Linda M. Castellitto

American pop culture indicates we’re pretty obsessed with marriage, but while there are TV juggernauts about bachelors and housewives, plus countless books, films and songs that praise (or bemoan) wedded life, there’s of course a lot more to marriage than a love story. Family law professor Marcia A. Zug is ready to educate us via You’ll Do: A History of Marrying for Reasons Other Than Love, an extensively researched, engagingly cleareyed look at the history of marriage in America, for better or worse.

The author, whose debut was 2016’s Buying a Bride, was inspired to write You’ll Do by her great-aunt Rosie, one of “generations of American men and women [who] have used marriage as a loophole to circumvent unfair or discriminatory laws.” As war loomed in 1937 Nazi Germany, Rosie, a Jewish woman living in Manhattan, went to Poland to marry her best friend’s brother and bring him to safety in the U.S.

In You’ll Do’s six chapters, Zug delves into marriages similar to her relatives’ as well as those entered into for money, government benefits, status, criminal defense or parental rights. She draws upon scholarly research, court cases and newspaper articles; illustrations and photos help capture the marriage-centric zeitgeist. Zug asserts marriage is a double-edged sword: “it can be beneficial, helping to combat racial, gender, and class discrimination . . . [and] can also further such oppression.” She shares numerous outrage-inducing stories, such as when Osage Indian women were married and murdered by white men pursuing land rights in early 20th-century Oklahoma. Zug cites numerous cases of domestic violence being waved away if it occurred within a marriage, and how in 2010, a Maryland woman learned that her health insurance only covered fertility treatments for the wed.

Other fascinating tidbits: gold-digging is now associated with women, but “Early American men’s interest in marrying for money is apparent in various anti-gold-digging laws.” Benjamin Franklin greatly disdained bachelors. And at Donald Trump’s 2005 wedding, a plane flew a banner proclaiming, “Melania, You’re Hired.”

You’ll Do is an illuminating and informative read that encourages us to broaden our perspective on American marriage and the systems that support it.

Marcia A. Zug’s You’ll Do is an illuminating and informative cultural history of marriage.

Kalvin Shmelton, sophomore at Gregg County High, is “a jack-of-all-treats, master of none” with a nice side hustle as a purveyor of $1 candygrams. The student council used to dominate the market, but Kalvin saw an opportunity to improve on their narrow offerings. After all, “nothing in the school’s handbook says students can’t be capitalists, too.” 

In high school teacher Brian Wasson’s warm and witty debut novel, Seven Minutes in Candyland, another money making opportunity arises one fateful day in the utility closet that doubles as Kalvin’s HQ. He’s surveying his inventory when his longtime crush Sterling Glistern eases in, looking for a place to have a good cry. Intense awkwardness transforms into meaningful conversation when Sterling confides in Kalvin about her relationship troubles. Kalvin is able to offer a sympathetic ear and helpful advice: His psychologist parents have a successful couples therapy podcast and YouTube channel, and Kalvin’s been absorbing their teachings his entire life.

Soon, he’s the school’s go-to therapist, earning $10 per seven-minute session from the “rich kids.” It’s a thrill to not only help other people, but also stockpile lots of cash. Kalvin isn’t just working for spending money. He’s got an important goal: earn $11,737 by Valentine’s Day so he can present his parents with a family trip to Hawaii. Lately, their marriage has been on the rocks, and Kalvin is convinced the trip will help his family find joy once again.

But what if Kalvin can’t fix his family? As his deadline approaches, Kalvin’s anxiety switches into high gear, leading him to try to find some relief by meddling in his classmates’ lives. Why won’t some of his clients just take action based on his advice, already? 

Seven Minutes in Candyland is an entertaining and empathetic read that urges us to embrace vulnerability, pursue emotional clarity and tend to our mental health. Readers will enjoy the story’s rom-com aspects: multiple will-they-or-won’t-they couples; a big upcoming school dance; and plenty of sweet surprises. Candy consumption is optional but encouraged.

