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Missing White Woman

Kellye Garrett’s stark Missing White Woman offers a Black woman’s perspective on the investigation of, and public reaction to, the disappearance and subsequent murder of a white woman. Jersey City, New Jersey, may not sound like a dream destination for a romantic weekend with your sweetheart, but it does serve up some lovely views of the Manhattan skyline after dark. At first, it is idyllic for Breanna Wright and her boyfriend, Tyler Franklin, offering Bree a break from her humdrum daily life in Baltimore. And then on the last day, the idyll is totally ruined: Bree pads downstairs and finds the bloodied, badly battered and quite dead body of a blond white woman, and Tyler is nowhere to be found. Then the investigation begins, recounted to us by Bree, and it becomes painfully clear that a) the attention and dedication put in to solving the disappearance and subsequent murder of a white woman is quite intensive, much more so than if the victim had been Black, and b) when there are Black people central to—or even peripheral to—the investigation, they receive a lot more unwanted attention from the police than white people. Clear-headed and opinionated, Breanna is a compelling guide through the morass. The troubling, eye-opening but still highly entertaining Missing White Woman would be a superb choice for a book club, guaranteed to stimulate lively discussion among the participants.

Death and Glory

One would not necessarily expect a detective novel set in 1894 London to be concerned with unfinished business regarding the U.S. Civil War, a conflict that had been over for the better part of 30 years. But author Will Thomas does not let any of that stand in his way in his latest historical mystery, Death and Glory. Private enquiry agents Cyrus Barker and Thomas Llewelyn have been called in by Scotland Yard and the crown. Their assignment? Arrange face time with the prime minister and four former Confederate leaders. Elements of the Confederacy are still alive and well in Central America, itching for a chance to rewrite history, and the four representatives hope to hold the prime minister to a past promise. In the closing months of the war, the Confederacy ordered and paid for an ironclad warship along the lines of the Merrimack and the Monitor; Great Britain was officially neutral, so it presented no diplomatic problems to take the order. However, the war drew to a close before delivery could be made. Now these so-called envoys must be dealt with in some form or fashion—a task riddled with pitfalls, some of which are deadly and not the least of which is determining if they truly are who they say they are. Fans of Thomas’ depiction of Victorian-era London and his delightful use of surprising, off-the-wall cameos by historical figures will have their expectations repeatedly exceeded.

Lost Birds

Anne Hillerman took over the Leaphorn & Chee mystery series after the death of her father, renowned Western author Tony Hillerman. The title of her latest, Lost Birds, refers to hundreds of Native American children who, under the midcentury Indian Adoption Project, were adopted by white families and separated from their tribal communities and heritage. Retired Navajo Tribal Police Lieutenant Joe Leaphorn, now a private investigator when the mood strikes him, has been retained to find the family and birth identity of a woman who possesses nothing more in the way of clues than an old photo of a Southwestern rock formation and a hand-woven baby blanket. (Note: Have a box of tissues ready. Seriously.) Meanwhile, married Navajo cops Jim Chee and Bernadette “Bernie” Manuelito pursue an investigation of their own: a huge explosion at a school and the concurrent disappearance of its caretaker, a longtime acquaintance of Leaphorn. Subplots abound, weaving the main characters together and displaying their near-supernatural bonds with one another, with their Navajo Nation home and with their history. Hillerman has shown endless respect for the work of her father in her writing, but also brings a female perspective to the stories, featuring Bernie more prominently and offering a look at the issues facing Native American women today. Tony’s legacy is in safe, loving hands.

Death of a Master Chef

Police Commissaire Georges Dupin returns in Jean-Luc Bannalec’s latest mystery, Death of a Master Chef. Dupin is visiting the Breton port town of Saint-Malo to attend an meeting about advancing cooperation among various local police forces (yawn). In a local food market where Dupin is judiciously sampling the wares, a murder takes place virtually right under the commissaire’s nez. Although he gives chase, he quickly loses sight of the suspect. But no matter; everyone knows that the murder victim was well-known chef Blanche Trouin, and everyone also knows that the killer was Lucille Trouin, Blanche’s sister and a famed chef in her own right. The pair had long stoked the fire of the longest running sister-feud since Joan Fontaine and Olivia de Havilland. This will not be the last murder: The victim’s husband meets his untimely demise soon after, followed in short order by a close friend. The case(s) will give the various Breton police departments a textbook opportunity to test out their skills at working together—let’s just say that Commissaire Dupin is not best pleased about that element of the investigation. French mysteries are like French cars (I know this from experience via my elderly but well-loved Peugeot convertible), cushy and tres confortable, a bit slow from a standing start, charmingly quirky. With Death of a Master Chef, Bannalec delivers on all counts.

