G. Robert Frazier

Sir Arthur Conan Doyle’s Sherlock Holmes canon found a home and a ravenous readership in the pages of The Strand Magazine in the late 1800s. Now, more than a century later, author Lyndsay Faye has continued that tradition with her own Holmes adventures in the modern-day incarnation of The Strand. Fortunately for Holmes aficionados, if you haven’t been able to keep up with the publication, 15 of her tales (including two new stories) are now available in a new, collected volume, The Whole Art of Detection: Lost Mysteries of Sherlock Holmes.

Faye divides the collection into neat time periods in Holmes’ and John Watson’s lives, with adventures occurring pre-Baker Street, during the early Baker Street years and post-Reichenbach Falls. There are even a few tales set in Holmes’ later years. While not as memorable as Doyle’s best stories, Faye does an admirable job of filling the gaps between some of those tales with interesting asides. The stories are at times emotional—such as the case of “An Empty House,” in which Watson contemplates leaving London and the painful loss of his wife and Holmes behind, only to discover Holmes is very much alive. Other stories, like “The Adventure of the Memento Mori,” are shocking, as our intrepid pair discover a devious criminal slowly poisoning the patients in a women’s home.

A lifelong devotee of Doyle’s works, Faye broke onto the book scene with the Holmes novel Dust and Shadow, earning critical appraise from the Conan Doyle estate itself. Her short stories may be even better. Faye easily captures the essence of Holmes and Watson, both in voice and style. Readers will feel as if they are in the cozy confines of 221B Baker Street right alongside this often feuding and sometimes teasing pair of old friends or, better yet, sitting beside them in a bouncing carriage as they race to rescue a would-be victim from an otherwise heinous end.

Sir Arthur Conan Doyle’s Sherlock Holmes canon found a home and a ravenous readership in the pages of The Strand Magazine in the late 1800s. Now, more than a century later, author Lyndsay Faye has continued that tradition with her own Holmes adventures in the modern-day incarnation of The Strand. Fortunately for Holmes aficionados, if you haven’t been able to keep up with the publication, 15 of her tales (including two new stories) are now available in a new, collected volume, The Whole Art of Detection: Lost Mysteries of Sherlock Holmes.

Former Marine lieutenant Peter Ash has a knack for finding trouble in the most unlikely of situations.

In Burning Bright, the fast-paced, action-heavy follow-up to Nicholas Petrie’s debut novel, The Drifter, Ash is trying his best to keep to himself and avoid the “white static” that comes with his frequent bouts of post-traumatic stress, while hiking among the redwoods of Northern California. But a hungry grizzly bear hell-bent on devouring Ash whole has other ideas, literally chasing him up a tree where he finds a damsel in distress, June Cassidy.

That may seem a bit of a stretch, but if you’re a fan of Jack Reacher-style action/thrillers, who cares? Because like Reacher, Ash is a hard-nosed, take-no-nonsense hero who prefers to shoot first and ask questions later. So just go with it.

Cassidy is on the run from ruthless covert operatives after a complex computer algorithm invented by her mother, who died in a mysterious car crash. The pseudo-government thugs believe Cassidy can lead them to the program, which can learn and adapt on its own. Ash and Cassidy pool their skills to trace the missing algorithm to its source: Cassidy’s equally mysterious father, a man known as The Albino. Ash could just as easily have escorted Cassidy to the nearest police station and wash hands of the whole mess, but that’s not in his nature. His outlook is much simpler and he even says so on page 252: “Get the bad guys. Save the girl.”

Petrie wastes no time or excess words as the first hundred pages rip by. Things calm down a bit in the middle as the book’s intrepid heroes attempt to solve the puzzle and explore their own feelings toward each other before ramping up again in an explosive finale.

Former Marine lieutenant Peter Ash has a knack for finding trouble in the most unlikely of situations.

Jonathan Moore’s The Dark Room starts like any number of Kathy Reichs’ Bones novels, with a team of detectives overseeing the exhumation of a grave as part of a criminal investigation. But it doesn’t take long—only a matter of pages—before the novel takes the first of many intriguing plot turns.

