Edward Morris

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The lot of a war correspondent has always been one of improvisation and compromise. Apart from the constant prospect of being maimed, killed or captured, there are the enduring problems of locating reliable sources, minimizing the distortions of censorship and finding ways of transmitting dispatches from the battlefield to the newsroom. Conditions were particularly dicey for American reporters covering the outbreak of World War II in the Pacific. Prominent among these imperiled scribes were two newlyweds: Time’s Far East bureau chief Mel Jacoby and his freelance-writer wife, Annalee. Both had reported extensively from China prior to Mel being transferred to Manila, the capital of the Philippines, just weeks before Japan bombed Pearl Harbor.

A distant relative of Mel, author Bill Lascher constructs his account of the pair’s reporting and their dramatic flight across the Pacific primarily from the massive collection of personal letters, newspaper and magazine clippings, photographs and films Mel’s mother preserved. 

Mel was born into a Hollywood family with movie connections but gravitated to journalism during his years at Stanford. He and his future wife, Annalee Whitmore, both worked on the Stanford Daily but barely knew each other at the time. Both were interested in the people and politics of China, which was then under assault from an expansionist Japan. Prior to teaming up with Jacoby, Whitmore had been a scriptwriter for MGM with an Andy Hardy movie to her credit.

Lascher spends the first half of the book tracing Mel’s reporting work in China and the last half tracking Mel and Annalee’s harrowing escape from Manila and Corregidor as the Japanese forces poured in. Traveling only at night, they eventually made it to safety in Australia.

Although it is incidental to the main narrative here, students of journalism will be fascinated by the level of control Time Inc. owner Henry Luce exerted over his reporters’ stories in order to control how China would be portrayed to the world.

 

This article was originally published in the July 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

The lot of a war correspondent has always been one of improvisation and compromise. Apart from the constant prospect of being maimed, killed or captured, there are the enduring problems of locating reliable sources, minimizing the distortions of censorship and finding ways of transmitting dispatches from the battlefield to the newsroom. Conditions were particularly dicey for American reporters covering the outbreak of World War II in the Pacific. Prominent among these imperiled scribes were two newlyweds: Time’s Far East bureau chief Mel Jacoby and his freelance-writer wife, Annalee.
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After reading this slim, melancholy memoir, you may be tempted to turn to the Book of Job for comic relief. Notaro’s avalanche of ordeals has become such a staple of her comedy routines and interviews and is so prominently featured in the 2015 documentary Tig that many readers will likely know about them already. For those who don’t, they include, in rapid succession, a broken romance, a debilitating digestive tract disorder called C-diff, the sudden, violent death of her mother and breast cancer leading to a double mastectomy. All these calamities are revisited within a framework that embraces Notaro’s difficult childhood relationships with an endearing but irresponsible mother, a martinet stepfather and a spaced-out, absentee biological father. 

Although there are diverting comic touches (most in the ironic vein), the book’s chief virtue is Notaro’s absolute candor in describing how these devastating setbacks wracked both her body and soul. We feel C-diff sap her strength, partake of the terror she experiences when discovering she has cancer and grieve with her as the mother she emotionally relied on slips away.

The focal point of I’m Just a Person—and the turning point in her career and outlook—is the night in 2012, when she goes onstage at a comedy club and begins her routine with, “Hello. Good evening. Hello. I have cancer, how are you.” Her performance, undertaken as a wild gambit, captivated the crowd and became a milestone in comic history. Even with cancer gnawing away at her, she had triumphed.

Notaro ends the book with the happy tale of meeting and marrying Stephanie Allynne and of looking, with fingers prudently crossed, toward a bright future.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

After reading this slim, melancholy memoir, you may be tempted to turn to the Book of Job for comic relief. Notaro’s avalanche of ordeals has become such a staple of her comedy routines and interviews and is so prominently featured in the 2015 documentary Tig that many readers will likely know about them already.
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Grit seems to have been written for those who find the maxim “If at first you don’t succeed, try, try again” too pithy to be useful—thus the 352-page elaboration. A professor of psychology at the University of Pennsylvania and recipient of a MacArthur “genius” grant, author Angela Duckworth begins by exploring the distinction between “grit,” which she defines as a combination of passion and perseverance directed toward a goal, and natural talent, the ability to achieve a goal without excessive or prolonged effort. Grit will get you farther than talent alone, she maintains, adding that “talent is no guarantee of grit.”

