The desperation and determination of the women in Everything Is Poison draw from rich historical detail while creating obvious parallels to modern struggles.
The desperation and determination of the women in Everything Is Poison draw from rich historical detail while creating obvious parallels to modern struggles.
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Carmela Tofana wants more than anything to join the women at La Tofana’s, an apothecary run by her mother Giulia in 17th-century Rome. On her 16th birthday, she’s finally allowed in the door, first as front-of-house help, sweeping the floors and greeting customers, then eventually earning the ability to work with the recipes and herbs themselves. It is not always pretty work, but it is important work, and Carmela loves it.

But when a woman comes in asking for her mother’s secret and powerful poison, Aqua Tofana, Carmela realizes quickly how dangerous their line of work can be. If the poison ends up in the wrong hands, Carmela’s whole world could come crumbling down. But when the women in her community need help, Giulia Tofana steps up—and Carmela is determined to do the same, no matter who calls her a witch.

Blood Water Paint author Joy McCullough returns with another historical young adult novel that blends prose and poetry, as Everything Is Poison imagines the life of the daughter of famous real-life poisoner Giulia Tofana. Chapters in prose following Carmela’s life alternate with short about the lives of people around Carmela: abusive husbands and struggling wives, lonely children and pained adults.

McCullough’s focus rests on relationships conventionally overlooked in history: those among found families, female friends, and groups of women shoved to the outskirts of society. The desperation and determination of all these women in Everything Is Poison draw from rich historical detail while creating obvious parallels to modern struggles. “That is the daily work we are here for. Giving women a choice over what happens in their bodies,” remarks Giulia to her daughter, and that fierce and quiet theme permeates the story.

Readers who enjoy historical fiction focused on the power of community will find much to love in Everything Is Poison. Fans of Ruta Sepetys and Stacey Lee should pick up this fiery, unflinching novel.

The desperation and determination of the women in Everything Is Poison draw from rich historical detail while creating obvious parallels to modern struggles.
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When Abby Lai was young, she wished for a sibling to play with. Her parents granted her wish . . . four times over. Now the oldest of five, 12-year-old Abby tries to spend as much time outside her house as possible. After all, as she says in the epigraph of Chickenpox, “Younger siblings are like viruses. They’re tiny, and they can make you sick.” 

But then Abby is the one to accidentally bring a virus into her home, by having one of her best friends come over to play and unknowingly infect the household with chickenpox. Soon enough, all five siblings have caught it. The only thing that makes Abby’s skin crawl more than her inevitable rash is the thought of being in quarantine with her siblings for the next 10 days. 

Chickenpox is award-winning author and illustrator Remy Lai’s first semi-autobiographical work, following several acclaimed graphic novels such as Pawcasso and Ghost Book. Lai made the unique decision to write from her big sister’s point of view, acknowledging in an author’s note, “I could only write this book as an adult because it took me growing up to understand, empathize, and appreciate the things my sisters did and felt.” Her portrayal of her sister as a funny, anxious, sweet and headstrong main character carries a love for Abby that readers are sure to catch, leaving them hoping that Lai will tell more stories about her siblings.

Lai’s illustrations shine as always, with many hilarious metaphors drawn in, and vibrant backgrounds and expressive characters to emphasize the intense emotions that come with being a kid approaching adolescence. Lai clues present-day young people in to what life was like in Indonesia in 1994 through historically accurate details accompanied by occasional parenthetical additions that provide crucial information, such as how a home’s telephones all run on the same line.

This graphic novel is the perfect blend of the friend drama of The Tryout by Christina Soontornvat and the family drama in Twins by Varian Johnson. Laughter about the Lai siblings’ antics will be as contagious as chickenpox was in the ’90s! 

 

Laughter about the Lai siblings' antics in Remy Lai’s semi-autobiographical novel Chickenpox will be as contagious as chickenpox was in the '90s.

“A cat that strolls from door to door. A cat that takes time to explore.” Haven’t we all seen a cat like that? Follow a neighborhood cat as it wakes from a nap at a fire station and sets out on an adventure. First, she gets treats at the bookstore, and pets at the park. Then she strolls along the boardwalk before fishing with friends. But where are we going now? Where has our cat been walking toward all along? Climb the fence and we’re almost there: Yellow buses and a big red door! Who is our cat waiting for?