Seven Minutes in Candyland is an entertaining and empathetic read that urges us to embrace vulnerability, pursue emotional clarity and tend to our mental health.

In Femi Kayode’s Gaslight, as in his 2021 debut, Lightseekers, readers inhabit the mind of Dr. Philip Taiwo—an unsurprisingly fascinating place to be, considering Taiwo is an investigative psychologist created by an author trained as a clinical psychologist. Mystery fans who revel in an intricate tale that focuses on the “why” of criminal behavior will enjoy this slow burning and atmospheric thriller.

Now living in his native Lagos, Nigeria, after 20 years in the U.S. (including several years working for the San Francisco Police Department’s internal affairs division), Taiwo is no stranger to questioning government officials while contending with obfuscation and antagonism. That serves him well when his sister, Kenny, asks him for help: Sade Dawodu, wife of wealthy and powerful megachurch bishop Jeremiah Dawodu, is missing, and the bishop’s been arrested for her murder.

The Grace Church elders see Sade—a vibrant young woman who occasionally disappears for days at a time—as impulsive and flighty, and thus aren’t overly concerned. But Kenny’s gut tells her something’s different this time, and she implores her brother and his associate Chika (a trained sniper and combat veteran) to find Sade.

Femi Kayode reveals the backstage world of megachurches.

Taiwo’s professional curiosity evolves into relentless determination as he uncovers corruption in the church and local government, and realizes the elders are more focused on clearing the bishop’s name than on finding Sade. Is that due to an intense reverence for the man, or is something more sinister afoot? Taiwo’s ambivalence about organized religion is brought to the fore as peril and violence rise up around him. “The more I dig into the case of the missing first lady, the more frayed at the edges what little faith I have becomes,” he thinks.

With Gaslight, Kayode urges readers to consider the risks of imbuing an individual with prodigious power, and the ways in which groupthink can take hold of an otherwise decent person or system. That, plus an emotionally complex narrator and a cast of well-developed characters, makes Gaslight a provocative and memorable mystery.

Femi Kayode’s provocative and memorable mystery Gaslight takes readers behind the scenes of a Nigerian megachurch.

Anyone immediately transported to a riverside pier by the lyric “So open up your morning light” will love Thea Glassman’s Freaks, Gleeks, and Dawson’s Creek: How Seven Teen Shows Transformed Television. “Today’s teen shows are leading the charge when it comes to progressive, diverse, and creative storytelling,” Glassman writes, but they wouldn’t exist without the seven predecessors she covers in her impressive debut: “The Fresh Prince of Bel-Air,” “My So-Called Life,” “Dawson’s Creek,” “Freaks and Geeks,” “The O.C.,” “Friday Night Lights” and “Glee.”

In a wealth of new interviews with creators, writers, actors, crew and more insiders, Freaks, Gleeks, and Dawson’s Creek shares behind-the-scenes details that will delight devoted fans and excited newbies alike. While all of the shows drew heavily from their creators’ own teenage years, Glassman points out the unique choices and approaches that made each iconic. For example, “Fresh Prince” subverted typical sitcom format and “painted a nuanced picture of the Black experience. “My So-Called Life” inspired the first online campaign to save a show, and “Dawson’s Creek” had the first openly gay character in the teen sphere.

While Glassman acknowledges controversies that touched each show, she focuses on the creativity, heart and hard work that led to a groundbreaking era of teen TV. After all, as writer and pop-culture maven Jennifer Keishin Armstrong writes in her introduction, “There is no drama like teenage drama, in life and in fiction.”

This survey of seven teen shows explores how they broke ground with creativity, heart and hard work, paving the way for the genre’s progressive and diverse oeuvre today.

As Christina Wyman’s heartfelt and often heartbreakingly realistic Jawbreaker opens, Maximillia (Max) Plink receives distressing news from her orthodontist.