Perhaps the fact that Duckworth’s Chinese immigrant father regularly told his children, “You’re no genius,” made the concept of grit more remarkable to her than it is to American kids who are routinely assured they can be anything they want to be if they work hard enough.  Whatever her inspiration, she anatomizes grit in great detail—how it can be grown from the inside out by reflective and persistent individual effort and from the outside in by parental and cultural nourishment. She clearly takes it as a given that right-thinking people will want to seek their personal best rather than settle for their personal adequate. To her, reaching and extending a goal is valuable in its own right, whether it’s something useful, such as becoming a more effective teacher, or something socially useless, such as swimming farther or faster than anyone did before. Achievement is her polestar.

In fairness, she might have noted that every day spent in grueling practice or apprenticeship—of exercising and perfecting grit—is a day lost to the exquisite pleasures of wool-gathering and cloud-gazing.  But that is not her world.

Grit seems to have been written for those who find the maxim “If at first you don’t succeed, try, try again” too pithy to be useful—thus the 352-page elaboration. A professor of psychology at the University of Pennsylvania and recipient of a MacArthur “genius” grant, author Angela Duckworth begins by exploring the distinction between “grit,” which she defines as a combination of passion and perseverance directed toward a goal, and natural talent, the ability to achieve a goal without excessive or prolonged effort. Grit will get you farther than talent alone, she maintains, adding that “talent is no guarantee of grit.”
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The motives for living the life of a spy, author Howard Blum tells us, are subsumed under the rubric MICE—Money, Ideology, Coercion, Excitement. For the well-educated and well-to-do socialite Betty Pack (1910-1963), the prime motivation was clearly excitement, with just enough ideology thrown in to give her actions a veneer of nobility. Born Amy Elizabeth Thorpe, she realized early that her striking good looks and sense of command made her irresistible to men. She invested (rather than lost) her virginity at 14 and enjoyed a series of lovers until she found herself pregnant at 19 and uncertain of who the father was. She then very prudently ensnared and married Arthur Pack, a minor British diplomat who, if nothing else, gave her rank and entry into various government circles where official secrets were kept—and, thanks to her zeal, stolen.

But Pack, animated as she was by “a terrible restlessness,” brought considerably more than sexual magnetism to the job. She was also courageous, quick-witted and doggedly persistent once given an assignment. When it appeared that a night watchman was about to catch her and her accomplice on a safe-cracking mission, she quickly stripped naked, leaving the guard to mumble his apologies for interrupting—after he’d gotten an eyeful, of course. Although she was an American, Pack began spying for the British in the late 1930s against Germany, Italy and Vichy France at outposts in Chile, Spain, Poland and Washington. After America entered World War II, it also became a beneficiary of the intelligence she collected.

Drawing on memoirs, diaries, letters and official documents, Blum takes us into Pack’s mind—both as she assessed her thoughts and motives and as those around her did. The Last Goodnight is a very intimate accounting of a singular personality. Pack was a faithless wife and an indifferent mother, but one could hardly imagine a more attentive lover. After all, every tryst was a report in the making.

The motives for living the life of a spy, author Howard Blum tells us, are subsumed under the rubric MICE—Money, Ideology, Coercion, Excitement. For the well-educated and well-to-do socialite Betty Pack (1910-1963), the prime motivation was clearly excitement, with just enough ideology thrown in to give her actions a veneer of nobility.
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Read it and weep. You’ll find it hard not to. Written by a Harvard sociologist, Evicted: Poverty and Profit in the American City has the character development and dramatic drive of a first-rate novel. The core of Desmond’s study was conducted in Milwaukee from 2008 to 2009 and focuses on the day-to-day agonies of specific people who were frequently evicted from their homes by private landlords. In most cases, rent took from 50 to 70 percent of the tenants’ monthly income, a situation that made late payment or non-payment inevitable—and always reason to evict.

