Pete Croatto

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“Somehow, this time, I would make it work.” That’s the quiet plea of 12-year-old Mikey Walsh, desperate to fit in with his Romany Gypsy family. Such is the power of Walsh’s fantastic memoir, Gypsy Boy, that your heart breaks for his empty hope. Being an outsider is bad enough, but Walsh (a pseudonym) reveals the special hell that is being a pariah in a band of outsiders—and the courage required to start anew.

Walsh’s destiny is sealed as soon as he is born. Like his father, Frank, the boy is meant to become a bare-knuckle boxer, continuing a grand family tradition of clueless pugilists. But it never happens; Mikey never responds to Frank’s abusive boxing lessons, which begin at age four and segue into a bloody blur of nonstop torture. Then Mikey, vulnerable and ignored by his family, becomes the target of his Uncle Joseph’s deviant sexual urges, and can do nothing to stop the much larger man.

In the testosterone-driven Gypsy world, Mikey is an outlier and he’s gay—which is literally life-threatening. If his father ever thought Mikey’s homosexuality was real, “rather than just the worst insult he could think of, he would go ballistic and would, almost certainly, kill me.” Walsh must flee, though he has no idea how; formal education and marrying for love remain mystifying, disdainful concepts in this dangerous environment governed by backward traditions.

Yet it’s the only world he knows, and flowers do bloom there: his salty mom, adventures with his sister, the occasional promising glimpse of friendship. It’s a testament to Walsh’s skill that he portrays his hopelessness so eloquently, without wallowing in sordid self-pity. His understated, lyrical sentences carry the book. You remember the little touches as well as the giant horrors: a magical, midnight car ride to London that serves as Walsh’s youthful salvation, the small gift from a friendly teacher that represents a nearly incomprehensible generosity. “We were all old before our time,” Walsh writes. “That’s the way we lived.”

The last portion of Walsh’s riveting book shows him breaking away from the Gypsy culture. It exacted a heavy price. But as an arts teacher living in London who recently married his partner, Walsh has finally made it work.

“Somehow, this time, I would make it work.” That’s the quiet plea of 12-year-old Mikey Walsh, desperate to fit in with his Romany Gypsy family. Such is the power of Walsh’s fantastic memoir, Gypsy Boy, that your heart breaks for his empty hope. Being an outsider is bad enough, but Walsh (a pseudonym) reveals the […]
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The prospect of middle age, a period with no universally established timeframe, is shrouded in clichéd assumptions. Around age 40, it seems as if Americans are legally required to lose their way. Everyone is a gray hair away from buying sports cars, dumping their spouses or dyeing their hair. Middle age is a years-long punchline, but why? And is there any truth to this unraveling?

More than an exhaustive history, Patricia Cohen’s In Our Prime illuminates an evasive truth: Middle age is an ever-evolving concept. What once was debilitating is now empowering. There are innumerable benefits to being over the hill. “Middle age can bring undiscovered passions, profound satisfactions, and newfound creativity,” Cohen writes. “It is a time of extravagant possibilities.”

The concept of middle age originally developed as a byproduct of the work of Frederick Winslow Taylor, a time management pioneer who “roped modern man to the clock” starting in the 1880s. Taylor’s workplace doctrine of breaking tasks down into individual parts trickled down to “psychologists, educators, and doctors [who] dissected a single life into separate phases: childhood, adolescence, middle, and old age.” Of course, the glittery promise of youth became the most desirable phase, a notion supported by a “burgeoning marketplace [that] was able to exploit the fascination with the body. . . . A cult of youth seized the popular imagination after World War I and has kept a grip on it ever since.”

According to Cohen, the theories and research that freed middle age from its death sentence-like associations didn’t take shape until the 1950s. Researcher Bernice L. Neugarten recalls that in the early 1950s students in her graduate course “were amazed at the idea that no one developed throughout life.” As it turns out, people do evolve over time. The “world’s largest study on middle age,” spearheaded by Bert Brim, dispelled the typical notions of midlife crisis when results were released in 1999. Menopause was no big deal; an empty nest provided parents with independence, not grief.