With sparse, rhyming text, Lester L. Laminack perfectly captures a day in the life of a typical neighborhood cat in A Cat Like That. As she wanders through town without a care, she could belong to anyone. But “she stretches and yawns but does not stay,” reminding those she meets that there is someone special she is looking for. Laminack’s repetition of the question “have you seen a cat like that?” emphasizes the common experience of seeing a familiar cat on a daily stroll. 

Nicole Wong’s whimsical illustrations bring this cat and her entire neighborhood to life, with clever details such as the cat’s napping spot on the title page, hidden characters recurring throughout each spread, and the cat’s collar being the same red as many details of the town, showing that she is right where she belongs. Wong’s use of scale and perspective brings a sense of mischief that matches the cat’s playful nature, with illustrations zooming in and out of the cat’s adventure through the town. 

A fun read-aloud with engaging illustrations, children will ask to read A Cat Like That many times over, finding new details in the pictures with every read. Whether one has pets at home or not, A Cat Like That is sure to please!

With sparse, rhyming text, Lester L. Laminack perfectly captures a day in the life of a typical neighborhood cat in A Cat Like That, a fun read-aloud with engaging illustrations by Nicole Wong.
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STARRED REVIEW
December 10, 2024

Six poetry gifts for young readers

Poems inspire sharing, discussion and creativity. These collections explore a wide range of subjects, with moods from sunny to serious, and would make thoughtful gifts for babies, kids and teens alike.
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Bursting with energy and bright images, Beware the Dragon and the Nozzlewock is smart, sassy and perfect for reading alone or out loud together.

Bursting with energy and bright images, Beware the Dragon and the Nozzlewock is smart, sassy and perfect for reading alone or out loud together.

While the masterful poems in Grace Notes evoke the specific history of her mother’s life, Nye never leaves readers out of the frame, encouraging them to ask questions and think deeply.

While the masterful poems in Grace Notes evoke the specific history of her mother’s life, Nye never leaves readers out of the frame, encouraging them to ask questions and think deeply.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

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Poems inspire sharing, discussion and creativity. These collections explore a wide range of subjects, with moods from sunny to serious, and would make thoughtful gifts for babies, kids and teens alike.

Artist and poet Douglas Florian has created numerous award-winning picture books over the years, including Dinothesaurus and Insectlopedia. A book by Florian is often destined to become part of family lore, lovingly passed down from child to child to grandchild. And that’s certainly true of his newest title, Windsongs: Poems about Weather

Each poem in this appealing collection appears in white lettering on a bright page, opposite illustrations rendered with gouache paint, colored pencils and rubber stamps on primed paper bags, giving the volume a cheerful, homespun feel. Weather, of course, fascinates everyone, and after reading this book, kids and parents alike might find themselves creating their own poems, inspired by Florian’s poetry about the dew, drought, thunder and frost, among other topics. 

Some of the poems here are silly, others playful or evocative. A poem entitled “Fog” begins: “The fog is just a cloud that’s lost. / A cloud that’s gone astray. / It woke up in a hazy daze / and slowly lost its way.” The collection concludes with a poem about climate change, including a reminder that “Mars is too cold, and Venus too hot. / Our blue planet Earth is all that we’ve got.” Back matter includes a glossary and weather websites for kids. Windsongs is a gift for the whole family!

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

In London, Nate Macabuag designs and builds prosthetics for people with limb differences. “To be able to give someone something that they didn’t have access to before—it’s a good feeling,” he says. At Chicago’s Field Museum, Lauren Nassef helps care for specimens used in scientific research. And in the Bronx, shopkeepers Dan Treiber and Reina Mia Brill spend their days surrounded by toys. “We sell things that bring people joy,” Dan says. “We sell happiness!” 

Those are just a few of the 28 professions depicted in Shaina Feinberg and Julia Rothman’s fascinating and inspiring Work: Interviews with People Doing Jobs They Love

The duo, who write and illustrate the New York Times’ popular Scratch column (about “money—and the people who deal with it”), previously teamed up for How We Got By, a collection of 111 personal accounts about getting through hardships. This time, they wanted to create a book for kids in the vein of their newspaper column. 

