Summer reading 2022

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Readers are treated to two expertly crafted mysteries in Australian author Sulari Gentill’s The Woman in the Library.

Four strangers are sharing a table at the Boston Public Library when they hear a woman’s terrified scream. Winifred “Freddie” Kincaid, Cain McLeod, Marigold Anastas and Whit Metters form a quick friendship while they wait for security guards to figure out what happened. When a woman’s body is later found in the library, the new friends realize they didn’t just hear a scream: They may have overheard a murder. Freddie, Cain, Marigold and Whit set out to discover what happened that afternoon, but they soon realize that their meeting wasn’t random—because one of them is the murderer.

The Woman in the Library audiobook
Read our audiobook review! Voice actor Katherine Littrell brings a measured sense of menace.

But there’s yet another twist! The characters of Freddie, Cain, Marigold and Whit are just that: characters in a novel being written by an Australian woman named Hannah. She’s corresponding with an American writer named Leo, emailing him the chapters of her mystery novel as she completes them. Leo’s detailed responses follow each chapter, and readers soon realize he is more than an appreciative fan. Leo may be just as dangerous as one of the characters in Hannah’s story.

The author of more than a dozen mysteries, Gentill has created a smart, engaging novel that blurs genre lines. The mystery set within the library is a fresh take on the locked-room mystery, and Leo’s emails to Hannah create an increasingly ominous epistolary thriller, despite the distance between the characters. It’s an inventive and unique approach, elevated by Gentill’s masterful plotting, that will delight suspense fans looking for something bold and new.

Readers are treated to an inventive and expertly crafted mystery-within-a-mystery in Sulari Gentill's The Woman in the Library.

Some people deserve to die. At least, that’s Ruby Simon’s mindset. The protagonist of Sascha Rothchild’s Blood Sugar isn’t your typical suspected murderer. She’s a Yale graduate and a successful psychologist in her home city of Miami, and she was happily married until her diabetic husband, Jason, passed away. Now Ruby is accused of Jason’s murder, with plenty of time to think back on her checkered history as she waits in a police station. What follows is a Promising Young Woman meets “Dexter” thriller that’s both highly suspenseful and strangely empowering.

Ruby’s always been a Type A personality, pulling top grades and volunteering with animal rescues even during her wild teen years of club-hopping, snorting cocaine and hooking up with older men. Every now and then, she’s brought it upon herself to correct the injustices she saw around her. When Ruby was 5, she made sure her older sister’s bully drowned beneath powerful ocean waves. In high school, she fought back against her friend’s father, whose hands would never wander again after that. But Ruby genuinely loved Jason, a gentle Georgia native she met at an antique shop—so why is she under suspicion for his untimely demise? Could it have something to do with Jason’s aptly named mother, Gertrude, who has never hidden her disapproval of their marriage?

Rothchild is both a memoirist and an Emmy-nominated screenwriter for shows such as “The Bold Type,” “The Baby-Sitters Club” and “GLOW.” Her debut thriller successfully executes all the elements of a crackling mystery: page-turning plot beats, snappy dialogue (especially between Ruby and Roman, her narcissistic college bestie-turned-defense attorney) and vividly drawn characters. Readers will root for Ruby’s acts of vigilante justice toward toxic male figures while also questioning her reliability as a narrator. For those who love a fascinating, complicated female lead with more than one ax to grind, Blood Sugar is an absolute must.

Promising Young Woman meets “Dexter” in this highly suspenseful and strangely empowering thriller from an Emmy-nominated screenwriter.

The Dunne family has made a comfortable home in Seaside, New Jersey. Margot and Brian Dunne have built a business of beach-house rentals, and their teenage daughters, Liz and Evy, help out on weekends. But this summer, a fast-growing brain tumor has turned energetic Brian into a stranger who is prone to obsessive behavior and speaks in meaningless phrases. Brian is dying, and Margot, Liz and Evy take turns caring for him and accommodating his odd demands in “a world where all the same rules of how to behave still applied, even if he couldn’t follow them anymore.”