What makes Matthew Desmond’s account so compelling is that he lived among the people whose travails he chronicles. Some of the victims—mostly black and often women with children—lived in the inner city; the others, overwhelmingly white, lived in a dilapidated trailer park on the edge of town. He also spent time with landlords to get their sides of the story.

Again and again we witness the tenants’ last-minute attempts to find rent money, negotiating with their landlords, sitting helplessly in court as judges rule against them, watching their possessions being tossed onto the sidewalk and explaining to their kids why they’re moving to yet another school. Desmond is clearly sympathetic, but he is no sentimentalist. He reveals all the blemishes of the dispossessed—their unwise ways with money, addiction to drugs and alcohol and casual attitudes toward birth control. Still, he knows that poverty seldom builds character.

Desmond argues that government-subsidized housing vouchers should be available to low-income families and that landlords should be required to accept them. “Decent, affordable housing should be a basic right for everybody in this country,” he concludes. “The reason is simple: without stable shelter, everything else falls apart.”

 

This article was originally published in the March 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Read it and weep. You’ll find it hard not to. Written by a Harvard sociologist, Evicted: Poverty and Profit in the American City has the character development and dramatic drive of a first-rate novel. The core of Desmond’s study was conducted in Milwaukee from 2008 to 2009 and focuses on the day-to-day agonies of specific people who were frequently evicted from their homes by private landlords. In most cases, rent took from 50 to 70 percent of the tenants’ monthly income, a situation that made late payment or non-payment inevitable—and always reason to evict.
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Only a society riven by fear and desperation would have incubated a figure as initially uncredentialed and unimpressive as Adolf Hitler. A school dropout and frequent vagrant, Hitler had no achievements to speak of until he served honorably in the German army during the Great War. He remained in the army after Germany’s defeat and discovered his gift as a public speaker when he was assigned to a propaganda unit set up to encourage nationalism and root out Marxist inclinations among the troops. Eventually, he moved into a leadership position in the German Workers’ Party, a virulently anti-Semitic assemblage that tapped into the social discontent ravaging the fractious and debt-ridden country.

By late 1923, Hitler and his adherents had gained enough critical mass to move against the political establishment, which it did in the infamous “beer hall putsch.” Hitler took command of the overflow crowd at a Munich beer hall and declared that both the Bavarian and national governments were being replaced by a provisional government. It was a heady effort, but the putsch failed. Hitler and his chief conspirators were soon arrested and lodged in Landsberg Prison. Hitler was tried for high treason by a sympathetic judge, convicted and given a five-year sentence.

Providing superb detail and background, 1924: The Year That Made Hitler focuses on the few months he actually served at Landsberg, during which he was treated royally rather than punitively. Freed from the daily demands of party politics, Hitler was able to put his thoughts on nationalism and strong-man governance into a book that would become the first volume of Mein Kampfand the grand rationale for the murderous Third Reich.

 

This article was originally published in the February 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Only a society riven by fear and desperation would have incubated a figure as initially uncredentialed and unimpressive as Adolf Hitler. A school dropout and frequent vagrant, Hitler had no achievements to speak of until he served honorably in the German army during the Great War.
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BookPage Nonfiction Top Pick, January 2016

In The Road to Little Dribbling, as in all of Bill Bryson’s travel books, you can be assured of two constants: first, that your guide is a sensualist who immerses himself (and thus, the reader) in all the sights, sounds, smells and tastes he encounters on his wanderings; and second, that along the way he will spot surprises, incongruities and contradictions that he obligingly transmutes into laughter. On this pilgrimage, he invites us to join him as he zigzags the length of Britain, from Bognor Regis in the south to Cape Wrath in the north. (There is, by the way, no Little Dribbling.)

This is not a walking tour, although Bryson is often afoot. At other times he resorts to rail or car. Whatever his vehicle, he takes us to dozens of visit-worthy places we might otherwise never have heard of. Among these are the ancient, man-made Silbury Hill, a 10-story earthen mound near Avebury, and the equally puzzling prehistoric stone towers (or “brochs”) in Glenelg, Scotland, whose purpose has yet to be fathomed.