A Black woman discovers the internet’s latest obsession dead in her vacation home in Missing White Woman. Plus, excellent new entries from Will Thomas, Anne Hillerman and Jean-Luc Bannalec in this month’s Whodunit column.

A Series of Un/Natural/Disasters by Cheena Marie Lo

If you were pressed to categorize a book of poetry on your bookshelf as fiction or nonfiction, would you choose fiction? Most people probably would. Poetry has a reputation for being airy and fantastical, for dwelling in the realm of emotions and dreams, not in the “real world.” Yet there is a strain of poetry that is explicitly concerned with informing readers about real events: documentary poetry. Cheena Marie Lo’s A Series of Un/Natural/Disasters (Commune Editions, $16, 9781934639191) is an excellent contemporary example, using statistics and phrases pulled from the news to trace human responsibility for the outcomes of devastating “natural” events like Hurricane Katrina and Hurricane Sandy. Lo compares ecological processes like seasonal migration with the movement of evacuees in response both to the destruction caused by a storm and the failure of systems expected to provide help. At the same time, Lo points to the recovery of nature as a model for community recuperation through mutual aid. This is a great collection to read alongside Patricia Smith’s Blood Dazzler—another powerful documentary book of poems that chronicles state failure and human resilience during and after Katrina.

—Phoebe, Associate Editor


The Best We Could Do by Thi Bui

I was introduced to The Best We Could Do (Abrams ComicArts, $19.99, 9781419718786) in a college English class, which admittedly isn’t the most exciting way to find a book. But as a 20-something with lots of emotions about parenting and intergenerational trauma, I found author-illustrator Thi Bui’s story at exactly the right time. This graphic memoir flows between present and past. In the frame story, Bui is anxious that her flawed relationships with her parents will define how she interacts with her newborn son. In an effort to alleviate her anxiety, she sits down with her parents and attempts to figure out how they became who they are, journeying with them through their childhoods in war-torn Vietnam, their harrowing migration as refugees and their imperfect restart in America. Told through beautiful watercolor illustrations and sparse, emotionally-wrought text, Bui’s memoir does not offer easy answers to questions about trauma, immigration and family. However, The Best We Could Do is a tremendous lesson in empathy and a testament to healing through human connection.

—Jessica Peng, Editorial Intern


One Last Stop by Casey McQuiston

Casey McQuiston’s sophomore novel, One Last Stop (Griffin, $16.99, 9781250244499), is a clever, emotionally resonant take on a timeslip romance with an utterly dreamy love interest: 1970s punk feminist Jane Su, who is mysteriously trapped outside of time on the New York City subway. As they proved in their already-iconic 2019 debut, Red, White & Royal Blue, McQuiston understands that in order for readers to wholeheartedly invest in a heightened scenario, it helps to have characters who are going through things that are eminently relatable. And so, recent New Orleans transplant August Landry’s quest to rescue Jane is balanced by the travails and triumphs of her job at Pancake Billy’s House of Pancakes (one of the best fictional diners ever?) and the slow blossoming of her relationships with her roommates into something like family. It’s an achingly sweet portrait of a closed-off loner finding community for the very first time, and an ode to being young, broke and happy in NYC. It all culminates in a perfect finale, where August must draw on her new connections to pull Jane free and secure their happily ever after.

—Savanna, Managing Editor


The Wandering Earth by Cixin Liu

Our whole planet is migrating in the title story of The Wandering Earth (Tor, $19.99, 9781250796844) a collection by Cixin Liu, renowned author of The Three-Body Problem. Faced with proof of the sun’s imminent death, humanity collectively seeks to escape obliteration by installing giant plasma jets to propel the Earth toward a new solar system. As mankind’s home is transformed into one massive spaceship, an unnamed protagonist watches decades of his life pass, narrating with straightforward melancholy as he witnesses tragedy and chaos. As changes to Earth’s orbit cause boiling rain to fall and oceans to freeze, the cataclysmic, sublime journey of “The Wandering Earth” will batter you with alternating waves of immense beauty and terror. And don’t expect a chance to surface for air after finishing this first story: The next nine continue to pummel the reader with Liu’s staggering imagination and rare talent for combining grandiose backdrops with personal stories suffused with aching emotion, such as that of a man climbing a mountain made of water, or a peasant boy growing up to become a space explorer. Liu’s eye for detail and mind for the poetic add a profundity to The Wandering Earth, elevating it to stand among the best science fiction.