Dr. Watson says Max’s braces aren’t enough to prevent possible future double jaw surgery—it’s time to start wearing headgear known as “the jawbreaker” for 16 hours a day. It’s yet another thing that makes Max, a witty and kind seventh grader, feel like an outsider in her own life. She observes, “I basically have a shiny metal orb around my head. You could probably stand me on the roof of your house to get a better Wi-Fi signal.”

Despite this unwelcome fashion statement, Max perseveres. She’s used to trying to stay positive, because she’s already relentlessly bullied at school. The most enthusiastic participant in this cruelty is her own younger sister, Alex. Their parents routinely downplay Max’s concerns. Worried about finances, they’re having loud arguments more frequently than usual.

Thankfully, Max finds respite with her best friend Shrynn and as a writer for her school newspaper. When she learns of a journalism competition sponsored by their local Brooklyn news station, it sounds like the path to a happier future. But there’s a catch: A video essay is required for entry. “The thought of my face, my mouth, my teeth living online until the end of time makes me want to cry,” Max thinks.

Tantalizing suspense builds as the contest deadline approaches. As Max contends with all the stressors swirling around her, she wrestles with difficult questions: Should she insist her parents do something about Alex? Would it be a mistake to enter the contest and show her face to the world? Why is Shrynn acting so standoffish lately?

Wyman demonstrates an impressive ability to conjure up both the pain and delight of middle school with immediacy and empathy. An impassioned author’s note reveals that Wyman’s own background inspired this sometimes harrowing, but ultimately hopeful, story. “Sometimes finding joy takes a lot of work,” she notes. Reading Jawbreaker is an excellent and highly gratifying start.

Christina Wyman demonstrates an impressive ability to conjure up both the pain and the delight of middle school with immediacy and empathy.

Kids (and whimsical adults) often wonder what it would be like if inanimate objects came to life. Thanks to Leigh Hodgkinson’s The Princess and the (Greedy) Pea (Candlewick, $17.99, 9781536231328), they can marvel at a tiny vegetable who becomes voraciously self-aware.

One moment, the titular pea is just one among many heaped in a beautiful decorative bowl. The next, he’s standing with arms aloft declaring, “I am SO hungry!” But he doesn’t just have a little snack; no, he gulps down a Brussels sprout and makes his way down an elaborate banquet table, hoovering up all the food he encounters with hilariously messy results. 

Hodgkinson, who is known for her work on the British children’s TV shows “Charlie and Lola” and “Olobob Top,” as well as numerous books such as Troll Swap, has created a visual feast of a picture book replete with vibrant colors, intricate patterns and expressive characters, such as the observant cat, who gapes at the pea’s antics—which include comical repurposing of the lacy tablecloth. 

Inspired by “There Was an Old Lady Who Swallowed a Fly,” The Princess and the (Greedy Pea) is also a cumulative rhyme. The text grows (along with the pea) as the pages turn, adding lines such as “It made him sneeze / when he guzzled the CHEESE” onto the refrain “Without a doubt / he swallowed a sprout. / What’s that about?” 

The fairy tale “The Princess and the Pea” is folded in as well: It turns out a purple-clad princess was anticipating the feast. Alas, the louche legume has consumed nearly every crumb and left behind a graveyard of broken crockery, so the frustrated princess must go to bed hungry. But her bed is so uncomfortable! Kids will crack up when they realize why. The Princess and the (Greedy) Pea is a slyly funny, wonderfully rendered reimagining of children’s classics that will have kids clamoring for a reread—and a giant bowl of green peas, too.

The Princess and the (Greedy) Pea is a slyly funny, wonderfully rendered reimagining of children’s classics that will have kids clamoring for a reread—and a giant bowl of green peas, too.

Spencer Quinn’s Chet & Bernie Mystery books have delightfully punny titles like The Sound and the Furry and Tender is the Bite; the 14th installment in the bestselling series is no exception. In the Christmas-themed Up on the Woof Top, the twosome trade Arizona sand for Colorado snow when they’re hired for a most unusual case.

