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NonfictionNatureLifestylesCrafts, Hobbies & Home

The Creative Vegetable Gardener

Review by Susannah Felts

Kelly Smith Trimble’s first title, Vegetable Gardening Wisdom, holds a face-out position on my bookshelves, ready for a quick consult. Her latest effort, The Creative Vegetable Gardener: 60 Ways to Cultivate Joy, Playfulness, and Beauty Along With a Bounty of Food, will give it some excellent company.

Humble in tone yet robust with expertise, this inspiring guide isn’t concerned so much with crop yields or pest control as it is with the sheer pleasure and wellness that gardening can bring. Trimble wants us to think outside the box—the quadrilateral raised bed, that is—and pursue spirals, hay bales, front yard settings and other methods for changing up our forays into cultivation. She encourages readers to garden for the mindfulness and surprise of it and counsels them to not get hung up on how many tomatoes they produce in a given year. And for most any common woe, she has a helpful suggestion. Lacking a full-sun backyard, as I am? Here’s a list of plants that will thrive under four hours of sun. Curious about permaculture or what the moon has to do with it all? Here’s your explainer.

Accessible for beginners but poised to shake up the thinking of the most seasoned dirt-gardener, Trimble’s new book covers lots of ground.

Kelly Smith Trimble’s inspiring guide isn’t concerned so much with crop yields or pest control as it is with the sheer pleasure that gardening can bring.
NonfictionFeaturedReligion & SpiritualityNatureMemoir

Need a spiritual boost? Pick up one of these four books!

Feature by Brittany Sky

The Lives We Actually Have

Book jacket image for The Lives We Actually Have by Kate Bowler

Like the psalmists, authors Kate Bowler and Jessica Richie (Good Enough) examine and affirm the multifaceted human experience in The Lives We Actually Have. In 100 entries written in verse, Bowler and Richie celebrate the beautiful, lament the ugly and recognize the mundane alongside the blindsiding. This book is not the shallow expression of prayer most of us are used to. Instead, these pages hold blessings that make every human experience, even a “garbage day,” worthy of noting and appreciating.

The authors include blessings for every kind of day, including ordinary life, tired life, lovely life, grief-stricken life, overwhelming life, painful life and holy life. Along the way, they do an incredible job of reclaiming blessings from social media’s “#blessed” culture, speaking truthfully about the range of experiences inherent to being human instead of offering blessings for the pristine, uncomplicated lives we wish we had.

Bowler and Richie go where most Christian authors won’t: right to all the messy truths of being alive. Their willingness to meet us where we are makes life feel a little more manageable and a little more worthy of love. Through their words of blessing, readers will find courage, rest, hope to carry on—and maybe even a laugh.

The Book of Nature

Book jacket image for The Book of Nature by Barbara Mahany

Born out of author Barbara Mahany’s curiosity, The Book of Nature: The Astonishing Beauty of God’s First Sacred Text weaves together theology, nature, science, liturgy and poetry. Instead of losing readers in so many captivating details, she brings all these seemingly different mediums together to create a compelling argument that the natural world is the key to understanding God. To Mahany, and the countless theologians, authors and scientists she references, nature is what makes sense of scripture.

Mahany opens her book by sharing how she came to write about the Book of Nature, which is an ancient name for the practice of “reading” nature like a sacred text, “the text of all of creation, inscribed and unfurled by a God present always and everywhere.” Her initial spark of interest led her down a rabbit hole, finding references to the Book of Nature throughout Christian history. She then explains how the separation of religion and nature—that is, science—came about during the Enlightenment and reminds readers that it doesn’t have to be that way now. Through her essays on the earthly, the liminal and the heavenly, Mahany reveals the divine’s presence in our world.

For those in the Christian faith who grew up learning about God only from Bible lessons, The Book of Nature provides permission to wonder, get curious and find God in the tiny details of a sprouting garden, a forest glade, birds in flight or the moon. By showing readers how many respected theologians, seminarians, desert mothers and fathers, tribal leaders and saints found God in nature, Mahany reminds us that there are different ways to encounter God all around us, beyond just in scripture.

