Sarah Cypher’s first novel is a story within a story within a story, a lyrical and haunting journey through generations and across oceans.
Abraham Verghese, probably the best doctor-writer since Anton Chekhov, upends all of our expectations again and again in his long awaited follow-up to Cutting for Stone.
The Last Russian Doll blends the best of two genres by embedding a riveting mystery within a masterfully researched historical narrative.
One of the delights for readers of a mystery is picking up little crumbs of evidence along the way. As Homecoming gallops toward its close, you may think you know what’s coming, and the foreknowledge is both ghastly and thrilling.
In this absorbing novel, Aanchal Malhotra spins a bittersweet family saga of love, loss and connection.
Jamie Ford’s writing is seductive as he intertwines the lives of Dorothy, Annabel and their ancestors within a rich swirl of history and imagination.
In Jean Hanff Korelitz’s rich family saga, The Latecomer, 18-year-old triplets receive a fourth sibling, forcing the family to reexamine their bonds.
Darkly funny and delightfully surprising, Joseph Han’s debut novel, Nuclear Family, explores the trauma of invented borders through the possession of a young man by the ghost of his sly and grieving grandfather.
Adriana Trigiani’s The Good Left Undone is a gorgeously written story about intergenerational love and trauma and the power of a life well lived.
First-time novelist Tara M. Stringfellow celebrates the city of Memphis as not only a place but also a people, a culture and, most importantly, a community.
Anne Tyler is a master of interpersonal drama, and her skilled storytelling takes center stage in French Braid.
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