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Books to help you behold the world’s beauty

Feature by Susannah Felts

★ Everything, Beautiful

In a world unspeakably darkened by crisis, it might seem trifling to even think about appreciating, cultivating or devoting our attention to beauty. Focusing on beauty might even read as an act of oblivious privilege. But perhaps a fuller contemplation of what beauty is, can be and has been, and what it can mean in our everyday lives, is in fact one step toward repairing massive-scale damage. Writer and illustrator Ella Frances Sanders believes it is. In Everything, Beautiful, she envisions learning to see beauty as a curative, even redemptive process, “like putting a delicate, very broken vase back together.” No matter how broken our world, it is nevertheless full of “tiny, beautiful things,” she writes. “Some are so invisible or silent that you may never see or understand them, but they are there.” Through text, illustration and guided prompts, Sanders upends and expands our notions of beauty and urges us to notice the ingredients for beauty that are all around us, such as “light, slowness, and the kind of air temperatures that feel like honey.”

Lost Places

I live in a boomtown where every old structure seems to either meet the wrecking ball or get a second life via adaptive reuse. Paging through the images in Lost Places, I’m swept into another world, one where the vestiges of America’s past are left, silent and uninhabited, to be transformed by weather and time. Heribert Niehues’ photographs of abandoned cars, houses, gas stations and other structures tell a story about our country’s past. They are also suffused with mystery: What lives did these places once contain? Who last passed through these doors? Scenes of decaying diner interiors are among the spookiest, with guests’ checks, condiment containers and fry baskets left behind. Car buffs will enjoy Niehues’ many images of rusted-out, early- to mid-20th-century models. Many of the abandoned edifices captured here fell victim to the interstate system when it rerouted travel in the 1950s and ’60; one wonders what of our present might be left behind a century from now, as climate change remaps the landscape.

Forever Beirut

Forever Beirut, a cookbook with accompanying essays and stunning photographs, was conceptualized by Barbara Abdeni Massaad as a way to help her beloved home country in the aftermath of a terrible 2020 explosion at the port of Beirut. In response to disaster and economic collapse, the book passionately preserves the treasures of Beirut’s culinary heritage, with recipes for favorites such as kibbeh, a dish of ground lamb, beef or vegetables kneaded together with bulgur; man’oushe, a traditional flatbread; mezze, small dishes served together such as chickpeas and yogurt; and semolina cake. This is the stuff of my culinary dreams: food that is aromatically spiced, uncomplicated and yet bursting with flavor, served to the reader within a deep, loving sociocultural context.

Look a little closer, and you’ll find beauty lurking in unexpected places. The three books in this month’s lifestyles column will help you spot it.
NonfictionHistoryCultural HistoryArt

Picasso’s War

Review by Henry L. Carrigan Jr.

By the mid-20th century, Pablo Picasso’s paintings and sculptures were turning heads in France and Germany, ushering in cubism, a new artistic style that challenged older styles. At this same moment, American art was dominated by a devotion to realism and the old masters, and therefore resistant to and repulsed by the “modern art” of Picasso. In 1939, that all changed when the newly opened Museum of Modern Art in New York City held an exhibit titled “Picasso: Forty Years of His Art,” featuring pieces that two Americans, who never met, worked tirelessly to make available to the public. Hugh Eakin’s Picasso’s War tells the scintillating tale of how John Quinn, Alfred H. Barr Jr. and others brought Picasso’s work to America and changed the face of American art.

Irish American lawyer Quinn championed modernist novels and poetry and avant-garde art, introducing Americans to William Butler Yeats and T.S. Eliot, as well as to Marcel Duchamp’s painting “Nude Descending a Staircase.” A great collector, Quinn had a “growing aversion to what he called ‘dead art,’” Eakin writes, and wanted to promote painters and writers who could “express the values and forces of his own time.” Although he personally never understood cubism, he believed that “American art needs the shock that the work of some of these men will give.” After he met Picasso, the artist started reserving his best work for Quinn, who built a modest collection. Quinn dreamed of opening a museum devoted explicitly to modern art, since the Metropolitan Museum of Art excluded such art as “degenerate.” He never saw his wish come true, however. He died of cancer in 1924.