★ Dancing in the Darkness

Rev. Otis Moss III is the senior pastor of Trinity United Church of Christ in Chicago, and his ministry is steeped in a theological tradition of liberation, love and justice. Dancing in the Darkness: Spiritual Lessons for Thriving in Turbulent Times, his latest collection of essay-sermons, lays out the need for Americans to use the tools of “Just Love” (love linked to justice) to overcome despair and denial. Because of our country’s racialized history, Moss writes that we are doomed to stay in a state of “political midnight” if we don’t reckon with injustice while holding onto agape love.

Moss weaves personal stories, history and prophecy together in a fast-paced, faith-filled way. Readers will breeze through these essays and feel energized to hold onto hope despite the challenges we face as a society. With practical calls to prayer, meditation and authenticity, Moss leads readers into Dr. Martin Luther King Jr.’s vision for a “beloved community.”

Dancing in the Darkness is a wonderful soul-reviver. Readers will come away feeling spiritually buoyed, just like they might if they attended worship at Moss’ church. The effect is empowering without giving into unrealistic visions of utopia. It’s like a spoonful of sugar that will help us fight for the world our children deserve to inherit.

All My Knotted-Up Life

Book jacket image for All My Knotted-Up Life by Beth Moore

Many readers have been anticipating the release of All My Knotted-Up Life, author and minister Beth Moore’s memoir. After decades as a women’s Bible study teacher in the Southern Baptist Church, a denomination that only allows men in leadership roles, Moore finally shares her story. She reveals a few surprising secrets here, but her trademark belief in the goodness of Jesus is the memoir’s main draw.

Beginning with her childhood, Moore tells her story of living in a home fraught with mental illness and sexual abuse and the safety she felt going to the Baptist church in Arkadelphia, Arkansas. As Moore moves chronologically through her life, we see her family fall apart and come back together, and we see Moore get married and have children all while feeling called to ministry. Moore struggled to figure out what that would look like in the Southern Baptist Church, but she found a way—first by working around the Southern Baptist Convention’s gendered leadership rules and then by leaving the organization completely—and became one of the most well-known leaders in evangelical Christianity. 

All My Knotted-Up Life will leave some readers wishing they knew more of Moore’s story. Because of her ability to see the humanity in all people, including her abusers, I was personally left wanting to see more of her process of forgiveness. But for Moore, true forgiveness is up to Jesus, who is at the heart of this tender memoir.

These Christian nonfiction books will make readers feel a little bit better about being human.
NonfictionNatureMemoirHistoryBlack History

Soil

Review by Henry L. Carrigan Jr.

Like the garden at its center, poet Camille T. Dungy’s Soil: The Story of a Black Mother’s Garden blossoms in vivid hues, radiating love and illuminating the tangled roots of nature and ecology.

Six years after she arrived in Fort Collins, Colorado, Dungy set out to reclaim a portion of her yard and convert it into a “drought-tolerant, pollinator-supporting flower field.” However, once several dump trucks unloaded mounds of dirt on her driveway, only for it to be scattered by wind, she had second thoughts. Eventually, though, she turned what was once a cookie-cutter lawn into a richly diverse space filled with plants that prevent soil erosion and allow bees and birds thrive.

At the same time that she was planting her garden, Dungy also dug into the history of the wilderness movement. She discovered that ecology had its own homogeneity problem, especially its exclusion of Black women gardeners and Black women environmental writers from anthologies of environmental literature. “Maintaining the fantasy of the American Wilderness requires a great deal of work,” she writes. “It requires the enforced silence of women, of Black people, Chinese people, Japanese people, other East and South Asian communities, poorer white people, Indigenous people, Latinx people . . . the list goes on and on.” To help fill that gap, she introduces readers to gardeners such as Anne Spencer, a Black poet who created a spacious sanctuary of a garden in the late 19th century in Lynchburg, Virginia.

In Soil, Dungy plants poems next to memoir next to critical analysis next to environmental history next to African American history, cultivating the radical ecological thought she wants to see more of in the world. This vibrant memoir challenges readers to look beyond the racial and scientific uniformness of most environmental literature and discover the rich wildness and hope that lies all around them.

