the shapes of objects just barely visible in the early dawn, such as bulbous trees or the peak of a roof. Later spreads contain sights that will be familiar to rural school bus riders: pastures of hay bales, the glow of headlights in the early dawn, fields of rusted cars, water towers, the silhouettes of distant barns and feed silos. 

The real wow factor, however, is in the quietly powerful way that Snider uses color. By blending colors, lines and shapes into one another, Snider mimics the blur of what children see from a bus window on the way to school. As the journey continues and more children board the bus, the reader can almost hear the sound of their laughter, the rumble of the bus’s engine and the wail of a train horn at the railroad crossing—all with hardly any words on the page. 

Reserved, thoughtful readers who prefer to spend time lingering over illustrations or making up their own stories about the stories they read will especially appreciate One Boy Watching. It vividly conveys the experiences of those first-to-get-on, last-to-get-off students who witness a sunrise every morning and a sunset every evening as they mark the beginning and end of each school day.

The first day of school is a momentous occasion for many children. These picture books capture the experience with sparkle and style.
Children's & YAPicture BookChildren's

2 picture books for young readers in their feelings

Feature by Julie Danielson

The best picture books tap honestly and unpatronizingly into children’s emotions. These two books remind children that being human means appreciating the complex emotions we all experience. 

Sometimes I Grumblesquinch

“I’m a really nice kid,” declares protagonist Katie Honors on the first page of author Rachel Vail and illustrator Hyewon Yum’s Sometimes I Grumblesquinch, a tale about the pitfalls of trying to tame emotions. Katie tries to be on her best behavior at all times. She’s “a good sport” when she loses a soccer match: “‘Good game,’ I say. . . . I hardly frown.” Katie’s mom declares that her daughter is “such a pleasure,” and Katie takes pride in knowing that her parents are proud of her. But readers, privy to Katie’s inner thoughts, know that she contains multitudes.

Katie’s little brother, Chuck, annoys her, and she routinely bottles up how he makes her feel. “Sometimes I grumblesquinch,” Katie confesses. When this happens, her “insides tighten” and she has “mean thoughts,” such as wishing that she had “a trampoline or a tree house or a giraffe instead of a brother.” Vail captures Katie’s feelings with an unequivocal, refreshing candor that’s deeply respectful toward Katie’s complicated interior life: “I wish I could pop [Chuck] like a balloon. . . . I wish he would disappear.” When Katie finally snaps, Yum’s soft color palette and smooth linework are transformed: Intense colors and ragged, angular lines embody Katie’s acute fear that her parents “won’t think I am such a pleasure anymore.” 

But Katie’s mother gently validates Katie’s feelings, telling her daughter that she understands how a person can hold both frustration and love for someone. A shocked Katie nods and tells readers, “This nod is true.” These four words convey so much about how children—especially girls—are encouraged to suppress their feelings and minimize their emotions. When Katie acknowledges that her nod is “true,” she’s also suggesting that some of her smiles have been insincere, even forced. 

It’s moving to watch Katie begin to understand that attempting to ignore healthy but negative emotions, all in the name of being likable, still causes harm. Even after failing to grumblesquinch all her feelings, Katie still receives a loving hug from her mom, who has space for “the whole me” in her arms.

What Feelings Do When No One’s Looking    

Polish author Tina Oziewicz offers readers a whole host of emotions in What Feelings Do When No One’s Looking, translated from the Polish by Jennifer Croft. (Kudos to Oziewicz’s American publisher, Elsewhere Editions, for placing the translator’s name prominently on the cover.) 

Because the book’s title tells readers precisely what to expect, the first spread dives right in, introducing Curiosity, a creature with large ears who sits atop a tall chimney, eager to see what’s beyond the horizon. Curiosity is followed by Joy, Gratitude, Calm, Envy, Insecurities, Shame, Courage, Bliss and more, each depicted on its own spread. 

Illustrator Aleksandra Zając (making her picture book debut) introduces an endearing cast of characters, conveying these emotions as furry, amicable creatures who move about on clean, uncluttered backgrounds. Her crisp, fine lines and gray-tone palette (with subtle touches of coral, sky blue and sage) ensure that even the more volatile emotions, such as Anger, won’t frighten the youngest readers.

This is a picture book filled with surprises. There are unexpected personifications (“Jitters sit in a rusty can in a dark corner under a wardrobe.” “Nostalgia sniffs a scarf.”), but Oziewicz also has a startlingly succinct and evocative way of capturing these feelings. “Anxiety juggles,” for one. These two words float amid ample white space next to an unhappy-looking creature atop a unicycle trying to keep five balls in the air, its mouth a thin, wavy line. A full-bleed illustration shows a wide-eyed creature attempting to blend in with patterned floral wallpaper: “Fear pretends it isn’t there.” And what else would Hope do but pack “a sandwich for the road”? 

Oziewicz and Zając link two spreads in an especially meaningful way: Readers learn that Hate “chews through links and cables. Can’t connect! Can’t connect!” But in the book’s final spread, Love, who is an electrician, holds an oversize lightbulb aglow with amber hues. The bulb seems to run from the same rose-colored cable Hate tried so vehemently to destroy. 