Katie Runde’s debut novel, The Shore, rotates through the perspectives of Margot, Liz, and Evy as they attempt to carry on with their lives while managing Brian’s care. Liz and Evy work summer jobs—Liz renting out beach umbrellas and Evy making candy at Sal’s Sweets—while seeking, and maybe finding, their first loves. Margot soldiers on at the business that she and Brian worked so hard to build over the years, which now makes her feel trapped.

But Margot is also keeping a secret, one that helps her cope with her difficult present and imagine a life after Brian. She has an account on a site called GBM Wives, an online support group for women whose husbands have glioblastoma multiforme tumors. What she doesn’t know is that Evy has caught on and is lurking in the forum where Margot shares all the fears, anger and secrets she’s concealing from her daughters.

Runde has written a heartfelt family drama saturated with a sense of place and the passage of time. Brian’s decline occurs over the course of one summer, but the novel also explores the long, complicated history of Margot and Brian’s relationship. Along with the particulars of life in a Jersey Shore town and evocative sensory details of the beach, Runde vividly renders a portrait of a family on the edge. The novel occasionally moves into a more lyrical, meditative mode that imagines the Dunnes in the future, but there is also excellent use of more prosaic text messages and emails.

The Shore will appeal to readers of Tracey Lange’s We Are the Brennans and Rachel Beanland’s Florence Adler Swims Forever, two other family stories with slowly revealed secrets.

Katie Runde's debut novel, The Shore, is a heartfelt family drama saturated with a sense of place and the passage of time, perfect for fans of Tracey Lange's We Are the Brennans.
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The Nile’s mythic reputation as the longest river in Africa, and arguably the world, once inspired generations of European explorers to seek its source—and exploit Africa’s vast resources in the process. Now, thanks to this richly detailed story well told by historian Candice Millard, a colorful and controversial chapter in world history resurfaces. In River of the Gods: Genius, Courage, and Betrayal in the Search for the Source of the Nile, 19th-century explorers’ egos loom godlike over expeditions, their abused local guides save lives and prompt discoveries, and the second largest continent on Earth finally gets mapped.

Millard, the prize-winning author of Hero of the Empire, among others, introduces a cast of characters and succeeds in making each of them unforgettable. Richard Burton, “an army of savants in a single man,” was chosen by the Royal Geographical Society in 1856 to head the expedition to locate the source of the Nile—“one of the most complex and demanding expeditions ever attempted.” But he soon ran afoul of his quirky colleague, John Hanning Speke, and barely survived their quest. It was Speke who earned the discoverer’s fame and glory, though his character flaws (paranoia and narcissism among them) marred his reputation and may have cost him his life. Sidi Mubarak Bombay, the previously enslaved man who guided the expedition and repeatedly saved them from treachery, disease, injury and themselves, didn’t immediately receive recognition for being integral to their success. Burton’s wife, Isabel Arrundell, was a fervent Catholic who defied her mother to marry Burton, a proclaimed agnostic who proposed by dropping off a note on his way to Africa.

Millard excels at describing it all, balancing narrative flow with abundant details that give a vast landscape its weight and power, clarify complicated people and arduous journeys, and add those who have gone largely unseen to the historical stage. Take, for example, such memorable details as a beetle burrowing into Speke’s ear; the thieves, deserters and raiders thwarting these yearslong expeditions; diseases and infections leading to blindness, deafness and death; the hardships of Bombay, who was once traded for cloth; and two huge, breathtakingly beautiful lakes, one of which, it was finally proven, spawned the Nile.

In River of the Gods, a mythic and unforgettable history of the Nile, European explorers’ egos may loom godlike but East African guides save lives.

When do pleasures become guilty, transforming from sources of pure fun into fodder for defensiveness? And why is it so difficult for so many adults, especially women, to enjoy their interests regardless of what other people think?