In her radical and vibrant memoir, Camille Dungy plants poems next to critical analysis next to environmental history next to African American history.
NonfictionNatureLifestylesEnvironment

Sown in the Stars

Review by Susannah Felts

For centuries, farmers have been consulting celestial cycles, such as the zodiac and the phases of the moon, to time their planting, with a number of calendars and almanacs printed every year to help them do just that. There’s scant scientific research on this type of zodiac-based cultivation, but as associate professor of agriculture and natural resources Sarah L. Hall muses in Sown in the Stars, “It does seem (even to a scientist like me) that when a practice continues over a long period of time, there might just be something to it.”

Hall interviewed a large number of Kentuckians who follow the folk tradition of planting by the signs (I love how she refers to them as “garden artists”), and their stories shape the heart of this beautifully designed book. Hall gives readers an overview of astrology and astronomy, which inform this method of farming, and she even shares the results of her own season of planting by the signs. Whether you wish to give it a go yourself or are simply curious about traditional practices, this book is a valuable cultural document, full of experience and wisdom typically passed from one generation to the next by women.

Sown in the Stars is a valuable cultural document, full of experience and wisdom from farmers who consult celestial cycles and the zodiac signs to time their planting.
NonfictionNatureLifestylesEnvironment

The Language of Trees

Review by Susannah Felts

On her website, Irish artist Katie Holten asks, “What is the language we need to live right now? How can we learn to be better lovers of the world?” One of her answers is an innovative—and downloadable!—tree alphabet font: For each letter, she has drawn a corresponding tree.

This project provides the stunning visual component for The Language of Trees: A Rewilding of Literature and Landscape, “a love letter to our vanishing world,” in which Holten gathers a diverse range of writing celebrating and reflecting on all things arboreal. There are recipes for acorn flour and gall ink, words from Plato and Radiohead, poems by Ada Limon and Camille Dungy, musings on cacao and catalpa trees, and so much more—all of it printed first in English and then in Holten’s tree alphabet, creating visual forests that represent the book’s words. I’ve never seen anything remotely like this work of art and was nodding along to the introduction by poet Ross Gay: “Can I tell you how batshit beautiful I find this? Can I tell you how each piece . . . each essay or poem or song becoming a forest or orchard, rattles me, flummoxes me really, with how beautiful?”

Artist Katie Holten has gathered a stunning range of writings that celebrate all things arboreal, from recipes for acorn flour to reflections on catalpa trees.
NonfictionNatureLifestylesAnimals

Archives of Joy

Review by Susannah Felts

In Archives of Joy: Reflections on Animals and the Nature of Being, French Canadian author Jean-François Beauchemin looks back, around and into the mystic, to great effect. His brief and often breathtaking reflections on creatures he has encountered throughout his life meld into a salve for the troubled, weary or distracted mind and will appeal to fans of Brian Doyle, Ross Gay and Margaret Renkl.

In a one-paragraph essay called “Useful,” Beauchemin writes, “It might be said that I am rummaging around a lot in that great big suitcase of my childhood, but why the devil do we age, if it is not to encounter ourselves once more?” In “A Visitor,” he recounts a spiritual encounter from childhood, when “I had just learned my dog’s life expectancy was only fourteen years.” Immediately after reading this piece, I snapped a picture of it and sent it to a friend who is grieving a beloved pup; that’s the kind of small treasure this book is.

Jean-François Beauchemin’s brief, breathtaking reflections on creatures he has encountered throughout his life will appeal to fans of Brian Doyle, Ross Gay and Margaret Renkl.
NonfictionNatureLifestylesCrafts, Hobbies & Home

Capturing Nature

Review by Susannah Felts

Have you ever created a leaf rubbing? Or painted one side of a natural object and then pressed it to paper to make a mirror image? If so, you’ve engaged in nature printing, an ancient practice that marries scientific documentation and art. Fossils are a kind of nature print, and leaf prints were featured on early American currency. Relief printing, intaglio, cyanotype—all are types of nature printing.

Capturing Nature: 150 Years of Nature Printing examines this art form through two centuries and across continents, illustrating no fewer than 45 types, compiled by Matthew Zucker and Pia Ostlund from the Zucker Collection, the largest collection of nature prints in the world. The resulting volume is a “wondrous mix of nature, technology, and the human desire for learning,” and it’s a stunning addition to any nature lover’s library.

