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Quite often in fiction, the figure of the vampire has represented loneliness; readers are very accustomed to the particular kind of yearning that immortality and blood thirst can bring. We’ve seen it in the work of Anne Rice, Stephenie Meyer and many more, but we’ve arguably never seen that sense of yearning quite the way Rachel Koller Croft portrays it in her new novel, We Love the Nightlife.

In Croft’s follow-up to her debut, the thriller Stone Cold Fox, the vampires of Nightlife are draped in yearning even as their never-ending revels mask what they really want. Croft’s protagonist, Amber, is frozen in her party girl prime, turned in the waning days of the 1970s by her maker, the beautiful and manipulative Nicola. Decades later, despite the comfortable life they share in a Victorian mansion, and Nicola’s ambition to open a new nightclub to be their personal playground, the old ways of doing things start to chafe at Amber. She begins to imagine what life might be like without Nicola, and considers what an escape plan might look like. But Nicola’s influence is powerful, her ambitions are vast and her appetite for control deeper than Amber ever imagined.

When we meet her, Amber is not physically alone, but she is lonely, trapped in a domineering friendship she’d rather leave, desperate for a way to change her circumstances and yearning for a different life. It’s a place most of us have been at some point or another, and despite her vampiric nature, Amber feels like one of us. This is mainly due to Croft’s skill; her conversational, warm and relatable prose depicts Amber not as a lonely monster, but as a person longing for freedom in a savage world covered in glitter and awash with pulsing music.

The real magic trick of the novel, though, is how Croft fleshes out the world beyond Amber’s view. Nicola’s perspective is also laced throughout the narrative, from her childhood more than a century earlier to her very particular desires in the present day. We get to see not just Nicola’s side of the story, but her own brand of yearning, giving the book an antagonist who’s not just remarkably well-developed, but human in her own twisted way. These dueling perspectives, coupled with memorable side characters and a beautifully paced plot, make We Love the Nightlife an engrossing, darkly funny, twisted breakup story that’s perfect for vampire fiction fans and fans of relationship drama alike.

We Love the Nightlife is an engrossing, darkly funny and twisted story about a friendship breakup—between two vampires.
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An ibex stands on a mountain, peacefully grazing, until they are challenged for “the top spot.” In response, the ibex asks, “But what are we even fighting for?” When the ibex receives an attack instead of an answer, they flee from the challenge. Fleeing does not solve problems, however—and it certainly doesn’t get them the top spot. 

A scraggly goat might hold the answers as to how to claim the strange prize. Can the ibex take the goat’s advice, return to the ibex herd and outwit the others? And even if they do, what does winning the top spot really mean?

Frank Weber’s new picture book The Top Spot offers wry commentary on exceptionalism: Why claim the top spot at all? 

Perfect for fans of We Are Definitely Human, The Top Spot explores the strength to be found in cunning over size, as well as how the things we fight over may, ultimately, be pointless. Sparse text lets the artwork shine, leading its unconventional jokes to hit all the harder, with unexpected payoffs as the book progresses. 

Existentialist humor combined with expressive illustrations and a muted, earthy palette makes this picture book one that readers of Jon Klassen will particularly enjoy. Children will be encouraged to examine why they might be competitive with their friends and what, in the end, it actually gets them. The answer might surprise.

Frank Weber’s new picture book The Top Spot offers wry commentary on exceptionalism: Why claim the top spot at all?
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Nadia Ahmed’s The Ghost Who Was Afraid of Everything is not only a charming Halloween tale, but also an excellent year-round story about facing one’s fears. Young Finn is scared of many things, including tree branches, butterflies, the color orange and flying. On Halloween, he stays home in his attic—noisy humans also make him anxious—while his older brother and sister have a grand time careening through the air. However, when they fail to bring back Finn his favorite Halloween treat (chocolate bats), he swears that he will fly to get his own next year. 

Ahmed’s prose perfectly captures Finn’s trepidation in just a handful of words that will resonate with young readers: “When Finn is afraid, his stomach swoops, his hands sweat, and he can’t move.” Happily, Finn’s gradual self-regulated program of exposure therapy works! He starts out small, simply touching a leafless branch “for one whole minute.” 

Ahmed’s whimsical illustrations are mostly in black and white at the start, except for flashes of that dreaded orange. Despite this limited palette, the pages are wonderfully appealing, never scary or dull. Finn is a simply drawn ghost, but somehow his spirit—pardon the pun—and resolution shine through on every page. As he tackles his fears one by one, color gradually enters his world. The final spread is a glorious ode to Halloween orange, as well as other small splashes of the rainbow. Ghoulishly great, The Ghost Who Was Afraid of Everything will inspire readers sidelined by their own jitters. 

