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Following Jack and Elizabeth from their meet cute as alt rock-loving college students in 1990s Chicago to their contemplation of a move to the suburbs in the early 21st century, the audiobook of Nathan Hill’s second novel Wellness (19 hours) chronicles not only the couple’s evolving love story but also the ever-shifting wellness culture that forms its partial backdrop. Even though the audio version of this expansive novel stretches to almost 19 hours, Ari Fliakos’s warm, intelligent narration sustains listeners’ interest. Fliakos, who also read Hill’s (even longer) debut, The Nix, excels at differentiating among a dozen or more primary and secondary characters of different genders and ages, making the dialogue sections especially engaging. With wry humor and pathos, this Gen X coming-of-(middle)-age novel makes for a profoundly emotional and humanistic listening experience.

Read our starred review of the print edition of Wellness.

With wry humor and pathos, this coming-of-(middle)-age novel makes for a profoundly emotional and humanistic listening experience.
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The Caretaker (6 hours) is a moving story of love, fidelity and friendship set in the North Carolina mountains during the Korean War. Author Ron Rash draws on Shakespeare: Characters include a philosophical gravedigger, a scheming town leader and his wife, a young man unsure of life’s meaning in the face of death, and, in perhaps the clearest parallel, star-crossed lovers defying their parents. Never heavy-handed, these allusions give the novel a beautiful sense of inevitability without revealing what the ending will be.

Drawing on his Kentucky roots, James Patrick Cronin narrates with an authentic timbre and pace. His low-key performance and sympathetic portrayal of even the most unsympathetic characters allows the listener to hear Rash’s message: Love can both redeem us and cause us to betray those whom we love the most.

James Patrick Cronin’s narration allows the listener to hear author Ron Rash’s message: Love can both redeem us and cause us to betray those whom we love the most.
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Ross Gay’s earlier books, The Book of Delights and Inciting Joy, have established him as a writer of highly crafted essayettes on delight—that most elusive but absolutely essential human emotion. The audiobook of The Book of (More) Delights (7 hours) confirms Gay’s ability to discover delight even when it is hidden in sorrow, anger or tedium.

Gay is an award-winning poet, and consequently he understands the power not only of words and imagery, but of punctuation, structure and, especially, sound. His careful reading gives pauses their due, releases the rhythm and rhyme that prose so often hides, and subtly emphasizes descriptions of a beloved nana, flower or friend. There’s nothing pretentious about his reading; instead, it simply brims with the honest pleasure of acknowledging life’s unexpected joys. And nothing is guaranteed to create more delight in a listener’s day than hearing Gay gleefully repeat the words “vehicular vernacular”!

Ross Gay’s reading brims with the honest pleasure of expressing delight at life’s unexpected joys. Nothing is guaranteed to create more delight in a listener’s day than hearing him gleefully repeat the words “vehicular vernacular”!
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In the male-dominated landscape of wartorn 1963 Saigon, Vietnam, Tricia and Charlene are two American wives striving to be the best possible “helpmeets” to their military husbands: sociable, graceful, obedient, obliging. Through author Alice McDermott’s precise, lingering prose, these women otherwise relegated to the margins bloom with agency and empathy. Charlene’s immense business acumen flares along the line between altruism and absurdity. Tricia struggles to become a mother and to be a good Samaritan, but finds herself held back by the limits of her body and the expectations imposed on a woman of her upper-class status.

Rachel Kenney’s warm, heartfelt narration is a complement to Tricia’s fading naiveté and the strength of her moral compass. Jesse Vilinsky, who voices Charlene’s daughter, Rainey, when she reconnects with Tricia 60 years later, lends a bright, gentle tone to a woman seeking closure. Absolution (10 hours) is not a story about remarkable events, but a story that teases out the remarkableness in everyday people—in neighbors, servants, childhood friends, spouses. It is a breath of fresh air amongst war novels devoted to the machinations of war, speaking instead to war’s ripple effect off the battlefield and years down the line.

Absolution teases out the remarkableness in everyday people, speaking to war’s ripple effect off the battlefield and years down the line.
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A woman seeks refuge in the hot California desert, far away from the pressures of her sick husband and dying father. On a hike, she finds a large cactus with a hole big enough to walk through—which she does, taking her first steps on an adventure of reflection, grief and spirituality. Full of dark humor and self awareness, Death Valley (5 hours) traces one woman’s surreal desert experience as she faces the hard truths she’s been running from.

