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Mystery & SuspenseMystery

Blood beneath the brush strokes

Feature by G. Robert Frazier

The privileged, insular art world serves as the backdrop for a pair of engrossing whodunits from debut author Alex Kenna and veteran Jonathan Kellerman.

In Kenna’s What Meets the Eye, disgraced police officer Kate Myles, now a private investigator, tackles the death of painter Margot Starling. The police have deemed it a suicide, but Margot’s father is convinced she didn’t kill herself and enlists Kate to get to the truth.

At first reluctant to take on the case and disappoint her client (most deaths suspected to be suicides turn out to be just that), Kate is surprised when she unearths enoughevidence to suggest that foul play may have been involved after all. A litany of former lovers, jealous art students and conniving agents and art dealers lend further credence to her suspicions, leading Kate to believe that Margot was the target of individuals attempting to exploit her. But the more she digs, the more Kate realizes that Margot’s ego and pride, and not just her talent, may have created a number of potential suspects as well.

Kenna ensures that Kate is similarly complex, delving into how her addiction to painkillers led to the loss of a promising job with the police department, the dissolution of her marriage and the possible removal of custody of her daughter. The vivid portraits of both women, and the absorbing mystery that surrounds them, signal a master in the making. 

Kellerman is already an accomplished artist in the medium of mystery novels. Unnatural History, the 38th installment in the author’s Alex Delaware series, finds the psychologist lending his insights to longtime partner Detective Milo Sturgis as they work to solve the murder of well-to-do photographer Donny Klement. 

Donny had recently received media attention for a project titled “The Wishers,” which featured portraits of members of Los Angeles’ homeless community as the people they fantasized about being. Several critics, however, maintained that Donny was simply exploiting his subjects for his own benefit. Alex wonders if, having given people a taste of a different life and then discarding them, Donny sowed the seeds of his own destruction. But there are plenty of other suspects to go around. The wealthy son of an even wealthier father, Donny is surrounded by an eccentric family, any member of which may have had reason to kill him. 

In typical Kellerman fashion, the story is painted in clear, linear fashion, with nothing left abstract. As such, the book is easily accessible to new readers of the series, who will immediately understand what loyal fans have known for years—that they are in the confident hands of a real artist.

The privileged, insular art world serves as the backdrop for a pair of engrossing mysteries from debut author Alex Kenna and veteran writer Jonathan Kellerman.
Mystery & SuspenseThriller

All hail the femme fatale

Feature by Lauren Emily Whalen

The femme fatale is beautiful, desirable and, above all, a survivor. While she was often villainized for that last trait in her film noir heyday, these modern takes on the figure celebrate the ferocious resilience at her core. 

★ Stone Cold Fox

The wily narrator and antiheroine of Rachel Koller Croft’s Stone Cold Fox introduces herself as Bea—but that wasn’t the name she was born with. As a child, Bea changed her name as she moved from place to place and her mother moved from husband to husband, teaching little Bea the ways to ensnare both the right men and the money and privilege that come with them. Bea’s mother may be out of the picture now, but Bea still seeks to one-up her in every way possible. Thanks to faked credentials, Bea is a high-powered advertising executive who recently became engaged to a former client, the dull but old money wealthy Collin Case. It’s a union Bea knows will set her up for life. But when Collin’s loyal best friend, Gale Wallace-Leicester, and his flirtatious old pal Dave Bradford arrive on the scene, Bea fears that her web of lies and her greedy motivations will come to light. 

Alternating between Bea’s precarious present and her checkered past as the young and vulnerable tag-along to a truly wicked woman, screenwriter Koller Croft’s stellar debut novel is a meticulously crafted thriller that will keep the reader wondering whether Bea’s actions are horrendous or aspirational. 

★ A Small Affair

Vera, the results-driven narrator of Flora Collins’ A Small Affair, has a similarly aspirational lifestyle. She has a lucrative position at an up-and-coming fashion label, an enviable Instagram feed full of striking photos and unique style, a fun and supportive roommate/best friend and, most recently, an exciting older lover named Tom, a tech guru with a mouthwatering Brooklyn brownstone and wild prowess in bed. But after Vera breaks off the relationship, Tom’s body is found alongside that of his pregnant wife, Odilie, and Vera is named in a note as the cause of the murder-suicide. The story goes viral, and Vera loses it all, with no choice but to slink off to the upstate abode of her controlling hippie mother. One depression-filled year later, Vera seeks to clear her reputation and regain her position as a Manhattan scene queen. Could the late Odilie’s Instagram be the key to solving the mystery of her and Tom’s deaths? 

Vera is a fascinating contemporary femme fatale who will stop at nothing to claw her way back to the top, even if it means faking a friendship with Page, Odilie’s naive younger sister who may have secret ambitions of her own, and deep diving into Tom’s sordid life, which is full of grisly secrets that only money can protect. Collins’ second novel (after 2021’s Nanny Dearest) rotates among the perspectives of Vera, Tom and Odilie, a trifecta of complicated personalities desperate to make it in the cutthroat city that never sleeps. The result is a twisted tale of multiple femmes fatales who will use everything they’ve got to get what they want.