In 1926, Barr took up Quinn’s vision for such a museum, aided by wealthy patrons who shared Quinn’s hope. Three years later, Barr opened the Museum of Modern Art using pieces from Quinn’s collection, striving to build a collection of premier work by the most important modern artists. He worked incessantly to open a show devoted to Picasso, but he was hampered at several turns by challenges from Parisian art dealers and even by Picasso himself. By the late 1930s, though, as Adolf Hitler’s campaign against so-called degenerate art ramped up and museums and galleries in Paris began removing and hiding certain paintings, Picasso and his dealer, Paul Rosenberg, tried to get as many of the artist’s paintings as possible to America. Such forces enabled Barr to put on his 1939 Picasso exhibit and to secure a place in the American cultural world not only for Picasso but also for the Museum of Modern Art, which flourished following the Picasso exhibit.

Eakin’s rapturous storytelling makes Picasso’s War a spellbinding, page-turning read about this illuminating chapter in cultural history.

Hugh Eakin’s rapturous storytelling makes Picasso’s War a spellbinding, page-turning read about the fight to bring Picasso’s art to America.
NonfictionFood & DrinkCookbooksArt

3 wonderful books about food, drink and other creature comforts

Feature by Susannah Felts

★ Breadsong

Kitty and Al Tait may not be the first to write of the redemption and delight that can come from watching yeast and heat transform mere water, flour and salt into beautiful, delicious creations. But their memoir-cum-cookbook, Breadsong: How Baking Changed Our Lives, is the most charming version of that story I’ve yet come across. In it, the father-daughter team tells their origin story in alternating points of view before sharing over 50 recipes, both savory and sweet. As a young teen, Kitty began experiencing terrible depression and anxiety. Nothing seemed to help, until Al baked a no-knead loaf, sparking Kitty’s curiosity. In no time at all, the duo had opened what has become a tremendously successful family bakery in their tiny village in Oxfordshire, England. Their story is as heartwarming as it gets, accentuated by Kitty’s lively voice and infectious grin splashed across the pages along with her dad’s adorable illustrations. There’s a recipe for a caramel-covered Happy Bread here, which says a lot about this joyful book. Definitely follow Kitty, who’s now 17, on Instagram @kittytaitbaker for dopamine hits, too.

Things to Look Forward To

When my daughter was young, we enjoyed many books featuring Sophie Blackall’s cozy illustrations; the Ivy & Bean series was a particularly big hit. How fun to come across Things to Look Forward To, Blackall’s new picture book for all ages (that best and rarest of all genres). Not surprisingly, this project grew out of bleak days during the COVID-19 pandemic and was nudged along by community input via social media. Some of the assembled things to look forward to are as common as the sun coming up; in fact, that is literally one of them. Who can argue with coffee, finding something you thought you’d lost or seeing the sea? Other experiences here are a bit more nuanced (doing your taxes, looking at maps) or whimsical (drawing on eggs, flowers that look like brains!). What’s certain is that you can’t page through this book without feeling a renewed sense of appreciation for the everyday, and that’s something all of us can use, every day.

Nectar of the Gods

For a decidedly elevated sort of toga party, be sure to consult Nectar of the Gods. The work of mythology podcaster Liv Albert and beverage consultant Thea Engst, and brought to colorful life by illustrator Sara Richard, this book pairs inventive cocktail recipes with soupçons of Greek and Roman myth. Take, for example, Pandora’s Jar (yes, in fact, it was originally a jar, not a box!): a gin, blueberry and creme de violette concoction. Calypso’s Island Iced Tea, designed to bring out the sexy nymph in each of us, seems like the perfect poolside sipper: hibiscus iced tea, vodka, lemon juice and simple syrup. For a more complex and decadent drink, try the Phaedra Phizz, and pour one out for its ill-fated namesake.