Things are still not perfect. What Cohen deems the Midlife Industrial Complex is bent on creating conditions for men and women to fix through surgery or cosmetics. But what remains clear throughout Cohen’s fascinating work is that the middle years should be anticipated and savored. In Our Prime will inspire a lot of people to enjoy middle age—and save countless trips to Porsche dealerships.

The prospect of middle age, a period with no universally established timeframe, is shrouded in clichéd assumptions. Around age 40, it seems as if Americans are legally required to lose their way. Everyone is a gray hair away from buying sports cars, dumping their spouses or dyeing their hair. Middle age is a years-long punchline, […]
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Initially, it doesn’t appear that Merrill Markoe’s latest essay collection, Cool, Calm & Contentious, features a theme. She revisits her embarrassing, sometimes tragic teen years, engages her dogs in conversation and speaks (very briefly) at a truly dreadful college career fair in Lafayette, Louisiana. But a connection emerges as the pages pass: Markoe’s goal is to find the absurdity in everyday life. That, coupled with her sharp wit, makes her writing sublime—and surprisingly educational.

Markoe, a novelist and essayist who was the first head writer for “Late Night with David Letterman,” isn’t content just to mine situations for laughs. Anyone can mock; it takes real talent to illuminate. And Markoe is skilled—and fearless—in retracing the missteps both large and small in her life.

Her youthful misinterpretation of Jack Kerouac’s works—“I knew that what I had to do to join my artistic destiny was to get roaring drunk”—becomes a warning about the dangers of co-opting a culture based on highlights. A writing assignment to cover an all-women’s whitewater rafting trip becomes personal for Markoe, who learns the value of doing something different. Her remembrance of her late, hypercritical mother contains its share of chestnuts—the woman’s travel diaries read like a never-ending bad review of the international scene—and a key revelation: Mom was a textbook narcissist. Markoe does thank her mom for urging her to learn about narcissism. It made her equipped to live in Los Angeles.

In each essay, there’s a sense that Markoe wants to impart a lesson to readers; indeed, some chapters could double as courses in common sense, including “How to Spot an A**hole.” Yet she never resorts to the kinds of know-it-all proclamations of fluffy life advice usually dispensed on a talk show set. By being herself, Markoe’s straightforward tales of navigating the annoyances of life are genuinely helpful—and legitimately funny.

Initially, it doesn’t appear that Merrill Markoe’s latest essay collection, Cool, Calm & Contentious, features a theme. She revisits her embarrassing, sometimes tragic teen years, engages her dogs in conversation and speaks (very briefly) at a truly dreadful college career fair in Lafayette, Louisiana. But a connection emerges as the pages pass: Markoe’s goal is […]
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When a series of anthrax-filled letters appeared in the U.S. right after the unimaginable tragedy of September 11, the powers that be were misinformed and easily swayed. In American Anthrax, noted anthrax expert Jeanne Guillemin takes a step back and examines the personal problems and bureaucratic missteps lost in the cloud of fear and panic. It’s a riveting—and sometimes frightening—read.

Guillemin expresses her key points simply, allowing for a grimacing page-turner. Decision-makers were in foreign territory. For example, after anthrax was first reported at the Brentwood postal facility in Washington, D.C., the building remained open for days. Employee weren’t tested for anthrax until October 18, a week after the suspicious letter arrived. As the concern over biological warfare mounted, the federal government pushed for mass smallpox vaccination, even though the Dryvax vaccine had serious side effects. There was widespread misunderstanding over how much anthrax was harmful and the origin of the material inside the letters.

Regarding the latter, key experts convinced influential figures that the anthrax was from a foreign source, a completely false assertion. Both parties got what they wanted: Along with unlikely doomsday scenarios, the U.S. got an excuse to invade Iraq. And civilian biodefense research and development became a profitable business, as its federal budget line surged from $271 million in 2001 to $3.74 billion in 2003.

