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Winston Churchill’s foremost quality was his strength of will, according to Max Hastings, renowned British author of many widely acclaimed books of military history. In his superb new book, Winston’s War, Hastings relates how the great statesman and warrior used his rhetorical, military and diplomatic skills to triumph as Prime Minister in the first three years of World War II, and then shows how, from 1943 to 1945, events and Churchill’s own misjudgments often worked against him.

When Churchill became prime minister in 1940, many in the nation’s ruling class thought his administration would not last long and were skeptical of military victory. Numerous political leaders thought it inevitable that the country would negotiate with Hitler. Hastings says Churchill “survived in office not because he overcame the private doubts of . . . skeptics, which he did not, but by the face of courage and defiance that he presented to the nation,” primarily in the seven public speeches he gave over the BBC in 1940. Yet despite the usual view that 1940, when Britain stood alone, was the pivotal year for the country’s survival, Hastings believes that 1942 “was the most torrid phase” of Churchill’s wartime leadership. By that time, with crushing military defeats and bombardments from the air, the British people were weary of war.

Hastings is even-handed in his appraisal of Churchill. No other British statesman could have dealt as skillfully with President Roosevelt and the American people as he did, and Churchill was aware earlier than most that Russia must be an ally of his country. On the other hand, there was Churchill’s monumental egotism. He believed, for example, that he was exceptionally prepared to lead armed forces, although he had neither military staff training nor experience with higher field command. And he could be intolerant of evidence unless it agreed with his own instincts, though he could usually be reasonable at least on major decisions.

Hastings’ compelling and nuanced narrative not only weaves the complex story of Churchill’s military and diplomatic strategy, but also depicts his relationships with the British people, other politicians and his commanders in the field, as well as Allied leaders. There are glimpses into his personal life, and Hastings’ many sources include Churchill’s own six-volume history of the period (which Hastings calls “poor history, if sometimes peerless prose”). This very readable and insightful overview of Churchill’s wartime achievements deserves a wide readership.

Winston Churchill’s foremost quality was his strength of will, according to Max Hastings, renowned British author of many widely acclaimed books of military history. In his superb new book, Winston’s War, Hastings relates how the great statesman and warrior used his rhetorical, military and diplomatic skills to triumph as Prime Minister in the first three […]
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In 1948, Soviet dictator Joseph Stalin ordered a blockade of Berlin to pressure the Western Allies into leaving the city or giving up the establishment of a state of West Germany. In response, President Truman, against the advice of his top defense and diplomatic advisors, declared that the United States was in the city to stay. For the next 11 months, under difficult and dangerous conditions, Allied planes delivered such necessities as food, mail, medicine and coal to the beleaguered residents of Berlin—whom those same planes had bombed only three years earlier. Richard Reeves, author of acclaimed biographies of Presidents Kennedy, Nixon and Reagan, tells this story in his riveting new book, Daring Young Men.

Reeves’ splendid narrative gives us various perspectives of the airlift, or “Operation Vittles,” as it was originally called. He quotes generously from Ruth Andreas-Friedrich, Berlin’s most famous diarist of the period, who vividly described the bleakness of the city and was hopeful, but skeptical, that the Allies would help. Reeves also focuses on the 60,000 individuals who made the airlift work, including pilots such as Gail Halvorsen, who had volunteered for service in the airlift and thought he would return home in a few weeks. Instead, he became the famous “Candy Bomber” who dropped improvised parachutes filled with sweets for Berlin’s children.

From the beginning, the airlift faced many obstacles, not least that pilots were restricted to using carefully defined air corridors, and deviation from these meant attack by Soviet aircraft. An extraordinary leap in production occurred when Major General William Tunner was put in charge of the operation. An arrogant, cantankerous and incredibly imaginative man, Tunner had directed the first successful airlift in history, flying supplies over the Himalayas to Nationalist Chinese troops fighting the Japanese during World War II.

Reeves masterfully relates this story of a crucial mission that even American military officials considered nearly impossible—a pivotal chapter in the Cold War that had a profound effect on the course of European and American history.

In 1948, Soviet dictator Joseph Stalin ordered a blockade of Berlin to pressure the Western Allies into leaving the city or giving up the establishment of a state of West Germany. In response, President Truman, against the advice of his top defense and diplomatic advisors, declared that the United States was in the city to […]
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Originally published in the United Kingdom as a companion to a BBC television series, this informative history covers eight battles, stretching from World War I to the first Gulf War. Father-son authors Peter and Dan Snow have chosen battles based on both interest and significance, whether in terms of military developments or political impact.

