Norah Piehl

Over the course of her nine YA novels, including Michael L. Printz Honor book Please Ignore Vera Dietz and Printz Medal winner Dig., A.S. King has earned a reputation for writing books that are consistently smart and timely. She is unafraid to challenge readers with ambitious prose and structure or to confront them with frank treatments of weighty themes including race, sexuality and mental health. Switch continues this work. 

In Truda Becker’s world, time has stopped. It’s been June 23, 2020, for nine months, more or less. An online program called N3WCLOCK has stepped in to fill the void, informing everyone from airline pilots to high school students what time it would be, had time continued to function properly. At school, Tru and her classmates participate in an initiative called Solution Time, pooling their resources and creativity to either solve the time problem or sufficiently distract themselves so they stop caring about it altogether. 

Tru’s attempts to solve the problem are complicated by a couple of issues. At home, her father has begun building a series of nested plywood boxes around a mysterious light switch at the center of their house. As the novel progresses, the house begins to turn on its axis, Tru and her family members separated into boxes within it, casualties of this inscrutable DIY project. 

Tru has also recently discovered that she’s a javelin-throwing prodigy. The media has begun to report on people with special abilities, so-called Anomalies who can solve impossible math problems, heal injuries with a mere touch or even fly. As Tru navigates both the situation at her house and her newfound athletic fame, she wonders how all these strange circumstances could be connected—and whether she can break open the boxes that are keeping people apart from one another.

At first, the story’s intriguingly abstract world is so surreal as to be disorienting, as is Tru’s fragmented narration, her scattered thoughts punctuated only by forward slashes (like / so). broken apart by slashes (/) between them. Readers would do well to relax and settle into the novel’s bizarre, provocative premise and follow King where she wants to lead them. As Switch explores the spectrum between isolation and connection, it becomes an unsettling but emotionally resonant novel for our own unsettling times.

ALSO IN BOOKPAGE: A.S. King reveals how an invitation to speak at a library led to the genesis of Switch.

Nala’s priorities for the summer before her senior year do not include activism, but they do include finding love. So when she begrudgingly tags along to an Inspire Harlem event with her cousin Imani and meets charismatic Tye Brown, she decides an interest in social justice might not be so bad after all. But as she feigns a full slate of volunteer commitments and an in-depth knowledge of social movements (not to mention a vegetarian diet), Nala quickly realizes she’s in over her head. Her relationship with Imani becomes strained, and she finds herself sacrificing more and more of her real self in exchange for Tye’s love. As her lies finally unravel, Nala learns that loving herself is the real revolution.

In Love Is a Revolution, Newbery Honor author Renée Watson (Piecing Me Together) spins a fresh teen love story. Though Nala and Tye’s budding romance takes center stage for much of the book, readers are most likely to see themselves in Nala’s relationships with her friends, her family and herself. From Nala’s efforts to impress Tye by achieving a “Black-girl-natural chic look,” to her secret ice-cream-and-advice meetings with her grandmother’s boyfriend, to her feminist dance parties with her friend Sadie, Watson builds this book on small, detailed moments that bring each character into focus. The authenticity and specificity of these relationships make the growing rift between Nala and Imani feel real and immediate as both girls learn to love themselves and each other.

Nala’s lies are eventually exposed, forcing her to reckon with who she actually is versus what she wants others to believe about her. Watson handles this moment with respect and nuance, propelling Nala to the right path without pretending the journey will be easy. Readers who have struggled with identifying who they are or who they’re supposed to be, navigating evolving relationships or practicing “radical self-love” will find Love Is a Revolution to be an inspiring guide—not to mention a delightful read.

ALSO IN BOOKPAGE: Love Is a Revolution author Renée Watson shares the story behind the book's title and reveals what she and her protagonist have in common.