Two thrillers celebrate the ferocious resilience of an iconic female archetype.
Children's & YAPicture BookChildren's

Bring up baby with 4 beautiful picture books

Feature by Alice Cary

This Is the First Book I Will Read to You

Start off on the proverbial right foot with This Is the First Book I Will Read to You, in which a father celebrates the joys of reading with his newborn child. “I’ll be nervous,” he admits, “to share this moment that only you and I will be a part of.” As the father speaks, he gets the child ready for bed, walking through a house filled with loving family photographs. “You might not want to listen at first,” he continues. “But then we’ll find our way together.” Author Francesco Sedita’s sedate, pitch-perfect prose conveys the father’s jitters, but it’s dad’s quiet determination that rules the day.

Magenta Fox’s sweet digital illustrations are bathed in soft pinks and blues. As parent and child walk into the nursery and begin to read, Fox depicts the imaginative transformation that follows as wallpaper with a forest motif becomes an actual forest. Suddenly, father and baby are right there in a wooded clearing as an inquisitive squirrel looks on. It’s the perfect visual representation of the transportive power of books. As they keep reading, the pair ascend a hill, reach the sea and gaze up at the moon. “We have stories to discover and magical places to visit, you and I,” the father shares. “But tonight, this is the first book I’ll read to you.”

Sedita and Fox offer a gentle tribute to the strength of the parental bond and to all of the adventures, hopes and dreams that lie ahead.

★ The World and Everything in It

Kevin Henkes is widely known for his charming mouse characters, led by spunky Lilly of Lilly’s Purple Plastic Purse, as well as numerous children’s novels, including the Newbery Honor books Olive’s Ocean and The Year of Billy Miller. However, Henkes’ less rambunctious picture books, such as Old Bear, Waiting and The World and Everything in It are treasures that shouldn’t be missed. They sparkle like little gems as they impart a deep sense of understanding and appreciation of our world.

Henkes begins with a simple idea. “There are big things and little things in the world,” he writes. On the page opposite this text, we see an illustration of a large tree trunk with a small green sprout beside it. In subsequent pages, he explores this idea systematically through spot illustrations of “little animals,” “tiny flowers” and “pebbles.” There’s even an empty space captioned “things so small you can’t see them.” Henkes next turns to big things, such as the sun, moon and sea.

After that, he helps young readers begin to grasp where they fit in among all these big and small things. For instance, he notes that “the sea is big, but you can hold some of it in your hands.” And just like that, this talented literary magician seamlessly moves from straightforward statements of fact to a series of sentences that capture sublime wonders. “Most of the things are in-between,” he explains. “Like you. And me. And just about anything you can think of.”

Henkes’ illustrations are tightly focused, economical and free of distractions—just right for the very young. He closes by repeating “Everything is in the world,” and the phrase feels like a benediction that reminds readers of the endless delights, both big and small, awaiting them.

★ The Moon Remembers

Stories about the moon are a staple for the very young, from perennial favorites like Margaret Wise Brown and Clement Hurd’s Goodnight Moon and Eric Carle’s Papa, Please Get the Moon for Me to new classics such as Jane Yolen and John Schoenherr’s Owl Moon and Floyd Cooper’s Max and the Tag-Along Moon. E.B. Goodale’s exceptional The Moon Remembers deserves a place among them.

The book’s endpapers show the black-and-white phases of a friendly-faced moon, adding a nice touch of reality to this anthropomorphic fantasy. As a round, almost full, smiling moon gazes lovingly down on a nude roly-poly brown-skinned baby, we read that “when a baby is born, the moon is there. The moon remembers.” In fact, the moon remembers all babies, including your parents, and not just human babies: It shines its light down on baby crickets, rabbits, owls, flowers and trees. In a spread sure to find great favor, we learn that “even every DINOSAUR was a baby once!”

Goodale’s spare text offers comfort and reassurance as it describes how the moon “remembers where you came from . . . even when you’ve forgotten.” Her artwork is fittingly suffused with the soft glow of moonlight, which appears especially luminous in spreads that depict a dark green forest filled with ferns and undergrowth. Against this moody, arboreal backdrop, pops of pink, purple, white and yellow wildflowers feel perfectly placed. And of course the moon is omnipresent, whether it’s gleaming in the sky or reflected in a stream.

The Moon Remembers pays quiet but powerful homage to families and the promise of new life. After all, the moon remembers “every life . . . every sweet moment. And the moon will remember you, perfect you, as you go and wherever you grow.”

Awake, Asleep

Awake, Asleep chronicles a day in the lives of three young children in clever rhymes, following three families in the same neighborhood from dawn until bedtime. We meet a single-parent family, a multigenerational family with same-sex parents and a family who will soon welcome a new baby as we enjoy the beauty of an ordinary day that’s filled with rhythms—including ups and downs—that all families share.

