Lynn Beckwith

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Louisa May Alcott and Henry David Thoreau are icons for most Americans, but how many of us realize that these two met? In Louisa May and Mr. Thoreau's Flute, 7-year-old Louy Alcott is amazed by the eccentric, wild-haired teacher, Mr. Thoreau. He is the talk of Concord, Massachusetts. Thought to be a loafer and a dreamer, Thoreau is rumored to brush his hair with a pinecone! He knows all the best berry patches and loves sharing his knowledge of the woods and nature with his young scholars. And, wherever Mr. Thoreau goes, his flute goes too, providing a soft musical accompaniment to his life and the lives of his students.

In between chores and obligations, Louisa watches and learns from her teacher. She notices the changes of nature. She envies Thoreau when she hears that he is spending the winter studying foxes and fish: Mr. Alcott scoffed, 'Has he nothing better to do?' Louisa couldn't imagine there was anything better.

Mary Azarian's trademark hand-colored woodcuts beautifully complement the story. The highly textured pictures invite readers to look closely. The details in the characters' clothing suggest calico and homespun, patches and plaid. Nature is treated with a loving hand, too. Each pine needle and leaf, wave and cloud is unique and carefully crafted by this Caldecott-winning artist.

Though we all think of Louisa May Alcott as a prolific and graceful novelist, in reality, as a young girl, she was not an enthusiastic writer. She had an author for a father and a writer for a teacher, but she often had difficulty thinking of things to write about: Words seemed trapped within her, like fish under ice. But, one day on the Concord River, the ice thaws and cracks. The robin carols for her and the words she had longed for suddenly rush into her head. Readers will cheer for Louy as she races to catch the words on paper in her very first poem.

More a story about writing and inspiration than historical fiction for young readers, this is a gentle tale of a teacher and a student, and the birth of a writer. The story will inspire young authors and naturalists, and budding artists will revel in the sparkling illustrations. A treasure about two national treasures.

Louisa May Alcott and Henry David Thoreau are icons for most Americans, but how many of us realize that these two met? In Louisa May and Mr. Thoreau's Flute, 7-year-old Louy Alcott is amazed by the eccentric, wild-haired teacher, Mr. Thoreau. He is the talk of Concord, Massachusetts. Thought to be a loafer and a […]
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Henry, the bear who bears a remarkable resemblance to Henry David Thoreau, is back! D.B. Johnson's new book takes up where his first and widely acclaimed picture book, Henry Hikes to Fitchburg, left off. Henry decides he would like to build a cabin. But because Henry is really Henry Thoreau, his cabin will be different from his neighbors'. Inspired by Thoreau's own journals, Johnson has created a joyful yet contemplative picture book that chronicles the building of his famous cabin on Walden Pond.

Johnson paints a vaguely cubist world where, in the space between opposing pages, snow changes to sun and soil bursts into seedlings. Perspective changes many times on a single page. To add to the fun, some familiar friends from American history visit Henry to offer advice. Transcendentalist Ralph Waldo Emerson is concerned that the cabin is too small to eat in. Bronson Alcott fears the cabin will be too dark to read in. Another neighbor, known only as Lydia, is concerned that the cabin is too small to dance in. Is our noble bear worried? Not at all. It turns out that he has a plan of his own. He eats his beans in his "dining room," which is actually adjacent to his hoe and bean patch. He enjoys his books in the "library" the woods themselves, where the trees keep him company and a chipmunk reads over his shoulder. He then dances down the "grand stairway" a path that leads to his pond.

Each time the reader opens the book, he or she will notice new details hiding in the illustrations. I especially liked the woodland creatures mirroring Henry's action on each page: when he is putting up the beams, a blackbird is constructing her nest. When Henry is boring holes for the corner posts, a woodpecker is pecking holes in a neighboring tree.

A note by the author tells a little more about the real Thoreau and his cabin. Especially interesting is the final cost: $28.12! Henry Hikes to Fitchburg celebrated the joy of the journey, and Henry Builds a Cabin reminds us that a wonderful home can be small and simple. Both books are a wonderful introduction to the life and philosophy of Thoreau.