What Feelings Do When No One’s Looking will prompt thoughtful conversations about the wide range of feelings a person can experience. It’s exactly the sort of book that Katie Honors—and all children—need. 

These children’s books put some of our most complex emotions into words (and pictures!).
Science Fiction & FantasyScience Fiction

2 brilliant SFF books retell familiar tales

Feature by Laura Hubbard

These superbly crafted retellings present an opportunity to revel in tales we might think we know well but that still have the ability to surprise. 

The Book of Gothel

Framed as a medieval text found in a German woman’s attic, The Book of Gothel centers on the woman who became the witch who imprisoned Rapunzel in her tower. As a young girl, however, Haelewise is neither powerful nor a witch. She is merely an outsider, marked by both her intermittent fainting spells and her deep, black eyes. Her mother, Hedda, is the respected local midwife, but most in their village believe that Haelewise’s fainting spells are of demonic origin. After her mother dies and her father remarries, Haelewise takes refuge in a secluded tower called Gothel, where she becomes an apprentice to a wise woman. But despite her existence on the margins of her world, Haelewise is soon pulled into intrigue, from princesses fleeing cruel fiancés to princes with wicked spells cast upon them. With secrets behind every whisper, Haelewise must tread carefully if she is to survive. 

Mary McMyne’s debut novel is dark and moody, full of distrust, doubt and more than a little bit of drama. Far from being a simple villain origin story, it explores Haelewise’s family, her epilepsy and the stark world of 12th-century Germania. Despite the bleak nature of the era, McMyne’s prose is full of vivid color, whether it’s the mysterious golden fruit that Haelewise finds growing in Hedda’s garden or the madder-red gown given to Haelewise by a childhood friend turned would-be lover. It’s a world where Christianity and older religions and traditions coexist but where even a hint of witchcraft could put herbalists and midwives in danger of being stoned. This atmosphere, combined with the deep longings and confusion of a girl just entering womanhood and the fact that readers have a good idea of the fate that awaits her, shadows The Book of Gothel with an overwhelming sense of dread—but will also compel readers to keep going to the very end. 

★ The Daughter of Doctor Moreau

Silvia Moreno-Garcia’s latest novel, The Daughter of Doctor Moreau, starts in Mexico’s Yucatan Peninsula in the 19th century, as the titular doctor is looking for an assistant. He finds one in Montgomery Laughton, an Englishman with alcoholism and a mountain of debt. Montgomery helps the aging doctor create human-animal hybrids, which are destined to work the plantations of Dr. Moreau’s wealthy benefactor. Carlota Moreau, the doctor’s daughter, leads a relatively carefree life on the estate, with plenty of hybrid companions and her studies to keep her company. The only thing marring her life is a lingering childhood illness that requires her to have weekly injections of one of her father’s mysterious serums. When the handsome son of Dr. Moreau’s benefactor, Eduardo Lizalde, unexpectedly visits, the sheltered estate is thrown first into discord and then into total disarray as the Moreaus’ secrets are pulled slowly into the light. 

Moreno-Garcia (Mexican Gothic, Gods of Jade and Shadow) is a master of dramatic tension. Her decision to reimagine H.G. Wells’ visionary 1896 novel on an isolated estate instead of an island creates a sense of furtiveness, a constant fear of discovery. The insertion of Carlota, who is not a character from the original book, gives a human face to an inhuman (or, at the very least, inhumane) story, adding something precious that could be lost if the delicate equilibrium of Moreau’s estate is unbalanced. 

Moreno-Garcia revels in her setting’s tropical color palette, which is reflected in the rich green of Eduardo’s eyes and the bold colors of Carlota’s dresses. Moreno-Garcia also includes small, down-to-earth details of pastoral life on the estate, resulting in a world that feels immediate enough to slip into. The Daughter of Doctor Moreau will pull readers in even as a pit grows in their stomachs, given all the things they know can—and likely will—go wrong.

Silvia Moreno-Garcia takes on The Island of Doctor Moreau, and the witch from "Rapunzel" gets a haunting origin story.
Children's & YAMiddle GradeChildren's

Follow the clues in 2 middle grade mysteries

Feature by Jill Ratzan

Young sleuths searching for great mystery novels know exactly what they’re looking for: engaging characters, a suspenseful story, a satisfying resolution and a touch of heart. They’ll find all that and more in these two middle grade books.

Duet

If the animal menagerie of Deborah and James Howe’s classic Bunnicula series had included a goldfinch, the result might have been something like Duet. Like Bunnicula and its sequels, Duet features an animal narrator. Mirabelle is a young goldfinch who helps her favorite people find answers to perplexing questions.

Mr. Starek has retired from teaching piano lessons, but he makes an exception for Michael, a sixth grader whose musical talent is matched only by his stubbornness. Mirabelle has kept Mr. Starek company from the trees outside his windows since the recent death of his sister, Halina, and now the little yellow bird delights in singing along while Michael practices a series of pieces composed by Frédéric Chopin, including the technically challenging and exquisitely beautiful Ballade in F Minor. 