“There isn’t anywhere in the world with more to look at in a smaller space,” Bryson asserts, noting that Britain has 26 World Heritage Sites and 600,000 known archaeological sites. No detail seems too tiny to escape his eye. In Wales, he notices that the main story on the front page of the local newspaper that reported Dylan Thomas’ death was not about the young bard’s passing but rather about the “mysterious disappearance of a farm couple.”

Bryson’s wry wit abounds. He describes a particularly slow train as “rigor mortis with scenery” and observes that a town in which he finds no charm was “bombed heavily during the Second World War, though perhaps not quite heavily enough.” The history of the Scottish highlands, he reflects, is “five hundred years of cruelty and bloodshed followed by two hundred years of way too much bagpipe music.” Could one hope for a better traveling companion?

 

This article was originally published in the January 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

In The Road to Little Dribbling, as in all of Bill Bryson’s travel books, you can be assured of two constants: first, that your guide is a sensualist who immerses himself (and thus, the reader) in all the sights, sounds, smells and tastes he encounters on his wanderings; and second, that along the way he will spot surprises, incongruities and contradictions that he obligingly transmutes into laughter.
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A noted science writer and the author of two previous bestsellers (The Rational Optimist and Genome), Matt Ridley is no friend to central planning or the implementation of grand schemes from above. It’s better, he says, to facilitate the gradual development of objects and ideas as they adjust themselves to changing circumstances—in short, to evolution. To make his point, he asks us to imagine how maddeningly difficult it would be to design a system for feeding all the people of Paris. Yet, as he observes, it happens every day through the uncoordinated and unregimented actions of legions of individuals. Language develops the same up-from-the-bottom way, he says. So has the ever-changing code of laws under which most of the English-speaking world operates. His is a ringing, thoroughly secular rebuff to the notion that the universe is human-centric and unfolds according to “intelligent design.”

In support of his ambitious title, The Evolution of Everything: How New Ideas Emerge, Ridley offers individual chapters on the evolution of the universe, morality, life, genes, culture, economy, technology, mind, personality, education, population, leadership, government, religion, money and the Internet.

While he concedes that leadership and a minimal level of government oversight are necessary for social stability, he is wary of their limitations. “The knowledge required to organise human society is bafflingly voluminous,” he contends, too much so to be the province of an enlightened few. “Free-market commerce is the only system of human organisation yet devised where ordinary people are in charge—unlike feudalism, communism, fascism, slavery and socialism,” he maintains.

But in setting up his bottom vs. top dichotomy, he draws too severe a line. Generally the ideas that the top tries to implement have fermented at the bottom—as have the current leaders trying to implement them. And top-down government planning has created advances unthinkable left to the private sector. In the U.S. alone, think of the Manhattan project that yielded the atomic bomb, the interstate highway system, land grant colleges and their enormous impact on agriculture and technology and even the government-designed campaign to curb smoking.

Evolution, as Ridley says, is “inexorable and inevitable.” But so too is knowing how to coordinate it and put it to best use.

 

A noted science writer and the author of two previous bestsellers (The Rational Optimist and Genome), Matt Ridley is no friend to central planning or the implementation of grand schemes from above. It’s better, he says, to facilitate the gradual development of objects and ideas as they adjust themselves to changing circumstances—in short, to evolution.

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James A. Michener had his Tales of the South Pacific. Now comes Simon Winchester—an equally engaging storyteller—with his tales of the vast Pacific, all 64 million square miles of it. To make such a gargantuan subject manageable, he selects specific events which he says symbolize larger cultural, political and scientific truths about the region. One of the most intriguing of these is how Japan’s perfection of pocket-size transistor radios not only gave rise to the Sony consumer electronics empire but also changed how much of the world entertained itself. 

Winchester primarily concerns himself with events that occurred after 1950, the year President Truman gave the go-ahead for developing the hydrogen bomb. In the course of testing that dreaded device, the U.S. callously uprooted island-dwellers from their ancient homelands and showered the area with nuclear detritus, evidence of which still abounds. But the tide has been turning against such arrogance, Winchester says. The French and then the Americans were driven out of Vietnam, Britain had to relinquish Hong Kong to China and the eruption of Mount Pinatubo in the Philippines in 1991 forced the closing of two huge American military bases, thus creating a power vacuum into which the Chinese military has steadily moved. Winchester’s final chapter describes how China is systematically pushing out into the Pacific to lay claim to what were once Western-dominated waters.