Henry, the bear who bears a remarkable resemblance to Henry David Thoreau, is back! D.B. Johnson's new book takes up where his first and widely acclaimed picture book, Henry Hikes to Fitchburg, left off. Henry decides he would like to build a cabin. But because Henry is really Henry Thoreau, his cabin will be different […]
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Put on the kettle, make the tea, set out some biscuits and curl up in front of a nice fire. That's exactly what Cynthia Rylant's newest picture book, Let's Go Home: The Wonderful Things About a House, encourages readers to do.

The opening pages highlight different types of houses, from trailers to cottages to apartment buildings to chateaux. Then Rylant takes her audience on a tour of an unforgettable house presumably her own. The tour starts at the glorious front porch, where flowers bloom in the summer, green and red lights twinkle in December and visitors are welcomed year round. And from there, the reader is welcomed through the front door, going on to explore every room in the house even the attic.

Warm and nostalgic, brimming with children's drawings, dogs, overstuffed furniture and neighbors, the house is full of all the things that are part of a place people love. There is not a housekeeper in sight, and no one minds the splendid hubbub of each comfortable room. Halperin's signature muted watercolor illustrations infuse each space with joy. She paints a world where everyone is secure and cared for a place everyone would love to live, or at least visit.

Halperin's art often consists of small boxes with scenes of everyday life. Occasionally, she paints a generous full-page spread, but even these large paintings are alive with tiny details. Are those really grapes trailing around the headboard of the little girl's bed? Are those teeny mobiles of birds on each page? Why is there a goose in the bathroom? Each picture, filled with minutiae, invites repeat inspection.

Rylant's words and Halperin's illustrations have worked together many times before, but the marriage is especially successful here. Children will pore over the pictures, and everyone will appreciate this celebration of the simple pleasures of home. A perfect housewarming gift.

Put on the kettle, make the tea, set out some biscuits and curl up in front of a nice fire. That's exactly what Cynthia Rylant's newest picture book, Let's Go Home: The Wonderful Things About a House, encourages readers to do. The opening pages highlight different types of houses, from trailers to cottages to apartment […]
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Josette's cousin Louie has come to visit her, bringing with him a little whistle a gift from their grandfather in Paris. "Mama says Louie is spoiled," Josette says. "I say he is just Louie."

Josette is the narrator of The Little French Whistle, and from these few words, we understand her personality completely. She would like to try the whistle herself, but Louie is not one for sharing his toys. Sweet, patient Josette watches Louie as he tortures everyone in earshot with his loud, obnoxious whistling. Birds are frightened from their morning baths, the family poodle Fonfon is rudely awakened from her nap, and Grand-pére (the very same grandfather who gave the gift in the first place) is jarred from his bubblebath by Louie, who blew right into the bubbles. Though forgiving Josette still does not see her young cousin the way the rest of the world does (indeed, we all agree with Mama here), she is beginning to get the picture.

What will he do next? Louie startles a baby and runs back into the house, where he finally meets his match: Sheba, the cat. Sheba, like most cats, is not one to suffer fools patiently, and she gives Louie a bit of his own loud medicine ("HISSS!"), with a swat as a punctuation mark. The whistle is conveniently lost behind a cushion, and Louie is forced to go home without it. So, our heroine Josette finds it and plays it softly and sweetly for the same parties that were so offended by Louie's shrillness. Even Grand-pére is impressed. "You make music like in Paree," he exclaims.

In this familiar slice of family life, author Carole Lexa Schaefer tells the story of the spoiled boy and his loud toy without the predictable animosity of the jealous sibling or ranting adults. Having cousin Josette as the storyteller is the key here. Her sweet disposition is not cloying or false; she simply wants a turn at the whistle and follows Louie to see what will happen. Perhaps it is the European flavor of Chollat's delightful artwork, with its various references to Paris, and the round-faced, perpetually smiling characters moving through everyday experiences at the park and in the neighborhood, that make this book such a treasure. The Little French Whistle is a sweet tune you will want to hear again and again. 