Author Kyle Lukoff won a 2022 Newbery Honor (along with a number of other awards) for his middle grade novel Too Bright to See. Here he employs far fewer words but with just as much impact, creating strings of short noun phrases to describe the ongoing action of the day. In an early spread, for instance, we read, “A yawn, a peep, a stretch, awake!” as we watch a cat, a child and their parent wake up and get out of bed. Later, Lukoff neatly summarizes a child’s evening meltdown over putting away a train set with “a take, a pry, a scream, a cry.” The book’s genius is that because the scenes and situations are so readily identifiable, readers need no additional explanation.

Nadia Alam’s illustrations present a series of curated moments depicting, for example, a father and child putting on their pink sneakers together in the morning, and later, another child helping an older relative who uses a cane stand up from a park bench. Alam showcases myriad emotions along with the love that pours over these children no matter their mood. Young readers will identify with all of these inquisitive, happy, grumpy and, finally, sleepy faces. The book concludes with a bedtime story (“A hold, a keep, a voice, a book.”), which makes Awake, Asleep feel like a loving review of the day gone by as well as a comforting way to prepare for all the many days to come.

It’s never too early to begin raising the next generation of readers. Whether you’re off to a baby shower or building a library for your own little bundle of joy, these four picture books are perfect choices.
RomanceHistorical RomanceContemporary Romance

Two amazing romance remixes of classic stories

Feature by Elizabeth Mazer

Cruel Seduction

Think you know your Greek myths? Think again, and keep thinking, because Katee Robert’s Dark Olympus series is a twisted web that keeps getting twistier. Cruel Seduction, the fifth entry in the series, starts with a wedding, a shaky alliance . . . and a rabid populace that has just learned that they could potentially become powerful beyond measure if they’re willing to get their hands a little bloody.

The gods are here, but not quite in the way you might expect them: The modern city of Olympus is ruled by the Thirteen, who are headed by Zeus, but that’s not actually his name; it’s his title. All of the Thirteen are titles, and some of them were won fairly recently. The new Aphrodite, Eris Kasios, has only been in the position for about a year, but she’s been heavily involved in politics all her life as the daughter of the former Zeus and the sister of the current one. And the new Hephaestus, Theseus Vitalis, is an even more recent arrival who won the title by taking advantage of an obscure rule and killing his predecessor. The rest of the Thirteen have agreed not to end his life in retaliation, but only if he marries Aphrodite so they can gain some control over him.

Longtime fans of the series will appreciate the way Robert keeps raising the stakes. Tensions are cresting, and multiple assassination attempts, complex plots to undermine the city’s stability and hints of a dangerous new adversary lurking in the shadows create a palpable sense of impending doom. Mixed in with all of that is a heady, barbed romance full of lush encounters and sharp edges. Hephaestus and Aphrodite try to use sex to one-up and control each other, and things get heated in a hurry, especially when extra players join the game. Aphrodite seduces Hephaestus’ foster sister, Pandora, a calculated move that leads to a startlingly genuine connection. Meanwhile, Hephaestus is stunned to find himself bonding with—and falling for—Aphrodite’s ex, Adonis. The four characters come together in sensual detail in many permutations, and Robert contrasts the growing tenderness between them with the building chaos outside the bedroom.

If you like easy, escapist romances, this series may not be for you. In just about every way, Dark Olympus is a lot: a lot of varied, explicit sex, often with light BDSM elements; a lot of tense, violent conflict; and a whole lot of story to keep up with. Readers who haven’t read the first four books in the series will come in feeling like they’ve transferred schools as a high school senior, with three previous years of relationship sagas, messy in-group fighting, complex hookups and breakups, and gnarled family trees to sort through. But for those looking to experience something heated and dangerous, Cruel Seduction will be just right.

Marry Me by Midnight

The Cinderella story has been tackled from dozens of different angles. The Brothers Grimm took a crack at it, Rossini based an opera on it, the first film version dates back to 1899 and various remakes include multiple Disney versions, Jerry Lewis’ Cinderfella and plenty more besides. It’s a testament to the enduring strength of the story that there always seems to be another way to put a fresh spin on it. The latest is Felicia Grossman’s Marry Me by Midnight, a Jewish, genderswapped Cinderella set in 1832 London.

Grossman’s “prince” is Isabelle Lira, a Jewish heiress with marriage on her mind. Her father has recently died, and she aspires to honor his legacy by taking his position in his surety company. The problem is that the Berabs, her father’s partners, are threatening to upend the business if she does not agree to marry one of them. To get a better position at the bargaining table, she needs a husband who’s a force to be reckoned with. So Isabelle goes all out to find him, holding a series of three festivals and inviting all the eligible Jewish men in the community. To stack the deck in her favor, she decides to dig up some dirt on her potential suitors and hires Aaron Ellenberg to assist. This Cinderfella’s plight isn’t due to an evil stepmother, but rather a lack of family and resources. A poor orphan, Aaron works as a custodian at the synagogue, leading a quiet life until Isabelle sweeps in and changes everything.