—Yi Jiang, Associate Editor

Does warmer weather and the approach of summer have you feeling restless? Pick up one of these stories featuring journeys great and small.
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My Season of Scandal

Julie Anne Long exquisitely captures sensuous, romantic longing in My Season of Scandal. Country miss and physician’s daughter Catherine Keating is embarking on a London society husband hunt from the charming Grand Palace on the Thames boardinghouse. Living one floor above her is Lord Dominic Kirke, a fiery, justice-seeking politician with a notorious reputation. They should have nothing in common, and yet they find in each other like minds and hearts. Dominic tries to keep clear of Catherine, believing his worldliness and tarnished past will hurt her prospects, but they are drawn together at every ball. The resolution will induce sighs and perhaps a few happy tears, as what romance reader can resist a tale starring a jaded hero and an innocent but plucky heroine?

The Good Ones Are Taken

The ever-popular friends-to-lovers trope is front and center in Taj McCoy’s The Good Ones Are Taken. Maggie’s full life is only lacking one thing: a man to love. Well, that’s not entirely true. There’s Garrett, her best friend, but back when they were teenagers, they decided not to cross the line into romance. But with Maggie’s duties as maid of honor for her two besties coming up, she feels pressured to find a Prince Charming and determinedly puts herself out there. She doesn’t quite fit with anyone until she takes a closer look at Garrett—yet can she risk ruining what they have? Set in Los Angeles, The Good Ones Are Taken is fun, fresh and filled with good food, great clothes and scorching love scenes. Readers will want to hang out with Maggie and company while rooting for her happy ending.

Earls Trip

Jenny Holiday’s tongue-in-cheek Regency romance Earls Trip showcases her trademark charm, humor and well-developed characters. Three aristocratic friends (two earls and a viscount) depart London for their annual sabbatical. But after a last-minute request from an old family friend, Archibald Fielding-Burton, the Earl of Harcourt, rescues sisters Clementine and Olive Morgan from a conniving blackguard—and then brings the two women along on his getaway with the guys. Archie and Clementine, once childhood friends, soon discover a passion they didn’t expect and don’t particularly welcome, at least at first. While Holiday peppers the story with amusing set pieces and cute, anachronistic chapter titles, there is true heart to this tale of a man and woman coming to understand, appreciate and admire each other as much as they love each other.

Plus, two friends-to-lovers romances charm our columnist.
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Set in India, Parini Shroff’s The Bandit Queens tells the story of Geeta, who struggles to earn a living as a jewelry maker after her violent husband leaves her. Gossiping villagers believe that she killed her husband, and Geeta realizes she has entered dangerous territory when other women approach her for help in getting rid of their abusive spouses. Shroff’s compassionate portrayal of oppressed wives is enlivened by touches of comedy. Themes like domestic violence and the dynamics of marriage and family will inspire thoughtful dialogue among readers.

In Soon Wiley’s When We Fell Apart, Min, a young Korean American man, seeks clarity after the sudden death of his girlfriend, Yu-jin. When Min learns that she apparently committed suicide, he is determined to find out why. A dedicated student with bright prospects, Yu-jin seemed to be thriving, but she had secrets. As Min delves into her past and the circumstances surrounding her death, he comes to terms with his own sense of self. Wiley’s hypnotic thriller is a standout thanks to nuanced characters and a rich portrayal of the experience of being caught between two cultures.

Mia P. Manansala’s Arsenic and Adobo is narrated by Lila Macapagal, a young woman who returns home to Illinois to help with her aunt’s Filipino restaurant, Tita Rosie’s Kitchen. A disagreeable food critic—and old flame of Lila’s—has been giving Tita Rosie’s bad reviews. When he dies after eating there, suspicion falls on Lila. With the backing of her meddlesome but well-meaning aunts, Lila tries to solve the mystery of his death. The first entry in Manansala’s delightful Tita Rosie’s Kitchen series, Arsenic and Adobo is seasoned with humor, drama and tasty culinary references.

In Kismet by Amina Akhtar, sinister goings-on at a glamorous wellness retreat cause an uproar in the community. Ronnie Khan’s life changes when she meets wellness influencer Marley Dewhurst, who convinces her to leave New York and spend time at a retreat in Sedona, Arizona. At first, Ronnie enjoys the healthy lifestyle, but her visit takes a terrifying turn when local influencers are murdered. Akhtar crafts a clever thriller that’s also a funny sendup of wellness culture. Book clubs will enjoy exploring topics such as self-image and ideas of perfection.

May is Asian American and Pacific Islander (AAPI) Heritage Month! In honor of the occasion, we’ve gathered four mysteries by AAPI authors. Book clubs will love digging in to these suspenseful reads.