The title, 20th Century Battlefields, could be considered a bit of a misnomer, since this is not a guide to battlefields, but rather to the actual battles themselves. In three cases the “battlefields” encompass entire wars, albeit brief ones (the Yom Kippur War, the Falklands War and Desert Storm). Also included are Midway and Stalingrad from World War II, and battles from the Korean and Vietnam wars.

The Snows offer an insightful examination of changing military technology and tactics. They also delve into the events leading up to each battle, as well as the progress of the fight and the aftermath, revealing how even seemingly minor conflicts have influenced world events in crucial ways. The book includes basic maps of the various actions as well as photos from each of the wars covered. The Snows’ book is a highly readable and entertaining compilation, of special interest to military history buffs, as well as those who fought in the battles and their descendants.

Howard Shirley is a writer in Franklin, Tennessee.

Originally published in the United Kingdom as a companion to a BBC television series, this informative history covers eight battles, stretching from World War I to the first Gulf War. Father-son authors Peter and Dan Snow have chosen battles based on both interest and significance, whether in terms of military developments or political impact. The […]
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From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered.

But just as the Allied Forces fought to save the Western world, others fought to save Western Civilization. They were “the Monuments Men,” a handful of soldiers given a unique assignment: to preserve the cultural soul of Europe by protecting Europe’s art. Robert M. Edsel’s masterful book The Monuments Men shares their story, in a tale that is part history, part war story and part treasure hunt. Undermanned, undersupplied and with virtually no authority, the Monuments Men (and women) faced bullets, bombs and Nazi booby traps to rescue works by Rembrandt, Da Vinci, Vermeer, Michelangelo and more.

Edsel and his co-author, Bret Witter, have crafted an account that moves like a Hollywood action adventure, with scenes ranging from a peasant’s cottage in the middle of an artillery battle, to the depths of an ancient salt mine. There are heroes to root for, villains to hiss at and an increasingly pressing race against time as the Nazis, in a last vicious act of defiance, set about to destroy the art rather than give it up.

Edsel and Witter interviewed the few surviving Monuments Men, examined family letters and even Nazi archives in their research. Whether you’re a fan of art, military history or stories of real-life heroes, The Monuments Men is a treasure worth the hunt.

Howard Shirley is a writer in Franklin, Tennessee.

From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered. But just as the Allied Forces fought to save the Western world, others fought […]
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If ever a book captures men at their heroic best, it’s Medal of Honor: Portraits of Valor Beyond the Call of Duty. This volume, featuring text by Peter Collier and the photography of Nick Del Calzo, offers profiles of 116 living Medal of Honor recipients, all men who served not only with distinction primarily as veterans of World War II, Korea and Vietnam but also saved the lives of combat comrades and very often suffered horrendous physical injury themselves. Each profile features a picture of the soldier as a young man, a contemporary photo and a page of text offering basics about their service and the details of the brave acts that earned them their medals. There is a breadth of noteworthy ethnic representation among this special group of men, including Hawaii Senator Daniel K. Inouye and other Asian, African, Hispanic and Native Americans. Yet the bulk of the focus is on seemingly average, hearty "regular guys" from farms and fields and small towns, who performed extraordinary acts in the heat of battle and miraculously lived to receive their nation’s recognition, gratitude and highest honor. Among the others profiled are Nebraska Senator Bob Kerrey, James B. Stockdale of "Hanoi Hilton" fame, Sammy L. Davis (the real-life model for the exploits of the fictional Forrest Gump), and the remarkable Jack H. Lucas, who earned his medal while enduring horrendous injuries on Iwo Jima at the ripe old age of 17. Adding additional poignance to the book’s overall impact, several of these heroes have passed away since the project was launched in 1999. Medal of Honor is an elegant testimonial to the price of freedom.

 

If ever a book captures men at their heroic best, it’s Medal of Honor: Portraits of Valor Beyond the Call of Duty. This volume, featuring text by Peter Collier and the photography of Nick Del Calzo, offers profiles of 116 living Medal of Honor recipients, all men who served not only with distinction primarily as […]
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For most Americans, the name George McGovern is inextricably linked to his 1972 presidential campaign, a race that ended in a crushing, landslide victory for Richard Nixon. But McGovern's life has other interesting chapters, and in his latest book, historian Stephen Ambrose describes one of them in vivid detail.

