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On the couch with the bookish babes of Bibliotherapy You need therapy, sister Bibliotherapy to be exact. Subtitled The Girl’s Guide to Books for Every Phase of Our Lives, this is one glorious and hilarious guide to a life’s worth of literature. From “When You’re Feeling Unnoticed and Unloved: Bad Hair Babe Books” to “When You Desperately Need to Believe That There’s a Purpose to It All: Embracing-Your-Inner-Light Books,” there are chapters for every occasion and stage of a woman’s life. Think about it the books we read really do show us where we’ve been and where we’re headed. We loved Eloise during those frisky days of childhood and Judy Bloom’s books during our angst-ridden adolescence. Then, in college, along came Gloria Steinem who taught us to wake up and smell the patriarchy. And here we are, years later, reaching desperately for a copy of Raising Your Spirited Child. Times have changed.

But how to begin the daunting task of compiling a guide that spans a lifetime? Authors Beverly West and Nancy Peske first cousins, dear friends, editors and authors of the sleeper hit Cinematherapy: The Girl’s Guide to Movies for Every Mood say it involved many hours of girl talk. Beverly says, “We sat down and said, OK, let’s think of every book we ever read.” Not a task for the faint of memory. “Nancy and I, both being readers, have turned to books in big moments in our lives, and even in smaller ones . . . [we] thought about what the landmark phases were in a woman’s life and thought about the books that have either had a big impact on the way women experience those stages as a population like menopause or puberty and also the stuff we turn to that helps us cope with loss, or divorce, or when we’ve suddenly gone deaf to our inner voice and need to reinvent ourselves.” Women may indeed use books differently than guys do, turning to them in times of need, but that doesn’t mean Bibliotherapy excludes books by that other gender. On the contrary, says Nancy, “we have books that are classic ‘guy’ literature but that speak to women.” Beverly points out, “we’ve not only looked at women’s literature but at all books that have influenced us as people, not just as women.” In other words, there’s some Bukowski in the mix, too.

Both West and Peske gained new insight by revisiting the books that influenced their lives. Beverly rediscovered Zen and the Art of Motorcycle Maintenance while Nancy read Rebecca with new eyes. “I had read Rebecca probably a half dozen times in my 20s, and when I went back to write about it, I started . . . discovering in the process of writing what that book was about, how I read it [at that time] . . . Those themes were very resonant for me in my 20s.” What do the authors have on their bedside tables at present? Nancy is leisurely leafing through the first Harry Potter adventure and is also “going through a big spirituality phase,” reading The Jesus Mysteries and books about the goddess tradition. She’s also working on a book by a wiccan high priestess who wrote Book of Shadows. Beverly just finished writing a book for Falcon Press on the remarkable women of New Mexico goddesses in their own right so she’s been immersed in reading a lot of biography. “I just finished an autobiography of Mable Dodge Louhan. She was like the madame de style of the Southwest . . . I’m hung up on unmanageable women at present, being one myself.” She may be unmanageable, but these two certainly manage to work well as a team, complementing each other at every turn. Beverly kids Nancy, “We can’t get out of this collaboration. She’s going to be staring at me over turkey at Thanksgiving.” Features of the book include Notes from Nancy’s and Bev’s Reading Journals; choice passages from each book followed by a digestible, witty discussion of it; “Points to Ponder” about each entry; “Can I get that printed on a coffee mug?” quotes from authors and nonauthors alike; and a laugh-out-loud “Books to Be Thrown with Great Force” section. So what’s next for Peske and West? Audiotherapy, perhaps? They’ve considered it they say, but next on their plate is the March 2002 release of Advanced Cinematherapy, the follow-up course for those who passed Cinematherapy 101. For now, however, we strongly recommend taking some time to get in touch with your inner bibliophile.

Katherine H. Wyrick lives in Little Rock, Arkansas.

On the couch with the bookish babes of Bibliotherapy You need therapy, sister Bibliotherapy to be exact. Subtitled The Girl’s Guide to Books for Every Phase of Our Lives, this is one glorious and hilarious guide to a life’s worth of literature. From “When You’re Feeling Unnoticed and Unloved: Bad Hair Babe Books” to “When […]
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It is often only after the death of a great author that the scope of his unpublished writings is appreciated. In the case of Robertson Davies, two new collections underscore his remarkable literary and artistic range. The Merry Heart illustrates Davies’s fascination with the writing and reading of literature, while Happy Alchemy brings to light his diverse musings on theater, opera, and music. Included in Happy Alchemy are speeches, diary entries, critical essays, interviews, and dramatic scenes. The collection’s title is a reference to a couplet by English poet Matthew Green and is best explained by Davies himself in the book’s opening essay on theater. “What alchemy really means is something which has attained to such excellence, such nearness to perfection, that it offers a glory, an expansion of life and understanding, to those who have been brought into contact with it.” The pieces in this collection are about that pursuit of artistic excellence not only in the theater and the opera house, but in the imagination of the dramatist and the workshop of the librettist. In 33 chapters, the writing included here covers a lot of ground. Whether discussing the virtues of a playwright, the strength of a particular production, or the skill of an actor, Davies writes with energy and enthusiasm.