A warm loaf of bread, a mythologically charged tipple: These and other delights give readers something to look forward to in this month’s lifestyles column.
NonfictionArts & CultureArt

Women in the Picture

Review by Deborah Mason

As art historian Catherine McCormack points out in Women in the Picture: What Culture Does With Female Bodies, galleries and museums are full of paintings and statues of women in various guises and genres. Indeed, there are so many that we rarely take time to consider the implications of how they are depicted. We see a Madonna, and we think, “That’s a Madonna.” Few question how the Madonna is depicted, or even why the Madonna is depicted.

McCormack wants us to ask these questions, but she also wants us to consider by whom and for whom an artwork was created. She examines four archetypes of women in Western European art—Venus, the Madonna, the damsel in distress and the monstrous woman—to examine their impact on not only how we look at art but also how we view women in general.

Because so much of this art was created by male artists for male clients, McCormack argues, we have become accustomed to viewing these images through male eyes. As a result, when we see Titian’s “Rape of Europa,” we see a technically brilliant, erotically charged depiction of a myth, not the terror and brutality of the rape that is about to take place. When we see a Madonna, we see an idealized vision of motherhood, not how that mother is trapped by her hearth and home. Sphinxes, witches and gorgons, McCormack believes, are not existential threats to male heroes but the projection of misogynistic fears of powerful women.

McCormack’s purpose is twofold. First, rather than ditching Western European art, she wants us to engage with it critically, deliberately and honestly so that we can begin to recognize the impact of the male artist’s perspective and reinterpret his art with fresh eyes. Second, she wants to encourage women artists to take these subjects and represent them in ways that expose their realities to future generations. As a result, Women in the Picture is a thought-provoking call to action for artists and viewers alike.

Catherine McCormack looks closely at four archetypes of women in art to examine not only how we look at art but also how we view women in general.
Arts & CultureArt

Review

Review by bookpagedev

Art, like music and literature, is valuable to humankind because it portrays life’s pathos as well as life’s joy and tells us that we are all connected, facing life together, not alone. In Sister Wendy’s 1000 Masterpieces: Sister Wendy Beckett’s Selection of the Greatest Paintings in Western Art, this well-known art historian offers us a magnificent collection of Western Art. From the stark religious subject matter of the 15th century to the free, flowing brushstrokes of the impressionists, Sister Wendy manages to capture in one paragraph the essence of each painting. She offers both their historical significance and her own unique interpretations and insights. Most importantly, Sister Wendy understands that basic human need to feel a part of something greater, and she encourages us to experience that sentiment through art.

Art, like music and literature, is valuable to humankind because it portrays life’s pathos as well as life’s joy and tells us that we are all connected, facing life together, not alone. In Sister Wendy’s 1000 Masterpieces: Sister Wendy Beckett’s Selection of the Greatest Paintings in Western Art, this well-known art historian offers us a […]
Arts & CultureArt

Review

Review by bookpagedev

The latest in Phaidon’s series of gorgeous oversized books is The American Art Book. In alphabetical order from Berenice Abbott’s 1930s gelatin silver print of Manhattan at night to William Zorach’s primitive-looking 1951 stone sculpture of a sleeping woman, there are 500 artists and works in this book. The breadth permits an impressive panorama of the artistic urge in America, from the continental days to the end of the millennium. Every time you turn a page, you find something wonderful photorealistic painters Ralph Goings and Richard Estes, photographers Nan Goldin and Cindy Sherman, landscape painters Frederick Church and Thomas Cole. The book is worth the price just for Horace Pippin’s classic 1946 oil Man on a Bench. You’ll also find a helpful glossary and a directory of museums and galleries.