It’s remarkable how genderswapping a story can totally shift the balance of power. Isabelle is as elite as any fairy-tale prince, and yet simply because she’s a woman, her husband hunt takes on a new and far more urgent tone. Likewise, Aaron, as a man, has much more agency than your typical Cinderella. He’s able to live independently, chart his own course, even contemplate the idea of starting over in America. But he faces a different kind of judgment, too, with his low social status treated as a personal failure rather than a result of his circumstances. Meanwhile, Grossman’s choice to set Aaron and Isabelle’s romance at a particularly delicate time for the Jewish community in the U.K.—when legislation was being debated that would eventually guarantee Jewish men the same rights as all English men—adds a special poignancy. For all the wealth and privilege that most of these characters possess, there’s still a sense of otherness, of striving for acceptance that might be coming . . . or might be delayed yet again. In this troubled atmosphere, Aaron and Isabelle’s decision to choose love, courage and kindness over everything else resonates that much louder and feels that much sweeter.

The messy relationships of Greek mythology get messier and the fairy-tale love story of Cinderella gets genderswapped in these two books.
Mystery & SuspenseSuspense

Two killer assassin novels

Feature by Linda M. Castellitto

There comes a time in every hit man or woman’s life to hang up the garrotte and stow away the guns. The assassin protagonists of these books are understandably world- and work-weary, but old habits die hard when you’re a killer for hire.

It’s impossible not to like Billie, Mary Alice, Natalie and Helen, even if Deanna Raybourn’s Killers of a Certain Age makes it abundantly clear that the quartet could easily kill someone and get away with it if they so desired. After all, they’ve done just that many, many times during their 40-year careers as elite assassins for an international organization called the Museum.

The women are smart and funny, each with a specialty (poison, bombs, weapons) and all with extensive training in planning and carrying out assassinations. As Billie quips, “Our job is to eliminate people who need killing.” So it’s quite a shock when, before they’ve even had a chance to enjoy the all-expenses-paid retirement cruise arranged by the Museum, the women realize someone has decided that they need killing—someone who just might be on the board of their former employer. The women take a moment to indulge their anger like any longtime employee would (“We’ve given forty years to those assholes and this is how they repay us.”) and then surge into action, joining forces to figure out who’s after them and why.

Raybourn, an Edgar finalist and bestselling author of the Veronica Speedwell historical mystery series, has created a group of protagonists who are as reliably charming as they are impressively badass. It’s fascinating to follow along as they map out routes, create disguises, work their connections and improvise weapons. They handle it all with practiced aplomb, even if they occasionally groan with aggravation after battles to the death leave them feeling achier than they used to. But the four “avenging goddesses” are also able to use sexism and ageism to their strategic advantage, given that the combo renders them virtually invisible.

Ingenuity and instinct combine with deadly determination in this memorable thriller that celebrates friendship, ponders the meaning of loyalty, and offers plenty of action-packed entertainment among all the, well, killing.

In contrast to the ladies’ collaborative approach, there can only be one top-notch killer in the world of Seventeen. Screenwriter John Brownlow’s debut novel gives that number one spot to his brashly confident narrator, a man known only as Seventeen.

To achieve assassin supremacy, you must kill your predecessor—but Sixteen suddenly disappeared eight years ago. He’s the first assassin in 100 years to have done so, making Seventeen the only one who hasn’t truly earned his spot, according to his handler (who, of course, goes by “Handler”). Seventeen’s a consummate professional nonetheless, with a practical approach to his work: “I’m not saying what I do is a public service exactly, but actions have consequences.”

Now, though, it seems Seventeen himself may have begun to suffer the consequences of his chosen career path. After a multitarget assignment gets a bit messy, and he completes two subsequent jobs in Berlin without his usual finesse, he worries he might be losing his touch, and it seems like Handler might agree. When he informs Seventeen his next job is to find Sixteen and take him out, Seventeen’s hunch intensifies. Can he find and finish Sixteen before Handler sends someone else to finish him, too?

Brownlow’s snappy prose and brief chapters will have readers eagerly flipping the pages. Sixteen may be off the grid, but he’s not going to be off his game: He’s too smart to let his guard down, and he’s got 20 years of experience on Seventeen. As the ultimate showdown nears, compelling secondary characters add to the darkly humorous fun, intense action scenes amp up the suspense, and Seventeen reflects on the tragic childhood events that set him on his ruthless career path. That exploration of the far-ranging effects of trauma, as well as forays into geopolitics and governmental corruption, bolster the cleverly constructed, propulsive thrill ride that is Seventeen.