Josette's cousin Louie has come to visit her, bringing with him a little whistle a gift from their grandfather in Paris. "Mama says Louie is spoiled," Josette says. "I say he is just Louie." Josette is the narrator of The Little French Whistle, and from these few words, we understand her personality completely. She would […]
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Hold onto your hats, your livestock and your wits! A twister has landed, and it's a whopper. Carolyn Fisher's lively romp into the life of Bailey Tarbell, a red-headed farm girl, and her experience with a rather unusual cyclone is sure to tickle the funny bone of any reader.

A Twisted Tale is reminiscent of L. Frank Baum's The Wonderful Wizard of Oz and Jules Feiffer's Bark, George. Bailey takes care of a cow, a cat, a dog, a duck, three chickens and a pig. When a storm unexpectedly blows up, the force pulls all the animals into the air, and then that twister spat out the critters like a cowpoke spits out a wad of chew. It seems as if the twister has done more than spin the critters around; it has them all discombobulated! The pig tries to swim and quack, the duck chews its cud . . . you get the idea.

If the over-the-top, humorous language and wacky scenarios aren't enough to drag a laugh out of you, the wild, colorful, naive paintings are sure to do the trick. First, there is Bailey appearing 10 times the size of a John Deere tractor. Then, Bailey's parents are dead ringers for the couple made famous by Grant Wood in his painting American Gothic. The careful reader will see those Grant Wood parents sitting in a nest, chewing on a bone, performing hypnosis, riding a Ferris wheel and driving a car.

Well, Bailey is not a stupid girl; she knows these animals have to return to normal. When the veterinarian is unable to fix the livestock, Bailey takes matters into her own hands. She and her obliging parents try to teach the animals appropriate behavior a failed idea. Then, she hires a psychologist is that the great Dr. Freud? but hypnosis does not work, either.

Inspired in the bathtub as she watches the water swirl down the drain, Bailey finally has the idea she thinks will do the trick. Eureka! Yup, she takes the whole kit and caboodle to the State Fair, where the animals and family spin around on the various rides until they are back to normal. Problem solved; at least the livestock seem okay. But what are those words falling from Bailey's mouth? While her parents are whooping a jolly Ooo-Wee, Bailey emits a big Wee-ooooo! We are left knowing that an enterprising young'un like Bailey will figure this out for herself. Lots of fun for everyone.

Hold onto your hats, your livestock and your wits! A twister has landed, and it's a whopper. Carolyn Fisher's lively romp into the life of Bailey Tarbell, a red-headed farm girl, and her experience with a rather unusual cyclone is sure to tickle the funny bone of any reader. A Twisted Tale is reminiscent of […]
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What's dinner like at the homes of authors Chris Raschka and Vladimir Radunsky? Their new book, Table Manners provides a few clues. Do they eat like their incorrigible character Dudunya, who is clearly in need of some basic etiquette lessons? Or, like Chester, are they able to instruct their less-civilized friends on the finer points of napkin folding, potato cutting and chewing food before swallowing?

Chester, whose head resembles an elongated lima bean, is the teacher here. He carefully explains the basic points of manners to his friend Dudunya, who, despite his rather messy potato-shaped face, is quite curious about civilized eating. And just where has Dudunya been eating? Clearly, he has dined in a world where meals take place without the benefits of utensils or napkins or even chewing.

To look for moral lessons or reason in this unorthodox, freewheeling guide is to miss the attraction. Using hilarious mixed-media illustrations, Table Manners is a bright, bold book that causes the reader to laugh aloud. There's a lot to see, and the splashy layout begs the reader to pause and look closely at the details. Is that really a cutout of a chicken with gravy and capers? And just what are the correct answers to "The Final Exam" at the end? I defy anyone to look at "Chester's Chart of Full-Mouthed Speaking Accidents" without chortling. The mother encrusted with rainbow sprinkles, and the cousin doused in cream sauce are images that should inspire the messiest of eaters to chew first and talk later.

So, whether you are eating at the Queen's palace, or having a chicken dinner at home, review Chester's rules of eating beforehand. Bon appetit!

What's dinner like at the homes of authors Chris Raschka and Vladimir Radunsky? Their new book, Table Manners provides a few clues. Do they eat like their incorrigible character Dudunya, who is clearly in need of some basic etiquette lessons? Or, like Chester, are they able to instruct their less-civilized friends on the finer points […]

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