Thousands of young, eager volunteers lined up to be pilots during World War II, and The Wild Blue: The Men and Boys Who Flew the B-24s Over Germany 1944-45 tells their story by focusing on one bomber, the Dakota Queen, its pilot George McGovern and its crew. McGovern, a South Dakota preacher's son, was a 19-year-old college sophomore when the Japanese attacked Pearl Harbor. He immediately volunteered for service and less than three years later was piloting one of the big, unwieldy B-24 Liberator bombers. Completing 35 missions over Europe, McGovern went on to earn a Distinguished Flying Cross for his service.

Although McGovern's war experiences may come as a jarring surprise to those who recall his opposition to the Vietnam War, Ambrose sees the former senator as "a good representative of his generation," who was willing to put his own life on the line to secure an Allied victory.

Ambrose, who has chronicled the experiences of the infantry soldier in several previous World War II books (Band of Brothers, D-Day, Citizen Soldiers), captures the air campaign with his usual skill, bringing the characters and their harrowing missions to life. He recently answered questions about the book for BookPage.

When did you first meet George McGovern? I met George after the '72 campaign, when he was still teaching at Duke. He was kind enough to invite me there to lecture to a couple of his classes, and during the ride back to the airport, he told me some great stories about the campaign (since I was working on Nixon at this time, this was meat and potatoes), and his time in the 15th Air Force. As a result of this and other conversations, UNO [University of New Orleans] where I taught, invited him to come to our summer school in Innsbruck, Austria. Our friendship has flourished ever since.

What did you think of his anti-war stance during the '72 campaign? I agreed with what his campaign stood for, and in my own way, worked for McGovern in 1972. McGovern was reluctant to trumpet his war record during the campaign. Why do you think he was willing to talk about it now? None of the press people ever seemed to be interested in bringing it up nobody ever asked him about it, to my recollection. There are millions of veterans out there that this same thing is true of. They're not so much reluctant to recall what they experienced, but they are not going to volunteer anything if no one asks. In George's case, I just think that he felt the time had come to share his story. He told me once that he never discussed the war with anyone at any length when he was still in politics. By the same token, I don't think he was trying to effect some sort of catharsis by conducting extensive interviews with us, or that he feels he owes his grandchildren a legacy of some sort. He certainly didn't do it because he's running for office. I obviously can't speak for the man, but I think he is justifiably proud of his record of service, and he wanted George McGovern to tell George McGovern's story.

In your research for Wild Blue, what did you learn about McGovern's war experiences that surprised you? How difficult it is to fly that plane, above all. Plus the fact that someone at the ripe old age of 23 had such heavy responsibilities. He had the lives of every one of his crew literally in his hands, which is an experience that I'll never have. I've done a bit of pretend flying in a B-24, and the experience was humbling the amount of eye-hand coordination needed, the patience and judgment involved, and so on. The Air Force did an absolutely marvelous job at finding suitable personnel, and at turning these kids into skilled pilots in a very short period of time by today's standards.

What qualities made McGovern a successful pilot? Number one: professionalism. He knew how to handle that plane and was always alert when he had to be damn near whenever he had the controls. His leadership and concern for his crew was exceptional as well. He tried his best to make sure that they had dry socks, and that there was heat on in the plane, that everyone's oxygen equipment was functioning properly, and so on. As far as physical attributes, George has excellent coordination and eyesight he has phenomenal depth perception, which in the pre-radar age was a vital asset. He wasn't a mechanical genius; most of those pilots weren't. But he had good judgment, a confidence in himself, and a sound understanding of weather and navigation the same set of skills that make for a good pilot in this day and age.

In what ways was he typical of the young men who flew the Liberator? George was the same age as these guys and there were many of them, including George, who hadn't even finished college. All thrown into a situation where you're bored 95 percent of the time and terrified for the remainder. But in a lot of ways, it's impossible to come up with one definitive type of the "typical" GI. Some pilots surely drank, cursed and gambled more than George, some were probably more well read than he was at the time, some more religious it just varies on an individual basis. But George was certainly not a run of the mill pilot he was a pilot among his peers.