As Mirabelle searches for a way to join Michael at an upcoming competition, Michael and Mr. Starek are joined by Emily, a former protege of Mr. Starek’s. Emily used to teach Michael piano, but now she’s studying music history at the conservatory. Together, the trio search Halina’s house for a rare, hidden piano known as a Pleyel, one of two types of pianos on which Chopin composed. However, Halina was a hoarder, which Broach depicts with empathy and understanding, and the house contains more secrets than anyone suspects.

Masterpiece Adventures author Elise Broach fills Duet with evocative details of Mirabelle’s avian life, including adventures with her brothers, the welcoming of new siblings to her family’s nest and a harrowing description of a thunderstorm. Broach also incorporates a number of intriguing and memorable stories about Chopin and his artistic friends. Her writing is peppered with fun vocabulary (appurtenances, daguerreotype), and Duet includes an author’s note that explains how the conclusion of the novel’s mystery connects to fascinating real-life events.

At one point, Emily acknowledges her limitations as a pianist, providing a refreshing and mature balance to the other musicians’ focus on perfect performances as their primary goal. Music, Duet suggests, can be enjoyed by everyone—including goldfinches. Find a recording of Chopin’s ballades and let Broach sweep you away on wings of word and song.

Chester Keene Cracks the Code

Chester Keene appreciates his routine more than your average sixth grader. Every day after school, until his mom gets off work, he plays laser tag and knocks down pins at his mother’s best friend’s bowling alley. His routine does not include finding an envelope with his name on it that contains two riddles bearing the numbers one and four. And it especially does not include being joined at his solo lunch table by the outgoing Skye, who’s holding riddles number two and three. 

Chester thinks the clues must have been left by his absent father, whom Chester has long been convinced is a spy. What if the riddles are Chester’s dad’s way of communicating that he’s in trouble and needs Chester’s help? As Chester and Skye decode the puzzles, which seem intentionally designed to require them to work together, they form a friendship. When they overhear a group of bowlers plotting a heist, they begin to wonder whether stopping the crime could be the key to rescuing Chester’s dad. But could Chester’s reliance on careful observation be leading him astray?

Readers who pay close attention to detail will be rewarded not just with the solutions to the riddles, which involve puns, number games and creative thinking, but also the answers to the novel’s larger mysteries, such as why Chester and Skye have been brought together in the first place. The revelation of the riddles’ true purpose takes Chester Keene Cracks the Code in a direction that’s as fitting as it is initially unexpected. Maybe what Chester longs for most is actually closer to him than he realizes.

Diversity is a part of Chester’s world in quiet ways: Both Chester and Skye are biracial, and Skye encourages Chester to “break free of traditional gender roles” and embrace his inner warrior princess. Chester’s town’s various small businesses, including the bowling alley, evoke a small-town, working-class setting. His solitary habits and reliance on down-to-the-minute schedules also suggest a neurodivergence that acclaimed author Kekla Magoon leaves unspecified.  

Chester Keene Cracks the Code is a heartwarming puzzle mystery whose narrator has multiple codes to crack: the code of the riddle messages, the code of friendship, the code of handling a bully and the code of family. 

Join young detectives on quests for answers that may be hiding in plain sight.
NonfictionFood & DrinkCookbooksArt

3 wonderful books about food, drink and other creature comforts

Feature by Susannah Felts

★ Breadsong

Kitty and Al Tait may not be the first to write of the redemption and delight that can come from watching yeast and heat transform mere water, flour and salt into beautiful, delicious creations. But their memoir-cum-cookbook, Breadsong: How Baking Changed Our Lives, is the most charming version of that story I’ve yet come across. In it, the father-daughter team tells their origin story in alternating points of view before sharing over 50 recipes, both savory and sweet. As a young teen, Kitty began experiencing terrible depression and anxiety. Nothing seemed to help, until Al baked a no-knead loaf, sparking Kitty’s curiosity. In no time at all, the duo had opened what has become a tremendously successful family bakery in their tiny village in Oxfordshire, England. Their story is as heartwarming as it gets, accentuated by Kitty’s lively voice and infectious grin splashed across the pages along with her dad’s adorable illustrations. There’s a recipe for a caramel-covered Happy Bread here, which says a lot about this joyful book. Definitely follow Kitty, who’s now 17, on Instagram @kittytaitbaker for dopamine hits, too.

Things to Look Forward To

When my daughter was young, we enjoyed many books featuring Sophie Blackall’s cozy illustrations; the Ivy & Bean series was a particularly big hit. How fun to come across Things to Look Forward To, Blackall’s new picture book for all ages (that best and rarest of all genres). Not surprisingly, this project grew out of bleak days during the COVID-19 pandemic and was nudged along by community input via social media. Some of the assembled things to look forward to are as common as the sun coming up; in fact, that is literally one of them. Who can argue with coffee, finding something you thought you’d lost or seeing the sea? Other experiences here are a bit more nuanced (doing your taxes, looking at maps) or whimsical (drawing on eggs, flowers that look like brains!). What’s certain is that you can’t page through this book without feeling a renewed sense of appreciation for the everyday, and that’s something all of us can use, every day.