For Work, Feinberg and Rothman interviewed people around the world about their skills, motivations, daily tasks and favorite aspects of their careers. The answers are varied and intriguing, presented in brief biographies that also include discussion prompts such as “If you could invent anything, what would it be?” Rothman’s art is detailed and vibrant, ranging from portraits of people at their jobs, to illustrations of a wildland firefighter’s helicopter and a cobbler’s custom shoes.

Those looking for answers to “What do you want to be when you grow up?” will delight in learning how youthful propensities might translate into grown-up jobs: For example, an artist who climbed trees as a child now paints murals on very tall buildings. They’ll also gain insight into Rothman’s and Feinberg’s own work via the final entries in this engaging, illuminating collection, as well as the “How We Made This Book” section that follows. 

Another nice touch: The duo note that many illustrations were based on photos, and include credits for each one, ensuring that, from start to finish, their book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.

 

From start to finish, Shaina Feinberg and Julia Rothman’s book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.
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When Devin Green wakes in the middle of the night to two men abducting her from her bedroom, she’s prepared for a fight. However,there’s no escaping the henchmen of the wilderness therapy program her foster family is forcing her to attend. Along with four other teens, she’s dropped off in middle-of-nowhere Idaho, where two camp counselors will march them through the woods for 50 days so the teens can better themselves. It’s a strange place, where the air is “quiet in a way she’s never felt, uninterrupted by the puttering of old engines and the distant crash of machinery.”

But more aggravating than the hiking or the quiet or the counselors is Sheridan, a lavender-haired mean girl who mocks the other kids and slows the whole group down. But Sheridan, at least, is human: When their counselors go missing, Devin starts seeing visions of creatures with strange faces. The five teens will need to work together if they’re going to survive what horrors lurk in the woods and emerge with their identities still their own.

Inspired by real horrific wilderness programs, Where Echoes Die author Courtney Gould’s What the Woods Took grapples with horrors inflicted by both people and literal monsters. 

Devin’s strength and determination to “reap the good she suffered for” is certain to enchant. But if Devin isn’t a reader’s favorite character, they will be sure to find another: All five teenagers are complicated and real, and Gould’s excellent dialogue and lifelike banter make the whole group engrossing. 

Those who love their horror with a hint of romance will be rewarded: Devin and Sheridan’s slow-burn, enemies-to-lovers romance is messy yet truthful, giving growth and a strong human connection even as monsters descend. When the two finally get on the same page, readers might even cheer.

Atmospheric with genuine scares, What the Woods Took examines how teenagers can go through the worst and still choose to trust, over and over again. This excellent addition to the roster of queer YA horror will please fans of Rory Power and Mindy McGinnis.

An atmospheric thriller with genuine scares, What the Woods Took examines how teenagers can go through the worst and still choose to trust, over and over again.
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Corey Egbert grew up believing his mother wanted the best for him and his sister, Sarah. After suspecting their father of molesting Sarah, she divorced him immediately and moved their family to Lehi, a small town in Utah with Mormon roots. There, Corey dutifully attends seminary and protects his sister, while his mother urges him not to speak to his father, even during visitations. 

In his new home, Corey encounters a variety of responses to his Mormon faith, from people who ridicule him, to those who are themselves devout followers. As a preteen in a school where other students are openly curious about sex, smoking and other taboos, Corey comes across thoughts and ideas beyond his sheltered upbringing. It’s hard not to sympathize: Corey is a young boy who wants new friends, is curious about romance and isn’t exactly sure how faith works. 

At the beginning of the story, Corey is anchored by his unwavering trust in his mother. When his father reveals during one visitation that Corey’s maternal grandmother—whose letters Corey’s mother has been throwing away for years—has died, Corey struggles with understanding the loss, while his mother begins to further isolate the children. Is Corey’s mother faithfully protective, or is she oppressive and self-righteous? Is his father wrongfully accused of crimes he didn’t commit, or is he a deceitful predator? As Corey learns more about his family and compares their beliefs with his own expanding worldview, he must ultimately decide what he believes himself. 