Are you hopeful that this book will give the American public a new respect for McGovern? Of course. I felt at the time of the election that he should have pressed the issue of his war record a bit more. For whatever reasons he chose not to. But yes, I would like the American people to know more about what he did during the war. I hope this will foster, not so much McGovern's appeal or a wider audience, but the understanding that you don't necessarily have to be a hawk to be patriotic. McGovern is one of the greatest patriots I know, and his anti-war stance doesn't make him any less of one.

 

For most Americans, the name George McGovern is inextricably linked to his 1972 presidential campaign, a race that ended in a crushing, landslide victory for Richard Nixon. But McGovern's life has other interesting chapters, and in his latest book, historian Stephen Ambrose describes one of them in vivid detail. Thousands of young, eager volunteers lined […]
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Pulitzer Prize-winning reporter Rick Atkinson left the Washington Post in 1999 “to raise my game, to become a historian and use the longer lens of history” to write about World War II in Western Europe. He didn’t know that it would be 14 years before he typed the final words of The Guns at Last Light, the brilliant, more-than-worth-the-wait final volume of his epic Liberation Trilogy.

Atkinson did know from the outset that he faced daunting odds. An online search, for example, revealed something like 60,000 books devoted to World War II. The “Green Books,” the surprisingly well-written official U.S. Army history of WWII, run to 117 volumes. And the WWII archives of the Allied nations are seemingly endless. “The U.S. Army records alone—one service, one country—for World War II weigh 17,000 tons,” exclaims Atkinson, a self-described “archive rat,” during a call to the home he shares with his wife of 34 years, in Washington, D.C., abutting Rock Creek Park.

But for Atkinson, who was born in Munich in 1952 while his father, a career U.S. Army infantry officer, was serving in the occupation forces, WWII was “a part of the culture, a part of the landscape I grew up in. I think it’s part of my DNA.”

Then in the mid-1990s as a journalist, Atkinson “covered the endless successions of 50th-anniversary commemorations”—D-Day, the Battle of the Bulge, VE Day—and had two epiphanies. “One was that because this was one of the greatest catastrophes in human history, it was the greatest story of the 20th century, and it was just bottomless. I don’t think you tap out the greatest events in human history. There will be more to write about this forever. The other epiphany I had was that World War II did not start at Omaha Beach for the Americans. There were earlier D-days in Africa and in Sicily and southern Italy. It’s a triptych, and the three panels are Africa, Italy and Western Europe.”

Atkinson published An Army at Dawn, the first volume of the Liberation Trilogy, in 2002. Hailed for its narrative power, vivid detail and riveting blend of the human experiences of common soldiers and battlefield commanders alike, it won the Pulitzer Prize for history. It also established the narrative style that would serve Atkinson so well throughout the trilogy. Each volume has a prologue, an epilogue and 12 chapters divided into four parts.

WWII was “a part of the culture, a part of the landscape I grew up in. I think it’s part of my DNA.”

“I sort of stumbled on the structure for volume one,” Atkinson explains. “Like a gem cutter, I think, I was trying to understand the structure of the story and how the facets naturally cleave. Then because I wanted to signal that this is really one story and that each volume mirrors the others, I thought having a similar structure would help me accomplish that, if I could do it without it being forced.”

The shared narrative structure does not feel at all forced in The Day of Battle, Atkinson’s brilliant account of the war in Sicily and Italy in 1943-44. Nor in The Guns at Last Light, the new and final volume of the trilogy, which takes readers from D-Day preparations to German surrender.

In fact, the exceptionally well-written new volume possesses an epic grandeur, draws from a broad range of historical and literary references, mobilizes an astonishing array of little-known detail and illuminates both the strategic and human dramas of all-out warfare in ways that allow it to shine even more brightly than the other panels in the triptych. In the 14 years since he began work on the trilogy, Atkinson’s children have grown into adulthood—his son is a Justice Department lawyer in Washington, and his daughter is a surgical resident in Cincinnati—and Atkinson himself has grown into mastery. The Guns at Last Light should be read not just as a great work of narrative military history, but as an accomplished work of American literature.