Elsewhere, Winchester probes such Pacific-oriented science stories as the discovery of deep-ocean hydrothermal vents, the alarming phenomenon of coral bleaching and the rise of super storms. But he provides lighter fare, as well, as when the 1959 movie Gidget sparked an international enthusiasm for surfing, a sport long established in Hawaii.

 

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

James A. Michener had his Tales of the South Pacific. Now comes Simon Winchester—an equally engaging storyteller—with his tales of the vast Pacific, all 64 million square miles of it. To make such a gargantuan subject manageable, he selects specific events which he says symbolize larger cultural, political and scientific truths about the region.
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Now that anyone with a Facebook page and an opinion can be a political pundit, it’s hard to believe there was a time—and not that long ago—when a newspaper columnist could wield real political power. Mary McGrory did for nearly half a century. She entered the news business as a book reviewer but switched to politics in 1954 after her editor at the Washington Star assigned her to cover the Army-McCarthy hearings—not just as a reporter but as a reporter who was “opinionated.”

“Mary, for good and bad, was one of the important forerunners in the trend of newspapers blurring the line between hard reporting and commentary,” writes biographer John Norris. In that capacity, she covered every presidential campaign and administration from the last term of Dwight Eisenhower through the first term of George W. Bush. Generally leaning Democratic—but not uncritically so—she became an enthusiast for such political progressives as Adlai Stevenson, John F. Kennedy (whom she once dated), Eugene McCarthy and Mario Cuomo. She was ambivalent about Lyndon Johnson (who once came to her home—Secret Service in tow—aiming to seduce her), but she persistently opposed him on the Vietnam War. Her columns were syndicated in 1960, and after the Star closed in 1981, she spent the rest of her career at the Washington Post.

McGrory became so influential—she would win a Pulitzer in 1975—that she regularly hosted senators, Supreme Court justices and other bigwigs at her home. Richard Nixon thought her sufficiently dangerous to include her on his enemies list. The downside of being such an insider, Norris notes, was that she “was more interested in capturing the character of politicians on the page than trading her access for exclusives.” Little wonder, then, that it took two relative outsiders—Bob Woodward and Carl Bernstein, her fellow reporters at the Post—to dig out and write the stories that would topple Nixon. Norris says McGrory regarded the Watergate expose as one of the greatest feats of modern journalism. She died in 2004 at the age of 85. 

Now that anyone with a Facebook page and an opinion can be a political pundit, it’s hard to believe there was a time—and not that long ago—when a newspaper columnist could wield real political power. Mary McGrory did for nearly half a century.
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 “Objective Troy” was the name the Pentagon assigned to Anwar al-Awlaki, the American-born Muslim cleric whose rhetoric and politics evolved from moderate to murderous during the first decade of the 2000s and led to his being killed in Yemen in 2011 by a drone strike President Obama authorized personally. 

Drawing on public records, declassified documents and interviews with Awlaki’s family, New York Times reporter Scott Shane minutely links Awlaki’s trajectory of radicalization to Obama’s increasing reliance on drone technology to execute those he designates as terrorists. Since the Predator drone strikes began in 2001, they have been controversial. They made the carnage of war too remote, easy and antiseptic, some critics contended. And, as others pointed out, they were not always accurate, often killing innocent civilians and ramping up anti-Americanism.

But in Awlaki’s case there was the added question of constitutionality. As an American citizen, did he have the right to due process before he could be condemned to death? There is no question that Awlaki courted his own martyrdom by openly advocating and assisting in plots to kill Americans. Both Umar Farouk Abdulmutallab, the so-called “underwear bomber,” and Nidal Hasan, the army psychiatrist who massacred 13 people at Fort Hood, Texas, sought his guidance and encouragement—as did many other aspiring but ultimately unsuccessful jihadists.

Fortified by approving legal opinions, just as President Bush had been in his decision to allow torture of detainees, Obama finally concluded Awlaki was a legitimate target. After the killing, he stated, “When a U.S. citizen goes abroad to wage war against America and is actively plotting to kill U.S. citizens, and when neither the United States nor our partners are in a position to capture him before he carries out a plot, his citizenship should no more serve as a shield than a sniper shooting down on an innocent crowd should be protected from a SWAT team.”