Australian science writer Tabitha Carvan found herself asking these questions when, much to her surprise, she suddenly became a devoted fan of English actor Benedict Cumberbatch at age 36. As an overwhelmed and exhausted mother of two young children, she was “stuck in an interminable holding pattern, circling the airport and dumping fuel. . . . I was praying for something to hit me, just to break up the monotony.”

Author Tabitha Carvan extols the importance of completely pointless fun.

Turns out, watching Cumberbatch in the BBC series “Sherlock” was just the thing. But the intensity of her interest confounded Carvan, not least of all because of its similarity to her teenage obsessions with U2 and INXS. She thought she’d left those sorts of fanatic feelings behind, she explains in her clever and charming debut, This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something—Anything—Like Your Life Depends On It. And she had no idea why they were surging back in response to this man, at this time.

She dove into Cumberbatch’s repertoire in search of answers, following a “viewing schedule [that] was being determined by Benedict Cumberbatch’s IMDb page like it was the actual TV guide.” Along the way, Carvan found that she felt the need to hide her infatuation, even as it was reviving her sense of self. So she investigated her new dedication to fandom: She read books on identity and fantasy, pondered friends’ comparatively dull obsessions (“that bird was very boring and Benedict Cumberbatch is very interesting”), and interviewed numerous fellow Cumberbatch fans.

Carvan’s candid revelations about the ways in which passion, bias, identity and motherhood intersect are hard-won and insightful, not to mention humorous. As she shares them in This Is Not a Book About Benedict Cumberbatch, she makes an excellent case for taking time to figure out what you like and embracing the delight it brings—no shame allowed. Plus, a witty, well-researched appendix offers copious information for the Cumber-curious; “Top ten Benedict Cumberbatch characters, hairwise, according to me” is particularly enlightening.

In her funny, thought-provoking memoir, Tabitha Carvan makes an excellent case for figuring out what you like and embracing the delight it brings—no shame allowed.
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With dashes of inspiration from One Thousand and One Nights, Chelsea Abdullah’s debut fantasy kicks off in a world of sand and magic. The Stardust Thief follows Loulie al-Nazari, aka the Night Merchant, a trader of illegal magic who is ordered by the sultan to find a powerful relic—a lamp that will heal the land but destroy all jinn in the process. With the help of her jinn bodyguard, Qadir; the sultan’s son, Prince Mazen; and Aisha bint Louas, a relentless jinn hunter, Loulie must cross through treacherous territory and endure brutal trials to recover the lamp.

Rather than overwhelming the reader with multiple plotlines and a sprawling cast of characters, The Stardust Thief focuses on its central trio and the locales they visit. The various settings never feel empty or underpainted, especially in the sections told from Prince Mazen’s perspective: Forced to live cooped up in the palace for most of his life, his eager delight at finally experiencing the broader world is infectious. As the party draws closer to the lamp, Abdullah slowly unveils new truths about this world, resulting in a narrative that grows richer as it intensifies in pace. With each revelation, from the nature of relics to the existence of ifrit (hyperpowerful jinn), Abdullah propels the reader forward, heightening anticipation for what the next few pages will bring.

Loulie, Aisha and Mazen are drawn in exacting detail, with all their strengths, faults and feelings on full display, and The Stardust Thief is full of captivating intrapersonal conflict. Abdullah does a fine job creating realistic protagonists with clear differences and opposing philosophies: Loulie despises the task she has been given, Aisha despises the work Loulie does and Mazen just wants everyone to stop fighting.

Abdullah has put together a strong start to a series, setting up characters readers can root for even when those characters are opposed to one another, building a world that promises new twists every few pages, and crafting an ending that clearly leads into the next two books in the series. With its healthy balance of intrigue, character growth and action, The Stardust Thief is an enjoyable read that slowly enchants its readers.