When a Scot Ties the Knot

There’s unlucky, and then there’s “Surprise! Your fake pen pal is actually a real person!” Madeline Gracechurch dreamed up Captain Logan MacKenzie, an honorable Scottish soldier conveniently stationed elsewhere, to get out of making her debut and continue her work as an illustrator of naturalist texts. Maddie writes letters to Logan for years before she finally decides to kill him off, thinking herself safe from matrimony forever. And then, of course, Logan shows up on her doorstep, letters in hand, intent on getting married for real so that his battle-weary men can settle down on Maddie’s extensive property. When a Scot Ties the Knot is an absolute sugar high of a romance, complete with digressions on subjects such as why some men look hotter in glasses, how to seduce women by bathing in mountain lochs and the mating travails of Maddie’s lobsters (their names are Rex and Fluffy). Tessa Dare’s great talent as an author is her ability to root farcical silliness in emotional reality: Logan’s quest to give his men a life where they can heal and flourish is treated with utmost seriousness, as is the paralyzing social anxiety that led Maddie to start writing him in the first place. 

—Savanna, Managing Editor 

The Bee Sting

Was ever a family more unfortunate than the Barneses, the dysfunctional crew at the heart of Irish writer Paul Murray’s masterfully crafted fourth novel? Dickie Barnes is barely holding on to his auto dealership; his glamorous wife, Imelda, resents their fall in status. Their daughter, Cass, who plans to attend university in Dublin, may be jeopardizing that future thanks to too many nights at the pub, while 12-year-old PJ’s plan to escape his bullies is only leading him into more danger. Beginning with Cass, each family member takes a turn telling the story as they see it, unveiling layers of damage, secrets and bad luck. What keeps this tale of woe engaging across more than 600 pages is Murray’s tenderness for the Barnes family, despite their flaws. The voice of each character is refreshingly distinct, and there’s much satisfaction in seeing the puzzle pieces of their perspectives click together to create a full view of this fractured family, who love each other deeply but rarely manage to communicate that love in the right way or at the right moment. A heartfelt tragedy with a bravura ending, The Bee Sting is a strikingly human and empathetic read.

—Trisha, Publisher 

Troubles

Surely there could be no greater misfortune than that which befalls Major Brendan Archer, who, near the end of J.G. Farrell’s Troubles finds himself buried up to his neck in sand, awaiting drowning as the tide comes in. Troubles is the first in Farrell’s Empire Trilogy, a series of masterful, bleakly hilarious eviscerations of British colonialism. After returning from World War I, the Major goes to Ireland to be with his fiancée, Angela Spencer, a woman he hardly remembers. Angela’s Protestant, Anglo-Irish family runs a once-glorious hotel called The Majestic. Even through the scrupulously polite Major’s eyes, it’s clear that the Spencers are in denial about the state of the hotel and the precarity of their political situation, as tensions with the majority-Catholic people of the surrounding area rise to a deadly pitch. Still, none of them manage to bring the danger into focus, to the point that the Irish Republicans go nameless and faceless throughout the book, even as they pack rocks around the Major’s body and leave him to die. Sadly, Farrell himself met an unfortunate end: At only 44, he was swept out to sea while fishing. We can only imagine what other great novels he would have graced the canon with, had he lived longer.

—Phoebe, Associate Editor

The Odyssey

I never realized how often Odysseus wept: as Polyphemus the Cyclops wet the floor with the brains of his friends; on Aeaea when the clever witch Circe transformed his men into pigs; on the shore of Ogygia as Calypso’s captive; in the halls of the Phaeacians, as he bemoaned his misfortune. After two decades of trying and failing to read The Odyssey, I picked up Emily Wilson’s translation and saw myself in this most unlucky of men. I had long wanted to read Homer’s epic, but I found it unbearably dull and the verse too difficult to unravel. I could never even get to Scherie, let alone back to Ithaca. Wilson, the first woman to publish a translation in English, brings Homer’s epic alive. She writes in her translator’s note that other English translations render Homer’s text in “grand, ornate, rhetorically elevated English.” But the poet’s verse was not “bombastic or grandiloquent.” It was accessible, performed around the ancient world to people from all walks of life. Wilson opts instead to use straightforward language and syntax, along with good old iambic pentameter, to present a story that is full of suspense and pathos. I lost myself in The Odyssey, I found myself in Odysseus and I wept for his misfortune. 

—Erica, Associate Editor

There’s something weirdly engaging about a character who’s down on their luck. Fortunately (or not), their loss is our gain.

Discover your next great book!

BookPage highlights the best new books across all genres, as chosen by our editors. Every book we cover is one that we are excited to recommend to readers. A star indicates a book of exceptional quality in its genre or category.

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