San Francisco Police homicide inspector Gavin Cain is overseeing the cold case investigation when he is abruptly called away by his lieutenant for a more pressing case. He quickly learns that Mayor Harry Castelli is the victim of a blackmail scheme. Someone has sent the mayor a set of comprising photos of a young woman, naked and shackled to a bed. An accompanying note implores the mayor to take his own life or risk additional photos being released.

Cain is ordered to drop everything regarding his current case and to focus exclusively on the mayor’s situation. But Moore has other designs, and quickly weaves both storylines together into a complex, well-crafted thriller. The exhumed coffin contains a second set of remains that shouldn’t be there, and Cain, in perhaps a bit of a leap, believes the two cases are intrinsically linked. The further his investigation progresses, the more he is convinced the woman in the mayor’s photos is the woman in the coffin. Cain questions an increasingly charismatic assortment of individuals about their knowledge of the crimes, edging ever closer to long-buried secrets.

Moore—an attorney and author of three previous novels, including The Poison Artist and Redheads, which was short-listed for the Bram Stoker Award—infuses the complicated tale with richly detailed forensic facts and procedural expertise that would make Reichs proud. At the same time, he makes a concerted effort to craft characters you can care about. Cain’s girlfriend, Lucy, steals many scenes as she struggles to overcome a past trauma that has left her afraid to leave their house.

Jonathan Moore’s The Dark Room starts like any number of Kathy Reichs’ Bones novels, with a team of detectives overseeing the exhumation of a grave as part of a criminal investigation. But it doesn’t take long—only a matter of pages—before the novel takes the first of many intriguing plot turns.

Just when you think you’ve got things straight, Christopher Brookmyre throws you another curveball in his newest book, Black Widow. Brookmyre builds layers of intrigue like a chef crafting a multilayer cake, with each layer providing another tantalizing clue or red herring to keep readers guessing. But no matter how diligently readers strive to piece everything together, it’s doubtful anyone will see the final twist before its reveal.

The “black widow” in the title is Dr. Diana Jager, a successful surgeon and outspoken critic of sexism in medicine on her blog. Her pulls-no-punches social media diatribes ultimately land her in hot water when a hacker reveals her true identity, bringing her career crashing down on her. Vulnerable for the first time in her life, she finds comfort in a young IT specialist, Peter. After a whirlwind romance, the pair marry and appear to resume a semblance of a normal life. Until Peter is killed in a car crash.

Brookmyre, who is a popular crime novelist in Scotland with 18 previous novels and multiple awards to show for it, brings his longtime investigative reporter Jack Parlabane into the mix when Peter’s sister, Lucy, implores him to find the truth behind Peter’s death. Specifically, she steers him toward Diana as a suspect, and before long the trail of clues and evidence seem to bear her out.

But, as with any Brookmyre novel, not everything is as simple as it appears. While the narrative takes on a decidedly slow build toward its multiple twist ending, Brookmyre keeps things interesting by mixing up his narrators from chapter to chapter. Part of the story is told directly through Diana’s eyes in a first-person narrative, while other chapters look over Jack’s shoulders. Still other chapters are seen through the eyes of the police, who are trying their best to make sense of what happened as well.

Not everything you read should be taken at face value, and there will be surprises in store, no matter who you believe.

Just when you think you’ve got things straight, Christopher Brookmyre throws you another curveball in his newest book, Black Widow. Brookmyre builds layers of intrigue like a chef crafting a multilayer cake, with each layer providing another tantalizing clue or red herring to keep readers guessing. But no matter how diligently readers strive to piece everything together, it’s doubtful anyone will see the final twist before its reveal.

After a summer filled with racial tension over police shootings, it was only a matter of time before a novel surfaced with a similar theme. Suzanne Chazin presents that problem for her series character, Hispanic cop Jimmy Vega, in the first few pages of her new novel, No Witness but the Moon.

Vega is first on the scene of an apparent home invasion and chases down one suspect. But when the suspect fails to release an object in his hand and begins to turn toward Vega despite orders to freeze, Vega has only seconds to kill or be killed. The suspect is fatally wounded, which is when Vega’s troubles really begin. As other police arrive, it’s quickly apparent that Vega has shot an unarmed man. The only item in the man’s possession was a photograph clutched in his right hand.