Inspired by One Thousand and One Nights, The Stardust Thief will enchant fantasy readers with its captivating balance of intrigue, action and character growth.
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The Mutual Friend is a stylized, laugh-out-loud funny social satire with devastating aim.

Like his long-running sitcom, “How I Met Your Mother,” Carter Bays’ debut novel is a New York City-set ensemble comedy with plenty to say about the discontents of modern life and the difficulty of connection, with one character who acts as a pivot around which the story hinges.

Alice Quick, originally named Truth, was one of twin baby girls adopted by two different families in the Midwest shortly after birth. A musical prodigy turned chronic underachiever, Alice feels rudderless and lost. She wants to be a doctor—possibly, maybe—but lacks the energy to follow through. Even registering for the medical school entrance exam is overwhelming.

When Alice’s roommate gets engaged, things go from difficult to worse. Alice is suddenly in need of shelter, and desperation lands her in a basement apartment near Columbia University. Finding housing in a convenient neighborhood seems lucky, but Alice quickly gets caught up in the whirlwind that is her new roommate, the imposing and mercurial Roxy.

Roxy is a tour-de-force character who epitomizes the ephemeral nature of life in 2015 New York City. She has a complicated yet hilarious relationship with reality, and the push-pull of her conversations with Alice is priceless. But Roxy is just one of the wonderful and absurd creations within Bays’ debut.

Like The Bonfire of the Vanities for the era of reality TV and social media, The Mutual Friend is a conflagration of cringe, as Bays paints a slightly heightened and terrifying vision of life in our age of distraction. Similar to Patricia Lockwood’s 2021 novel, No One is Talking About This, Bays’ novel sometimes replicates the thought processes of a brain addled by the overstimulation of the internet and omnipresent media: run-on sentences, a litany of random bits of information hitting the reader from multiple sources and a narrative that bounces from one topic to another with abandon.

More than anything else though, the nearly 500-page novel explores people bumping into one another and deciding if they have what it takes to make it stick. And because the book is poised for laughs and broad humor, its painful, critical sections hit harder. For example, Roxy’s second date with a slightly older man, Bob, whom she met on a Tinder-like service called “Suitoronomy,” goes south when she discovers that he’s the focus of a “DO NOT date this guy” blog post. Exposed, charming, dimpled Bob hits back with misogynistic venom. His response is beyond cringe; it’s repulsive. Yet it’s hard to dismiss Bob as a mere internet creep, as the novel gives him an origin story, too, and his tendency to follow the newest, shiniest thing is reflected throughout the larger story in many ways.

The Mutual Friend dwells at the corner of restless and randomness, displacement and dissatisfaction. The narrative is full of stray thoughts and chance encounters, everything fleeting and devastating. All told, it’s riveting.

The Mutual Friend is a conflagration of cringe, as debut novelist Carter Bays paints a slightly heightened and terrifying vision of life in the age of distraction.
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A former college roommate drops into Ava Wong’s seemingly perfect life after 20 years and wreaks havoc in Counterfeit, Kirstin Chen’s lively caper about importing counterfeit high-end handbags from China. Chen’s third novel is a breezy read with unexpected twists, carried along by Ava’s seemingly heartfelt narration as she confesses her involvement to a police detective. Along the way, there are plenty of fascinating details about luxury goods and the shadow industry of fake designer products. (Even readers who aren’t fashion devotees will likely find themselves checking the prices of crocodile Birkin 25s and Hermes Evelynes as the plot thickens.)

Ava, a Chinese American graduate of Stanford University and law school at the University of California, Berkeley, is a corporate lawyer on leave with a toddler son and a surgeon husband. She’s given little thought to former roommate Winnie Fang, who abruptly left college and returned home to China after what appeared to be an SAT scandal. Upon their unexpected reunion, Ava is amazed by Winnie’s transformation from an “awkward, needy . . . fresh off the boat” college freshman into a glamorous, successful businesswoman.