While Shane displays Awlaki in all his venom and charming arrogance, he also takes Obama to task for his too eager embrace of drones and lack of promised transparency.

“Objective Troy” was the name the Pentagon assigned to Anwar al-Awlaki, the American-born Muslim cleric whose rhetoric and politics evolved from moderate to murderous during the first decade of the 2000s and led to his being killed in Yemen in 2011 by a drone strike President Obama authorized personally.
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After the Germans occupied Paris in 1940, Dr. Sumner Jackson, a high-profile American-born surgeon, found himself in the perilous position of living a few doors down fashionable Avenue Foch from the Gestapo headquarters. At the time, Jackson was in charge of the American Hospital in Neuilly, only a brisk bicycle ride away from the home he shared with his wife, Toquette, and teenage son, Phillip. America was not then at war with Germany, but Jackson had worked in Paris long enough to count himself among the vanquished and, thus, sympathetic to the resistance.

Alex Kershaw (The Bedford Boys) describes in stark detail how the City of Light quickly became a city of intrigue and terror. Jackson’s neighbor and nemesis was Helmut Knochen, head of the Gestapo in Paris. In addition to the spying apparatus he imported from Germany, Knochen also tapped into the local criminal underworld to recruit an army of informants and torturers. At first, Jackson’s high-placed connections insulated him and his hospital from oppressive German oversight. But his and his wife’s willingness to aid members of the resistance kept them in constant danger of being discovered.

Kershaw shows how Parisians generally and Jews specifically suffered terribly under the occupation. While German officers dined in splendor, ordinary citizens faced starvation. And there were other outrages, too. In 1943, the Germans publicly burned more than 500 works by Miro, Picasso and other artists, deeming them “degenerate.”

A few months before the Allies liberated Paris, the Germans finally imprisoned the Jacksons, including son Phillip, whose family archives and personal recollections served as principal sources for this tense and compelling narrative.

 

This article was originally published in the August 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

After the Germans occupied Paris in 1940, Dr. Sumner Jackson, a high-profile American-born surgeon, found himself in the perilous position of living a few doors down fashionable Avenue Foch from the Gestapo headquarters.
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The story of how the Internet brought the imperious music business to its knees has never been told more succinctly and readably than it is here. Beginning his narrative in 1995, when the compact disc format reigned, Stephen Witt focuses on the transformative importance of four primary figures. They are Karlheinz Brandenburg, developer of the MP3 compression technology that enables the vast amount of digital sound data on a CD to be “squeezed” down to a more manageable size for easier playback and transfer; Doug Morris, the aggressive and musically adventurous head of Universal Music Group who presided over the volcanic rise of rap music; Bennie Lydell “Dell” Glover, an hourly worker at a CD manufacturing plant in North Carolina who sneaked thousands of copies of superstar albums out of the plant to post on the Internet before they were released for public sale; and “Kali,” a shadowy presence who, through a network of leakers like Glover, masterminded the Internet distribution of this enormous trove of pirated music.

The tragic flaw of the record companies—Morris’ chief among them—was believing they could ignore culture-shattering technology. After all, CD duplication had advanced to the point that they could manufacture albums for a few pennies each and sell them for $16.98 and up. Who’d want to disrupt such a cozy setup? So instead of coming to terms with this new world, the record labels fought back—quite ineffectually—with public relations campaigns and lawsuits against individuals, seeming like bullies every time they won. The upshot is that record stores have all but vanished and the CD is a withering format.

While Witt streamlines his account, he doesn’t oversimplify it. He covers the creation of iTunes and the iPod, the expansion of broadband, the brief but flamboyant life of Napster, Steve Jobs’ futile attempts to hire Morris and the wily Morris’ ability to prosper even as the empire he built crumbles. How Music Got Free cries out for a movie treatment like The Social Network.

 

This article was originally published in the July 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

The story of how the Internet brought the imperious music business to its knees has never been told more succinctly and readably than it is here. Beginning his narrative in 1995, when the compact disc format reigned, Stephen Witt focuses on the transformative importance of four primary figures.

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