Meanwhile, Bruce Ivins, a microbiologist at the United States Army Medical Research Institute of Infectious Diseases, became the FBI’s top suspect behind the fatal letters. But it took years for investigators to zero in on him, mainly because testing methods had to improve and too many people overlooked Ivins’ bizarre pattern of behavior.

There was no satisfying resolution to the anthrax scare. Ivins committed suicide in 2008, before any suspicions could be confirmed in court, and the government’s approach to bioterrorism, Guillemin says, remains misguided. It’s still “fixated on the idea of foreign bioterrorism—almost as if no greater threat to national health exists,” which stops us from seeking “more positive policies.” Guillemin’s wonderful book provides some clarity so that we can avoid making the same mistakes twice. After all, the room for error fits inside a casket.

When a series of anthrax-filled letters appeared in the U.S. right after the unimaginable tragedy of September 11, the powers that be were misinformed and easily swayed. In American Anthrax, noted anthrax expert Jeanne Guillemin takes a step back and examines the personal problems and bureaucratic missteps lost in the cloud of fear and panic. […]
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Diamonds—those glittery, magical conclusions of the courtship process, those small, pricey declarations of love—have a less glamorous meaning for 26-year-old Alicia Oltuski. Her father, Paul, is a diamond dealer and a fixture on New York City’s bazaar-like Diamond District. Her late uncle and her retired grandfather, who still visits his old stomping grounds on 47th Street, were also in the diamond trade.

Even the younger Oltuski briefly worked for her father. Now a journalist, she turns her attention to every nook and cranny of this natural resource in Precious Objects, an enjoyable mélange of reporting, memories and profiles of the people who give the diamond industry—and a stretch of city street—its sparkle.

The author introduces us to various Midtown movers and shakers. We meet Dan and Elie Ribacoff, the “diamond detectives” whose crime-solving methods include donning fake disguises to track down perpetrators, and a young up-and-comer who uses the Internet to make his mark and learn how dealers procure and sell their goods. We also meet the powerful and controversial Martin Rapaport, whose crazy notion to publish a price list of diamonds in the late 1970s nearly killed his career. “He was listing the price of the finished goods, so how in the world were we supposed to make a living?” asks a 1970s-era diamond manufacturer.

Oltuski’s narrative goes beyond New York—we discover the tragic origins of the phrase “blood diamond”—and covers a lot of ground, sometimes too much. You want her to scale back on some topics (e.g., trade shows, auctions) and expand on others (e.g., the Diamond District’s architectural facelift). She builds her story around that of her family, especially her father. Hardworking and somewhat eccentric (he rarely admits his occupation), Paul is the narrative’s face. Through the Great Recession, advancing technology and his brother’s untimely death, Paul Oltuski remains an entrepreneurial survivor.

What redeems Precious Objects is that we understand that adaptation is a way of life in the industry, including the Diamond District, which still stands despite business methods steeped in old-fashioned values and the tenets of Judaism. So, more change is coming. That is the diamond industry’s one constant.

Diamonds—those glittery, magical conclusions of the courtship process, those small, pricey declarations of love—have a less glamorous meaning for 26-year-old Alicia Oltuski. Her father, Paul, is a diamond dealer and a fixture on New York City’s bazaar-like Diamond District. Her late uncle and her retired grandfather, who still visits his old stomping grounds on 47th […]
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The big fear accompanying Judy Dutton’s Science Fair Season is that it’ll be another account of scholastic overachievers driving themselves nuts in pursuing academic excellence. After all, the Intel International Science & Engineering Fair—the “Super Bowl of science fairs” that brings these kids together—teems with college recruiters and riches: Intel ISEF 2009 had over $4 million in prizes and scholarships up for grabs among 1,500 participants.

With so much on the line and so many competitive angles, then, it’s surprising that Dutton’s book is . . . heartwarming. The dozen subjects—six of whom Dutton follows at Intel ISEF; the others are past competitors whose projects were “the stuff of legend in science fair circles”—aren’t necessarily looking to pad their college resumes. Their projects and scientific pursuits have real meaning.