As a commentator on the performing arts, Davies concerns himself with the creative process as well as the finished product. His love of opera is demonstrated in his thoughtful analysis of Hamlet. In one of the finer sections of Happy Alchemy, he explains why operatic composers repeatedly fail to render it successfully. “It is too complex; its mingling of political and dynastic arguments with the spiritual agonies of the deeply introverted, philosophical hero cannot be accommodated to the chief necessity of an opera libretto, which is simplicity.” In informal, light prose, the critical writing included here is generally appreciative and inquisitory, rarely caustic. In his theater notebook, excerpted here, Davies writes, “I sincerely believe that I have been a good playgoer, and that is something better, perhaps, than having been a well-known critic. Critics often do not like the theater; I have never liked anything better.” Reviewed by Jeremy Caplan.

It is often only after the death of a great author that the scope of his unpublished writings is appreciated. In the case of Robertson Davies, two new collections underscore his remarkable literary and artistic range. The Merry Heart illustrates Davies’s fascination with the writing and reading of literature, while Happy Alchemy brings to light […]
Review by

In witty, well-researched previous books, London author Robert Lacey infiltrated the closed societies of megabusiness (Ford: The Man and the Machine) and the underworld (Meyer Lansky and the Gangster Life). Now, he has also found another choice subject: Sotheby’s auction house, which “has spent a profitable 250 years cultivating the paradox that rich people, at heart, are the neediest people of all.” The book opens with a bizarre prologue, recounting the glitz, greed, and glamour of Sotheby’s auction of the estate of Mrs. Jacqueline Kennedy Onassis 5,914 items ranging from her cigarette lighter to her BMW. The ego-feeding frenzy was off and running with a nondescript wooden footstool, value estimated in the catalogue at $100 to $150.

The auctioneer, the firm’s statuesque blond president and CEO, Dede Brooks, sold the item for a total of $33,500. On the underside was a label in Jackie’s handwriting: “Footstool JBK bedroom in White House for Caroline to climb onto window seat.” Other prices made even less sense: $574,500 for the dead President’s small walnut cigar box, $387,500 for his golfing irons, $772,500 for the woods (bought by Arnold Schwarzenegger), and Jackie’s $100 necklace of fake pearls for $211,500. She customarily wore replicas of her best jewelry, Lacey writes, “considering this a huge joke.” Just as mind-boggling is the epilogue describing the sale of the effects of the Duke and Duchess of Windsor, with Woody Allen, Whoopie Goldberg, and Barbara Walters among those seeking objects with the letter “W” surmounted on a coronet. Loudest applause went to a young Asian-American couple who paid $29,900 for a small ribbon-tied box inscribed by the Duchess: “A piece of our wedding cake.” The next day Seinfeld called for permission to use the incident on the show. Jerry would buy the piece of cake at Sotheby’s, put it in the fridge, and a famished Elaine would come home late, looking for a snack. You can guess the rest.

The bulk of the book is an intriguing history of Sotheby’s from its first auction, held in 1744, through recent times when the Japanese drove art prices through the roof and some of their corporations into bankruptcy. Locked for centuries in a rivalry with Christie’s, Sotheby’s expansion into America wins the day. The book is also a cultural history of England, with its ingrained distinction of class and gender. In 1916, the company employed its company’s first females, insisting they dress plainly so as not to distract male customers. When the American entrepreneur Alfred Taubman bought control of Sotheby’s in 1983, he walked into a meeting where Dede Brooks, the present CEO, was the only female, and asked her for a cup of coffee. “ÔWith pleasure,’ she replied, handing him a sheaf of documents. ÔAnd could you photocopy these for me?'” Robert Lacey interviewed hundreds of people before writing this remarkable book, collecting amusing stories, especially about the longtime CEO Peter Wilson, a friend of Ian Fleming and reportedly a model for James Bond. This is a lively tale, richly entertaining and full of surprises.

Reviewed by Benjamin Griffith.

In witty, well-researched previous books, London author Robert Lacey infiltrated the closed societies of megabusiness (Ford: The Man and the Machine) and the underworld (Meyer Lansky and the Gangster Life). Now, he has also found another choice subject: Sotheby’s auction house, which “has spent a profitable 250 years cultivating the paradox that rich people, at […]
Review by

It was the scream—and the shower scene—heard ’round the world. Just 40 minutes into Alfred Hitchcock’s Psycho, we watch—horrified but rapt—as Marion Crane (played by Janet Leigh) is stabbed to death in the shower stall of the now infamous Bates Hotel. At first we think Norman Bates’ mentally deranged mother is the murderer, but we come to realize that there is no Mrs. Bates—or no living Mrs. Bates—and that Norman himself (played pitch-perfectly by Anthony Perkins) is the true psycho.

Just how Hitchcock created his masterpiece—and what it did to change the landscape of American filmmaking and audience perception in the 1960s and beyond—is the subject of film critic David Thomson’s authoritative The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder. Thomson’s detailed and insightful primer is the perfect book for Hitchcock aficionados and general film fans alike.

It was the scream—and the shower scene—heard ’round the world. Just 40 minutes into Alfred Hitchcock’s Psycho, we watch—horrified but rapt—as Marion Crane (played by Janet Leigh) is stabbed to death in the shower stall of the now infamous Bates Hotel. At first we think Norman Bates’ mentally deranged mother is the murderer, but we […]
Behind the Book by

Last night my 19-year-old daughter’s friends were here for “prinks” (pre-going out drinks, much cheaper than buying them in a club). They all looked gorgeous. My daughter was in shorts and, I’m pleased to say, flat shoes. I can’t help but worry. They were all showing a lot of shoulder. The cold shoulder trend is really big in England at the moment.