Nectar of the Gods

For a decidedly elevated sort of toga party, be sure to consult Nectar of the Gods. The work of mythology podcaster Liv Albert and beverage consultant Thea Engst, and brought to colorful life by illustrator Sara Richard, this book pairs inventive cocktail recipes with soupçons of Greek and Roman myth. Take, for example, Pandora’s Jar (yes, in fact, it was originally a jar, not a box!): a gin, blueberry and creme de violette concoction. Calypso’s Island Iced Tea, designed to bring out the sexy nymph in each of us, seems like the perfect poolside sipper: hibiscus iced tea, vodka, lemon juice and simple syrup. For a more complex and decadent drink, try the Phaedra Phizz, and pour one out for its ill-fated namesake.

A warm loaf of bread, a mythologically charged tipple: These and other delights give readers something to look forward to in this month’s lifestyles column.
NonfictionTrue CrimeScienceLiterature

Agatha Christie looms large in two true-crime books about the science of murder

Feature by Anna Spydell

A scream in the night. A tangle of clues. Befuddled police being led by the nose as a sharp-eyed and unlikely detective examines the evidence. The drawing room denouement. All these are, of course, well-known tropes of the classic murder mystery—a genre made famous in part by the queen of the sleuthing story herself, Agatha Christie.

Christie’s works are so engrossing, and enduring, because they manage to tread that thin line where the cozy mystery and the high-stakes whodunit meet. While readers are wrapped up in the fantasy of an English country home or hamlet, the imminent danger is truly spine-tingling. Somewhat less examined, however, are Christie’s reputation as a meticulous researcher of forensics, a field that was newly developing in the early 20th century, and her medical and pharmacological background. A perfectionist who volunteered as a nurse and pharmacist during World War I, Christie was businesslike about blood and gore, more than aware of the effects of certain chemicals on the body and keenly curious about the new scientific methods being used to investigate real-life murders. Her appetite for the crossroads of science and crime was so great, in fact, that she co-founded the Detection Club, a social club of crime writers who gathered for supper and lively discussions on murder.

In The Science of Murder: The Forensics of Agatha Christie, Carla Valentine, a longtime mortician, curator of a museum of Victorian pathology and voracious Christie reader, expertly moves through the study of fingerprints, toxicology, ballistics, blood spatter and wounds. (A memorable example: The practice of “gloving” involves the autopsist wearing the skin of the deceased’s hand like a glove in order to collect fingerprints.) Christie ignited Valentine’s own curiosity about the forensic sciences, and with the enthusiasm of the true fan, Valentine illuminates Christie’s meticulous genius by dissecting some of her most famous fictional murders and illustrating how both the crime and the solution are supported by science. It’s an engrossing read for any Christie lover, or simply any true-crime obsessive. However, a strong stomach is recommended; Valentine, like Christie, has no qualms about gore.

The best murder is the well-researched murder. Happy reading.

Of all the ways there are to kill a person, poison is the one most inextricably associated with Christie. Dispatching over 30 of her victims in this way, Christie was well versed in toxins from her wartime days in a pharmacy. In fact, she wielded her toxic substances with such descriptive accuracy that her novels have been used to detect symptoms of poisoning in real murder attempts. Author and toxicologist Neil Bradbury pays homage to this fact in his book A Taste for Poison: Eleven Deadly Molecules and the Killers Who Used Them by opening three of his chapters with excerpts from Christie’s novels. All together, this is a book that Christie herself would have found excellent fireside reading material, as Bradbury devotes a chapter each to 11 major poisons used throughout history, including real-life murder cases in which they were used and, sometimes gruesomely, how they work on a molecular level to kill their victims.

Bradbury’s poisons run the gamut from the unexpected (insulin) to the gothically romantic (belladonna and wolfsbane). There’s even a section on polonium, the radioactive poison carrying a very famous victim count of one. Far from being dry molecular science, A Taste for Poison makes the reader horrifyingly aware of the devastating effects these substances have on the body’from corroding their organs to interrupting their essential electrical impulses to death. Yet it is with an excitement and love for his subject matter that Bradbury discusses these baneful materials, frequently reminding us that they are themselves blameless and often used in smaller doses to heal.

Christie’s murder mysteries were so steeped in science and so brilliantly complex that some think her novels were used as manuals to carry out attempts at the perfect murder. (Note: The would-be criminal masterminds failed in every known case.) Both Bradbury and Valentine seem to nod at this with their own warnings to readers who might use the knowledge their books impart to nefarious purposes. Forensic science will catch you, warns Valentine. Bradbury absolves himself in the appendix with a note informing us that his book is educational in nature and strictly not for the encouragement of murder. However, as Christie knew, the best murder is the well-researched murder. Happy reading.

Poison, fingerprints and toxicology—oh my! Carla Valentine and Neil Bradbury reveal how murderers have wielded chemistry and biology.
RomanceContemporary Romance

If you love Hallmark movies, you have to read these books

Feature by Elizabeth Mazer

A cozy small town. A quaint Main Street lined with quirky family-owned shops. Community events—farmers markets, pumpkin carving contests, Christmas tree lightings—attended by everyone. A plucky, adorable heroine finds love with the gorgeous guy who drove her crazy, right up until their nonstop sparring turned into love.