The two centuries’ worth of nature prints contained in Capturing Nature would make a stunning addition to any nature lover’s library.
NonfictionNatureMemoir

Better Living Through Birding

Review by Alice Cary

Christian Cooper has been bird-watching in Central Park for decades, but a spring migratory excursion took a dramatic turn on May 25, 2020, when a woman refused his request to leash her wandering dog, per park regulations. He was hoping to spy a ground-dwelling bird called a mourning warbler and knew that her unleashed pet would make his quest impossible. After she refused and Cooper began filming with his phone, Amy Cooper—a white woman of no relation—announced that she was about to call the police, adding, “I’m going to tell them that there’s an African American man threatening my life.” Her blatant use of “weaponized racism” went viral. As Cooper aptly sums up the incident in Better Living Through Birding, “Fourteen words, captured amid sixty-nine seconds of video, that would alter the trajectory of two lives.” This encounter happened on the same day George Floyd was murdered. 

A year later, Cooper was invited to attend a birding festival in Alabama. As he walked across Selma’s infamous Edmund Pettus Bridge, he reflected on the day that bridge became a bloodbath in 1965 and on the travails his ancestors must have endured. “In that context, my incident in Central Park is just an asterisk,” he writes. “More than a year later, it remains exceedingly strange for me—the notoriety, that I’d even be mentioned in the annals of the nation’s racial strife.” 

Throughout his wide-ranging memoir, Cooper is a thoughtful, enthusiastic narrator. Growing up as a Black kid on Long Island, New York, in the 1970s, “I was rarer than an Ivory-Billed Woodpecker in the very white world of birding,” he writes. “As I simultaneously struggled with being queer, birds took me away from my woes suffocating in the closet.” Cooper gradually came out to family and friends, beginning while studying at Harvard in the 1980s. He went on to become one of Marvel’s first openly gay writers and editors—aside from birds, his other passions include superhero comics and sci-fi and fantasy—and introduced the first gay male Star Trek character in the Starfleet Academy series. In entertaining prose, Cooper reminisces about his life, writing especially poignantly about his often-difficult relationship with his father.

Tying these multifaceted strands together is no easy feat, but Cooper does it well. He peppers the text with helpful tips for beginning birders while recounting vivid excursions through Nepal, the Galapagos, Australia and, of course, his beloved Central Park. Generous soul that he is, Cooper writes that outrage shouldn’t be focused on Amy Cooper. Instead, he concludes, “Focusing on her is a distraction and lets too many people off the hook from the hard, ongoing examination of themselves and their own racial biases. . . . If you’re looking for Amy Cooper to yell at, look in the mirror.”

In thoughtful prose, birder Christian Cooper reminisces about his life before and after the day a white woman threatened to call the police on him in Central Park.
NonfictionScienceNatureAnimals

Many Things Under a Rock

Review by Carla Jean Whitley

Did you know octopuses can shift their skin to create papillae, bumps or folds? Or that they don’t see color but can see polarized light? Did you know they can be cannibals but also seem to live in relationship with other creatures?

In Many Things Under a Rock: The Mysteries of Octopuses, David Scheel shares these facts and many more. Scheel is a professor of marine biology at Alaska Pacific University, but Many Things Under a Rock is accessible regardless of the reader’s amount of scientific knowledge. Scheel’s straightforward prose places readers beside him as he gets to know the elusive, intriguing octopus. He describes the molluscs, their habits, their characteristics and their habitats in detail gathered from 25 years of research and observation.

And the book is well researched, with dozens of pages of meticulous notes as evidence. But Scheel doesn’t overload his text with annotations, and he never turns to jargon or complex explanations to ensure that he’s perceived as an expert. Instead, Scheel invites readers along on a journey of discovery. He shares the lessons he’s learned about octopuses by recounting research trips and personal anecdotes, writing like a teacher who is eager to invite readers into octopuses’ magical world. It’s as though he’s in the water with us, lifting a stone or pushing aside seaweed to show off the many things that can exist under a rock (which is a translation of the Eyak word for octopus).

Scheel’s curiosity about octopuses parallels his curiosity about Alaska Native history, and his respect for Indigenous experiences is obvious. Particularly in the early years of his studies, Scheel turned to Native people for insight into the cephalopods they’ve hunted for centuries. He weaves their knowledge and stories into this book, showing appreciation for shared wisdom and making Many Things Under a Rock a treasure trove of expertise, generously shared.