 “Are you going to be ok, mum, all by yourself on Saturday night?” my daughter asked. Neither of my sons was home. One has just graduated and found a job in London. My little one (16 and just over six foot tall) was staying over at a friend’s, and my husband had already left to sing in a local pub, something he does a few times each week. I only go if I really feel like it.

Was I going to be ok, home alone on Saturday night?

“Of course,” I said, automatically.

After I’d waved them off I sat in the garden with my two cats. The chickens were already thinking about going to bed. I wondered if I minded that I wasn’t the one with something to do. I like going out, but the thought of exposing whichever body part is currently deemed the most important fills me with horror. It comforts me to know that once, my ancestor Jane Austen felt the same. She loved dancing and flirting when she was young, but settled happily into the life of the middle-aged writer.

We live in Southampton, England, where Jane Austen once lived. My 21st birthday party was at The Dolphin Hotel, where Jane Austen celebrated her 18th birthday. After a ball there in December 1808, Jane wrote to her sister, Cassandra:

“Our ball was rather more amusing than I expected. . . . The melancholy part was, to see so many dozen young women standing by without partners, and each of them with two ugly naked shoulders! It was the same room in which we danced fifteen years ago! I thought it all over, and in spite of the shame of being so much older, felt with thankfulness that I was quite as happy now as then.”

Here’s proof that fashions come round again and again: naked shoulders were de rigueur 208 years ago.

My favorite night out now is a trip to the theatre with my best friend, Alison. At the same ball where she pitied the girls with the naked shoulders, Jane said that she and her best friend Martha Lloyd “paid an additional shilling for our tea, which we took as we chose in an adjoining and very comfortable room.” Alison and I would find comfort in doing the same; it’s so much nicer to go out with a good friend than to be searching for The One. As Jane Austen wrote in November 1813:

“By the bye, as I must leave off being young, I find many Douceurs [sweet compensations] in being a sort of chaperon, for I am put on the Sofa near the Fire & can drink as much wine as I like.”

So the writer of the world’s favorite love stories was quite happy to sit things out, drinking as much as she liked, while her nieces got all the attention. There is such pleasure in not caring about being the belle of the ball and in being able to just please yourself.

“The writer of the world’s favorite love stories was quite happy to sit things out, drinking as much as she liked, while her nieces got all the attention.”

I love going to museums and galleries and shopping by myself, able to go as quickly or slowly as I want without having to worry if somebody else is bored or wants to take ages looking at things that don’t interest me. When you have children or are in charge of somebody else’s (as Jane Austen often was) trips out involve constant awareness of their needs. Now that my children are older, I love doing things alone. The bliss of not struggling with a stroller and having to bring all that stuff!

Earlier in the week I was at the Jane Austen House Museum. I’ve been there countless times, but will never tire of the magical house and ever-changing garden. I spent a happy few hours, only looking at my watch occasionally to check I wouldn’t be late to meet my son after his first day at college in Winchester, a few miles away. I’m a feeble non-driver, too busy looking out of windows, I guess, to ever pass my driving test. As I rode away from the Museum on the bus, I thought of Jane Austen visiting London in summer 1813 and looking for likenesses of Mrs Elizabeth Darcy and Mrs Jane Bingley among the portraits. She didn’t have to take a bus, but rode in a barouche, the 19th-century equivalent of a sports car. She told her sister:

“I had great amusement among the pictures; and the driving about, the carriage being open, was very pleasant. I liked my solitary elegance very much, and was ready to laugh all the time at my being where I was.”

Thinking of my daughter asking, on her way out, whether I was going to be ok by myself, I realized that the answer will always be yes, of course, whether I say it automatically or pause to think. I realized that, like Jane, I like my “solitary elegance” very much, and that I’m very lucky to be able to please myself and to sit alone in the garden with my cats and the chickens or on the sofa by the fire with a book.  Like Jane, I’m quite happy that I don’t have to stand about exposing my shoulders or anything else. Like Jane, I realized that I like being middle-aged. 

Rebecca Smith, a 5th-great-niece of Jane Austen, is the author of three novels and several nonfiction books. Her latest, The Jane Austen Writer’s Club, is a compilation of writing advice from the beloved English novelist. Smith teaches creative writing at the University of Southampton in England. 

Rebecca Smith, a great-niece of Jane Austen, writes about how her famous ancestor taught her to relish the pleasures of middle age in a behind-the-book essay.
Review by

In its own way, Malcolm Gladwell’s The Tipping Point exemplifies its subtitle: How Little Things Can Make a Big Difference. Gladwell, a staff writer for The New Yorker, tells the stories of seemingly minor incidents that build to matters of great consequence. The tipping point, Gladwell writes, is the moment at which an idea catches on and spreads. He uses the metaphor of epidemics to describe these events, posing the questions, Why is it that some ideas or behaviors or products start epidemics and others don’t? And what can we do to deliberately start and control positive epidemics of our own?