Can an assassin ever truly retire? The characters in these two thrillers are about to find out.
NonfictionWomen's HistoryNatureLiteratureHistoryAmerican History

Witchy books for spooky season

Feature by Susannah Felts

★ American Wildflowers

American Wildflowers: A Literary Field Guide exists at the intersection of two important movements: the protection of native plant populations from climate change and shortsighted development, and the decolonization of literature. Editor Susan Barba has gathered a captivating bouquet of plant-inspired writings, with prose and poetry from contemporary greats like Jericho Brown, Lydia Davis and Aimee Nezhukumatathil alongside the words of perennial canon-dwellers like Emily Dickinson, Ralph Waldo Emerson and Henry David Thoreau. “The best writers closely observe not only the plant but our words in relation to it, and in doing so they focus our attention and clarify our intentions,” writes Barba. What first drew me to this book were Leanne Shapton’s atmospheric watercolors of pressed flowers, which are as ephemeral as the specimens they interpret. A significant addition to the tradition of writing about plants, this anthology urges us to notice the lessons offered by the tiniest bluet.

The United States of Cryptids

Speaking of overlooked (possibly) living things, I can’t get enough of the names of creatures featured in The United States of Cryptids. Snarly Yow? Snallygaster? Woodbooger? Wait, back up. What, you ask, is a cryptid? It’s “a creature or species whose existence is scientifically unproven,” and that right there is a freakishly wide net, folks. But author J.W. Ocker’s emphasis is on the lively lore surrounding Bigfoot creatures, et al., and how these tales both shape and are shaped by the animals’ supposed stomping grounds. “Wherever cryptids are celebrated, the story is so much more important than the science,” he writes, and boy does he have a lot of fun telling said stories. There’s even a “world’s largest chainsaw-carved bigfoot” in a state otherwise light on cryptids (looking at you, South Dakota), a wooden beast born of idle hands during the COVID-19 pandemic. Seems about right for a contemporary cryptid.

Toil and Trouble

Toil and Trouble examines the ways in which women throughout history have found agency, self-expression, financial gain and political influence in witchcraft, tarot and other practices with a spiritual element. Remember Joan Quigley, astrologer to Nancy Reagan? She’s among the fabulous cast of characters included here, along with the witches who hexed Donald Trump and Adolf Hitler, spiritualist Achsa Sprague, Voodoo queen Marie Laveau and so many more. Ultimately, authors Lisa Kröger and Melanie R. Anderson (Monster, She Wrote) argue that the occult offers women a way to rebel against the patriarchal Christian constructs of womanhood. Anyone who has dabbled in the craft by way of #witchtok will deepen their knowledge immensely by reading this book, which is as historically thorough as it is fueled by the modern ascendance of the occult in popular culture. With a final chapter titled “100% That Witch,” you know you’re going to learn a lot and have some fun.

This month’s lifestyles column runs the gamut from nature-inspired beauty to straight-up monsters. Brush up on your preferred form of magic with the help of these three enchanting books.
Mystery & SuspenseThrillerMystery

In these two mysteries, going home is murder

Feature by G. Robert Frazier

When the main characters in these two novels return to their hometowns after long absences, mysteries past and present collide.

★ Jackal

In Jackal, 30-something Black woman Liz Rocher reluctantly returns to her childhood home for the wedding of her longtime friend Melissa Parker. While she’s overjoyed at Mel’s newfound happiness and upcoming marriage, she’s less than enthusiastic about her return to Johnstown, Pennsylvania, a predominantly white town nestled in the Appalachian Mountains that immediately rekindles haunting memories.

Years ago, Keisha Woodson, one of Liz’s only Black friends, disappeared after a party in the woods. She was discovered dead, her heart ripped from her chest. Police were quick to close the book on the case, concluding that Keisha died from exposure and that her body was ravaged by a bear. But Liz has always had doubts. When Mel’s daughter, Caroline, also goes missing, Liz launches an investigation into the other Black children who have disappeared over the years. As suspicion, racial tension and even irrational fears of a legendary creature in the woods grow, Liz desperately tries to discover the truth and save Caroline before it’s too late.

In her debut novel, Erin E. Adams transcends the typical hometown mystery with an effective blend of social and supernatural terrors that build in intensity and mystique throughout. Liz’s first-person narration accentuates the emotional stakes of what’s happening in Johnstown, drawing readers in as they sympathize with her plight.

The Witch in the Well

Norwegian author Camilla Bruce’s The Witch in the Well revolves around popular spirituality influencer Elena Clover, whose return to her hometown (referred to only as F”) ignites a feud with her former childhood friend Cathy over their town’s local legend, the titular witch.

Cathy had been researching and blogging for years about Ilsbeth Clark, who was accused of being a witch, then arrested and tried for the deaths of numerous children in 1862. Ilsbeth was eventually acquitted, but believing the court made a mistake, the townsfolk threw her in the local well and drowned her.

Elena, who believes that each person has a voice in their head that can converse with their soul, is convinced that Ilsbeth is that voice for her. She returns to F” to write her next book about Ilsbeth, which prompts Cathy to exact a series of petty retaliations.

The book begins with an open letter to the community from Cathy, who contends that she has been wrongly implicated in Elena’s death. Bruce, who earned accolades for her previous thriller You Let Me In, expertly unravels the trio’s stories, jumping back and forth in time via Elena’s journal, Cathy’s blogs and Ilsbeth’s own archived accounts. The Witch in the Well is a compelling, creepy story of angst, obsessions and lost friendship.