Chazin expertly crafts the immediate fallout of the shooting in several emotion-filled, tense pages. Vega reels from what he’s done, while at the same time playing the scene and his options over and over in his mind. His fellow police swiftly take control of the scene and begin piecing together events. Vega is suspended as an internal investigation begins and as tensions within the Hispanic community mount, prompting protest marches and chants of “hands up don’t shoot.”

While that may be enough fodder for most novelists to build upon, Chazin ups the ante by tying the victim of the shooting to the mysterious unsolved death of Vega’s mother years ago. Vega, naturally, uses his unwanted downtime to begin his own investigation.

The novel moves at a torrid pace, swiftly drawing in the reader with its ripped-from-the-headlines shooting, then keeps readers hooked as Vega deals with the emotional and psychological aftermath on his life, career and family. 

After a summer filled with racial tension over police shootings, it was only a matter of time before a novel surfaced with a similar theme. Suzanne Chazin presents that problem for her series character, Hispanic cop Jimmy Vega, in the first few pages of her new novel, No Witness But the Moon.

Thomas Mullen’s Darktown is a novel readers won’t soon forget—not just because of its thoroughly engrossing, suspense-filled plot, but because of the historical, moral complexity contained within its pages.

Darktown follows the story of Atlanta’s first black police officers in an era of heightened racial prejudice. In 1948, the eight-man police division cannot arrest whites, drive police cars or even set foot in police headquarters through the front door. Despite this, they are committed to forging an important path of integration and justice in the face of hatred from their white counterparts on the force.

The story focuses in particular on Officer Lucius Boggs and his partner, Tommy Smith, as they investigate the possible death of a black woman at the hands of a former white police officer, Brian Underhill. The officers came across the pair after a car accident in a primarily black portion of town. But because of Underhill’s connections within the department, he is turned free without even a citation.

His female passenger, Lily Ellsworth, turns up dead a short time later.

Mullen, an award-winning author and a resident of Atlanta, swiftly constructs a moral challenge for the black officers as they dare to question whether a white man may have committed her murder. With the rest of the predominantly white police department fighting them at every turn, the tension immediately ratchets up.

The story evokes parallels to racial injustices within the law enforcement community that persist to this day, making this an even more compelling and thought-provoking read. Mullen paints a vivid portrait of racial inequality and a dark period in American history that cannot soon be forgotten.

Darktown has been acquired by Sony Television for development as a television series, with Jaime Foxx to executive produce.

Thomas Mullen’s Darktown is a novel readers won’t soon forget—not just because of its thoroughly engrossing, suspense-filled plot, but because of the historical, moral complexity contained within its pages.

An Obvious Fact, the 12th novel in Craig Johnson’s popular Longmire series, tries to throw a wrench in the works by moving the titular hero out of his natural element. But Walt Longmire is an element in himself, perfectly capable of functioning in any place and under any circumstance with his usual gruff, hard-fisted dedication to righting wrongs wherever he finds them.

In this case, Walt leaves his usual stomping grounds of Absaroka County, Wyoming, to solve a hit-and-run at the Sturgis Motorcycle Rally. It isn’t long before an undercover agent with the Bureau of Alcohol, Tobacco and Firearms on the trail of a suspected gun-smuggling operation also ends up dead, increasing the scope of Walt’s investigation. Throw in a super-size military assault vehicle, rival motorcycle gangs and a plot to manufacture synthetic polymer weapons, and the stage is set for a thrilling climactic showdown in the shadow of the famous Devils Tower national monument.

That in itself would be enough to satisfy those looking for a fast-paced, action-packed read, but this is a Longmire novel, after all. As such, Johnson obligingly weaves in plenty of humorous banter, emotional bonding and deep characterization to bring his extended cast of Walt, Undersheriff Victoria Morettli and Henry Standing Bear to life. Henry, in fact, is a key focus of the book. At issue is his relationship to Lola, the real-life femme fatale and namesake for Henry’s ’59 Thunderbird, who is the possible mother of his son, the aforementioned hit-and-run victim.

An Obvious Fact is a welcome addition to the Longmire canon and one fans will anxiously wait to see adapted on the small screen. 