Part of the effectiveness of The Tipping Point lies in the intriguing illustrations Gladwell uses to explain his ideas. Chapters focus on such epidemic catalysts as Paul Revere, cigarettes, the Columbia House gold record advertising campaign, "Sesame Street," Rebecca Wells’ Divine Secrets of the Ya-Ya Sisterhood, subway shooter Bernie Goetz, teen suicide in Micronesia and Airwalk sneakers.

These examples serve to illustrate Gladwell’s three components of the Tipping Point, which he calls The Law of the Few, the Stickiness Factor, and the Power of Context. As diverse as these topics are, Gladwell manages both to maintain the specificity of each example and apply it usefully to his Tipping Point theories. The Bernie Goetz case, for example, illustrates what Gladwell calls the Power of Context, which argues that the psychological or sociological backgrounds of Goetz and the youths on the train have less to do with what happened than their environment. Gladwell argues that the eventually historically significant altercation had everything to do with the message sent by the graffiti on the walls and the disorder at the turnstiles. The Power of Context says you don’t have to solve the big problems to solve crime. Instead, cleaning up the subway system can help.

The Tipping Point alternates between daunting and heartening in what it asks its readers to do and understand; as Gladwell writes, What must underlie successful epidemics is a bedrock belief that change is possible. That faith is often elusive. After reading Gladwell’s book, however, and comprehending exactly what Paul Revere’s ride and the Columbia House advertising campaign have in common, the world around us seems eminently ripe for tipping for the better.

Eliza McGraw teaches English at Vanderbilt University.

In its own way, Malcolm Gladwell’s The Tipping Point exemplifies its subtitle: How Little Things Can Make a Big Difference. Gladwell, a staff writer for The New Yorker, tells the stories of seemingly minor incidents that build to matters of great consequence. The tipping point, Gladwell writes, is the moment at which an idea catches […]
Review by

The eyes have it Mother’s birthday? Nephew’s graduation? Second cousin twice removed’s wedding? If you need help selecting a gift for any occasion, you’ve come to the right place. What gift is always the right color, the right size, and the right price? Why, books, of course! Do you know someone who is so trendy that when they go shopping, they think their clothes are out of style before they can get them to the cash register? Laugh and learn with Holly Brubach’s A Dedicated Follower of Fashion (Phaidon, $29.95, 071483887X). A collection of 27 essays published during the past two decades, Brubach’s writings offer insight on trends, designers, models, and photographers. There are chapters dedicated to men, shoes, visionaries, and plus-sizes. Luckily, the photographs featured were carefully selected, so some of fashion’s . . . er, more outrageous phases are kept within the text. It is a witty, educated observation that isn’t muddled into tedium or grandiosity. Brubach takes a scenic route from Paris to New York, with plenty of stops along the way.

One hundred and five years ago, a subtitle reading An Illustrated Monthly was added to the masthead of National Geographic. Since then, photographs featured in the magazine have told stories that reflect our world and the times in which we live. Beginning with those early photographs, six authors have compiled an era-by-era account of the 20th century in National Geographic Photographs: The Milestones (National Geographic Society, $50, 0792275209). Often working in rigorous or rudimentary settings, many of the photographers featured are true pioneers of photojournalism. Look on the wedding portrait of a late 19th-century Zulu couple; observe the conditions of an early 20th-century Mexican cigarette factory; visit Lappland, New York, the Arctic, and scores of other places and events that were hallmarks of the past century. Very often, photographers would return to a previous site with mixed results; progress is evident in many of these revisits, while other photographs reflect areas that remain untouched by time.

If breathtaking scenery and colorful history excites someone on your gift list, you can’t do much better than Scotland. Checkmark Books has captured the majesty and mystery of this gorgeous country in Heritage of Scotland: A Cultural History of Scotland and Its People ($29.95, 06003552609). Author Nathaniel Harris’s enormous undertaking covers everything from Scotland’s landscape to its literary offerings. Beautiful artwork and photographs are featured alongside an abundance of information about Scottish people and their traditions. And yes, clans, kilts, and bagpipes are included, but readers will soon discover there is so much more! Visit the Highland Games, look at priceless works of art, learn the complex linguistic history of the Scottish people, observe the country’s most famous structures, many dating back to prehistoric times. Heritage of Scotland is a great item for history buffs and anyone with Scottish roots.

It’s a classic dilemma: You’re standing in the video store, thinking, What’s that movie from the 1940s, the one where John Wayne plays a naval officer and has an affair with a nurse, played by Donna Reed? This dilemma is easily resolved with VideoHound’s War Movies: Classic Conflict on Film. Mike Mayo has compiled and arranged over 200 war movies according to the war depicted. This guide includes many documentaries and overlooked films, like The Fighting Sullivans and Come and See. There are sidebars profiling famous actors, listings of full movie credits, and 200 photographs to peruse. Mayo provides commentary and synopsis for each film, mentioning the controversies and histories surrounding some of Hollywood’s most powerful movies. Amid trivia and quotes, Mayo is kind enough to include a See Also section for each film, for moviewatchers who are interested in other films that are similar in content, direction, or have the same stars . . . just in case your first choice has been rented out!