We all know the formulas. Like receiving a gift-wrapped bicycle, the joy doesn’t come from wondering, “Whatever could this be?” but rather from the instant recognition that you’ve gotten exactly what you want. Sweetness? Check. Warm fuzzies? Check. Happily ever after? Checkmate.

As Seen on TV

In Meredith Schorr’s debut, As Seen on TV, Adina Gellar has let made-for-TV movies convince her that everything wrong with her big-city life could be cured by a small-town romance. Of course she hasn’t found love in superficial, fast-paced New York City. What she needs is a down-home everyman who will offer her steadiness and commitment—something she craves both personally and professionally.

In a last-ditch effort to kick-start her freelance journalism career, Adina pitches a story about Pleasant Hollow, a nearby small town about to be forever changed by the addition of a huge housing tower. She anticipates being welcomed to Pleasant Hollow by a grandmotherly bed-and-breakfast owner, befriended by a spunky waitress and charmed by a small-town Romeo, all of whom will confirm that the interlopers are ruining the character of their adorable town. Instead, the B&B owner is curt, the waitress is impatient, the town is bleak and no one cares about the development or Adina . . . except for the tower’s project manager, Finn Adams. Despite being absolutely gorgeous, city boy Finn’s lack of interest in a picture-perfect HEA is a red flag for Adina.

Nevertheless, Adina remains plucky to the max and continues trying to fit everyone else into the parts she wants them to play. The relentlessness of her search for quaintness and charm is admirable, if at times exhausting, while her struggle to find a simple, straightforward romance in a way-too-complicated world is relatable. Schorr provides an interesting foil for Adina in Finn, who encourages and frustrates her in equal measure as he helps her realize that love doesn’t have to be neat and tidy to be right and real.

★ Nora Goes Off Script

Nora Hamilton, of Annabel Monaghan’s Nora Goes Off Script, lives on the other side of a romance fixation—not as the addict but as the dealer, churning out scripts of sweet, interchangeable stories for the Romance Channel. But when her spoiled wastrel of a husband leaves her and their two kids, and she realizes she’s secretly, guiltily glad to see him go, she ends up pouring her own story into a new screenplay.

That screenplay gets turned into a serious Hollywood movie, starring Hollywood’s most gorgeous star, Leo Vance, who comes to Nora’s house to film on location and then . . . doesn’t leave. Leo has looks, talent, fame, fortune and a smolder that could melt glass. But after a recent personal loss, he’s floundering to figure out who he is, and Nora’s historic home in a low-key small town seems like the right place to find his footing. Will love ensue? Romance readers know it will, but their mutual feelings manage to catch both Nora and Leo totally off guard.

The plot—big-city hotshot finding his real self with help from a small-town sweetheart—may be a classic formula, but not a single thing in Nora Goes Off Script comes across as predictable. The characters seem to genuinely discover their story as it unfolds, always digging for something authentic and rejecting stereotypes (at least, the ones that Monaghan doesn’t gently lampoon before employing). Nora and Leo’s struggles are honest and poignant, Nora’s children are genuine and nuanced characters who are never treacly or smarter than the adults, and the romance takes its time while taking its main couple seriously. Warm, witty and wise, Nora Goes Off Script tells the truth about all of love’s ups and downs: family love, friendship love, romantic love that comes to a wrenching end—and love that triumphs so beautifully, you’ll still be smiling over it long after you’ve put the book down.

Are you a sucker for a made-for-TV movie? Then you'll love As Seen on TV and Nora Goes Off Script.
NonfictionSelf-HelpPhotographyNatureEnvironmentAnimals

Lifestyles: June 2022

Feature by Susannah Felts

★ Edible Plants

In Edible Plants, Jimmy W. Fike takes native North American plant specimens—such as dandelion, rocket, sassafras, spicebush and pawpaw—out of their natural surroundings and meticulously digitally photographs them against black backdrops. In each image, the stark contrast makes visible the magical potency and potential of these common living things, many of which are often dismissed as weeds. Fike colorizes the edible portions of each plant, while the inedible parts are kept a delicate, even eerie gray. These striking photographs seek to inform, similar to the horticultural photography and illustrations of eras past, perhaps making foragers of us all. But what’s more, they are painstakingly beautiful. This book would make an impressive gift for the naturalist in your life.

Cats & Books

How can we not give a shoutout to Cats & Books, a slim-and-trim, adorable celebration of felines sprawled amid TBR piles and perched on bookshelves? This is a hashtag-to-print project: The photos are crowdsourced from Instagram users worldwide who tagged their photos #CatsandBooks. Now compiled in print, short captions give glimpses of these kitties’ personalities. For example, George from Germany “is a gentle soul and the best office buddy one could ask for.” (Sweet George is shown with a paw flung possessively over a copy of Sally Rooney’s Normal People.) Any person who loves cats and also loves books obviously needs to own this small treasure.

