On every page of The Tangleroot Palace, women have the power to take their own stories back and remake them into something resilient and new.
The View Was Exhausting doesn’t so much straddle the line between general fiction and romance as obliterate it.
Nathan Harris’ Civil War-set debut novel celebrates all manner of relationships that combat hate.
Jumping between 1979 and 1999, Lady Sunshine unfolds with an artful combination of lyrical writing and twisting plot.
Reminiscent of José Saramago’s work, Anuk Arudpragasam’s discursive second novel creates a graceful narrative reverie.
Remember the smoke monster from “Lost”? It appears that he’s alive and well and living in Violet Kupersmith’s debut novel.
María Ospina outdoes herself in every story of this collection, and each time, the message is profound and vital.
Jason Mott’s fourth novel can break your heart and make you laugh out loud at the same time, often on the same page.
While a novel about characters planning to end their lives is not for everyone, Together We Will Go is, in the end, about friendship and learning to love.
Diane Johnson’s return to American fiction, 13 years after her last novel, will be welcome news to fans of her leisurely writing style.
Tahmima Anam’s funny, sharp novel exposes the folly of looking for leadership in the startup sector, which reveres disruption in all areas except its own.
A rural noir with attitude to spare, The Killing Hills moves as briskly as a well-constructed miniseries.
Co-authors Marie Benedict and Victoria Christopher Murray bring to life the elusive story of one of the most influential librarians in history.
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