The latest in Phaidon’s series of gorgeous oversized books is The American Art Book. In alphabetical order from Berenice Abbott’s 1930s gelatin silver print of Manhattan at night to William Zorach’s primitive-looking 1951 stone sculpture of a sleeping woman, there are 500 artists and works in this book. The breadth permits an impressive panorama of […]
NonfictionPhotographyParentingCrafts, Hobbies & HomeArt

Supermoms and others

Feature by Linda M. Castellitto

Mother’s Day is coming up, and these books are great for those who want to give or receive something more exciting than a greeting card. Memoirs about unconventional moms, artistic explorations of the mother-child bond and a new take on midlife make excellent food for thought—and crafting and design guides will inspire new creativity. These books celebrate motherhood in its many guises and, no matter what kind of mother you have (or are), offer something for everyone.

Ayelet Waldman, author of the Mommy-Track Mysteries series and two novels, is also known for her essays, including a New York Times piece in which she said she loved her husband more than her children. In a subsequent “Oprah” appearance, she emphasized that her love for husband Michael Chabon doesn’t negate her love for her children and that it’s OK to find motherhood frustrating and guilt-inducing. In Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities, and Occasional Moments of Grace, Waldman calls for an end to unreasonable “supermom” expectations via well-written essays framed with political and historical context. While her style may be too over-the-top for some, she asks an important question: “Can’t we just try to give each other a break?”

Dreams from their mothers
In Not Becoming My Mother: And Other Things She Taught Me Along the Way, Ruth Reichl, memoirist and editor-in-chief of Gourmet magazine, reveals that, the year her late mother would’ve turned 100, she decided to open a box of her mother’s diaries and letters. Reichl felt she had to, as recompense for using oft-hilarious stories about her mother (so-called “Mim Tales”) in her books. The result is a finely crafted recounting of her mother’s struggles as a woman who, although smart and accomplished, felt marriage was the only road to being acceptable. Nonetheless, Reichl writes, “Mom showed me that it is never too late to find out how to [be happy].”

Hollywood agent Sam Haskell grew up in Mississippi, where his mother Mary’s guidance laid the foundation for his entertainment career. Promises I Made My Mother, with a foreword by Ray Romano (one of Haskell’s clients), includes chapters based on her advice, including “Always Seek Understanding” and “(Don’t Be Afraid to) Stand in the Light.” It worked: Haskell went from the mailroom to Worldwide Head of TV at William Morris and created the “Mississippi Rising” benefit for Hurricane Katrina survivors, building strong relationships all the while.

Here’s looking at her
From New Jersey to Mumbai, LIFE with Mother captures all sorts of moments in motherhood. This photographic tribute offers images of mothers and children at play, on the way to school, at milestone ceremonies and more. Famous moms (including Shirley MacLaine and Diana, Princess of Wales) share the pages with not-so-famous ones, and text and quotes add dimension. Readers will smile at the book’s final, hopeful image: Michelle Obama and daughter Sasha, exuberant, at the 2008 Democratic National Convention.

The Artist’s Mother: The Greatest Painters Pay Tribute to the Women Who Rocked Their Cradles takes a fine-art-inspired approach to the mother-child bond. National Book Award winner and New Yorker staff writer Judith Thurman notes in the introduction, “A mother’s gift is, ultimately, the example of steady, impartial discernment that each of us needs to create a self-portrait. And in whatever style they painted their mothers, the artists on these pages gratefully returned that deep gaze.” Indeed, these portraits—a museum-worthy collection including works by Constable, Picasso, Kahlo, Cassatt, Warhol, and, of course, Whistler—can only be the result of astute observation. Each entry includes insight about the painters’ and mothers’ lives, too.

Like a new woman
“Are you really going out like that?” is a question no one enjoys hearing. Longtime stylist Sherrie Mathieson is here to help with Steal This Style: Mothers and Daughters Swap Wardrobe Secrets. The “Never Cool” images are groan-inducing, but the “Forever Cool” photos depict women who look stylish and comfortable. Mathieson’s voice is friendly and respectful, and she honors the women’s taste by, say, preserving a jacket-shape but recommending a different color. This is a useful guide for women who want a clothing makeover.