The eyes have it Mother’s birthday? Nephew’s graduation? Second cousin twice removed’s wedding? If you need help selecting a gift for any occasion, you’ve come to the right place. What gift is always the right color, the right size, and the right price? Why, books, of course! Do you know someone who is so trendy […]
Review by

s for Black History Month Revisiting an era that rent the nation, King: The Photobiography of Martin Luther King, Jr. is the perfect way for readers to commemorate Black History Month. The first of its kind and a wonderful gift book, King is an intimate look at the life of a multifaceted figure. Told in graphic black and white, King’s story unfolds in a series of photographs, some of which have never been seen before, and the result is a visual retrospective almost as mighty as the man himself.

Photographer Bob Adelman assembled the starkly beautiful, sobering images that comprise this volume, and it’s a detailed compilation that spans more than a decade. With authoritative text written by National Book Award winner Charles Johnson, this in-depth look at one of our most revered leaders is organized around the major events in King’s life, from the 1957 prayer pilgrimage in Washington, D.C., to the Nobel Prize award ceremony in Oslo in 1964. But most touching are the simple moments in which the great man seems mortal: King dozing in a chair in an airport; struggling over the composition of a sermon; having a strained moment at home with his wife Coretta. While documenting the life of King, the book also captures the essence of a violent epoch, presenting the triumphs and trials that characterized the civil rights movement and doing so with an intensity that makes the events of the ’50s and ’60s feel strangely immediate. Most importantly, King penetrates the surface of its subject, presenting both the public and the private sides of an icon, a superman of sorts who was, after all, human.

Black history is at the reader’s fingertips with Velma Maia Thomas’ ingenious three-dimensional book Freedom’s Children: The Passage from Emancipation to the Great Migration. The second volume in a series chronicling black history and the sequel to Thomas’ best-selling Lest We Forget, Freedom’s Children addresses the years following the Civil War, examining the challenges faced by slaves tasting liberty for the first time. With illustrations, photographs and one-of-a-kind interactive elements, this intriguing book requires reader participation. A letter from a Freedmen’s Bureau agent is tucked into an envelope. A miniature version of The Freedmen’s Third Reader a primer studied by illiterate slaves invites perusal. A ticket for the Colorado and Southern Railway, which bore freedmen and freedwomen west in search of better lives, and script money folded into pockets lend an air of authenticity to Thomas’ narrative, making Freedom’s Children something of a fold-out museum, a mini-archive. Thomas’ illuminating text, which follows the lives of former slaves, along with the replicas of documents and artifacts that illustrate the era, make Freedom’s Children both an invaluable work of scholarship and a beautiful gift volume.

A book that delivers the nobility, beauty and dignity of the world’s most mysterious continent, Sensual Africa by photographer Joe Wuerfel captures the essence of a place and its people in pictures that are sheer poetry. Wuerfel visited the Cape Verde Islands, Tanzania and Namibia, where he lived among a nomadic tribe of herdsmen called the Himba, and the results are images tempered by a golden tint, photographs that have the warm haze of yellowed lace, of something aged. Dressed in calfskin loincloths and beaded belts, the bodies of the Himba seem burnished. At times, in this light, Africa itself appears apocalyptic a landscape yellow-white, barren and bone-dry in which zebras look otherworldly, and black baobab trees stand like supplicants beneath an unyielding sky. In his travels through Africa, Wuerfel captured archetypal images of the masculine and the feminine, of youth and age. Young Himba girls flirty yet demure seem to be sharing a secret; Tanzanian women mourn, their heads shaven in honor of the dead; a bare-chested Himba boy runs with a bow and arrow. Foreign yet familiar, the postures of these isolated people transcend language and culture and remind us of what it means to be human. In their gestures, we can see ourselves.

An interview with photographer Peter Beard, who has spent 25 years on the continent, is also included in Sensual Africa. A remarkable visual experience, this is a stunning volume that Africaphiles will love.

s for Black History Month Revisiting an era that rent the nation, King: The Photobiography of Martin Luther King, Jr. is the perfect way for readers to commemorate Black History Month. The first of its kind and a wonderful gift book, King is an intimate look at the life of a multifaceted figure. Told in […]
Review by

The eyes have it Mother’s birthday? Nephew’s graduation? Second cousin twice removed’s wedding? If you need help selecting a gift for any occasion, you’ve come to the right place. What gift is always the right color, the right size, and the right price? Why, books, of course! Do you know someone who is so trendy that when they go shopping, they think their clothes are out of style before they can get them to the cash register? Laugh and learn with Holly Brubach’s A Dedicated Follower of Fashion (Phaidon, $29.95, 071483887X). A collection of 27 essays published during the past two decades, Brubach’s writings offer insight on trends, designers, models, and photographers. There are chapters dedicated to men, shoes, visionaries, and plus-sizes. Luckily, the photographs featured were carefully selected, so some of fashion’s . . . er, more outrageous phases are kept within the text. It is a witty, educated observation that isn’t muddled into tedium or grandiosity. Brubach takes a scenic route from Paris to New York, with plenty of stops along the way.

One hundred and five years ago, a subtitle reading An Illustrated Monthly was added to the masthead of National Geographic. Since then, photographs featured in the magazine have told stories that reflect our world and the times in which we live. Beginning with those early photographs, six authors have compiled an era-by-era account of the 20th century in National Geographic Photographs: The Milestones. Often working in rigorous or rudimentary settings, many of the photographers featured are true pioneers of photojournalism. Look on the wedding portrait of a late 19th-century Zulu couple; observe the conditions of an early 20th-century Mexican cigarette factory; visit Lappland, New York, the Arctic, and scores of other places and events that were hallmarks of the past century. Very often, photographers would return to a previous site with mixed results; progress is evident in many of these revisits, while other photographs reflect areas that remain untouched by time.