Rather quickly, Winnie inserts herself into Ava’s life. The timing is just right for such an intervention, as Ava is particularly vulnerable: Her mother recently died, her son throws nonstop tantrums, and Ava can’t stand the thought of returning to her legal firm.

Eventually Winnie recruits Ava to join her scheme: buying high-end handbags from luxury stores, returning imported counterfeits to the stores and then selling the real bags on eBay. Winnie maintains that it’s a victimless crime: “Those luxury brands, they’re the villains.” As the women dart back and forth to China and Ava falls in line with Winnie’s ways of thinking (“That level of audacity, daring, nerve—well, it was intoxicating.”), the novel explores questions of status, commerce and how the two are intertwined. As Winnie notes, “A Harvard degree is not so different from a designer handbag. They both signal that you’re part of the club, they open doors.”

Chen, author of Soy Sauce for Beginners and Bury What We Cannot Take, is a versatile, savvy plotter, and Counterfeit readers will be easily drawn into this morally complicated world.

Kirstin Chen is a versatile, savvy plotter, and Counterfeit readers will be easily drawn into this morally complicated world of high-end counterfeit handbags.
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An old adage, adapted from the title of a Thomas Wolfe novel, insists that you can’t go home again. Linda Holmes’ deeply entertaining and heartfelt second novel, Flying Solo, counters with: Well, you can, but it will probably be messy and chaotic, and you’ll need some wine and a few friends.

Laurie Sassalyn’s beloved great aunt Dot has died. A journalist living in Seattle, Laurie has been tasked with going through Dot’s belongings and preparing her seaside house in Calcasset, Maine, for sale. Laurie travels to her hometown for the summer and sets to the task at hand with the help of her childhood best friend, June, and her ex-boyfriend Nick, now the town librarian.

As Laurie sorts through 90 years’ worth of photos, letters, books and memorabilia, she comes across a handcarved, beautifully painted duck tucked deep inside a chest. Intrigued, Laurie begins researching this mysterious duck and why Dot had hidden it so carefully. The more Laurie learns, the more she is convinced there is a secret attached to this simple wooden duck.

NPR pop culture reporter Linda Holmes’ first novel, Evvie Drake Starts Over, which was also set in Calcasset, is beloved by readers and critics alike. Flying Solo is another absolute winner. It’s hilarious and insightful, with vivid characters who act and speak in utterly human and believable ways.

Holmes describes Calcasset with such precision and love that it becomes an additional character. In particular, the local library features prominently in the story: “A small parking lot, a bike rack, and a book drop bin sat in front of the big stone building, more like a church than the kind of brutalist block big cities had, or the office-park splat of a structure that too many suburbs got stuck with in the 1970s. This building had been here since 1898 and was on the National Register of Historic Places. This was a proper library.”

Flying Solo has it all: a mystery, shady con artists, a fabulously funny and supportive friend group and even a steamy romance. In the end, though, it’s a deeply felt examination of the choices we make and the many ways we define family.

Linda Holmes’ second novel has it all: a mystery, shady con artists, a fabulously funny and supportive friend group and even a steamy romance.
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If you enjoy hiking up and down remote mountains while laden with excessive outdoor gear, then The Hiking Book From Hell is probably not the travelogue you’re looking for. On the other hand, if you enjoy strolling through your city, hanging out in pubs or chatting with strangers, then author Are Kalvø is your man. Kalvø, one of Norway’s most popular satirists, is a cheerful urbanite with little to no interest in nature. In his mid-40s, however, he realized that many of his friends were joining the swelling ranks of people who subject themselves to deprivation and possibly even death in pursuit of an “authentic” experience with nature. This insight brought Kalvø face to face with life’s most profound question: Is it them, or is it me?