 

The Ghost Who Was Afraid of Everything is a ghoulishly great Halloween story as well as an inspirational guide for readers sidelined by their own jitters.
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Be careful what you wish for. That’s definitely true for Hannah, the seventh grader whose journal constitutes Remy Lai’s Read at Your Own Risk. Hannah and her friends search for a diversion while “some boring author” comes to their school assembly to “talk about his spooky books, which I bet aren’t even spooky.” Instead of attending, they decide to venture into the school attic and play a Ouija board-style game they call “Spirit of the Coin.” After their session, however, Hannah quickly discovers that she is haunted by an evil spirit, who continues to terrify her, and even writes in her journal in red ink. 

The journal format will definitely appeal to middle grade readers, making the story all the more intimate and seemingly real. Nonetheless, be forewarned: As the cover filled with skulls and dripping with blood would suggest, this book is not for the squeamish. While many readers will revel in its thrills and chills, others may be completely terrified, especially by the frequent blood splatters, horrific dental details and the hospitalization of the narrator’s young brother. 

Those whom those details don’t scare off may easily find themselves reading it more than once, looking for clues about the evil spirit. Read at Your Own Risk is a dynamic display of scary storytelling and compelling, haunting graphics that challenges readers to create their own journals. Lai leans into the mysterious as she wields her craft, noting, “Telling a story is like piecing together a jigsaw puzzle. Only the storyteller has the box and knows what the whole picture looks like.”

Read at Your Own Risk is a dynamic display of scary storytelling and compelling, haunting graphics that challenges readers to create their own journals.

School’s out and Jesus is itching to run outside and play, but wait—Mama has to watch her telenovela first. “When you’re an only child, with no brothers or sisters to play with,” he remarks, “you have to make your own fun.” To pass the time, he sweeps, dusts and eats “all the cereal we’re running low on. That way, we can start on the new box!”

When a stunned Mama encounters the chaos wrought by Jesus’ helpfulness, she conjures up an idea to keep him entertained so she can enjoy her afternoon TV: “What I really need is someone to look after my dear plantitas. . . . Someone who will be a big brother to these magnificent plants.” 

In 2023’s Papa’s Magical Water-Jug Clock, which received a Pura Belpré Honor for both writing and illustration, readers learned that Jesus is a sweet, spirited little boy who takes pride in helping his family. First, he assisted Papa with outdoor landscaping; now, in Mama’s Magnificent Dancing Plantitas, he’s excitedly dubbed himself indoor “Chief Plant Officer!”

Jesus takes his job seriously, and as he waters and chats with the greenery in his charge, he also shares his takes on them, including a “grumpy” sunglasses-wearing cactus and a Swiss cheese plant with holey leaves: “By the way, don’t eat them,” he warns. “They definitely don’t taste like cheese!”

When his attempt to cheer up a droopy golden pothos via impromptu dance party goes terribly awry, Jesus’ anxiety is hilariously illustrated by Eliza Kinkz in double-page spreads of soaring despair. He ponders his fate as a “murderer” and envisions a somber yet delightfully punny plant funeral. What will his parents think? Does Mama’s favorite plant have a chance at survival? 

Stand-up comedian and TV writer Jesus Trejo has created another warmly funny story that highlights the value of improvisational thinking, the beauty of a loving family and the joys of houseplants. Kinkz’s kinetic, colorful illustrations serve as a wonderful counterpoint to this winning treasure of a tale that reminds us that “breaking things is part of life. Sometimes, it’s even what helps us grow.”

 

With Mama's Magnificent Dancing Plantitas, Jesus Trejo and Eliza Kinkz have created another warmly funny story that highlights the value of improvisational thinking, the beauty of a loving family and the joys of houseplants.
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With Vikki VanSickle’s compelling rhyming couplets and Jensine Eckwall’s lush, moody illustrations, Into the Goblin Market has all the makings of a modern classic, while giving a delightful nod to European fairy tales. The book is a tribute to Christina Rosetti’s 1859 poem, “Goblin Market,” about sisters Laura and Lizzie. VanSickle has used the original to create a similar tale about two young sisters who seem to live alone in a fairy tale-like world “on a farm, not far from here.” Millie is quiet and bookish, while Mina, with a head full of wild, curly hair, is daring and always ready for adventure. One night, Mina sneaks away to the Goblin Market, even though Millie has warned her, “The Goblin Market isn’t safe. / It’s a tricky, wicked place.”