If breathtaking scenery and colorful history excites someone on your gift list, you can’t do much better than Scotland. Checkmark Books has captured the majesty and mystery of this gorgeous country in Heritage of Scotland: A Cultural History of Scotland and Its People ($29.95, 06003552609). Author Nathaniel Harris’s enormous undertaking covers everything from Scotland’s landscape to its literary offerings. Beautiful artwork and photographs are featured alongside an abundance of information about Scottish people and their traditions. And yes, clans, kilts, and bagpipes are included, but readers will soon discover there is so much more! Visit the Highland Games, look at priceless works of art, learn the complex linguistic history of the Scottish people, observe the country’s most famous structures, many dating back to prehistoric times. Heritage of Scotland is a great item for history buffs and anyone with Scottish roots.

It’s a classic dilemma: You’re standing in the video store, thinking, What’s that movie from the 1940s, the one where John Wayne plays a naval officer and has an affair with a nurse, played by Donna Reed? This dilemma is easily resolved with VideoHound’s War Movies: Classic Conflict on Film (Visible Ink, $19.95, 1578590892). Mike Mayo has compiled and arranged over 200 war movies according to the war depicted. This guide includes many documentaries and overlooked films, like The Fighting Sullivans and Come and See. There are sidebars profiling famous actors, listings of full movie credits, and 200 photographs to peruse. Mayo provides commentary and synopsis for each film, mentioning the controversies and histories surrounding some of Hollywood’s most powerful movies. Amid trivia and quotes, Mayo is kind enough to include a See Also section for each film, for moviewatchers who are interested in other films that are similar in content, direction, or have the same stars . . . just in case your first choice has been rented out!

The eyes have it Mother’s birthday? Nephew’s graduation? Second cousin twice removed’s wedding? If you need help selecting a gift for any occasion, you’ve come to the right place. What gift is always the right color, the right size, and the right price? Why, books, of course! Do you know someone who is so trendy […]
Review by

Gifts for Black History Month Revisiting an era that rent the nation, King: The Photobiography of Martin Luther King, Jr. is the perfect way for readers to commemorate Black History Month. The first of its kind and a wonderful gift book, King is an intimate look at the life of a multifaceted figure. Told in graphic black and white, King’s story unfolds in a series of photographs, some of which have never been seen before, and the result is a visual retrospective almost as mighty as the man himself.

Photographer Bob Adelman assembled the starkly beautiful, sobering images that comprise this volume, and it’s a detailed compilation that spans more than a decade. With authoritative text written by National Book Award winner Charles Johnson, this in-depth look at one of our most revered leaders is organized around the major events in King’s life, from the 1957 prayer pilgrimage in Washington, D.C., to the Nobel Prize award ceremony in Oslo in 1964. But most touching are the simple moments in which the great man seems mortal: King dozing in a chair in an airport; struggling over the composition of a sermon; having a strained moment at home with his wife Coretta. While documenting the life of King, the book also captures the essence of a violent epoch, presenting the triumphs and trials that characterized the civil rights movement and doing so with an intensity that makes the events of the ’50s and ’60s feel strangely immediate. Most importantly, King penetrates the surface of its subject, presenting both the public and the private sides of an icon, a superman of sorts who was, after all, human.

Black history is at the reader’s fingertips with Velma Maia Thomas’ ingenious three-dimensional book Freedom’s Children: The Passage from Emancipation to the Great Migration . The second volume in a series chronicling black history and the sequel to Thomas’ best-selling Lest We Forget, Freedom’s Children addresses the years following the Civil War, examining the challenges faced by slaves tasting liberty for the first time. With illustrations, photographs and one-of-a-kind interactive elements, this intriguing book requires reader participation. A letter from a Freedmen’s Bureau agent is tucked into an envelope. A miniature version of The Freedmen’s Third Reader a primer studied by illiterate slaves invites perusal. A ticket for the Colorado and Southern Railway, which bore freedmen and freedwomen west in search of better lives, and script money folded into pockets lend an air of authenticity to Thomas’ narrative, making Freedom’s Children something of a fold-out museum, a mini-archive. Thomas’ illuminating text, which follows the lives of former slaves, along with the replicas of documents and artifacts that illustrate the era, make Freedom’s Children both an invaluable work of scholarship and a beautiful gift volume.

A book that delivers the nobility, beauty and dignity of the world’s most mysterious continent, Sensual Africa by photographer Joe Wuerfel captures the essence of a place and its people in pictures that are sheer poetry. Wuerfel visited the Cape Verde Islands, Tanzania and Namibia, where he lived among a nomadic tribe of herdsmen called the Himba, and the results are images tempered by a golden tint, photographs that have the warm haze of yellowed lace, of something aged. Dressed in calfskin loincloths and beaded belts, the bodies of the Himba seem burnished. At times, in this light, Africa itself appears apocalyptic a landscape yellow-white, barren and bone-dry in which zebras look otherworldly, and black baobab trees stand like supplicants beneath an unyielding sky. In his travels through Africa, Wuerfel captured archetypal images of the masculine and the feminine, of youth and age. Young Himba girls flirty yet demure seem to be sharing a secret; Tanzanian women mourn, their heads shaven in honor of the dead; a bare-chested Himba boy runs with a bow and arrow. Foreign yet familiar, the postures of these isolated people transcend language and culture and remind us of what it means to be human. In their gestures, we can see ourselves.