For a full life makeover, Suzanne Braun Levine recommends setting new goals and enjoying one’s “second adulthood” in 50 is the New Fifty: 10 Life Lessons for Women in Second Adulthood. As the first managing editor of Ms. and a contributing editor to More, Levine knows her topic. She writes of the Fertile Void (a sort of emotional menopause) and Horizontal Role Models (women who have been there, done that) as important aspects of this exciting time. These terms explain commonalities among women, and the 10 lessons provide ways to consider and change individual situations. 50 is the New Fifty is an illuminating read for women of all ages.

Hi, Mom!
Doree Shafrir and Jessica Grose saw comedy in maternal email and text messages and started PostcardsFromYoMomma.com; two weeks later, the site had 100,000 unique visitors. The site is going strong, and now there’s a book based on the concept. Love, Mom: Poignant, Goofy, Brilliant Messages From Home contains 200 missives in categories like “I Do Actually Like Your Hair!” and “I Hope You Have a Hat With Ears.” The emails are a hoot, ranging from sex-related revelations to musings on recipes. A fun read for mom-email recipients and those who send them.

For designing mothers
The latest book from the Martha Stewart Living team is a DIYer’s delight. From beading to tin-punching, Martha Stewart’s Encyclopedia of Crafts: An A-Z Guide with Detailed Instructions and Endless Inspiration means readers will never again want for a project. Each topic (e.g., Botanical Pressing) includes a history of the craft, descriptions of tools and supplies, and projects (autumn-leaf curtain, pansy coasters, seaweed cards). Photos offer inspiration, and mini-tutorials should help prevent missteps. A crafting-table must-have.
Mothers-to-be can harness the nesting instinct with the aptly named Feathering the Nest: Tracy Hutson’s Earth-Friendly Guide to Decorating Your Baby’s Room by “Extreme Makeover: Home Edition” design star Tracy Hutson. Mouth-watering photos of wonderfully appointed rooms are accompanied by expert advice on everything from refinishing furniture to choosing a mattress. There are how-tos, color palettes and sourcing details for four styles (vintage, contemporary, traditional and international). Eco-friendly options are on-point, and the final chapter—featuring the nursery in Hutson’s home—demonstrates that her book will help readers create a space that’s both kind to the Earth and welcoming to baby.

Linda M. Castellitto writes from North Carolina.

Mother’s Day is coming up, and these books are great for those who want to give or receive something more exciting than a greeting card. Memoirs about unconventional moms, artistic explorations of the mother-child bond and a new take on midlife make excellent food for thought—and crafting and design guides will inspire new creativity. These […]
Arts & CultureArt

Review

Review by bookpagedev

ÊPerhaps one day the bodies of Michael Jordan and Wayne Gretzky will be the objects of scrutiny for cultural historians rooting for manifestations of genius and grace in late 20th-century life. For it is the physical actions of these present-day superheroes around which images of greatness are currently fashioned. Pioneering historian Simon Schama has taken such a unique approach to the understanding of the Old Masters in Rembrandt’s Eyes. Schama breaks down all the stifling conventions of art and cultural histories in this micro/macroscopic journey through the life and works of Rembrandt van Rijn. A comprehensive visual treatise on the great painter, Rembrandt’s Eyes is both an innovative unearthing of the master’s optical training and a panoramic probing of the many eyes looking back at the viewer from the artist’s oeuvre. Schama subtly confesses the genesis of his innovative approach to this book by discussing the shame befalling historians accused of a vulgar glorification of Rembrandt in the latter half of this century. He writes, . . . allergy to genius talk has virtually become a professional obligation. We can only be thankful that the writer refused to allow this code of conduct to impede his impassioned approach to the subject. Rembrandt’s Eyes begins with a lively, near-fictional rendering of various historical events coalescing into two important themes of the painter’s life: the motivations driving Rembrandt’s first important patron and Rembrandt’s meeting the parents of Peter Paul Rubens, his foremost artistic influence. These two threads magically intertwine to heighten the importance of Rubens’s work on the younger Rembrandt. The brilliance of Schama’s method exists in his ability to dote on not one, but two of the greatest painters who ever lived, casting Rembrandt’s work in the shadow of Rubens. Curious and unexpected section headings like Honeysuckle, Making Faces, and The Sufficiency of Grace alert the reader from page one that 12 cups of coffee and an unabridged dictionary will not be required to make it through. You will find yourself only wanting to make more complete your enjoyment of a subject which, through the eyes of a less- skilled author, could easily put you to sleep in the blink of an eye. Chris Wyrick is a painter and teacher in Athens, Georgia, currently finishing his master’s degree at UGA.