In Erin E. Adams' Jackal and Camilla Bruce's The Witch in the Well, the places you know best are the ones that pose the greatest threat.
NonfictionSocial ScienceHistoryAmerican History

Dig into death with two morbidly fascinating nonfiction books

Feature by Anna Spydell

★ All the Living and the Dead

We are not born with the innate knowledge that we, and all those around us, will die. At some point, someone has to tell us. A beloved pet or grandparent might pass into the great beyond, prompting a bedside conversation with a parent about the finitude of life. Alternatively, if you are journalist and writer Hayley Campbell, you might absorb the concept of death while sitting in your father’s drawing studio as he studies the decomposition of a kidney. In the background, perhaps crime scene photos of the long-ago victims of Jack the Ripper stare down from a bulletin board.

As the daughter of the artist who created the classic graphic novel From Hell, which fictionalizes the brutal Whitehall Chapel murders, Campbell grew up fascinated by death. In All the Living and the Dead, she takes readers on a tour of the professionals of the death industry, interviewing embalmers, executioners, midwives who work exclusively with stillbirths and more.

All the Living and the Dead audiobook cover
Read our starred review of the audiobook, narrated by the author.

In one chapter, Campbell assists two employees in a funeral home as they care for a body and prepare it for burial, and she is moved by their admission that they got into this line of work because of their desire for a meaningful occupation. Most of her subjects are driven by this kind of loving kindness for the deceased and their bereaved, but not all of them. In another chapter, she interviews the boss of a death cleanup crew that scrubs blood from carpets and removes other physical signs of death from a home. This business posts exploitative photos of gruesome and sad scenes to Instagram for shock value and advertising.

But for the most part, All the Living and the Dead shines a light on those with a tenderness for death, and Campbell is an equally entertaining and sensitive guide to these interesting people and their grisly but indispensable jobs.

Over My Dead Body

It is this same appreciation for the dead, as well as for history, that drives journalist Greg Melville as he explores America’s cemeteries in Over My Dead Body. Melville escorts us through 17 of America’s most notable burial grounds, from the mossy colonial graveyards of New England to sparkling Hollywood memorial parks, all with a perfect balance of geeky joy, deep reverence and a meticulous knack for research.

Melville’s prose is pure pleasure mixed with wry asides. A running theme throughout is the difficulty Melville has in convincing any of his friends or family to accompany him on his explorations (Melville, if you are reading this, I am available), but even among his most amusing anecdotes, he never loses sight of the gravity that still vibrates through the stories of the dead. Upon visiting segregated cemeteries across the American South, underfunded and unmapped, Melville’s writing grows hot and indignant. The same tone arises again when Melville visits Arlington National Cemetery: A veteran himself, he flatly rejects the notion of war providing a glorious death, and he is not afraid to challenge this very American idea.

Though one covers the bodies of the dead and the other covers the ground they are laid to rest in, Campbell and Melville meet in their shared belief in the continuing importance of lives that have ended, and in their willingness to examine the complexities of the death industry. For them, the dead continue to speak to us from beyond the grave. Are you listening?

Dying leaves, dying crops, the dying light of a crackling fire. If October fills you with macabre joy, you will find kindred spirits in the authors of these books.
Science Fiction & FantasyHistorical FantasyFantasy

Vampires are back, with a vengeance

Feature by Ralph Harris

The season is upon us: Wrap a scarf around your neck—tightly—and crack open a book of undead intrigue.

A Dowry of Blood

A queer, feminist reimagining of Dracula, S.T. Gibson’s A Dowry of Blood starts with its narrator, Constanta, reclaiming a small bit of power. She refuses to grant her abuser a name, instead referring to him as “you” throughout the book. Her abuser is a prototypical vampire, vulnerable to sunlight and silver, who sires new vampires by giving them his blood. He finds Constanta near death, grants her immortal life and, despite calling her his bride, sees her as a possession. Over the years, Constanta is joined by two other consorts—Magdalena, a politically savvy philosopher, and Alexi, a sprightly socialite and actor—who become her friends, lovers and allies. 

A Dowry of Blood focuses on Constanta, her abuser and his other spouses; no other character is present for more than a handful of pages.This narrow focus, along with several time jumps and Constanta’s stream-of-consciousness narration, creates a dreamlike haze. As each new consort enters the narrative, the house’s atmosphere transitions from cloistered and dank to frenetic with need and simmering rebellion. The story’s specificity ebbs and flows according to Constanta’s memory: Events she struggles to recall are blurry, but she hyperfixates on what she remembers in rich detail. 

In the tradition of the best vampire stories, Gibson uses her characters to explore how centuries of time would affect a once-mortal mind. A Dowry of Blood whisks readers through human history, arriving at the dawn of the 20th century, drenched in blood.

House of Hunger

In the fantasy world of House of Hunger by Alexis Henderson (The Year of the Witching), an industrial revolution is in full swing, condemning the ancient houses of nobility to a slow decay into irrelevance. The House of Hunger is one of these dying houses, but it’s still influential enough to continue indenturing bloodmaids like Marion Shaw, who is eager to accept the position when it is offered to her.