Things You Can Do

Last night at dinner, my daughter complained about the absence of meat in her tacos, which led to a discussion of sustainable eating. She didn’t grasp the connection between a carnivorous diet and climate change, so I brought to the table Things You Can Do and read from Chapter 3, “A Climate-Friendly Diet.” I daresay I got through to her, and I imagine New York Times journalist Eduardo Garcia’s compact, well-sourced guide to fighting climate change and reducing waste will continue to help us play our small but mighty part. Grounded in science, this approachable book offers a 360-degree view of the causes and effects of a warming planet, from reliance on coal to the excesses of modern life, including the overuse of air conditioning, increased meat consumption, car culture and much more. I for one am glad to have this resource, rounded out by beautiful watercolor and gouache illustrations by Sara Boccaccini Meadows, at my fingertips for family meals and beyond.

The natural world and all of its delicate delights take center stage in this month’s roundup of the best and most beautiful lifestyles books.
Children's & YAChapter Book

Family matters in two engaging illustrated chapter books

Feature by Linda M. Castellitto

Anna Hibiscus

Atinuke (Too Small Tola, Catch That Chicken!), the acclaimed Nigerian-born author of Anna Hibiscus, is an accomplished traditional oral storyteller. In this illustrated chapter book, it’s easy to see why: Using straightforward yet elegant prose, she creates a sweetly moving and eminently memorable young protagonist.

Anna is a bright, active girl who lives with her grandparents, aunts, uncles, cousins, siblings and parents in a sprawling compound in a big, bustling city in Nigeria. The compound is a wondrous place with unusual architecture, lush gardens, fragrant mango trees and goats and chickens. There is always someone to play with, talk to or even—when the cheerful noise and spirited bickering of such a busy home becomes overwhelming—hide from for a little while. 

Each of Anna Hibiscus’ four self-contained chapters begin the same way: “Anna Hibiscus lives in Africa. Amazing Africa. In a country called Nigeria.” This refrain highlights Anna’s pride in her identity and her homeland. In Atinuke’s quartet of tales, readers are drawn into Anna’s “amazing” world, where they join her on a trip to the beach, meet her supercool auntie who lives across the Atlantic Ocean and learn what it’s like to sell oranges on the street. Anna is smart and engaged in her family’s life, and each story showcases different ways to express love and understand new perspectives. 

Although Lauren Tobia’s illustrations are done in pen and ink with a gray wash, the people and events she depicts always have a feeling of cheerful vibrancy. Mischievous children tumble across the pages, and framed snapshots (complete with little pieces of scrapbook tape) capture scenes of Mother’s life growing up in Canada, where she met and married Father as he visited one summer.

Whether they share Atinuke’s stories aloud with a grown-up or pore over them quietly by themselves, emerging readers will find much to enjoy and discover as Anna and her family impart wisdom and wit, blend the contemporary with the traditional and revel in having fun together.

The Puffin Keeper

Sometimes we’re lucky to have a special person enter our lives and become an emotional touchstone, a beacon of light during dark times. In The Puffin Keeper , lighthouse keeper and artist Benjamin Postlethwaite becomes such a figure for young Allen Williams.

At first, it’s because Ben rescues 5-year-old Allen, his recently widowed mother and 28 other passengers from a shipwreck near Ben’s lighthouse on the Scilly Isles, then gives Allen a painting to keep. Later, it’s because memories of Ben’s heroism and kindness resonate through Allen’s life, especially when the boy longs to escape his difficult circumstances. At his strict grandfather’s house, Allen lives in terror of being rapped on the hands with his cruel governess’ ruler, and at boarding school, he is forced to run cross-country as punishment for repeated attempts to run away. 

Allen discovers that he loves running and, inspired by Ben’s painting, also develops his own artistic talents. He even paints the envelope of a letter he sends to Ben, but Ben doesn’t reply. Finally, teenage Allen decides to make a “journey of exploration” to the lighthouse. He reunites with Ben, who never forgot him, and the arrival of an injured puffin at the lighthouse augurs new beginnings for humans and birds alike. When Allen must eventually make a far more perilous journey, thoughts of Ben and the puffin help him once more. 

The Puffin Keeper is an emotional tale of people and creatures who forge joyful bonds, endure storms and carry on. As Michael Morpurgo’s  affecting story makes clear, Allen is a touchstone for Ben as well, in a sweet reminder that we may affect others more than we ever realize. 

The emotional impact and classical feel of illustrator Benji Davies’ artwork are just right for this book. Many illustrations’ sepia tones hint at days gone by, while roiling seas rise up in ominous hues of gray and blue. Davies’ depictions of human characters are nicely expressive, and the puffins are both accurate and adorable. 

Morpurgo is no stranger to crafting appealing and meaningful tales. The award-winning British author has written more than 100 children’s books, with War Horse being perhaps the best known among them. In an afterword, Morpurgo reveals a personal connection to the real-life figure who served as inspiration for the character of Allen, a historical tidbit that sheds warm light on an already luminous story.