When Millie awakes and sees that Mina has disappeared, she consults her library and takes several items that end up providing invaluable protection. Eckwall’s intricate, woodcut-inspired art vividly conveys the magic and danger that awaits. Occasional red accents in these black-and-white ink drawings highlight objects such as the hooded cape Millie wears as she sets off, looking just like Red Riding Hood—and, indeed, a shaggy black wolf is the first thing she encounters. 

Once she enters the market, “Everywhere that Millie looked / was like a nightmare from her books.” There are strange sights galore, including a multitude of goblins and an evil-looking witch, but there’s no sign of Mina, whom Millie knows is in trouble. The pages are definitely a feast for the imagination (although the very young may find them frightening). 

Both sisters use their wits admirably to escape the many dangers, and there’s a wonderful surprise at the end, just when all seems to be lost. Into the Goblin Market is a delicious treat for those yearning for a bit of frightful adventure. 

 

A tribute to the work of Victorian poet Christina Rosetti, Into the Goblin Market is a delicious treat for those yearning for a bit of frightful adventure.
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When circumstances force Christopher to spend time at his grandfather’s house in the middle-of-nowhere in Scotland, he expects it to be a bore—until he discovers the Archipelago. Home to creatures of myth and items of magic, Christopher’s family has protected the door to the Archipelago for generations. When a young girl named Mal breaks through the entrance and begs Christopher to help save her life and the lives of all magical creatures, his “allegiance” to “wild and living things”—and his own curiosity—leads him to follow her back into the Archipelago.

With its immortal protector missing, dangerous creatures swarming and a strange force trying to take the world’s magic for its own, the Archipelago is no place for children. But Christopher and Mal are the only people who can save it, even if that means working with pirates, peculiar scientists, odd dragons and sphinxes that could easily kill them. If they survive, it will be quite the story to tell. If they fail, everything will fall to ruin.

Bestselling author Katherine Rundell returns to middle grade with the powerful and charming Impossible Creatures, a modern fantasy with a classic feel. It’s hard not to fall in love with the Archipelago: From Mal’s unique flying coat to the myriad of magical creatures, there is much in the world-building to enjoy. Artwork from Ashley Mackenzie highlights the story’s most fantastical moments, adding to the book’s classic adventure feel and immersing readers in its magic. A fully illustrated guide to the mythological creatures in the back matter fleshes out the fictional world, expanding upon little details only hinted at in the text.

Mal and Christopher serve as alternating narrators before the book settles into Christopher’s point of view, which may leave Mal’s early fans a little in the lurch as they hope for more of her perspective. Her role in the story, however, becomes one of utmost importance, and though the book comes to a satisfying conclusion, readers will be itching to see if and how her arc continues in the rest of the series.

Impossible Creatures is an ode to children’s ability to hope and to make hard decisions. As one character puts it, “Children have been underestimated for hundreds of years.” Younger readers who don’t handle dark moments well should wait until they are older to pick this up: The battle of goodness against despair involves death and does not stray away from a harsher narrative. 

But for readers who devour adventure fantasy stories like The Ogress and the Orphans by Kelly Barnhill as well as classics like Philip Pullman’s The Golden Compass, Impossible Creatures is a must-read.

Bestselling author Katherine Rundell returns to middle grade with the powerful and charming Impossible Creatures, a modern fantasy with a classic feel.
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Godfather Death is a lively retelling of a Grimm fairy tale about a poor fisherman looking for a godfather for his newborn son. The fisherman rejects God’s offer because he doesn’t feel God treats people fairly, especially since the fisherman and his family live in such poverty. He is smart enough to also reject the devil’s offer—but when Death comes along, he believes he has finally found an honest man. After the christening, Death lets the fisherman in on a scheme that makes him a rich man, but ultimately backfires in a tragic way.

As the fisherman’s captivating quest unfolds, Sally Nicholls weaves in plenty of humor: Christening guests stare at Death—a skeleton with his silver scythe and long black cloak—as “everyone tried very hard to be polite to the baby’s godfather.” When this skeleton figure eats food, “everyone wondered where it went.” 

Julia Sarda illustrates the tale in a limited palette of orange, mustard yellow, dark green and black, imbuing the book with an intriguing, stylized vibe reminiscent of old fairy tales. Her eye-catching illustrations will help readers understand that this is a tale meant to impart wisdom. Note that, like the original, the ending is abrupt and not at all happy. Nonetheless, Godfather Death is a memorable story that’s bound to encourage interesting discussions about life, death and honesty. 

 

Based on a Grimm fairy tale, Godfather Death is a memorable story that’s bound to encourage interesting discussions about life, death and honesty.
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The Transit of Venus (15.5 hours), Shirley Hazzard’s 1980 novel and winner of the National Book Critics Circle Award, tells the story of two Australian sisters, Grace and Caroline Bell, from their arrival in postwar England to their middle age. It is a nuanced and richly detailed exploration of love, power, fate and remorse that gets better with each rereading—and is now available for the first time as an audiobook.