At the House of Hunger, she will be treated well, fully fed and paid enough to keep herself and her brother afloat before receiving an enormous pension once her service ends. But during her time as a bloodmaid, Marian’s blood will be harvested to grant health and beauty to the houses’ aristocratic members. In Henderson’s world, blood has magical properties and is also used in medicine, steam engines and other scientific endeavors.

Countess Lisavet, head of the House of Hunger, already has four other bloodmaids, and Henderson uses them to illustrate the dangers of Marion’s choice. Cecilia, the countess’ oldest bloodmaid, is also her favorite lover and primary blood donor. She is consumed with desire for Countess Lisavet and is extremely jealous when the countess’ eye turns toward Marion. Lisavet manipulatively distributes her favors, whether they be sexual, emotional or verbal. She makes her bloodmaids’ lives revolve around her until they find themselves defined by her attention.

House of Hunger begins with dark secrets and ends with secrets darker still. Readers will be on the edges of their seats as Henderson slowly unveils the grotesque horrors at the heart of her inventive, gothic society.

Sink your fangs into these two novels, both of which offer a unique spin on bloodsuckers.
Children's & YAMiddle GradeChildren's

2 graphic novels capture the trials and tribulations of middle school

Feature by Linda M. Castellitto

★ Invisible

A fresh and cleverly conceived take on the beloved 1985 film The Breakfast Club, Invisible is a colorful and engaging tale written by first-time graphic novel author Christina Diaz Gonzalez and illustrated by Gabriela Epstein (Claudia and the New Girl). 

Diaz writes in both English and Spanish, the languages spoken by her archetypal characters. There’s George Rivera, the brain; Sara Domínguez, the loner; Miguel Soto, the athlete; Dayara Gómez, the tough one; and Nico Piñeda, the rich kid. Their heritage is linked to different places, including Puerto Rico, Cuba, Mexico, the Dominican Republic and Venezuela, but since they all speak Spanish, the kids keep getting lumped together at Conrad Middle School by fellow students and school administrators alike. 

As Invisible opens, it’s happened again: Principal Powell won’t earn a community service initiative trophy unless 100% of students participate, so he informs George that he’ll be spending mornings with “students like you” helping grouchy Mrs. Grouser in the school cafeteria. The five kids greet each other with wariness that soon becomes bickering as they resist the idea they could actually have anything in common. Sure, they’re all varying degrees of bilingual, and yes, they’ve all been stereotyped because of it. But otherwise? Pfft! But when an opportunity to really help someone arises—one that will require creative thinking plus significant subterfuge—the kids have to make a decision. Can they work together to achieve a meaningful goal? 

Diaz Gonzalez’s previous novel, Concealed, won the 2022 Edgar Award for best juvenile title, and she builds wonderful suspense here as the students strive to find common ground. Meanwhile, Epstein’s art conveys the group’s swirling emotions, from Dayara’s frustration (ugh, homework!) to George’s embarrassment (oh, crushes!) to everyone’s wide-eyed worry that they’ll be caught breaking Mrs. Grouser’s rules. 

In an author’s note, Diaz Gonzalez explains that she knows what it’s like to be a student learning English as a second language “who may feel a little lost . . . when surrounded by words that they don’t yet understand.” Her own experiences fueled her desire to create “a single book that could be read and enjoyed no matter which language you [speak].” 

With Invisible, she and Epstein have done just that. The book’s visual context clues and helpful dialogue bubbles (with solid outlines to indicate speech and dashed outlines for translations) bolster an already meaningful coming-of-age tale. Invisible celebrates individuality and community while transcending language barriers. 

★ Twin Cities

Must a border also be a barrier? In their first graphic novel for middle grade readers, Jose Pimienta compassionately explores this question through the eyes of 12-year-old twins Teresa and Fernando.

The twins live with their parents in Mexicali, Mexico, just over the border that runs between the U.S. and Mexico. For years, they’ve happily been classmates at school and BFFs at home. They spend the summer after sixth grade in a bonanza of togetherness, filling their days with basketball and movies and tree-climbing, all portrayed by Pimienta in a kinetic, wordless double-page spread that hums with the joy of a strong sibling bond.

But the twins’ paths diverge when seventh grade begins. Teresa goes to school in Calexico, California, while Fernando stays in Mexicali. Fernando has noticed that Teresa has begun to rebuff their joint nickname, but it’s not until the first day of class that he realizes she is also eager to put space between them, to try new things alone. 

Pimienta uses evocative, parallel-panel sequences to illustrate the twins’ vastly different experiences, in different countries, just several miles apart. Fernando’s friends, Tony and Victor, join his sister at school in Calexico, leaving Fernando lonely and adrift—and excited to see Teresa when she gets home each day. Teresa, however, feels stifled by her brother’s attention. She has so much homework, and she wants to do well so that she can go to college and perhaps even work in America someday. Tension builds between the twins as they contend with new friends and chores-obsessed parents.