“By the time we get to the third book,” Atkinson says, deftly side-stepping a question about his literary ambitions, “the war has metastasized from company-level actions of a few score or a few hundred men in North Africa to Army Groups in which literally millions are fighting one another. It allows a sweep. There’s a tapestry quality to the whole thing. It’s almost as if you’re trying to write the Bayeux Tapestry. It’s just a big, huge, sprawling, awful calamity that you have an opportunity to write about in the grandest terms as a military historian.”

Atkinson says he turned down an appointment to West Point after high school because he already knew he wanted to be a writer, and the military academy “was not only all male at the time, it was all engineering. That didn’t play to my strong suit.” He thought he might become a college English professor but left the University of Chicago after earning a master’s degree because he “decided teaching was just too sedentary for me.” He became a journalist instead, and then, 14 years ago, a military historian.

“The challenge,” Atkinson says of his craft, “is to take a story that people think they know and about which much has been written—good stuff, too, in many cases—and try to make it fresh, try to make it sound in the reader’s inner ear as if this is a story they haven’t heard before.”

To that end, Atkinson first recruits the extraordinary detail gleaned from burrowing deep into the archives, examining not just official records but personal journals, letters and memoirs. Then, like a good novelist, he writes his chapters in dramatic scenes, highlighting the titanic (and petty) clashes of ego among the Allied leadership and the harrowing efforts of troops on the ground. Even more importantly, throughout the trilogy and especially in this final volume, Atkinson writes with great power about the wrenching human cost of the conflict.

“There’s something at play here that’s just so heartbreaking,” he says. “So I try to take this industrial-strength catastrophe that we call World War II and bring it down to an individual level so that the singularity of death—it’s like a snowflake or a fingerprint—comes home to the reader periodically to remind them of what this is really all about.”

Atkinson adds, “My feeling is that the true ambition of a narrative historian should be to bring people back from the dead.” To which an avid reader can only say, amen.

Pulitzer Prize-winning reporter Rick Atkinson left the Washington Post in 1999 “to raise my game, to become a historian and use the longer lens of history” to write about World War II in Western Europe. He didn’t know that it would be 14 years before he typed the final words of The Guns at Last […]
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On August 7, 2006, a group of elite U.S. Army Rangers, including Alex Blum, who was preparing to deploy to Iraq, participated in a bank heist that was organized by Specialist Luke Elliott Sommer. In the incredibly gripping Ranger Games, Ben Blum attempts to understand how his clean-cut cousin Alex, who had dreamed of being an Army Ranger for his entire life, could be involved in this disastrous crime. What he discovers is a web of lies, alleged brainwashing and disturbing truths about the military, his family and himself.

We asked Ben Blum a few questions about the Army Ranger program, masculinity and how writing this fascinating book ultimately affected his family.

How do you think you would have reported this story if Alex Blum was not your cousin?
The short answer is that I wouldn’t have. I was a computer science graduate student with zero journalistic experience at the time I started corresponding with Alex back in 2007, and Army Rangers scared the crap out of me—let alone Army Rangers who had robbed a bank. Everything I learned about reporting I learned from my early mistakes with Alex: getting too close to a subject, taking a single perspective on an event as definitive, seeking evidence to fit a narrative rather than a narrative to fit the evidence. After the first couple of years, I managed to graduate from Alex’s friend and confidante to something a little closer to a true journalist, but toward the end, I found that even that role was insufficient to the project. Instead of just reporting what I had come to see as entrenched distortions in his perspective, I wanted to change his perspective, to be a kind of a therapist to him. That goes beyond the bounds of what a journalist is supposed to do. But for better or for worse, it makes the book what it is—a lot more intense than a piece of pure reportage could have been.

What was the most surprising thing you learned about the U.S. Army Rangers program?
That it is possible to become an elite Special Operations soldier in the American military, available for assignment to our most sensitive missions, without even a shred of combat experience.

How has this book affected your relationship with Alex Blum?
It put an enormous amount of strain on our relationship for a very long time, but we are now closer than we ever dreamed we’d be. As he put it in a toast at my wedding last year, we’ve laughed together, we’ve cried together, we’ve said “f— you” to each other, and we each consider the other one of our best friends.