David Scheel’s straightforward prose places readers in the water beside him as he lifts a stone or pushes aside seaweed to show off the elusive, intriguing world of the octopus.
NonfictionNatureAnimals

What an Owl Knows

Review by Linda M. Castellitto

Owls are adorable, alluring and enduringly fascinating. They’ve been featured in everything from ancient cave paintings to the works of Picasso, iconic Tootsie Pop commercials, the Harry Potter series, mythology and poetry.

“What is it about owls that so enthralls us?” asks bestselling author, prolific science writer and passionate bird advocate Jennifer Ackerman (The Genius of Birds, The Bird Way) in the very first line of her wide-ranging and wonderful new book, What an Owl Knows: The New Science of the World’s Most Enigmatic Birds. She explores this question with her trademark thoroughness and care, leading readers on an in-depth tour through the extraordinary world of owls. Scientists, field researchers, academics and volunteers (aka “citizen scientists”) serve as dedicated guides, as eager as the author to share knowledge and admiration in hopes of inspiring others to protect these special birds.

Jennifer Ackerman shares which owly items in her home and closet are her favorite.

Ackerman chronicles her travels to places such as the Mission Mountains in Montana; Norfolk Island in Australia; southeastern Brazil; and Waynesboro, Virginia, in chapters covering owls’ evolution, communication, breeding, migration and—of course—wisdom. She visits wildlife centers, peers up at countless trees and tromps through nighttime landscapes with fellow owl lovers to hear about the astonishing things they’ve discovered. There are funny tidbits, too; as one Montana field researcher quipped, “This is not the first time we’ve found a nest when someone had to pee.”

Less quotidian revelations include the thrill of first hearing great horned owlets vocalizing in their eggs and the gratifying achievements of education in Kikinda, Serbia, where hundreds of long-eared owls roost in the town square. (A public awareness campaign transformed superstitious fear into immense hometown pride.) During her reporting, Ackerman also learned about new research indicating that owls are more clever and intentional than previously realized: They have emotions, engage in altruism and play. “We think we know something about them, and then, poof! they dispel our theories, offering up bent or broken rules and unexpected qualities,” she writes.

Ackerman also reminds readers that owls are at risk of extinction, thanks to “human-induced climate change” via deforestation and development, rodenticides, wildfires, et al. What should we do? “Everything in our power,” she writes, to learn about and preserve owl populations around the world. Reading the edifying and immersive What an Owl Knows is an excellent place to start.

Bestselling author and passionate bird advocate Jennifer Ackerman goes around the world to find out why owls so intrigue humans in her wide-ranging and wonderful new book.
NonfictionNatureEnvironmentAnimals

Kings of Their Own Ocean

Review by Henry L. Carrigan Jr.

Part memoir, part scientific exploration, part biography, Karen Pinchin’s cautionary and riveting Kings of Their Own Ocean: Tuna, Obsession, and the Future of Our Seas illuminates the plight of the Atlantic bluefin tuna and the fishermen and scientists who’ve spent their lives studying, tagging and working to save the species.

Although we often marvel over tales of great white sharks and other predators of the sea, most people only think of bluefin tuna when they order sushi, seldom considering its beauty and power beyond the dinner plate. Pinchin opens with a paean to this apex predator of the oceans: “To stand beside a just-landed giant bluefin, still slick from salt water, feels akin to standing beside a natural marvel like Niagara Falls or an erupting volcano. There’s beauty, but also danger.” The book follows one bluefin, dubbed Amelia (after Amelia Earhart) from the cold waters of the Atlantic, where she was first tagged in 2004, to the warmer waters of the Mediterranean, where she was killed in 2018. In between this coverage, Pinchin takes us through the history of commercial fishing for bluefin, as well as the politics and science that have frequently collided in attempts to preserve the tuna from extinction. 

Early in his career as a boat captain, fisherman Al Anderson recognized the precipitous decline of the bluefin population and soon began chartering trips off Rhode Island where his customers catch, tag and release tuna—including Amelia. In 1990, Anderson wrote The Atlantic Bluefin Tuna: Yesterday, Today, and Tomorrow, an oral history peppered with his own memories of fishing, and To Catch a Tuna, a “how-to guide for aspiring tuna fishermen.” We also meet Molly Lutcavage, whose research was the first of its kind to gather and analyze data on bluefin, and Carl Safina, the author of Song for the Blue Ocean, who proposed that the bluefin be listed as endangered. 