An interview with photographer Peter Beard, who has spent 25 years on the continent, is also included in Sensual Africa. A remarkable visual experience, this is a stunning volume that Africaphiles will love.

Gifts for Black History Month Revisiting an era that rent the nation, King: The Photobiography of Martin Luther King, Jr. is the perfect way for readers to commemorate Black History Month. The first of its kind and a wonderful gift book, King is an intimate look at the life of a multifaceted figure. Told in […]
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Unwrapping the past Certainly not everything in the world is getting better and better, but illustrated books may well be. Color reproduction gets ever more precise and lush, and no book demonstrates this better than what is hands-down the most beautiful book on King Tut ever published Tutankhamun, with text by T.G.H. James and photographs by A. De Luca. James was for a long time Keeper of Egyptian Antiquities at the British Museum, and De Luca is considered one of the foremost photographers of jewelry and statuary in the world. The text is vivid and comprehensive, and explains many aspects of the story of the boy king, but the words are attendant upon the text in this volume. Primarily they serve as detailed captions for De Luca’s breathtaking photographs. The pictures capture the sheen of gold and lapis, the details of texture and inlay, as never before. From the quartz-eyed, ivory-toothed hippo beside the king’s bed to a gold-beaded bracelet with an amethyst scarab, the range of shameless opulence is amazing. Every time you turn the page you find another close-up view of a work of art demonstrating staggering workmanship. No fan of ancient Egypt, and certainly no Tutophile, will be able to resist this book.

While you’re in an Egyptian mood, you should turn to another beautiful new book, Valley of the Golden Mummies, by Zahi Hawass (Abrams, $49.50, ISBN ). Hawass is Egypt’s undersecretary of state for the Giza Monuments. He has made many discoveries of his own, including the tombs of the workers who built the pyramids, the tombs of some of Khufu’s officials and evidence about how the pyramids were built. He also directed the conservation of the Great Sphinx at Giza. Many artifacts appear in this book’s impressive illustrations, but there is also much more to round out the story. Handsome color photographs document excavations, restorations, tomb sites and many other fascinating archaeological tidbits that place the artifacts in context and help explain their role in the ancient world. The book is a pleasure to look at and a delight to read, and helps bring alive an era that has captured the imagination of the modern world.

Unwrapping the past Certainly not everything in the world is getting better and better, but illustrated books may well be. Color reproduction gets ever more precise and lush, and no book demonstrates this better than what is hands-down the most beautiful book on King Tut ever published Tutankhamun, with text by T.G.H. James and photographs […]
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75 years of painting the town read The journalist Richard Rovere once said of Harold Ross, the founding editor of the New Yorker magazine, that his fundamental contribution to journalism was his fight for the dignity of the printed word.

Read in the context of our own day, when the relentless trivialization of journalism has the dignity of the printed word pretty much down for the count, Rovere’s statement rings with bitter piquancy. All the more so when you consider that the fight wasn’t nearly so desperate in Ross’s time: that brief window when an erudite little Ôcomic paper,’ as Thomas Kunkel said in his biography of Ross five years ago, could be a major cultural force in a way that is unthinkable now. That brief window has long been closed, which is one of the assessments made by Ben Yagoda in About Town: The New Yorker and the World It Made (Scribner, $27.50, 0684816059), one of a small flurry of books being published to mark this month’s 75th anniversary of the magazine. I have a shelf of books about the New Yorker, from James Thurber’s The Years with Ross of 1958 to Ved Mehta’s paean to William Shawn, Ross’s successor, of 40 years later, and About Town is one I am happy to add to it. It is probably longer than it needs to be, but New Yorker fans eager to absorb every fact, and every opinion about every fact, of the magazine’s history will not find length a defect.

Most of the books on that shelf are biographies or autobiographies or reminiscences. Yagoda has produced something different: a critical and cultural history that looks at the magazine’s content, how it originated and how it evolved, and at the role the magazine has played in American cultural life for three-quarters of a century. His book is the first to be based in large part on the New Yorker archives recently made available by the New York Public Library, which are amazingly voluminous. Imagine coming across a 1949 letter written to the editors by a totally obscure 17-year-old named John Updike.

Like Kunkel and others who have written about the New Yorker, Yagoda gives chief credit for its success in its first two decades to that improbable genius, Ross, and his finicky concern for the clarity of the printed word. Ross’s genius also lay in choosing excellent founding writers and editors, particularly that triumvirate of Thurber, E.B White, and Katherine Angell (later White’s wife). Other blocks in the foundation, according to Yagoda, were that nebulous concept, sophistication ; the focus on New York; the concern with shifting class lines; and, perhaps most important, the cartoons and other art.

In great detail, About Town describes the development of such elements as the Profile and the New Yorker short story and how they have changed. As to the latter, there is somewhat of a paradox. Though Yagoda rightly points out that the magazine’s intense reluctance to stretch has restricted its short-story range, the cumulative effect is of an illustrious fiction record overall.

