Sci-fi heavyweight Ann Leckie pens a unique fantasy debut in The Raven Tower. The ruler of Vastai is bound to the Raven, a god who watches over the city. If the god dies, so does the ruler. Mawat, the heir to the throne, returns to Vastai to find his uncle sitting in his father’s seat. Eolo, Mawat’s attendant, captures the attention of another god, who needs a physical vessel to carry out his will. What is uncovered is a lifetime of conspiracy and agendas that threaten the lives of everyone in the kingdom. In a characteristically ambitious move by Leckie, first- and second-person perspectives alternate, mixing palace intrigue with the new god’s mythical backstory. Eolo’s sections are narrated by this god, who may or may not be reliable, lending the entire tale a voyeuristic, ephemeral quality. Leckie’s confidence pays off here, establishing her unique perspective in an entirely new genre.
The Lost Ticket is the ultimate literary British Invasion, uniting the Beatles’ “With a Little Help From My Friends” with the Rolling Stones’ “You Can’t Always Get What You Want.”