Author Melissa Broder narrates the audiobook herself, starting the story with a dry tone that matches the protagonist’s straightforward voice. But her inner world runs deep, and Broder captures the subtleties of the character and her changes, embodying both her surface-level distance and her turbulent emotions underneath. In a story that blurs the line between the real and the spiritual, Broder gives a voice to the rawness of being a living, transforming, growing human.

 

Death Valley is a grueling journey, but it’s also sharp and insightful. It does not present easy solutions. Instead, it explores how one woman learns to see herself as part of a larger whole that celebrates pain and pleasure, restraint and intimacy, death and life.

Full of dark humor and self awareness, Death Valley traces one woman’s surreal desert experience as she faces the hard truths she’s been running from.
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Bellies (12 hours) unfolds slowly, savoring each quirk and comment that draws two young lovers, Tom and Ming, together. Nicola Dinan perfectly captures the hypersensitivity of new romance: the fervent touches, the tentative mornings after, and the paranoia about possibly ruining things. As Ming and Tom navigate the push and pull of their relationship, they simultaneously struggle to find their places as individuals in overstimulating 21st-century young adult life.

This audiobook provides a rich listening experience as it alternates between Tom and Ming’s perspectives. Nathaniel Curtis lends Tom a placid, droll voice that underscores Tom’s desperation to appear unfazed despite his whirlwind of insecurities. Octavia Nyombi is soft and steady as Ming, wrapping listeners up in the layers of emotion that pile together in Ming’s extensively reflective thought process.

Dinan bares young love before us: raw, vulnerable, belly-up. By recognizing imperfection and refusing to shy away from struggles big and small—from sleep discomfort to the stigmas surrounding queer love and identity—Bellies soothes the imperfect, struggling parts of ourselves.

By recognizing imperfection and refusing to shy away from struggles—including the stigmas surrounding queer love and identity—Bellies soothes the imperfect, struggling parts of ourselves.
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Poet and filmmaker Tahir Hamut Izgil reflects on the Chinese government’s persecution of the Uyghur people in Waiting to Be Arrested at Night (7.5 hours). This personal and harrowing audiobook brings together history, memoir and poetry.

Greg Watanabe’s straightforward narration puts the emotion of Izgil’s story into sharp relief, confronting readers with a reality that Izgil powerfully exposes. Both in the prose chapters as well as in Izgil’s poems that are scattered throughout the book, Watanabe’s simple approach underscores Izgil’s dread over mounting persecution and his hope for a better future.

Waiting to Be Arrested at Night uncovers a difficult and necessary story. Izgil and Watanabe give a voice to a silenced community and, together, call for listeners to bear witness to the experience of the Uyghur people.

Author Tahir Hamut Izgil and narrator Greg Watanabe give a voice to a silenced community and, together, call for listeners to bear witness to the persecution of the Uyghur people.

Shiromi Arserio’s heartfelt performance captures youthful innocence and passion when two 14-year-old girls must hide their blossoming love for one another from the world.

Learned by Heart (9 hours) is set in the confines of an English boarding school in the 1800s—a time when same-sex relationships were criminalized. Although wealthy heiress Eliza Raine tries to follow the rules and not draw attention to herself, the biracial girl can’t escape questions and judgment about her Indian and English heritage. New student Anne Lister makes a strong impression on Eliza because Anne is confident, outspoken and so different from the others. Before long, Eliza is falling for Anne. Arserio’s velvety voice sweeps effortlessly between Eliza’s perspective as a reserved schoolgirl and that of her ardent adult self, conveying Eliza’s anguish as she confronts the consequences of her fateful affections.

Arserio’s blend of emotion and restraint captures the intensity of this tale of desire and devotion by Emma Donoghue.