Visitations is a haunting, complex memoir about religion, mental illness and broken families, told through the eyes of a young boy as he sorts through what’s true and what isn’t—a task that’s incredibly difficult for a child. The book’s illustrations are beautifully simple, highlighting the vastness and complexity of the questions the story asks readers to consider. How do we know who to trust? Why do bad things happen? And what does it really mean to do the right thing?

Visitations is a haunting, complex memoir about religion, mental illness and broken families, told through the eyes of a young boy.
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With nearly 50 books under his belt, beloved author and illustrator Barney Saltzberg turns his attention to canines in his latest zany offering, The Smell of Wet Dog: And Other Dog Poems and Drawings. He proclaims his love in the first poem, “I Love Dogs,” followed by the title verse, which describes their odor as “Imagine moose and skunk perfume. / An odiferous stench, a paint-peeling plume.”

Young readers will relish these often rip-roaringly funny short poems, with lines like “A long stretchy / drizzle of slobbery ooze / dribbles and splats / on my favorite shoes.” Kids will readily identify with lines like “It’s hard to sit. / It’s hard to stay. / Who makes these rules up, anyway?”

This is a celebration of all things dog—the good, the bad and the smelly—that adult dog lovers will enjoy as well. Saltzberg’s endearing spot illustrations complete the package, with big-eyed dogs of all shapes and sizes cavorting, rolling around in messes, leaping into the air and staring pleadingly at each other and the reader. How can you not fall in love? There are poignant moments as well, with poems about a lost dog, an aging pet and the undying adoration that dogs have for their owners—and vice versa. (Cat lovers: a sequel is likely in store, as the last page features a cat saying, “You forgot . . . / the cat!”)

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.
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The City Sings Green & Other Poems About Welcoming Wildlife is an inspirational treasure trove that introduces young readers to the concept of rewilding, showing how cities and communities around the world are repairing some of the environmental damage caused by human habitation. Focusing on 11 intriguing examples, Erica Silverman has created a unique blend of poetry, science, civics and activism. 

Each story is compelling: a honeybee highway in Oslo, Norway; a Los Angeles school that tore up their asphalt playground to create a natural oasis; and cities in Australia that built rope bridges over highways so that western ringtail possums might safely cross. Silverman introduces each short lesson with a poem celebrating an ecological achievement, accompanied by a prose explanation of the specific details. It’s a winning combination that succinctly informs and delights, while helpful back matter provides additional resources. Both the poetry and prose of The City Sings Green are widely accessible.

Ginnie Hsu’s cheery illustrations are an ecological feast, filled with bright colors that readily convey the benefits of each endeavor. Her art is particularly immersive, leaving readers feeling as though they’ve practically taken a walk through many of the places described, often seen from an animal’s point of view.  

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature. 

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

Valeria “Magic” Salomon is the star of the Overlords, the best boys soccer team in Utah. As Yamile Saied Méndez’s The Beautiful Game opens, expectations are high: The Overlords are defending state champions, and Coach and his assistant José are determined to conquer Nationals this year. 

Valeria is confident in her abilities and ready to revel in a glorious victory lap, but she’s also sad her absentee father won’t be at the State Cup to cheer her on. “If he loved me,” she thinks, “why wasn’t he by my side for all the important events in my life?” And it’s not as if she can relax at home. Coach is her abuelo and rules her life with a grouchy iron fist. He also doesn’t defend her from snidely sexist José, which certainly taints her futbol experience. 

On game day, Valeria gives it her all, but alas: The team flubs an important play; Abuelo learns his estranged daughter in Argentina has passed away; and Valeria gets her first period and publicly bleeds through her white shorts. José blames her for the loss and ousts her from the team, while Abuelo and the Overlords betray her with their silent assent. 

Just like that, Valeria finds herself adrift and desperate to find a way to keep playing soccer. Thankfully, she secures a spot on a girls team, the Amazons, but is nervous about fitting in. Will she win over Coach Blume? Can she adjust to positive reinforcement and true teamwork? Who is she if she’s not the star? 