Kalvø also had serious questions about Norwegians’ mania for nature. As a committed extrovert, he found their quest for isolation and silence disturbing. Also, nature worship can be exclusionary; the high cost of equipment and clothing ensures that nature is reserved for the well-off, while proposals to make the outdoors more accessible to disabled people are vigorously opposed. And if people went into nature to lose themselves in a transcendent experience, then why were there so many nature selfies on Instagram?

Accompanied by his wife, the “Head of Documentation,” Kalvø went on two nature treks to see what all the fuss was about—but he never really found out. Climbing steep, fog-bound mountains in the rain is as much fun as you would expect. Skiing for miles can be pretty boring. And, as he discovered, there’s something about being one with nature that changes ordinary people into boastful, unbearably smug liars who tell you with a straight face that a hike is “lovely” when they really mean “likely to kill you.”

But Kalvø tells his story with such deft humor and affectionate irony, wonderfully conveyed by Lucy Moffatt’s translation, that all you can do is laugh at his misadventures—and be grateful that you’re reading The Hiking Book From Hell in the comfort of your home.

Are Kalvø, an urbanite with no interest in nature, tells of venturing into the outdoors with such deft humor that all you can do is laugh at his misadventures.
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The story in Chris Bohjalian’s The Lioness is straightforward: Beloved movie star Katie Barstow hosts an all-expenses-paid photo safari to Kenya with her new husband, David Hill; her brother, Billy Stepanov; Billy’s pregnant wife, Margie; and their friends, including the actors Terrance Dutton and Carmen Tedesco, and Carmen’s husband, Felix Demeter. Shortly after they arrive, the group and their guides are kidnapped. As they soon winkle out, their captors are Russian with noms de guerre taken from American astronauts.

It’s important to know that this all goes down in 1964, a year of not only the Cold War but also the Simba rebellion in the eastern Congo, the Guinea-Bissau War of Independence and various other conflicts around the African continent. It is a terrible time to fly to East Africa to take pictures of wildlife.

Each chapter is narrated by a different person, framed by the narration of a now-elderly member of the group who’s looking back on these events from 2022. While most of the captives show a surprising amount of mettle when faced with a group of criminals who will shoot them as easily as they would a game animal, some readers may wonder whether Katie and her guests are acting as if they are in a movie in which everything depends on outsmarting the latest Bond villain. They seem to have learned survival strategies from somewhere, and why not Hollywood?

Some of the captives discover that escape comes with its own problems, including the scorching sun and a lack of food, water and first aid out on the savanna. There are also dangerous animals, some of which target humans as an easy meal. With a matter-of-fact tone, Bohjalian details death by leopard, hyena and, in one truly satisfying scene, puff adder. When the captives have a moment to catch their breaths, they wonder why they were nabbed in the first place. Of course the kidnappers wanted high-profile targets who’d bring them a nice bit of ransom money—but there’s also a darker reason connected to the Cold War.

Bohjalian traveled to the Serengeti to research this novel in 2020, but his fast-paced tale allows little time for contemplating sunsets through the branches of baobab trees. Instead, The Lioness succeeds in showing how otherwise pampered folks react when faced with the unthinkable.

Chris Bohjalian’s fast-paced tale of a safari gone wrong shows how pampered folks react when faced with the unthinkable.

Dinosaurs are such a large part of our culture—from books, movies and amusement park rides to children’s toys, clothing and even dino-shaped chicken nuggets—that it’s hard to imagine a time before we knew these huge beasts walked the earth millions of years before us.

The backstory to that revelation is thrillingly outlined in a new book by Reuters senior reporter David K. Randall (Dreamland) called The Monster’s Bones: The Discovery of T. Rex and How It Shook Our World. While on an outing to the American Museum of Natural History in New York City, Randall and his family kept circling back to the captivating, terrifyingly surreal Tyrannosaurus rex exhibit, prompting his son to ask, “Who found these dinosaurs?” This perfectly reasonable inquiry inspired Randall to consider “the human stories behind prehistoric bones.”