Families come in all shapes and sizes. These lovely books for emerging readers explore how our families enrich and bring joy to our lives.
NonfictionFood & DrinkCookbooksBody, Mind & Spirit

Lifestyles: May 2022

Feature by Susannah Felts

★ Wild Witchcraft

A while back I let my social network know I was interested in learning more about magic, herbalism, astrology and the like. It felt naive to group these things together, but I’ve since discovered there’s more than a little overlap. In Wild Witchcraft, North Carolina-based forager-witch Rebecca Beyer provides a well-researched history of European witchcraft and American folk healing practices, followed by a solid introduction to growing and foraging healing herbs. Readers learn how to use herbs in rituals and remedies and in harmony with the Wheel of the Year, a series of seasonal observances including the fall and spring equinoxes. Beyer covers much ground efficiently and makes a strong case for why these practices are especially necessary now. Amid rapid and cataclysmic climate change, “inspiring people to see value in plants and ecosystems can help to preserve them,” she writes, and “combat the total divorce of humans from their fellow animal, vegetable, and mineral kin.”

Booze & Vinyl 2

During the COVID-19 pandemic, vinyl record sales outnumbered those of CDs for the first time since the 1980s. This vinyl renaissance presents a timely backdrop for Booze & Vinyl 2, which builds on the genius of sister-and-brother duo André and Tenaya Darlington’s 2018 volume of album and craft cocktail pairings, Booze & Vinyl. How about a glow-in-the-dark vodka tonic paired with Kraftwerk’s The Man-Machine or a moonshine-based sipper with Van Morrison’s Moondance? Ella Fitzgerald and Louis Armstong get a “Silver Fizz” to match Ella’s “silvery voice,” and citrus meets prosecco and brandy for two drinks inspired by Beyoncé’s Lemonade. There are even a few themed appetizers, such as “Deeez Nuuuts” for munching while spinning Dr. Dre’s The Chronic. The design freak in me loves how the book’s aesthetic shifts with each album, each turn of the page setting a vibe. Dim the lights, drop the needle and sip to the sounds. 

My America

In My America: Recipes From a Young Black Chef, a follow-up to his 2019 memoir, Notes From a Young Black Chef, James Beard Award winner Kwame Onwuachi filters the cuisine of the African diaspora through the lens of his family, his travels and peripatetic childhood, and the journeys of his ancestors. As Onwuachi notes, a close look at the cuisines of the American South, the Caribbean and Nigeria reveals many common threads and flavor echoes—from the jambalaya of Louisiana to the jollof of Nigeria. Black food tells a story—from groundnut stew and callaloo to crawfish pie and baby back ribs—and the recipes collected here tell it powerfully.

Reconnect to food, music and nature with this month’s best new lifestyles titles.
NonfictionSocial ScienceMemoirMedicine

Health care with heart

Feature by Deborah Mason

As we age, most of us will experience a debilitating or life-threatening illness at some point. Two nonfiction books take an unflinching look at this reality while painting a compassionate picture of how we and our health care providers could approach illness and death with more empathy, honesty and courage.

Healing

Cover of Healing by Theresa Brown

Healing: When a Nurse Becomes a Patient is Theresa Brown’s searingly honest and deeply personal account of her experiences as a breast cancer patient. Brown, a registered nurse with a Ph.D. in English literature, has written and lectured extensively about the American health care system. As a former oncology and hospice nurse, Brown knew that patients often got a raw deal, but only after her own diagnosis did she realize how needlessly cruel that deal could be.

Brown has profound gratitude for her family, friends and medical team, who all supported her as she recovered, but she is also angry. She faced a host of necessary evils during her treatment, including invasive diagnostic procedures, painful surgeries and debilitating side effects from chemotherapy. But in a series of devastating vignettes, Brown also details the many unnecessary evils she endured in a system that favors profit over the needs of the patient: Diagnoses were delayed, questions left unanswered, test results undelivered. She was even forced to negotiate byzantine regulations on her own because her health care providers were stretched too thin to ensure that these basic duties were fulfilled effectively or graciously. Even though Brown was a seasoned health professional with extensive knowledge and professional contacts, she had to fight to be treated humanely. One can only imagine the obstacles less experienced patients must face every day.

Healing is both a moving memoir and a clarion call to action. When health care becomes a profit-making industry, dominated by hedge funds and corporate interests, we all lose. Instead, Brown argues, we must return to a system where meeting the patient’s needs—physical, emotional and social—is the priority.

★ The Day I Die

Cover of The Day I Die by Anita Hannig

In The Day I Die: The Untold Story of Assisted Dying in America, anthropologist Anita Hannig takes a different but no less passionate approach to her examination of death and dying in America. After becoming interested in how Oregon’s assisted dying law worked, Hannig embedded herself in a volunteer group that helps terminally ill patients take advantage of the law. She soon realized that the law, with its many hoops and barriers, could be like Henry Wadsworth Longfellow’s girl with the curl on her forehead. When it works, the law is very good. Hannig’s case studies of patients who have enough luck and resources to meet the demands of the statute demonstrate that assisted death can be, paradoxically, life-affirming. Autonomy can be restored to patients who have long been at the mercy of their diseases, and knowing when one will die can be an opportunity for reconciliation, reunion and gratitude.