Elizabeth Blanchard turned her leprosy diagnosis into a project that garnered national attention; plus, she was happy to demystify the misunderstood disease. Philip Streich, an 18-year-old scientific mastermind with five patents and a $12 million company, owes his success to being home-schooled by his mom, Amanda. Thirteen-year-old Garrett Yazzie built a solar-powered room and water heater out of soda cans, a sheet of Plexiglas and a 1967 Pontiac radiator because his family’s shabby singlewide trailer desperately needed something to get them through the brutal winters; blankets and coal weren’t cutting it.

Dutton (Secrets from the Sex Lab) has no agenda. You sense that she likes these students and cares about their futures. Her guileless approach works because it paints these young men and women as passionate and driven individuals who embrace their strengths, not narrow-minded robots fueled by grades and ribbons.

There’s a lot of science discussed in Science Fair Season, but that’s not the focus. Science fairs are good for the soul, or to quote Dutton, they “open kids’ eyes to what they can do.” Winning is even better. “It turns on that little voice inside their heads that says, You can do this, even when they swear they can’t,” she explains. “It gives them grit, and guts, and the knowledge that they have the smarts and heart to handle whatever life throws their way.”

The feel-good attitude and heartwarming profiles will make readers smile. More importantly, Dutton’s book reminds us of the need for creativity and individuality in learning. Science, it turns out, is a wonderful place to start.

 

The big fear accompanying Judy Dutton’s Science Fair Season is that it’ll be another account of scholastic overachievers driving themselves nuts in pursuing academic excellence. After all, the Intel International Science & Engineering Fair—the “Super Bowl of science fairs” that brings these kids together—teems with college recruiters and riches: Intel ISEF 2009 had over $4 million […]
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Millions of immigrants have found success in America through hard work, pluck and a little ingenuity. Christian Gerhartsreiter took a more duplicitous approach. In 1978, the 17-year-old German schemed his way into the United States and didn’t stop. He worked himself into affluent environments by claiming to be anything from a TV producer to a baronet.

In 1992, Gerhartsreiter unveiled his greatest creation: Clark Rockefeller, a scion of the famed wealthy family. Amazingly, nobody discovered this elaborate lie until—divorced, cut off from money and desperate—he kidnapped his young daughter in July 2008. The incident, involving a fake Rockefeller no less, was national news.

Mark Seal, a contributing editor at Vanity Fair who previously wrote about the Rockefeller saga for the magazine, chronicles the con man’s brazen odyssey in The Man in the Rockefeller Suit. Relying on loads of research and nearly 200 interviews, Seal captures the essence of a man whose soul was buried underneath countless façades. Seriously, it’s next to impossible to tally all the lies and shifty identities. Even when he was brought down, Gerhartsreiter was still delivering falsities with a smile on his face.

How did he remain out of trouble for 30 years? Regardless of his alias, Gerhartsreiter was charismatic, told well-researched, convincing lies and immersed himself in American culture. He was unbeatable at Trivial Pursuit, and Gilligan’s Island’s Thurston Howell III provided patrician inspiration. “For Clark, things that are imaginary were very, very real,” explains Patrick Hickox, who befriended Clark Rockefeller in Boston. The only real thing in Rockefeller’s life, he adds, may have been his daughter.

Seal’s first-person approach can be distracting at times, but he brings color and depth to this most unusual immigrant story—one that is brave, bizarre and utterly enthralling.

Millions of immigrants have found success in America through hard work, pluck and a little ingenuity. Christian Gerhartsreiter took a more duplicitous approach. In 1978, the 17-year-old German schemed his way into the United States and didn’t stop. He worked himself into affluent environments by claiming to be anything from a TV producer to a […]
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With today’s relentless news cycle, it’s easy to forget the genesis of our current media fascinations. You may think that the 1990s was when the media, celebrity trials and America’s love for gawking oozed together to create the concept of the courtroom as an entertainment venue. The truth is, you have to go back a bit.