The Beautiful Game is a compelling, heartfelt story about second chances, complex family dynamics, and the joy and pain of growing up. Fans of Méndez’s Furia, recipient of the 2021 Pura Belpré Young Adult Author Award, will be thrilled the author has once again created a memorable young futbol-focused protagonist with loads of talent and grit. After all, “the game is brutal. But it’s also beautiful. It breaks your heart, but then it gives you a chance to put it back together.”

The Beautiful Game is a compelling, heartfelt story about second chances, complex family dynamics, and the joy and pain of growing up.
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Tamales for Christmas transports readers right into Grandma’s kitchen, filled with warmth, comfort and creativity. . “Her kitchen is the heartbeat of our familia, loud and cramped and perfumed with delicious smells,” states the book’s narration. Grandma is based on author Stephen Briseño’s grandmother and her cooking skills, legendary among her numerous children, grandchildren and great-grandchildren.  

With the holidays approaching, Grandma sells her tamales to make money for Christmas gifts, and the bright, saturated colors of Sonia Sánchez’s art immediately infuse a festive spirit into this big-hearted tale. Gray-haired Grandma always has a smile on her face, delighted as she enlists her entire family’s help with her project. Each spread oozes joyous commotion: pots steam on the stove, children run from room to room, Grandma’s busy hands layer the corn husks. Her work begins in the fall and lasts until Christmas, sometimes before dawn as well as at night. There’s an ongoing tally of the tamales she makes, starting with 15 dozen and ending at 1,000 dozen—12,000 tamales! Young readers will enjoy keeping track of the count, as well as the repeated refrain, “With masa in one hand, corn husks in the other,” used to describe the matriarch’s efforts. 

While heroic and quick to help out neighbors, Grandma is also human. As the months pass, she keeps making her specialty, even on Halloween night. She whips up a big feast for Thanksgiving—no tamales, however—and finally takes a well-earned break in early December, propping her feet up on the couch, “long enough to play a game, weave stories that get everyone laughing so hard our eyes tear up and our sides hurt.”

Briseño never loses sight of the holiday spirit. As the narrator says, “We finally enjoy the best present Grandma could have given us. Each other.” Both story and art shine in Tamales for Christmas, making readers feel as though they’re part of this big, loving family. 

Both story and art shine in the festive Tamales for Christmas, making readers feel as though they’re part of the book’s big, loving family.
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Thank You, Everything is a unique picture book meant to be enjoyed over and over: It may easily become a favorite of preschoolers as well as young elementary students. One morning, a child wakes up, eats breakfast and receives a box containing a mysterious treasure map that launches a grand journey. Told with minimal prose, this intriguing tale opens up the world to readers in a multitude of fascinating ways, leading them on a grand adventure that lasts for months and involves travel by bicycle, train, bus, plane, raft and hot-air balloon.

Icinori—the design and illustration duo of Mayumi Otero and Raphael Urwiller—use a bold yet limited color palette that favors shades of turquoise and rust to create wildly stylized, dynamic illustrations. Their graphic designs are eye-catching throughout, whether portraying a glass of water, jungles of wild animals or winding pathways reminiscent of an M.C. Escher painting. The pacing is perfect, prompting readers to appreciate and take close-up looks at small details (a bath towel, a canteen, a caterpillar) while also admiring big, beautiful landscapes (a bustling city, a dark forest lit by a full moon, a mountainside strewn with boulders, a mysterious palace).

The narrative, translated from French by Emilie Robert Wong, is equally distinctive. Just as Goodnight Moon uses a repeated refrain, the explorer in this picture book, as the title suggests, thanks each and every thing encountered, starting simple (“Thank you, alarm clock) and getting progressively more intriguing (“Thank you, volcano”). This delicious blend of art and prose is both soothing and exciting, and will encourage young imaginations to soar. The mystery of the final destination—where a surprise awaits—will keep readers engaged from start to satisfying conclusion.

Thank You, Everything is a delightful book filled with wonder and gratitude, feelings that will linger with readers long after they close its cover.

Thank You, Everything is a delightful book filled with wonder and gratitude, feelings that will linger with readers long after they close its cover.

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