For the uninitiated: Chet the dog and Bernie Little of the Little Detective Agency are business partners and best friends. Chet may adore Slim Jims, but there’s nothing he loves more than the man he sweetly calls “my Bernie” throughout his often hilarious stream-of-consciousness narration. (To Chet, metaphors are baffling, tantalizing aromas are distracting and other animals are suspect: “I’ve had some experience with sheep, none good.”) 

As Up on the Woof Top opens, the duo are attending a book signing with Dame Ariadne Carlise, a globally bestselling mystery author promoting her 99th book. Enchanted by Chet and intrigued by Bernie, Ariadne dispatches her assistant, Chaz, to hire them for the urgent job of helping Ariadne break her writer’s block by finding her muse, Rudy. 

It’s a curious assignment: Rudy’s a reindeer who went missing from Ariadne’s ranch the day after Thanksgiving. Ariadne’s been keeping her struggles a secret, but Christmas and the deadline for book 100 are fast approaching, and her career and reputation hang in the balance.

At Kringle Ranch, faux snow is plentiful and a wreath-shaped blimp hovers in the sky, but underneath the manufactured merriment lurks great danger. Chaz is discovered grievously injured at the bottom of the Devil’s Purse gorge, where Ariadne’s boyfriend, Teddy, was found murdered decades before. Is Chaz’s situation related to Teddy’s demise? Will the (notably ill-tempered) sheriffs present and former help an investigation led by outsiders? And what does Rudy have to do with all of this?

A seemingly straightforward, albeit strange, tracking assignment evolves into a multilayered investigation as Chet and Bernie race against time to find the missing reindeer and unravel the truth about Chaz’s injuries and Teddy’s death. Tense interrogations, gripping action scenes and clever detective work make Up on the Woof Top an engaging, entertaining holiday treat.

Detecting duo Chet & Bernie (Chet’s a dog, Bernie is his owner) must find a crime novelist’s missing reindeer in Spencer Quinn’s clever and entertaining Christmas mystery.

Insider deputy editor Walt Hickey won the 2022 Pulitzer Prize for Illustrated Reporting and Commentary. His wide-ranging, captivating You Are What You Watch: How Movies and TV Affect Everything makes it easy to see why.

The average American spends three-plus hours a day consuming media. “Across a lifetime,” Hickey writes, “that’s 22 percent of our time on Earth!” No wonder we’re curious about how media affects us. He asserts that, contrary to those who consider our favorite media a “bogeyman, a brain melter, a violence inciter, a waste,” it actually is “complex, fascinating, and often rather good.”

Hickey fascinates as he demystifies pop culture, sharing the outcomes of his experiments and studies. He’s a data journalist, and cheeky and informative visuals—charts, graphs, maps and little photos of famous people’s heads—bolster his pro-pop-culture assertions and illuminate personal stories, such as when he subjected his nervous system to a “Jaws” rewatch to discern which scenes most affected him. Colorful charts like “Movies Make People Exhale the Same Chemicals at the Same Times” bring his research into focus. He notes that when “The Hunger Games” film debuted in 2012, USA Archery’s merchandise sales quintupled. Similarly, the premieres of 1943’s “Lassie Come Home” and 1992’s “Beethoven” were both followed by spikes in the popularity of collies and Saint Bernards.

The author’s keen eye for detail and ability to see connections across genres enliven the narrative beyond theory and talking points. From the WWE to the Tax Reform Act of 1976, Scooby-Doo to geopolitics, Hickey offers a bounty of enthusiasm for our favorite stories.

Pulitzer Prize winner Walt Hickey champions pop culture with a cornucopia of studies, experiments and visuals in You Are What You Watch.

Dear reader, when you go on a road trip, do you stop only for food, gas and bathroom breaks? Or do you embrace detours to local oddities, historical sites and scenic overlooks? 