Mila has spent the past four years in the foster care system. Now that she’s turning 18, she can’t be placed with another foster family, so she’s stunned and humbled to receive a placement as an intern with a couple named Julia and Terry, who have raised dozens of children on their idyllic farm tucked between the mountains and the sea. Alongside two other interns, Mila will tutor the younger children and contribute to the daily workings of farm life, tending the crops, learning about flowers and taking harvests to the nearby farmers market.

Mila quickly becomes close to her student, 9-year-old Lee, beneath whose quiet demeanor lies a traumatic history. The two also bond over their shared distrust of the ghostly figures who seem to haunt the farm at night. The farm’s other residents seem to relish their mysterious presence, but Mila and Lee aren’t ready to welcome them in. Even as Mila settles into her new life, she worries that she doesn’t really belong on the farm. She becomes increasingly unsettled when disturbing tokens from her old life begin to show up on the doorstep of her cabin.

Watch Over Me is an unusual ghost story in which the ghosts are both metaphors and characters in their own right. Printz Medalist Nina LaCour (We Are Okay) effectively blends contemporary perspectives on psychological themes, including abuse, childhood trauma, guilt and grief, with a setting and a narrative that seem to exist somehow outside of time.

As the story opens, Mila is at the crossroads between childhood and adulthood. Her regrets over events in her youth and her longing to have had a more secure childhood like those Julia and Terry’s adoptees enjoy is poignant and palpable. Simultaneously, however, as her deepening relationship with Lee causes her to want to be the best teacher she can, Mila begins to craft a vision of her future that wouldn’t have been possible without the farm.

Richly atmospheric and both haunting and hopeful, Watch Over Me is a rewarding novel about a young woman on the brink of a new life.

ALSO IN BOOKPAGE: Go behind the scenes of Watch Over Me with author Nina LaCour.

Those who remember all too well the tragedy of September 11, 2001, may not recall another tragedy that occurred in its immediate aftermath. On November 12, American Airlines Flight 587, en route from New York City to the Dominican Republic, crashed in Queens, killing all 260 people on board, the vast majority of whom were of Dominican descent.

The tragic stories of the lives lost on board Flight 587 and those of the families left behind, as well as author Elizabeth Acevedo’s own memories of trips to visit relatives in the Dominican Republic, inspired Clap When You Land. The book sees Acevedo return triumphantly to the novel-in-verse format of her multiple award-winning debut, The Poet X.

Sixteen-year-old Camino Rios is meeting her father at the Santo Domingo airport. He lives in the United States much of the year but spends summers in the Dominican Republic. Camino, whose mother died a decade earlier, dreams of moving to New York City for college and then medical school. She can’t wait to finally be closer to her beloved father.

Thousands of miles away in New York City, Yahaira Rios has just said goodbye to her father, who supports her love of competitive chess and always encourages her to follow her dreams. Yahaira misses him when he returns to the Dominican Republic each summer, but this year, her feelings are more complicated. She’s recently learned a secret about her father that she hasn’t admitted to anyone.

Both Yahaira and Camino are on the cusp of a terrible loss—and of a profound discovery about their families and the surprising, sometimes uneasy connection between them.

Clap When You Land explores themes of heredity, class and privilege, as well as the complex, conflicted emotions the girls feel toward their birthplaces and homes. Acevedo handles all of these themes with a lyricism and sensitivity to language that make Camino’s and Yahaira’s struggles and joys, both individual and shared, all the more powerful.

Readers unaccustomed to verse narratives will quickly settle into the book’s generally short stanzas and conversational tone. Passages that are more deliberately poetic in style, such as the description of a burial that uses short lines to make the text resemble a deep hole, or a scene of violence in which the verses—like the narrator’s thoughts—grow increasingly fragmented, encourage readers to read slowly and even pause in order to fully experience both the characters’ powerful emotions and Acevedo’s tremendous skill at conveying them and transforming them into art.

Clap When You Land gets its title from the Dominican tradition of applauding when a plane touches down safely at its destination. By the story’s end, readers will be ready to give Yahaira, Camino and Acevedo herself a standing ovation.