Do you feel that America’s cultural beliefs about masculinity and war was a partner in this crime?
Absolutely. It reminds me of the parable that David Foster Wallace told at his famous graduation speech at Kenyon College. An old fish swims by two young fish and says, “Morning boys, how’s the water?” The two young fish swim on, and eventually one leans over to the other and whispers, “What the hell is ‘water’?” For Americans of Alex’s and my generation, the water is war. We breathed it in through our morning cartoons, our toy cowboys and toy guns, the explosion effects on sports shows, the movies we grew up watching, the videogames we played with our friends. Every branch of the military—Army, Air Force, Navy, Marine Corps, Coast Guard—has its own Hollywood liaison office dedicated to ensuring that screenplays fit the image they want to convey to the young guys like Alex who watch action movies. If directors don’t play ball, they lose access to military equipment and locations.

Alex Blum held his superiors in the Army in high regard and respect. What do you think was different and so powerful about his relationship with Specialist Luke Elliott Sommer?
Fraternization with underlings is generally frowned upon among Rangers, but Sommer broke this taboo. He was more than a superior to Alex; he was a mentor, a role model. He made Alex feel chosen, deemed worthy of special attention by a member of a higher caste. It spoke to Alex’s ambition to excel.

Luke Elliott Sommer is a strange and complex character. Despite his many flaws and poor decisions, it’s difficult not to see the charismatic and ambitious—if not delusional—Sommer as some sort of genius. After completing this book, what are your feelings about Sommer?
I fear for him. I have come to think of his brain as something like a Lamborghini that lacks first, second, third and reverse. It looks amazing and sounds like a lot of fun to drive, but in practice you’re going to have a hell of a time getting to the grocery store and back. I think Sommer is in fact profoundly disabled, and the great tragedy of it is how hard it is for people to tell—sometimes even for himself. Nobody likes pain, but people who are born without the ability to feel it end up losing fingers and limbs. Sommer seems to lack the ability to feel a certain more abstract but equally life-saving species of pain, the kind that tells you that what you are doing is going to cause harm to yourself and others down the line.

Did your feelings toward the military evolve while writing this book?
Surprisingly enough, I ended the book far more sympathetic to the military than when I began it. Educated, middle-class Americans have grown so insulated from military culture that it tends to look a little strange and scary to them. Ever since Vietnam and the abolition of the draft, our wars have been fought by the rural poor, which makes it particularly easy for urban elites to attach their political queasiness about our recent, ever-more-unjustified wars to the men and women who fight them. But the soldiers I’ve met are amazing people—kind, reflective and unusually well-informed. As in all arenas of life, there is a right and a wrong way to conduct oneself as a soldier, and the majority strive to conduct themselves in the right way.

How has writing this book about your family affected your life?
It has completely transformed it. I used to feel pretty alienated from my family. The men were all big, tough jocks and I was this scrawny math nerd who had no idea how to keep up with their banter. I couldn’t wait to leave home for college. Writing about Alex and the army connected me back to my family culture in a way that I never dreamed possible as a kid. I discovered that there was more love and joy available in these classically male modes of interaction than I had ever understood from outside them, but also a tremendous amount of elided pain. Learning about our family history, particularly the foundational influence of my grandfather’s horrific experiences as a soldier in World War II, taught me a lot about my relatives and myself.

What do you hope for Alex Blum’s future?
I hope he is brave enough to show people his vulnerability, confusion and pain. I hope they see the goodness of his heart and give him the opportunity to show the strength of his character. I hope he starts a family and teaches his own kids how to skate. I hope this book doesn’t upend the impressive life he has managed to build for himself as a convicted felon (no easy feat in America).

You’re a former mathematical prodigy and have just completed a wide-ranging, engrossing book about the military, the nature of loyalty and truth, the complex dynamics of male relationships, bank heists and morality. What’s next for you?
I’m still interested in science, but seven years of thinking about Alex and morality have shattered so many of my old scientific beliefs—most notably, my commitment to materialist determinism. I now find the great and pressing mysteries to be the human ones. I am going to keep trying to make a living as a writer as long as they let me get away with it. My next project will address the psychology of morality, religion and trauma.

You dedicate this book to your grandmother, Oma. Can you tell me a bit about your relationship with her?
Oma is a tough Texan belle who taught me manners, pride and that ineffable quality called grace. So much of Ranger Games is about men, and so much of my childhood was about men, but Oma was, looking back, just as much an influence on our family culture as my grandfather. Alex and I both love her dearly.

 

Author photo by Ned & Aya Rosen

We asked Ben Blum a few questions about the Army Rangers program, masculinity and how writing his fascinating book, Ranger Games ultimately affected his family.

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