Your answer will likely inform whether you’ll enjoy MSNBC news producer Dann McDorman’s unusual debut mystery, West Heart Kill. Will you deem it an exercise in delayed gratification with a side of lectures? Or a refreshing—nay, daring—metafictional take on the murder mystery? 

West Heart Kill is definitely ambitious and absolutely entertaining. The year is 1976, the place is the private West Heart hunting club in upstate New York, and the detective is private investigator Adam McAnnis, there for a visit with his friend James Blake. The Blakes and the club’s other member families, all beneficiaries of generational wealth, are gathering to celebrate the Fourth of July. There shall be fine dining, hunting, swimming and a smattering of adultery.

But really, McAnnis is there at the behest of a mysterious client who’s hired the detective to ferret out conspiracies against him. West Heart has conflict aplenty: the aforementioned adultery, a proposal to sell the club and painfully unresolved resentments. McAnnis observes it all and, when a woman is found dead, a dark and stormy night serves as dramatic backdrop to multiple interrogations and indignant protestations, additional deaths and scandalous revelations. 

McDorman does an excellent job of peeling the onion-like layers of his detective tale, carefully doling out surprises as the pages turn. It’s his penchant for digression that might prove controversial: He repeatedly pauses his story to contemplate literary conventions, sample different formats and interrogate the work of Sophocles, Agatha Christie, et al. He also playfully points out when he’s employing genre tropes like “the Great Detective Pondering the Case.” 

As the author notes while wearing his second-person-narrator hat (he dons first- and third-person chapeaux, too), “The mystery, virtually since its inception, has invited rule-making and rule-breaking.” McDorman embraces that notion in a way that I, dear reader, found archly amusing. The journey, while meandering and sometimes confounding, had its own pleasing element of suspense: Wherever will he detour to next? West Heart Kill is an off-roading mashup of fact and fiction that will have readers asking “Are we there yet?” with varying degrees of enthusiasm and buy-in—and thus is sure to spawn exceptionally lively book club debates.

Dann McDorman’s extremely meta mystery, West Heart Kill, is sure to spawn exceptionally lively book club debates.

The Hidden Language of Cats

Sarah Brown knows and loves felines: She has a doctorate in the social behavior of neutered domestic cats, and the dedication page of her new book simply reads, “For the cats.”

Those who said “Aww!” at that information will delight in Brown’s The Hidden Language of Cats: How They Have Us at Meow. It’s a fascinating compendium of scientific information about our furry friends’ modes of communication interwoven with interesting anecdotes about Brown’s 30 years of fieldwork (plus her own cats’ hijinks at home).

Brown traces the history of cats’ evolution from solitary wildcats to the creatures who now reside in 45 million households in the U.S. alone. A crucial step in that process: “Cats supplemented their original scent-based language with new signals and sounds, designed for life alongside humans and other cats.” In a more recent development, researchers released data in 2017 about the “Feline Five,” a set of “personality dimensions similar to those of humans” (such as agreeableness and neuroticism) that people can use to better relate to their cats. After all, Brown notes, “Just like people, cats have complex personalities.”

Whimsical line drawings by Brown’s daughter Hettie add to the fun of this informative, accessible guide to what cats are telling us, whether through tail twitches, meows or exceedingly slow blinking.

Fifty Places to Travel With Your Dog Before You Die

For many dog owners, traveling with their pooch in tow is a must, but it’s not always easy to figure out where to go or how to prepare. There are rules of entry to consider, not to mention pet-friendly lodging. If border crossing is involved, vaccines and paperwork come into play too.

Not to worry: Fifty Places to Travel With Your Dog Before You Die: Dog Experts Share the World’s Greatest Destinations was created by Chris Santella and DC Helmuth to demystify the process of traveling with dogs and “provide a road map and inspirational guide for those who would take Fido along wherever they go.”