Hazzard’s writing is at once deceptively simple and surprisingly complex, full of wordplay, literary and scientific allusions, and sharp-eyed observations. It could have been tempting for a narrator to exaggerate the puns and games, to make sure that the reader “gets it.” Happily, acclaimed actor Juliet Stevenson beautifully balances wit, irony and compassion to mirror the subtle richness of Hazzard’s novel. The result is a performance that invites the audience to listen again and again to this remarkable book.

Acclaimed actress Juliet Stevenson’s performance is a beautifully balanced blend of wit, irony and compassion that mirrors the subtle richness of Shirley Hazzard’s remarkable 1980 novel, The Transit of Venus.
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Felix Powell isn’t like most 8-year-olds. When his Nan gives him $5 to spend on anything at a thrift shop, he is drawn toward an old blanket. Additionally, he can communicate with his dog, the phenomenally named Mary Puppins. After he and Puppins try everything they can think of to discover the blanket’s secret magic, they decide to play a game: Can You Free Felix From the Blanket While He Holds On as Tight as He Can? But when the blanket comes off, it’s not Felix the Human Boy hiding underneath. Suddenly, he’s transformed into Felix Powell, Boy Dog!

Felix and Puppins proceed to have a day filled with learning all about being a dog, from bickering with the local stray cat, Gumbo, to learning how to “sweetface” and do “nice-thoughting” with Puppins. But as it gets closer to dinner time, Felix begins to worry how he is going to turn back into a boy. Can he get Gumbo to share the secret she seems to be holding in? Or will his Nan find two dogs when she goes outside to look for Felix?

Newbery Medalist Erin Entrada Kelly’s Felix Powell, Boy Dog is a heartwarming and hilarious opening to a planned series of illustrated chapter books. Felix is also friends with Marisol from Kelly’s previous Maybe Marisol series. New and returning fans will delight at how Kelly tiptoes into fantasy to answer a question many have surely pondered: What is it like to be a dog?

Black-and-white illustrations are equal parts adorable and entertaining, and sure to satisfy voracious graphic novel readers. Here Kelly leans into graphic novel elements, with entire sections of comic-style storytelling. Kelly’s books stand out because of her attention to detail and hidden Easter eggs. For example, in an illustration of a bookshelf at the thrift shop, a lot of the titles are books from Felix Powell, Boy Dog’s imprint, Greenwillow.

Sweet lessons about compassion, as well as copious animal facts, are sprinkled throughout. Reluctant and eager young readers alike will enjoy getting to know Felix and will anxiously imagine what animal he might change into next.

Reluctant and eager young readers alike will enjoy getting to know Felix Powell, Boy Dog, and will anxiously imagine what animal he might change into next.
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In You Will Never Be Me, Jesse Q. Sutanto not only gives readers a voyeuristic glimpse into the lives of mom-fluencers, she pulls off a twist sure to surprise even veteran thriller readers.

Meredith Lee and Aspen Palmer were once friends, but the cutthroat world of influencing has driven them to frenemy status. When they met, Meredith’s career as a beauty and fashion influencer was on the rise, but after Aspen had children, she pivoted into the mom-fluencer sphere and skyrocketed to fame. Now Aspen and her perfect home, husband and kids are driving Meredith insane with jealousy. She’s been trying to break into mom-influencing with her own baby, but she can’t quite crack it, and Aspen’s easy-breezy success is pushing her to the edge. When Meredith snags an iPad from Aspen, giving her access to all of Aspen’s accounts, she can’t resist wreaking havoc on Aspen’s carefully cultivated internet presence.

When Aspen’s immaculately scheduled and sanitized life begins to fall apart due to Meredith’s meddling (surreptitiously rescheduled meetings, declined sponsorship opportunities, etc.), she starts to question her own sanity. But what Meredith doesn’t realize is that Aspen can only be pushed so far. Her children are tired of playing a role for social media, her husband is distant and resentful of her success, but she can’t quit her online persona because of the six-figure income it provides.

Jesse Q. Sutanto finds the anxiety beneath the aesthetics.

Sutanto pulls back the curtain on a culture that is as intriguing as it is narcissistic. Meredith and Aspen both have to maintain a perfectly curated image in order to monetize their online presences, but those images are far from reality. The dissonance between the real world of crying children, messy homes and diaper blowouts and the aesthetic both women present online is impossible to resolve, and this anxiety, so vividly conjured by Sutanto, is clearly enough to drive Aspen and Meredith to unimaginable acts.