Middle school is never easy, but it’s even harder when you think you might lose your best friend for reasons you don’t quite understand. In Twin Cities, Pimienta addresses this possibility from a place of sensitivity, sympathy and personal curiosity: In an author’s note, they reveal that they also grew up in Mexicali and were offered—but declined—the option to study in the U.S. “I still wonder what would have happened had I made a different choice,” they write. 

That’s just one revelation among many to be found in Twin Cities’ notably substantive back matter, which also includes Pimienta’s musings on siblinghood and identity, character sketches, a map of both border towns and more. From start to finish, Twin Cities is a superbly crafted work of art and emotion that marks Pimienta as a creator to watch.

Will grumpy teachers, evolving friendships and mountains of homework spell disaster and doom for these heroes, or will lunchroom hijinks, video game extravaganzas and amazing discoveries prevail?
Mystery & SuspenseHistorical Mystery

The spies caught out in the cold

Feature by Carole V. Bell

When you’re a spy, regime change is tricky. Even positive shifts can make for treacherous times. Two novels uncover the messy, uncertain lives of intelligence operatives in times of tectonic political change: Allison Montclair’s The Unkept Woman explores English life after World War II, at the dawn of the Cold War, while Dan Fesperman’s Winter Work illuminates the turmoil surrounding German reunification as the Cold War was coming to a shaky close. 

The Unkept Woman

A lighter riff on the espionage novel, Montclair’s The Unkept Woman is the fourth in a series about two women—Gwendolyn Bainbridge, an upper-class widow, and Iris Sparks, a former British spy—who run the Right Sort Marriage Bureau, a matchmaking service launched in the wake of WWII. 

Witty and suspenseful, the novel brims with Noël Coward-esque banter. The primary mystery is how Helen Joblanska, an aspiring Right Sort client, ended up dead in Iris’ apartment. And why was a woman tailing Iris in the days before the murder? The events may or may not have something to do with the sudden reappearance and subsequent disappearance of Andrew Sutton, Iris’ married former lover and fellow spy, who had recently turned up on her doorstep looking for a place to hide out. 

As the prime suspect in Helen’s murder, Iris is determined to find the truth, but she’s facing strong tail winds. The local authorities are openly hostile due to their resentment of her involvement in previous cases, and Gwen is unable to help Iris as her own freedom and future are hanging in the balance. She has been trying to recover custody of her son and her inheritance, but having once been labeled a “lunatic” and committed to an asylum by her family, it’s an uphill battle.

Montclair paints a compelling portrait of two intelligent, formidable women working against systems and circumstances that put them at a distinct disadvantage. They’ve grown used to having careers and being in charge of their own fates, often in the absence of men. But both Iris and Gwen are considered disreputable, and the social change they represent is seen by some to be a monstrous encroachment on the normal social order. As unruly women in an uncertain time, Iris and Gwen are as intriguing as the mystery they’re investigating.

★ Winter Work

Like The Unkept Woman, Dan Fesperman’s Winter Work savvily leverages the inherent messiness of the life of a spy. When Lothar Fischer, a colonel in the now-defunct East German foreign intelligence service (more commonly known as the Stasi), is found dead in the woods near his dacha, his right-hand man, Emil Grimm, is determined to find out what really happened. Some suspect suicide, as many other senior Stasi officials have made that choice in the face of potential prosecution now that the Berlin Wall has fallen, but Emil thinks that’s nonsense. To complicate matters, the surrounding neighborhood is thick with former spies, and there’s soon a scuffle over jurisdiction. 

As a sympathetic Stasi officer, Emil provides a fascinating perspective for Western readers. In addition to the troubles of being an aging Cold Warrior, Emil also worries about his wife, who is seriously ill with Lou Gehrig’s disease. With the Stasi dismantled amid the general upheaval, Emil’s income and health care are uncertain, which makes his situation particularly precarious.

As Emil scrambles to make sense of what happened to Lothar while trying to secure his future, Fesperman effectively balances building the mystery with illustrating the broader historical context and personal stakes. The social dynamics in the story are handled brilliantly, with the lines between personal and political motivations appropriately nuanced throughout. There are a multitude of competing interests in Berlin, chiefly Russians trying to shut down the flow of information and Americans offering top dollar to informants. For Emil, who has long since lost his belief in the East German system and grown wary of surveillance in his own life, Soviet President Mikhail Gorbachev is a shaky figure who can’t be relied upon to help displaced men like him in this new world order. With the Russian leader “too preoccupied with making the Americans fall in love with his new Perestroika,” some of Emil’s fellow officials are looking for hope in other figures. In a chillingly prophetic note, one of them is Vladimir Putin: “The KGB station chief in Dresden, that Putin fellow, is as outraged as we are,” they remark. The heavy toll of authoritarianism looms over the entire proceeding, making for a complex tale that will have readers rooting for a Stasi agent.

Regime change, murder—and matchmaking? In two thrilling novels, spies both former and current contend with a host of challenges.

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