The duo turned to seasoned “dog travelers” to help them compile a list of superlative spots in the U.S. and abroad. Fittingly, it begins with Anchorage, Alaska, home to the Iditarod and Yukon Quest dog races. Those who seek a slower pace may want to relax in Palm Springs, California, or visit wineries in the Margaret River region of Australia. Hiking in Yosemite National Park could be fun, or perhaps a trip to Venice, Italy, where “dogs are typically welcome on gondola rides.”

Gorgeous color photos of people and their pets accompany each detail-packed entry in this practical and aspirational world tour for dog owners.

For the Love of Dog

In the introduction to her edifying and entertaining For the Love of Dog: The Ultimate Relationship Guide, author Pilley Bianchi notes that “The New York Times alone has published almost two hundred thousand articles on dogs and is currently averaging a new one every other day.” Many were about “a member of my family . . . a world-famous dog” named Chaser.

In 2011, Bianchi’s father, Dr. John W. Pilley, and their border collie Chaser went viral for their work together, particularly with regards to Chaser’s 1,022-word vocabulary and the revelation that “dogs are not only smarter than they have been given credit for, but capable of so much more.”

Bianchi, who refers to herself as “Chaser’s coteacher, producer, roommate, and water girl,” partnered with U.K.-based illustrator Calum Heath to honor her late father and their dog while showing readers how to tap into their own dogs’ special capabilities—for learning, for fun and for love.

In service of that goal, she shares a history and philosophy of dogs that name-checks Odysseus and Descartes; deeply ponders the values of play and praise; and cautions against making assumptions about breeds, which “can often lead us to miss the individual nature of a dog.” Heath’s illustrations frolic across the pages, adding humor and beauty to this eclectic, heartfelt tribute to the dogs we love.

These 3 charming nonfiction books about dogs and cats are the perfect pet-centric holiday gifts.

The titular eatery in documentarian and activist Curtis Chin’s charming and contemplative debut memoir, Everything I Learned, I Learned in a Chinese Restaurant, is Chung’s Cantonese Cuisine, which Chin’s great-grandfather opened in 1940. Until its closure in 2000, the restaurant was a beloved fixture of Detroit’s former Chinatown. Even as the city’s fortunes shifted and changed, Chung’s persevered as a place to get delicious food (especially their famous almond boneless chicken), play a rousing game of mahjong and mingle with people from all walks of life.

With a straightforward writing style and appealingly conversational tone, Chin leads readers through the early years of his life, beginning with “Appetizers and Soups” and ending with “The Fortune Cookie.” After all, he writes, “The important lessons that guided me through my childhood came served like a big Chinese banquet . . . a chorus of sweet and sour, salty and savory, sugary and spicy flavors that counseled me toward a well-led, and well-fed, life.”

Achieving that well-fed life was initially challenging, thanks to Chin’s feeling that he didn’t fit in anywhere: at home as the middle child of six; at the restaurant, where he felt overlooked amid the high-energy hustle-bustle; and at school, where he contended with racism. And for many years, he was hesitant to come out, noting, “No one in my family ever said anything anti-gay . . . but no one said anything positive about being gay either.” 

Readers will root for the author as he moves along his journey of self-acceptance, which was, he notes with dryly humorous empathy for his former self, not without missteps: His eighth grade New Year’s resolution was “not to be gay,” and in high school, he “became the Asian Alex P. Keaton” to show that he was “as apple pie as anyone” in school.

Ultimately, Chin finds a community of kindred spirits at the University of Michigan who help him assert his identity as a liberal gay man, discover his writerly talents and gain new perspective about his parents and the family business. Everything I Learned, I Learned in a Chinese Restaurant is an engrossing chronicle of a city, a restaurant, a family and a boy’s path from anxious uncertainty to hard-won confidence.

Set in Detroit’s beloved Chung’s Cantonese Cuisine, Curtis Chin’s memoir shows his path from anxious uncertainty to hard-won confidence.