While Pinchin avers that “we are collectively only ever a few terrible choices from wiping out any ocean species,” her conclusion is optimistic: “The future of Atlantic bluefin tuna has hinged on a series of butterfly-wing events. . . . Those moments all mattered, and those moments are still being made.” Kings of Their Own Ocean enthralls, instructs and is a must-read for readers concerned about the future of our oceans and the creatures within them.

The enthralling Kings of Their Own Ocean tells the story of an overlooked predator, the Atlantic bluefin tuna, urging readers to consider its power and beauty beyond the dinner plate.
NonfictionNatureLifestylesCrafts, Hobbies & Home

Land Art

Review by Susannah Felts

U.K. artist James Brunt “works with what nature gives”: only what is found on the ground, in natural settings like beaches and woodlands. Imagine great spirals, mandalas, grids and other patterns composed of rocks, twigs, seeds, fern fronds, petals or leaves upon sand or forest floor. In Land Art, Brunt familiarizes us with his creative terrain—also famously explored by land artists such as Andy Goldsworthy and Robert Smithson (“Spiral Jetty”)—and invites us, too, to “get outside and play.” He provides exercises that first coax us into engagement with our natural surroundings and then into the act of art-making. For starters, find 10 of anything, such as pine cones or other seeds; then arrange them in a pattern of your liking. Brunt’s work, presented with infectious enthusiasm through full-color photographs, is gorgeous and mesmerizing.

Made from found natural objects like rocks, twigs and seeds, James Brunt’s gorgeous and mesmerizing art is presented with infectious enthusiasm through full-color photographs.
NonfictionNatureMemoirEnvironment

The Quickening

Review by Carla Jean Whitley

Creative nonfiction writer Elizabeth Rush had a once-in-a-lifetime opportunity when she was invited to join a 57-person voyage to the Thwaites Glacier. That piece of Antarctica had never been seen by humans, yet scientists expected that data from its fast-shifting ice would inform our understanding of a changing climate. Aboard the Nathaniel B. Palmer, Rush could once again deploy her reporting and narrative prowess to deepen her and readers’ familiarity with the world they call home, as she did when exploring how rising sea levels would affect the United States’ coast in her previous Pulitzer finalist book, Rising.

But to do so, Rush would have to delay her attempts to conceive a child.

These competing desires propel The Quickening: Creating and Community at the Ends of the Earth, a distinctive addition to the Antarctic canon. Before setting out on the Palmer, Rush turned her attention to existing literature about Antarctica—which she finds is largely “fluff or end-of-the-world stuff.” Women rarely appear in these accounts, nor do the crews who navigate the treacherous seas and make research possible through their expertise.

Rush is at ease shifting between various objects of fascination, and she immerses herself in her shipmates’ work at every opportunity. Although she’s on board as a writer, not a scientist, Rush helps teams gather and process samples of mud and ice containing clues to Thwaites’ past and the Earth’s future.

But even the study of climate change seems impossible to isolate from forces that exacerbate it. During an excursion off the Palmer, Rush notes, “Almost every aspect of our mission is threaded through with petrochemicals,” from the soles of the group’s shoes to Rush’s voice recorder to the careers of many shipmates’ parents.

Aboard the Palmer, Rush grapples with her desire to give birth in a world with an increasingly fragile climate. Back home, she encounters an undergraduate student arguing against reproduction in this scenario. But in conversation with her shipmates, Rush cites a scientific article that she recently read: “Its underlying argument—that rapid transition away from fossil fuels, not fewer pregnancies, is what is needed—gives me some solace.”

Rush centers women’s voices in her exploration of motherhood and the Earth, gliding between her personal reflections, descriptions of life aboard the ship and stories of what comes after. Simultaneously lyrical and analytical, The Quickening depicts Rush’s search for meaning while rejecting easy answers.

Pulitzer finalist Elizabeth Rush combines memoir, reportage and science writing in a lyrical, women-centered addition to the Antarctic canon.

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