In The Monster’s Bones, Randall delves into early fossil discoveries and scientists’ subsequent interpretations of these bones’ origins. As it turns out, industry titans weren’t the only ruthlessly determined men of the Gilded Age. This era also inspired the “bone wars,” literally a race to find the largest and most complete dinosaur skeletons. Housing these displays at museums and universities was a huge status symbol and a way to draw in the public and boost admission.

Randall focuses on the stories of two very different men who participated in this competition: paleontologist and Princeton graduate Henry Fairfield Osborn, and Barnum Brown, a farmer’s son from Kansas who was a skilled fossil hunter. Brown would travel thousands of miles, from the American West to Patagonia, in order to hunt down prize specimens for Osborn’s American Museum of Natural History. Their intertwined story is full of adventure, intrigue and conflict, leading up to Brown’s world-changing discovery of the ferocious T. rex.

Exciting as any action tale, The Monster’s Bones features characters from all walks of life, from cowboys and ranchers to scientists, railroad magnates and university scholars. As with any valuable assets, greed was a big factor driving this race to succeed. However, it also pushed science ahead by leaps and bounds, leading to findings that still inform paleontologists and biologists today.

Exciting as any action tale, The Monster’s Bones shares the human stories behind some of history’s most thrilling fossil discoveries.
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Five years after the car crash that stole the love of her life, Nigerian American artist Feyi Adekola finally wants to start living again. Her grief over her husband’s death is still sharp, but she is determined to try. So Feyi and her roommate, Joy, go to a grand party in Brooklyn, and their night out is an unqualified success. Feyi drinks, dances and meets a handsome man, Nasir Blake, who wants to sweep her right off her feet.

Nasir is a patient, kind and determined (slightly) younger man with the resources of a minor prince. He invites Feyi to visit his Caribbean island home, where he’ll introduce her to his art collector father and the curator of a group exhibition of artists of the Black diaspora. It’s just the break Feyi needs, but five minutes after their plane touches down, she knows that the man she’s drawn to isn’t Nasir. It’s his elegant, gorgeous father, celebrity chef Alim Blake. Like Feyi, Alim is an artist who lost a spouse too soon, and while their connection is enriched by this common ground, their attraction is elemental.

In You Made a Fool of Death With Your Beauty, National Book Award finalist and Stonewall Award winner Akwaeke Emezi has written a lush, high-stakes romance novel that diehard romance loyalists and genre newcomers alike will appreciate. Emezi’s literary range is legendary, having succeeded in memoir, poetry and literary fiction for both adult and young adult readers, but it’s still a wonder that they’ve pulled off one of the most sensational and taboo tropes in the romance genre: falling in love with the parent of your romantic partner—in this case, the hot dad or “DILF.” For me, as for many readers, family boundaries are sacred—or, from another perspective, radioactive. Emezi conquers these reservations with palpable chemistry and gorgeous prose, offering an indelibly poignant portrait of a second chance at love for two people who have suffered searing loss.

Emezi’s novel is notable for respecting the conventions of the romance genre while imbuing Feyi and Alim’s story with a distinctly progressive sensibility. The lovers are finely drawn, modern and specific. Both are Black, queer and sexy, and descriptions of their beauty are worth the price of admission alone. Feyi’s artwork is experimental and edgy, with a secret ingredient I won’t spoil.

Another lovely element of the novel is Emezi’s departure from the implicit rule that a romance protagonist can’t hook up with anyone but their one true love. Feyi experiments sexually, makes a risky choice or two and isn’t punished for it. Her freedom and sex positivity shouldn’t be rare in romance novels, but it is.

The list of admirable qualities of You Made a Fool of Death With Your Beauty is long, but I’ll end with this: Emezi executes their first romance with creativity and deep respect. Come for the swoon; stay for the passion.

With You Made a Fool of Death With Your Beauty, Akwaeke Emezi executes their first romance with creativity and deep respect. Come for the swoon; stay for the passion.

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