Douglas Perry’s The Girls of Murder City provides a captivating look at the killer women who dominated headlines in Chicago and across the United States in 1924. More than a dozen women called Murderess’ Row in the Cook County Jail home, but two grabbed most of the attention: Belva Gaertner and Beulah Annan. Cabaret dancer Belva’s meeting with her drunken lover ended with him fatally shot and her glamorous clothes blood-splattered. And after shooting her lover in the apartment she shared with her husband, 23-year-old Beulah danced to her favorite record, “Hula Lou.”

Dripping with scandal, beauty and savvy, these women had a glorious chance to deliver the performances of a lifetime. They didn’t disappoint. Covering this for the Chicago Tribune was rookie reporter Maurine Watkins, who took her bitterness over the women’s manipulation of the system—Beulah changed her shooting story three times and the all-male jury still let her walk—and turned it into a hit Broadway play, Chicago.

Perry takes a sturdy foundation of murder, sex and Chicago’s scandal-happy newspapers and builds a nonfiction marvel. His bouncy, exuberant prose perfectly complements the theatricality of the proceedings, and he deftly maneuvers away from the main story without ever losing momentum. Perry uncovers illuminating background details on the Chicago newspaper wars and the female inmates who took a backseat to Belva and Beulah, and pushes Watkins back into the spotlight. He captures the pulse of a city that made New York look like a suburban block party. The Girls of Murder City not only illustrates the origins of a new media monster, but reminds us that we’ve never been that innocent.

Dripping with scandal, beauty and savvy, these women had a glorious chance to deliver the performances of a lifetime. They didn’t disappoint.
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Some may consider Craig Robinson’s background a little bland to warrant a memoir. He’s relatively young and his resume isn’t rich in scandal or easily recited accomplishments. Robinson was an excellent college basketball player who has become a very good coach at Oregon State University. But he may be best known as the older brother of First Lady Michelle Obama, who, while dating the future leader of the free world, asked her brother to gauge her then-boyfriend’s character by playing pick-up hoops.

Whether President Obama had started his odd practice of wearing his shirt tucked into his sweats when he hooped it up isn’t answered in Robinson’s book, A Game of Character—a combination of autobiography, motivational handbook and presidential campaign log. Though he does touch on a bit of everything, the book is really an upbeat look at his own rise to prominence.

Along with baby sister “Miche,” Robinson grew up in the Southside of Chicago, the son of working-class parents who preached honesty, discipline and hard work. The love Robinson had for his parents worked both ways. When he was accepted to Princeton, which did not offer athletic scholarships, his parents paid for the tuition through loans and credit cards, never suggesting young Craig should go anywhere else.

After graduation, Robinson played pro ball for two years in England, which started his love affair with coaching. Despite a successful career in finance and an MBA, basketball still had a pull, so Robinson coached part-time before getting a full-time, low-paying job as an assistant coach at hapless Northwestern. It was a drastic career change—a divorced Robinson had to move back to his childhood home—but one that led to a rewarding new career as well as a second marriage.

Mixed in with the autobiographical touches is a ton of motivational prose (complete with exclamation points) that should make Robinson a smash on the corporate speaker circuit. That can be ignored. What shouldn’t be ignored is how Robinson’s determination and principles allowed him to succeed on his terms. As A Game of Character makes clear, Craig Robinson is not riding on Barack’s designer coattails or on the hem of Michelle’s designer dress.

Some may consider Craig Robinson’s background a little bland to warrant a memoir. He’s relatively young and his resume isn’t rich in scandal or easily recited accomplishments. Robinson was an excellent college basketball player who has become a very good coach at Oregon State University. But he may be best known as the older brother […]
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A long-lasting trend, and one that hasn’t gotten tiresome, is memoirs about how rock music matters. Music is such a personal experience—Air Supply may remind you of your first love; it reminds me of interminable childhood car trips—that every writer brings a different approach to the material. It makes for some great books (e.g., Chuck Klosterman’s Fargo Rock City, Rob Sheffield’s Love is a Mix Tape). Now you can add another to the list: Steve Almond’s Rock and Roll Will Save Your Life, wherein the author recounts his life as a “drooling fanatic,” or DF, which includes a gigantic record collection and a slightly unhealthy attachment to certain bands and artists. “Chances are, the only periods of sustained euphoria in our lives have been accompanied by music,” Almond writes of DFs.