Shiromi Arserio’s velvety voice is perfect for this tale of forbidden love set in the confines of an English boarding school in the 1800s.
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The debut short story collection from writer Aaliyah Bilal traverses the inner worlds of Black Muslims in America as they grapple with life events like the death or infidelity of a parent. Temple Folk (8 hours) draws listeners in with an array of voices that illuminate the range of the stories. The audiobook features actors and narrators Amir Abdullah, Chanté McCormick, Soneela Nankani, Leon Nixon and Jade Wheeler. Each voice offers complexity and nuance to the rich landscape of Black American Muslim life that Bilal has rendered. Holding emotional heft and spiritual reverence, the narrators’ stunning performances anchor listeners and create a sense of intimacy.

Holding emotional range and spiritual reverence, the voices of the narrators of Temple Folk create a sense of intimacy with Aaliyah Bilal’s characters.
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Susan Casey has made a career of writing about the ocean and the creatures who inhabit it. In her latest, Casey considers how little we know about the ocean’s deepest reaches and profiles the people who are intent on improving that knowledge via manned submersibles.

In a well-researched investigation of the history of deep ocean exploration, Casey follows both a wealthy entrepreneur intent on breaking records and the scientists whose research relies on the same high-tech equipment. The audiobook of The Underworld (12 hours) is accompanied by a PDF with illustrations, photographs and other resources to aid listeners’ understanding. Casey’s motivation, as listeners learn, is personal, and hearing the author read her thrilling account of finally descending into the ocean’s depths herself provides additional emotional heft.

Hearing Susan Casey read her own thrilling account provides additional emotional heft to this investigation of the ocean’s deepest reaches.

At 70, Flor Marte is the second eldest of four Dominican American sisters who are all gifted with special powers. Flor’s power is that she can predict when someone will die. Inspired by a dream about losing her teeth, as well as a documentary that her daughter, Ona, told her about, Flor decides to throw her own living wake. As her family reluctantly prepares for the wake, the fear that Flor will soon die stirs a need in each of her sisters—Pastora, Mathilde and Camila—as well as in Ona and in Flor’s niece, Yadi, to confront the lies within their own lives.

Rich narration from three different sources conveys the mystical elements of Family Lore (10 hours). Sixta Morel voices the four Marte sisters, while the book’s author, Elizabeth Acevedo, voices Ona, from whose perspective we hear the stories of each of the six women unfold. It can be hard to distinguish between the characters’ voices, with the exception of Yadi, whose confident proclamations about her vaginal superpowers are delivered by a third narrator, Danyeli Rodriguez del Orbe. But as the novel jumps back and forth between past and present, the interplay of Acevedo, Morel and Rodriguez del Orbe’s voices lends a magical storytelling quality to the Marte family’s tale.

The interplay of author Elizabeth Acevedo’s voice with the voices of additional narrators lends a magical storytelling quality to this family saga.
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Set in early 1990s Mexico City, Silvia Moreno-Garcia’s latest supernatural thriller Silver Nitrate (13 hours) will appeal to film buffs as well as fans of horror fiction. Montserrat is a talented sound editor, but she has a hard time finding steady work in the male-dominated Mexican film industry. When her oldest friend (and lifelong romantic interest), a washed-up actor, moves in next door to a horror director, he and Montserrat embark on a dark and dangerous quest that might change their lives, for better or for worse. Narrator Gisela Chipe excels at the frequent shifts between English and Spanish, and although at times her delivery is a little flat, she effectively imbues a variety of secondary characters—both those providing comic relief and those who are more menacing—with individual personalities.

Narrator Gisela Chipe effectively imbues both comic and menacing characters with individual personalities in Silver Nitrate.
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In Caroline O’Donoghue’s acclaimed novel, The Rachel Incident (9.5 hours), university student Rachel is extremely busy juggling a precarious love pentagon involving her Victorian Literature professor, her gay best friend James, her boss (who happens to be the professor’s wife) and her boyfriend. Naturally, mistakes are made. But despite being very funny, The Rachel Incident is not a farce; it’s a story about forgiveness for the harm done to us and the harm we do to others.

County Cork, Ireland, native Tara Flynn gives a brilliant performance as the older Rachel looking back on her tumultuous early 20s. Her voice is warm and authentic, and she is blessed with terrific comic timing. Best of all, Flynn’s nuanced narration reflects not only Rachel’s raucous sense of humor but also her hard-earned insight and compassion. The result is an audiobook that is as wise as it is hilarious.

Tara Flynn’s nuanced narration and terrific comic timing results in an audiobook that is as wise as it is hilarious.

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