ÊPerhaps one day the bodies of Michael Jordan and Wayne Gretzky will be the objects of scrutiny for cultural historians rooting for manifestations of genius and grace in late 20th-century life. For it is the physical actions of these present-day superheroes around which images of greatness are currently fashioned. Pioneering historian Simon Schama has taken […]
PhotographyArts & CultureArt

Through an artist’s eyes

Feature by Linda M. Castellitto

Though pointing, clicking and sharing by people of all ages and skill levels has never been easier or quicker, thanks to the digital technology available these days, it’s still a wonderful thing to experience works by an accomplished artist, to page through a large-format book featuring images by someone who has made it their vocation to convey an emotion or capture something new or unexpected, beautiful or thought-provoking—whether in paint or on film. This quartet of coffee-table books offers the opportunity to take just that sort of foray into the world of visual art.

Photorealism, revisited
Norman Rockwell’s paintings—vibrant slice-of-life creations—are essential to any study of American pop culture. But while Rockwell’s illustrative talents are well-known, an important aspect of his process is perhaps less so: any paintings done from 1930 on were first photographs.

Ron Schick’s Norman Rockwell: Behind the Camera is filled with images of the people and places that served as inspiration (and models) for the artist’s work. Many of those models were friends and neighbors; it’s fun to spot Rockwell himself mugging for the camera here and there, too. Thoughtful, detailed text by Schick provides fascinating, often humorous behind-the-scenes tidbits about each photo-turned-painting, plus information about everything from his advertising clients to lighting techniques. For example, when creating “Maternity Waiting Room, 1946,” Rockwell couldn’t find sufficiently stressed-out models, so he visited a Manhattan ad agency, where he found plenty of anxiety-ridden men to photograph.

Paging through Norman Rockwell: Behind the Camera is a smile-inciting, nostalgia-inducing experience that surely will inspire renewed admiration for Rockwell’s skill: the finished works are all the more realistic when viewed in concert with their photo counterparts.

An anglophile’s delight
Mary Miers, a writer who specializes in architecture and formerly worked in the field of architectural conservation, puts her experience and expertise to excellent use in The English Country House: From the Archives of Country Life. The book is a feast of photos, and a tribute to the fine homes that have been featured in Country Life, a U.K.-based magazine that’s been published since 1897. The 400-plus images of 62 homes ranging from medieval castles to modern mansions frequently offer close-up shots of sumptuous details. For example, the Claydon House in Buckinghamshire is a Rococo delight, complete with carved chimney-pieces and colorful friezes. East Barsham Manor, in Norfolk, is a castle of molded brick, complete with gatehouse and three-story tower. And then there’s Baggy House in Devon, a cliff-top villa that’s thoroughly modern. Essays by British architectural historians provide additional detail and help to make this book a fine reading and viewing experience for aficionados of design, architecture, history, the U.K., the art of photography or some combination of the above. The English Country House is a gorgeous tour that’s sure to inspire craving for a hot cuppa.