The author believes the magazine had its golden age in the decade preceding Pearl Harbor a time in its history when it was poised gracefully between the formless and sometimes brittle levity that came before and the unquestionably meritorious, occasionally splendid, but frequently solemn, ponderous, self-important, or dull magazine that stretched from the Second World War on up to the 1980s. He also sees another brief golden age in the 1970s, when it got over solemnizing about the Vietnam War.

So, though he doesn’t use Kunkel’s notion of a brief window of cultural influence that I cited above, Yagoda clearly agrees with it. Aside from a short epilogue taking the magazine up to the present, he ends the book proper in 1987, when Shawn was let go. With that act, the slowly closing window banged shut, and the magazine’s story as a unique and influential institution in our culture ended.

In the first 62 years of its existence, the New Yorker had two visionary editors and was a thing unto itself. In the last 13 it has had three interchangeable editors and grows ever more indistinguishable from Vanity Fair and the rest of that glossy, celebrity-hunting crowd. To those of us who remain fans it is still the best of the lot, but think what that says about how sorry the lot has become. To be fair, think what it says about cultures getting the institutions they deserve.

Roger K. Miller is a freelance writer in Wisconsin.

75 years of painting the town read The journalist Richard Rovere once said of Harold Ross, the founding editor of the New Yorker magazine, that his fundamental contribution to journalism was his fight for the dignity of the printed word. Read in the context of our own day, when the relentless trivialization of journalism has […]
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Viva Las Vegas! Las Vegas. The name inspires a hybrid image, half Disneyland and half Sodom and Gomorrah. It is the fastest-growing city in the U.S., its population having boomed from 400,000 in 1980 to more than a million now. As four new books attest, Vegas is also a magnet for the imagination. Inevitably the authors focus on the four-mile stretch of casinos called the Strip, but along the way they address many other aspects of the Industry as Las Vegas residents refer to gambling including entertainment, prostitution, organized crime, and law enforcement.

Let’s move from the narrowest focus to the broadest. Pete Earley, the investigative reporter who wrote The Hot House about Leavenworth, and also published exposes about the Aldrich Ames and John Walker spy cases, has a new book, Super Casino: Inside the New Las Vegas (Bantam, $26.95, 0553095021). He explores everything from legendary Las Vegas promoters such as Bugsy Siegel and Howard Hughes to the astonishing success of recent family-oriented entertainment facilities.

Several of Earley’s stories demonstrate the hypnotic pull the city exerts on residents who try to escape. One security guard tells the story of his experiences during the tragic fire that raged through the MGM Grand Hotel in 1980. Afterward, traumatized, he and his wife moved to Florida to flee the memories, but finally they returned because they missed the twenty-four-hour excitement. Andres Martinez covers some of the same territory from a completely different point of view in 24/7: Living It Up and Doubling Down in the New Las Vegas. Martinez gave himself a month to lose the $50,000 his publisher had given him to chronicle a gambling spree. Along the way he wrote a vivid, you-are-there account of his adventures, one day per chapter. Like Paul Theroux, Martinez seems part fascinated anthropologist and part happy-go-lucky adventurer. It’s an appealing combination, and makes for a personal take on an impersonal town. Unlike the other Vegas books described here, 24/7 is also extremely amusing.

Inevitably, the most varied of these volumes is an anthology, The Real Las Vegas: Life Beyond the Strip (Oxford, $30, 0195130707), edited by journalism professor David Littlejohn. Fourteen vivid chapters by as many writers explore such topics as gambling, organized crime, the real estate boom, and locals who decry their home town’s reputation. For example, the chapter Law and Disorder details the countless scam artists who trail the nouveau riche foolish enough to flaunt their wealth. Skin City follows a limo driver who caters to whorehouse clients and acts as surrogate uncle to the prostitutes themselves; then it explores the strip joints of the city.

Broader still in scope is David Thomson’s new book, In Nevada, which bears the ambitious subtitle The Land, the People, God, and Chance (Alfred A. Knopf, $27.50, 0679454861). You’ll recognize Thomson’s name from his several previous books, including Rosebud, his biography of Orson Welles, and Beneath Mulholland, a lively tour of Hollywood history. From early nuclear testing to recent theological battles, he prowls his self-assigned turf with scrupulous attention. He refutes those who consider Vegas hell on Earth: Hell is rebuke, torture, and eternal punishment for those who have sinned. Las Vegas may be founded on a paradox, or a trick, but the idea that you will play and strive and then lose is not hellish. For many of us, it’s a profound and absorbing metaphor for life. Thomson mentions that, because he normally writes about film, people couldn’t understand why he was writing about Nevada. If I sometimes seem to concentrate on film, why, really, it’s just a way into life, and words, and wondering what you can believe. For Thomson, as for the authors of these four books, that is precisely what Las Vegas is a way into many other things that seem to converge in the near-mythical city that rises from the desert like a neon mirage.

Michael Sims is the author of Darwin’s Orchestra (Henry Holt).

Viva Las Vegas! Las Vegas. The name inspires a hybrid image, half Disneyland and half Sodom and Gomorrah. It is the fastest-growing city in the U.S., its population having boomed from 400,000 in 1980 to more than a million now. As four new books attest, Vegas is also a magnet for the imagination. Inevitably the […]

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