For Almond, he was doomed after discovering the Police’s Outlandos d’Amour in his older brother’s bedroom. He eventually becomes a music critic, an occupation he finds surprisingly unfulfilling. When Almond embraces adulthood in Miami, a local musician destined for stardom sets the tone for the author’s salad days, though both end abruptly. He then learns how to write fiction thanks to the likes of Bruce Springsteen and Tom Waits and meets his future wife Erin—”a former metal chick with literary aspirations.” Almond breaks up his narrative with lots of lists and “interludes” on Styx, Toto’s “(I Bless the Rains Down in) Africa” and how Erin almost canoodled with ‘80s rock has-been Kip Winger.

Somehow a meeting with Dave Grohl of the Foo Fighters ties everything together for Almond, who never comes across as a snooty analyzer or an overbearing gossip. Whether he’s writing about the depressing beauty of “Eleanor Rigby” or stalking a favorite musician in the men’s room, there’s observational sharpness, unflinching honesty and biting humor. You’re compelled to read to see how music and love and life intersect for him. The result is the nonfiction equivalent of Nick Hornby’s High Fidelity, a knowing and exhilarating look at how one man dove headfirst into rock music and emerged on the other side intact.

Pete Croatto is a New Jersey-based writer and editor.

A long-lasting trend, and one that hasn’t gotten tiresome, is memoirs about how rock music matters. Music is such a personal experience—Air Supply may remind you of your first love; it reminds me of interminable childhood car trips—that every writer brings a different approach to the material. It makes for some great books (e.g., Chuck […]
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The death of Roger Rosenblatt’s daughter Amy at age 38 was completely unexpected. She collapsed on the treadmill at home, felled by a heart abnormality that affects less than two thousandths of one percent of the population.

Statistics are of little comfort to Amy’s hard-working surgeon husband, Harris, who was left with three young kids: Jessie, 6, Sammy, 4, and infant James. Rosenblatt and his wife of 46 years, Ginny, decided to lend a hand, moving from Long Island to Bethesda, where they took up residence in their son-in-law’s guest bedroom. Their commitment was real. Roger scaled back his workload considerably; Ginny got back into a matronly rhythm that impressed her friends.

In Making Toast, an understated yet gripping memoir, acclaimed writer Rosenblatt recalls a period of loss, adjustment and memories as they became parents for the second time. Better known as “Boppo” to his grandkids, Rosenblatt doesn’t ask for sympathy or tears. He chronicles his new life as expert toast-maker and guardian/playmate/professor with a mixture of wonder and love.

What makes the book so absorbing is the way Rosenblatt interrupts his short chronicles—the slim book has no chapters—with a thunderbolt observation or statement. Ginny remarks that she feels like she’s now living Amy’s life; Roger initially eschews therapy because “we will never feel right again. No analysis or therapy will change that.” One section consists of the following: “Ginny has a choking fit at breakfast. It lasts only seconds, but Jessie freezes. Sammy runs from the room.”

Rosenblatt puts a life-altering event in simple, clear terms. By employing restraint (which, considering the circumstances, had to be excruciating), he reveals volumes about the power of family without wallowing in sentiment and self-help hooey. The big points come across loud and clear, including the following: A close family may suffer more, as Rosenblatt writes, but that closeness allows everyone to return to doing the simple, necessary things. Like making toast.

Pete Croatto is a freelance writer who lives in New Jersey.

The death of Roger Rosenblatt’s daughter Amy at age 38 was completely unexpected. She collapsed on the treadmill at home, felled by a heart abnormality that affects less than two thousandths of one percent of the population. Statistics are of little comfort to Amy’s hard-working surgeon husband, Harris, who was left with three young kids: […]
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The National Football League is such a dominant force in American culture that it’s hard to imagine it ever suffering growing pains. After all, this is the same league whose games are a Sunday ritual for millions. But in the 1920s, professional football didn’t resonate with the public. It was the victim of poor organization and a bad reputation. In his terrific The First Star: Red Grange and the Barnstorming Tour that Launched the NFL, Sports Illustrated staffwriter Lars Anderson examines how three men put the NFL on the path to legitimacy.