But when things go bad, the law can be horrid. It is reasonable to have strict conditions surrounding assisted dying to ensure that the decision to end one’s life is freely made. But those conditions can have devastating effects upon patients who desperately want to die but cannot meet the requirements. Patients with ALS, for example, might lose their ability to communicate their assent before the deadline. Advanced Alzheimer’s patients are categorically denied access to assisted dying because they have lost the ability to fully understand their decision. Hannig rigorously details these and other situations in which people’s physical or mental deterioration, lack of resources or sheer bad luck result in a painfully prolonged life and terrifying death.

In her introduction, Hannig acknowledges the anthropologist’s dilemma: The act of observation is an imperfect tool for research, since it can change both the observer and the observed. However, it can also change the reader, since it is impossible to read Hannig’s book without being moved. Regardless of your stance on assisted dying, The Day I Die will make you reconsider how dying could and should be.

The personal stories in these nonfiction books set a more humane benchmark for patients and providers.
NonfictionWomen's HistoryHistory

Flight attendants who fought for equality

Feature by Carla Jean Whitley

In the mid-20th century, air travel was considered glamorous, even romantic. Federal regulation kept fares high, and passengers were mostly businessmen en route to work destinations. And what did those men want to see at the end of a long work week? A blushing, girlish attendant who doted on them—or so the airlines assumed. A new pair of nonfiction books offer insight into the sexism women faced in the early decades of commercial flight, as seen through the eyes of the women who lived it.

Cover for The Great Stewardess Rebellion by Nell McShane Wulfhart

The Great Stewardess Rebellion recounts the midcentury fight to get airlines to overturn their sexist requirements for flight attendants. In the 1960s, stewardesses were often fired after their 32nd birthdays, or upon marriage, or upon becoming pregnant—whichever came first. Their continued employment was dependent on regular weigh-ins, and they were required to meet other physical expectations, too, such as cutting their hair to their employer’s standard or wearing gloves while in uniform.

Journalist Nell McShane Wulfhart traces flight attendants’ union and legal battles throughout the 1960s and ’70s, focusing on two women whose experiences help make the political personal. Patt Gibbs was unconcerned with age limits when she applied to American Airlines at age 19, since 32 seemed impossibly distant, and she happily monitored her weight to better her chances of being accepted, dropping from 121 to 110 pounds before submitting her application. However, once Gibbs was hired and she saw how poorly she and her colleagues were treated, she became involved in union work—reluctantly at first, then as a passionate advocate for better pay and fewer discriminatory rules.

Like Gibbs, Tommie Hutto also became enraptured by air travel as a young woman. She became an American Airlines flight attendant after college graduation, as a way out of her conservative Texas surroundings. Hutto, too, became involved in the union, and as she and Gibbs sought better treatment for the women who staffed every flight, they transformed from adversaries to allies.

Wulfhart tells the story of airline unions through Gibbs’ and Hutto’s experiences while weaving in the tales of dozens of other bold women—such as Sonia Pressman, who fought for airline industry change as an attorney for the Equal Employment Opportunity Commission; Dusty Roads and Jean Montague, American Airlines flight attendants who brought the industry’s discrimination to the EEOC’s attention; and Cheryl Stewart and Sharon Dunn, Black flight attendants who challenged their colleagues’ racism. With stylish flair, The Great Stewardess Rebellion explores the nuances of these spirited women and the sexism they battled.

Cover of Fly Girl by Ann Hood

While Wulfhart reveals how women fought to change air travel, Ann Hood paints a portrait of how air travel shaped one woman’s life. Hood (The Book That Matters Most, The Red Thread) is now a bestselling novelist, but in the late 1970s and early ’80s, she was a TWA flight attendant. She always wanted to write, but first she wanted to see the world beyond her Rhode Island home, especially after falling in love with air travel when she took her first flight to Bermuda as a teen. 

Hood’s memoir, Fly Girl, brims with details and personal anecdotes that air travel buffs will love. She recounts both the horrifying ways that misogyny affected her workplace, including unwanted advances from badly behaved passengers, and happier memories of the glamorous days of flying, when stewardesses could bring home sizable paychecks thanks to the work of the flight attendants’ unions. However, as the industry changed in the 1980s, Hood experienced furloughs and had to take jobs with less affluent airlines, bouncing from plane to plane. Through all the ups and downs, jet lag was her normal.

With time, Hood’s self-confidence grew, with regard to both her ability as a flight attendant and her understanding of people and cultures. She began to use time in the jump seat to write, and steadily she made her way toward the writer’s life she’d always dreamed of.

“Life unfolds on airplanes,” Hood writes. “People are flying to funerals and weddings, they are on their honeymoon or leaving a partner, they are carrying a newborn on their first flight to meet grandparents or taking a kid to college or on their way to adopt a baby. And they fall in love.” In Fly Girl, Hood paints a first-class portrait of chasing your dreams and coming of age in the sky.

Two nonfiction books render the complex lives of women during a bygone era of air travel.

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