You Will Never Be Me’s truly twisty, unexpected plot will hook readers, even those who don’t find either of its main characters particularly likable—it hardly matters, as both are absolutely fascinating. The eventual confrontation between Meredith and Aspen is shocking and brilliantly executed, the crowning achievement of this truly unforgettable read.

Jesse Q. Sutanto pulls back the curtain on the world of mom-fluencers in her unforgettable, brilliantly executed thriller You Will Never Be Me.
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You might think you know what to expect from a book titled Voyage of the Damned. Author Frances White, I’m sure, will be pleased to upend your expectations. Murder, mystery and magic await, but there’s also a generous helping of humor, and an unforgettable narrator, too. Title be damned, this utter joy of a read would be Agatha Christie’s favorite fantasy.

To say that Ganymedes Piscero is a bit of an underachiever is putting it very nicely. To be fair, it’s easy to be an underachiever when your province is the butt of every joke in Concordia. At least he’s one of the Blessed, the heirs to the empire’s 12 provinces. Maybe the upcoming boat trip around the realm will bring him closer to the other Blessed aboard. They’re a varied group of characters, each of them possessing a secret magical talent, and Ganymedes has been more than happy to play the class clown for years. But when one of the Blessed turns up dead under mysterious circumstances, Ganymedes finds himself needing to be something he’s never been before: brave. Can he find the murderer and save the rest of the heirs aboard before it’s too late?

At times, fans of the genre can forget how important it is for a fantasy story to be fun. From start to finish, Voyage of the Damned proves just how pivotal a sense of joy can be. Ganymedes is one of the most entertaining narrators in years, full of snarky comebacks and nuanced layers. The mystery elements are sturdily crafted, and surprises abound. There are moments of intense emotion, as befits the subject matter, but White unleashes Ganymedes’ laugh-out-loud humor often, lightening the mood when the going gets rough.

Voyage of the Damned would make a fantastic travel book, sure to keep you reading even as your journeys distract you. Thanks to its mix of murder and mystery, even readers who are new to fantasy will find it impossible to put down. Climb aboard, watch your back and enjoy this juicy caper.

Despite its ominous title, Voyage of the Damned, Frances White’s fantasy-mystery hybrid, is an utter joy.

Flavia de Luce burst onto the cozy mystery scene in 2009, and now the precocious 12-year-old chemistry prodigy is back for the 11th time in bestselling author Alan Bradley’s What Time the Sexton’s Spade Doth Rust.

Once again, Bradley beckons readers into post-World War II England—specifically, Bishop’s Lacey, a hamlet in the countryside. Flavia roams the area on her bicycle, Gladys, searching for things to test in her home laboratory (ensconced in Buckshaw, the crumbling de Luce manor) and, lately, places to escape “pestilent little cousin” Undine, who’s come to Buckshaw after becoming an orphan.

Flavia, now an orphan as well, tends to the mansion with the help of two beloved adults: Dogger, handyman and helpmeet, and the estate’s housekeeper, Mrs. Mullet, who’s also been cooking for their neighbor Major Greyleigh, a former hangman who is found dead as the book opens. Alas, the police consider Mrs. Mullet the prime suspect because she accidentally served the major a dish of poisonous mushrooms directly before his demise.

Convinced of Mrs. Mullet’s innocence, Flavia resolves to solve the crime and clear the cook’s name. After all, she’s so important to her—and as a bonus, it’s yet another opportunity to test her sleuthing mettle: “I have to admit that I’d been praying . . . for a jolly good old-fashioned mushroom poisoning. Not that I wanted anyone to die, but why give a girl a gift . . . without giving her the opportunity to use it?”

As Flavia questions locals, sneaks into crime scenes and conducts experiments, she realizes the murder is just the tip of a very strange iceberg looming over Bishop’s Lacey. Is the usually chatty, now oddly reticent, Mrs. Mullet hiding something? And some of the American soldiers still stationed at nearby Leathcote air base seem especially interested in the goings-on. Might they be involved? 

Bradley’s intrepid amateur sleuth is witty and whip-smart as ever, and Bishop’s Lacey remains both a colorful backdrop and a microcosm of a nation in transition, paralleling Flavia’s own trepidation at entering adulthood. A layered plot rife with dastardly deeds and shocking revelations makes for an intriguing and entertaining read, and nicely tees up the (one hopes) next installment in the irresistible Flavia de Luce series.

In Alan Bradley’s 11th mystery starring preteen sleuth Flavia de Luce, the chemistry prodigy faces murder by mushroom and her own impending adulthood.

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