An extraordinary museum tour
In celebration of the reopening of the Victoria and Albert Museum’s Medieval and Renaissance Galleries, Medieval and Renaissance Art: People and Possessions, by V&A curators Glyn Davies and Kirstin Kennedy, takes readers on a personal tour of the museum’s objects and role in European art and history. The book’s chapters include Makers and Markets (about the working and trading conditions for artists in medieval and Renaissance Europe), Devotion and Display (religious objects and rituals) and People and Possessions (weaponry, music, “self-expression through ownership”). There are colorful photos on nearly every page, many of them close-ups; the ones in the Ornaments section are particularly fascinating in terms of opulence and detail.

Those who have visited the Victoria and Albert Museum in London will surely find this a worthy souvenir of a visually thrilling trip through art and history; those who haven’t will get a rare opportunity to live with the museum’s pieces and scrutinize them to their hearts’ content.

A portrait of the maritime artist
John Singer Sargent, a painter in the late 19th and early 20th centuries, is best known for his portraits, but as Richard Ormond explains in the introduction to Sargent and the Sea, written with Sarah Cash, his marine-life and seascape paintings have until recently been just a “forgotten episode of Sargent’s art.” When he was in his late teens and early 20s, the artist produced a number of works—in oil, charcoal and watercolor—depicting the sea, ships and other maritime topics: “scenes from the seashore and rustic subjects from the countryside.” Sargent and the Sea was conceived and created in concert with a Corcoran Gallery of Art exhibit that will travel to Houston and London in 2010. Paging through this handsome volume gives readers the opportunity to observe and experience Sargent’s evolution as an artist and a person, to read and marvel as his detailed charcoal renderings of ships give way to lushly colorful paintings of children at the beach and languorous nudes—a fascinating preview of the style and subjects to come.

Linda M. Castellitto takes (amateur) photos in North Carolina.

Though pointing, clicking and sharing by people of all ages and skill levels has never been easier or quicker, thanks to the digital technology available these days, it’s still a wonderful thing to experience works by an accomplished artist, to page through a large-format book featuring images by someone who has made it their vocation […]
Arts & CultureArt

Review

Review by bookpagedev

Art of the Twentieth Century is the first comprehensive survey of modern and contemporary art since Robert Hughes’s benchmark Shock of the New. And like Hughes, the four authors contributing to this two volume set expertly blend historical record and biographical detail to provide a rousing, insightful portrayal of the workings behind the art of this century.

The entire first volume is devoted to painting. The author, Karl Ruhrberg, traces a remarkably seamless line from the innovations of the Impressionists in the late 1800s to the up-to-the-minute workings of contemporary artists around the world. Even veteran art enthusiasts will be startled by the freshness of the abundant images chosen to illustrate the book which pioneer relationships between artists of different countries.

The distinct treatment of categories on sculpture, new media, and photography in the second volume sets this book apart from previous surveys of 20th-century art which repeatedly accorded lesser status to these artforms than to the progression of painting. Different authors handle each section and provide a unique opportunity to trace the development of artists within these fields unimpeded by the simultaneous advances in painting. Additionally, a large portion of the second volume is comprised of helpful biographical sketches of all the artists discussed in the book. Art of the Twentieth Century offers a bright, pleasurable overview of the most dynamic period of development in the visual arts. It is compiled so skillfully that a tour through the cornucopia of illustrations alone will continually inspire new apprecations for the often difficult art of our times.

Art of the Twentieth Century is the first comprehensive survey of modern and contemporary art since Robert Hughes’s benchmark Shock of the New. And like Hughes, the four authors contributing to this two volume set expertly blend historical record and biographical detail to provide a rousing, insightful portrayal of the workings behind the art of […]
Arts & CultureArt

Review

Review by bookpagedev

The arts Jack Mitchell has been a preeminent photographer of the fine and performing arts for a generation. His portraits of dancers, painters, and theater people have adorned the covers of Dance magazine and the Arts and Leisure section of the New York Times on countless occasions. Some of these elegant images are assembled in Icons and Idols: A Photographer’s Chronicle of the Arts, 1960-1995.