The prolific and hilarious Keegan-Michael Key—known for his work in “Key & Peele,” “Mad TV,” “Schmigadoon!” and as President Obama’s “anger translator”—shares his passion and enthusiasm for sketch comedy in the aptly titled The History of Sketch Comedy: A Journey Through the Art and Craft of Humor, co-authored with his wife, film producer Elle Key.

The book, based on their Webby Award-winning podcast, is a wonderful soup-to-nuts compendium of everything sketch. The authors trace its origins from ancient Greece to today’s comedians, and take readers around the U.S. and abroad as they consider influential American comedy schools and highlight the British comedians who are “courageous trailblazers who have influenced comedy around the world.”

Key also revisits his Detroit upbringing, detailing his comedy education in college and on various stages. Aspiring comedians will benefit from the book’s educational elements: With copious examples of (and scripts from) favorite sketches and shows, their creators analyze what, exactly, makes them so funny and memorable. Guest essays from stars like Ken Jeong, Carol Burnett, Julia Louis-Dreyfus and Tracy Morgan add to the fun, as do tangents about beloved colleagues like Jordan Peele and “one of the godfathers of modern sketch,” Bob Odenkirk. The History of Sketch Comedy is a highly informative and entertaining read that’s sure to inspire instant binge-watching and a groundswell of sketch-centric enthusiasm.

Keegan-Michael Key and Elle Key’s History of Sketch Comedy is a wonderful soup-to-nuts compendium of everything sketch.

All good things must come to an end, and much to the chagrin of Aaron Falk fans worldwide, that includes Jane Harper’s mystery series starring the Australian federal investigator. 

2017’s The Dry, set in a small drought-stricken town, launched Harper’s career as an internationally bestselling author. (It also spawned a hit film adaptation starring Eric Bana.) Next, Falk hiked into a wilderness retreat in 2018’s Force of Nature to solve another murder. And now, Harper is bringing back the talented investigator for his final turn. The cerebral, character-driven Exiles is set in South Australia’s verdant wine country, where natural beauty contrasts with psychological darkness. 

Readers will relish joining godfather-to-be Falk in the fictional Marralee Valley for the christening of baby Henry, son of Falk’s good friends Greg (a police sergeant) and Rita Raco. The Raco family is staying at a vineyard run by Greg’s brother, Charlie, but their celebratory mood is overlaid with grief at what happened a year ago, when Kim Gillespie—Charlie’s ex-partner and mother of their teen daughter, Zara—disappeared from the Marralee Valley Annual Food and Wine Festival, abandoning her infant daughter, Zoe, in her stroller. 

Jane Harper wouldn’t dare snack in a bookstore.

From Kim’s new husband to locals who had known her since childhood, no one has any insight about what befell Kim during the festival. Was she murdered? Did she kill herself by jumping into the nearby reservoir? Or did she decide to disappear? Kim’s body was never found, and Zara cannot accept that Kim chose to leave or take her own life. Falk and Greg can’t let it go either; although the official conclusion was suicide, something nudges at Falk’s subconscious, a “translucent shimmer of a thought hovering in the distance, dissolving and reappearing without warning.” 

Another unresolved crime resurfaces as well, a fatal hit-and-run from six years earlier at the very spot Kim allegedly jumped from. The victim was the husband of Gemma, the festival’s director and a woman Falk finds captivating. In Harper’s hands, Gemma and Falk’s dynamic is a compelling mystery unto itself: Might the devoted detective actually be considering a different way of life? 

Falk is nothing if not dogged, and as he ponders the reservoir’s unknowable depths, he closely observes the tightknit community, teasing out revelations about complicated relationships and long-held secrets, the tension ever building as he gets closer to important truths about the crimes—but also about himself. Harper’s lyrically written, immersive and slow-burning mystery serves as a powerful send-off for a beloved character.

Jane Harper’s lyrically written, immersive and slow-burning mystery Exiles is a powerful send-off for beloved character Aaron Falk.

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