Gender-based dystopias have proved to be, ahem, very controversial in recent years, not to mention downright disappointing. But then there is Gretchen Felker-Martin’s Manhunt, shining like a blood-covered beacon. The odyssey of two trans women trying to survive in a world where a plague has turned anyone with high levels of testosterone into heinous monsters, Manhunt zeroed in on the people and problems lesser dystopias ignore. Her sophomore novel, Cuckoo, will demand a similarly tricky balance of genre thrills and sensitive character work. Set at a conversion camp, Cuckoo follows a group of former campers who reunite to face down the evil entity that they survived as teenagers.
Gender-based dystopias have proved to be, ahem, very controversial in recent years, not to mention downright disappointing. But then there is Gretchen Felker-Martin’s Manhunt, shining like a blood-covered beacon. The odyssey of two trans women trying to survive in a world where a plague has turned anyone with high levels of testosterone into heinous monsters, […]