The black-and-white portraits, dramatic and at the same time subtle, include some of the biggest names in the business: Robin Williams, Andy Warhol, Gloria Swanson, and Leonard Bernstein, just to name a few. Mitchell’s poignant snapshots of John Lennon and Yoko Ono, perhaps his most recognizable work, were taken days before the legendary singer/songwriter was murdered. Icons and Idols would make a welcome gift for any fan of either the arts or the print media.

The arts Jack Mitchell has been a preeminent photographer of the fine and performing arts for a generation. His portraits of dancers, painters, and theater people have adorned the covers of Dance magazine and the Arts and Leisure section of the New York Times on countless occasions. Some of these elegant images are assembled in […]
NonfictionArt

A museum in your own home

Feature by Mark Doyle

Two ambitious new books recreate the full museum experience between two covers, making the world's artistic masterpieces accessible to all.

THE TREASURES OF EUROPE
Anyone who has ever battled the camera-wielding scrum in front of the Mona Lisa knows that a visit to the Louvre Museum in Paris can be exhausting. Now a handsome new book containing color images of every single Louvre painting on permanent display, The Louvre: All the Paintings, offers a chance to explore the world’s most-visited art museum at a gentler pace.

The Louvre’s permanent collection—3,022 pieces in all—covers European paintings from the Middle Ages to the 19th century. The book is divided into the Italian, Northern, French and Spanish Schools, and each of these is arranged by artist in a rough chronological fashion, allowing the reader to observe as, for example, the brilliant blues and reds of the Italian Renaissance slowly give way to the duskier hues of the Low Countries. Many pages only display numerous small images clustered together, showing the common characteristics of the work of a single artist or period, such as the smooth, O’Keeffe-like spareness of Pierre Henri de Valenciennes’ 18th-century townscapes. Four hundred select masterpieces are given larger images and descriptive paragraphs, and these are the real strengths of the book: The images are rich and sharp, the descriptions thoughtful and clear. An accompanying DVD allows readers to browse all the paintings by school or artist and to see the book’s tinier paintings at a slightly larger size. Altogether, this is a fascinating overview for anyone looking to learn more about the grand old European masters.

ART THROUGH THE AGES
The Art Museum offers a museum experience of an entirely different order. It is an astonishing book, not just because it displays the entire history of world art from the earliest cave paintings to the latest nominees for the Turner Prize, but also because it takes so much space to do it. Weighing nearly 18 pounds and measuring 13 by 17 inches, this is not a book that will fit on most coffee tables, but despite its unwieldy size, it is an exciting, nearly perfect collection of the greatest visual art in human history.

The Art Museum is divided into 25 “galleries” (representing different regions and eras) and 450 smaller “rooms” (representing specific schools, artists or genres), along with special “exhibitions” devoted to specific works or themes. It displays more than 2,500 works of art: paintings, sculptures, tapestries, the interiors and exteriors of buildings, pottery, furniture, photographs and much more. The most impressive “rooms” are the two-page spreads displaying actual rooms or other locations, such as the stunning wide-angle photograph of the ruins of Persepolis. Most rooms contain a handful of representative examples on a theme; every image is perfectly legible and has a substantial, lucid description. While some of the topics are conventional—Netherlandish Portraits, Maya Sculpture, Surrealism—many are more innovative. For example, Room 426, on “Systematic Documentation,” introduces us to artists who obsessively photographed the same objects—cinemas, water towers, Memphis streetscapes—over and over. The scope of the book encourages readers to make unexpected connections, as when rooms devoted to African masks and carvings usher us into a section on the Cubists, hinting at the affinities between the two. Indeed, given the scale of its ambition and achievement, perhaps we should be grateful that The Art Museum is as compact and user-friendly as it is.

Two ambitious new books recreate the full museum experience between two covers, making the world's artistic masterpieces accessible to all. THE TREASURES OF EUROPEAnyone who has ever battled the camera-wielding scrum in front of the Mona Lisa knows that a visit to the Louvre Museum in Paris can be exhausting. Now a handsome new book […]

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