During his time at the University of Illinois, nobody could match Grange’s incendiary talent. According to Anderson, he “made plays on the field when it mattered most, not when the game was a blowout.” Grange entranced George Halas, coach/co-owner of the Chicago Bears, who knew that Grange could save the struggling league. Halas worked tirelessly with Grange’s agent, C.C. Pyle, and secured pro football’s first superstar.

The deal made Pyle—a smooth talker and sharp promoter—and Grange barrels of money. Grange then had to earn it by playing with the Bears on a gruesome 19-game barnstorming tour consisting of 10 games in 18 days on the East Coast. After a Christmas break, the team played nine games in five weeks, starting in Florida and ending in Seattle.

Though it’s fascinating, Anderson doesn’t just recap the horrors of the tour; he also offers rich portraits of the men who saved a sport. Grange, the product of a less than affluent childhood, turned pro because he needed money. But he earned it, legitimizing the game and making its players fashionable, Anderson explains. Halas eventually became a football legend and multimillionaire, but in the early years his mother urged him to return to his old railroad job. And Pyle, simply put, is the character Mark Twain never created.

Brought to life by Anderson’s storytelling prowess and biographical flair, The First Star is a gripping account of the creation of an American institution.

Pete Croatto is a freelance writer based in New Jersey.

The National Football League is such a dominant force in American culture that it’s hard to imagine it ever suffering growing pains. After all, this is the same league whose games are a Sunday ritual for millions. But in the 1920s, professional football didn’t resonate with the public. It was the victim of poor organization […]
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On top of writing acclaimed biographies of Benjamin Franklin and Albert Einstein, former Time managing editor Walter Isaacson has written pieces for seemingly every notable publication in America. This admirable body of work will be elevated even further by Isaacson’s first-rate collection, American Sketches, which offers brief but incisive looks at some of the key figures in recent history.

The book’s beauty is that the entries (ranging from reviews to profiles to eulogies) serve as a kind of late 20th- to early 21st-century history book. Isaacson has shaken hands with history over the last 25 years, whether it was the United States making peace with the Soviet Union, the advances of the digital revolution or the destruction wrought by Hurricane Katrina on his native New Orleans. As a man steeped in American history and the news industry—he was also the CEO of CNN—Isaacson shares his keen observations on the Clintons, Colin Powell and George W. Bush.

With sections devoted to Franklin and Einstein, Isaacson also reveals how the past can inspire the future. He connects Franklin to President Barack Obama by explaining, “I hoped that more politicians would emerge who were sage and sensible, and I came to believe that Obama was the most like Franklin of all our national politicians.” And in his essay “A New Way to View Science,” Isaacson stresses that though Einstein might be associated with hard-to-grasp ideas, people shouldn’t plead ignorance on science.

Ever the biographer, Isaacson delves into icons, discovering what exactly Madeleine Albright did as secretary of state; using a Q&A with Woody Allen to reveal that the famed director eschewed his nerdy onscreen persona when ditching longtime companion Mia Farrow for her adopted daughter; and characterizing George Plimpton as having chosen casualness over literary greatness.

Budding writers should take special note: Isaacson is far from jaded, always curious and open to discovery. It is fitting, then, that while helping out in New Orleans he found his next biography subject: fellow Big Easy native Louis Armstrong. It turns out journalism does have a future, though it might be in unlikely places.

Pete Croatto is a freelance writer based in New Jersey.

On top of writing acclaimed biographies of Benjamin Franklin and Albert Einstein, former Time managing editor Walter Isaacson has written pieces for seemingly every notable publication in America. This admirable body of work will be elevated even further by Isaacson’s first-rate collection, American Sketches, which offers brief but incisive looks at some of the key […]

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