An Obvious Fact, the 12th novel in Craig Johnson’s popular Longmire series, tries to throw a wrench in the works by moving the titular hero out of his natural element. But Walt Longmire is an element in himself, perfectly capable of functioning in any place and under any circumstance with his usual gruff, hard-fisted dedication to righting wrongs wherever he finds them.

Comparisons to Lee Child’s Jack Reacher are inevitable when considering many action thriller novels with larger-than-life heroes. But when Child himself makes note of it, you know the book at hand has got to be pretty damn good. Such is the case with Erik Storey’s debut novel, Nothing Short of Dying. In a prominent book cover blurb, Child says: “Reacher is keeping an eye on this guy.” And so should you.

The novel follows loner Clyde Barr—adventurer, soldier and most recently an unjustly imprisoned convict—as he attempts to blend into his Utah countryside and escape the burdens of humanity. But as fate would have it, he receives a desperate call for help from his estranged sister Jen and must drop everything to come to her aid.

With the help of plucky bartender Allie and some rather unsavory former associates, Clyde quickly tracks his sister’s whereabouts to a mountain hideaway in Colorado where she is being kept prisoner by a ruthless criminal. Clyde boldly mounts a rescue operation with his sidekicks, resulting in an explosive exchange of gunfire and fisticuffs. The rugged countryside lends itself well to the story, creating a bleak, rugged landscape for Clyde to play in, like a classic Western showdown.

Storey doesn’t pull any punches with his crisp, in-your-face dialogue and vivid action, and neither does his hero. Clyde’s sense of commitment to his sister is both emotional and inspirational as he confronts seemingly impossible odds. Jack Reacher would be proud.

Comparisons to Lee Child’s Jack Reacher are inevitable when considering many action thriller novels with larger-than-life heroes. But when Child himself makes note of it, you know the book at hand has got to be pretty damn good. Such is the case with Erik Storey’s debut novel, Nothing Short of Dying. In a prominent book cover blurb, Child says: “Reacher is keeping an eye on this guy.” And so should you.

If there’s anyone out there still lamenting the absence of Elmore Leonard’s “Justified” on TV, you can get your fix of small-town Kentucky criminals in Jesse Donaldson’s debut thriller, The More They Disappear. The novel starts with the shocking assassination of longtime Kentucky Sheriff Lew Mattock at his own re-election campaign barbecue and quickly escalates into a thrilling manhunt for his killer.

Chief Deputy Harlan Dupee steps up as acting sheriff to investigate the shooting, following a trail of dark secrets amid the townsfolk he only thought he knew. Along the way he discovers his former boss wasn’t as upstanding a lawman as he believed. At the root of everything is a prescription drug trade that has its hooks in everyone, from the town’s most innocent children to even its most prominent citizens.

Donaldson keeps the plot moving at a swift pace, adding more mystery and a growing list of suspects with each chapter. Thrown into the mix is whether Dupee should seek to run for election when Mattock’s own son, Lewis, also intends to win his father’s badge.

The novel works on a number of levels and should appeal to a broad swath of readers, whether you’re looking for an action-filled genre story or an introspective study of how addiction and poverty can lead to absolute corruption, lies, and shattered dreams. Dupee’s deeply moral sense of right and wrong and his doubts as to the effectiveness of the law add a layer of sophistication and rumination to an otherwise straightforward whodunit.

Donaldson writes with authority on the Kentucky hill country, as he was both born and raised in the bluegrass state. His writing has appeared in The Oxford American, Crazyhorse and other magazines.

If there’s anyone out there still lamenting the absence of Elmore Leonard’s “Justified” on TV, you can get your fix of small-town Kentucky criminals in Jesse Donaldson’s debut thriller, The More They Disappear. The novel starts with the shocking assassination of longtime Kentucky Sheriff Lew Mattock at his own re-election campaign barbecue and quickly escalates into a thrilling manhunt for his killer.

You won’t want to close the book on this one. The new thriller by Michael Robotham, Close Your Eyes, is reason to stay up late.

Clinical psychologist Joseph O’Laughlin is reluctant to once again take on the role of detective—after seven previous adventures, he thought he’d given it up to live out a peaceful retirement—but when a former student, Milo Coleman, calling himself “the Mindhunter,” begins to jeopardize the police investigation, he can no longer stand by idly. With his reputation in danger, Joe sets out to smooth over the ruffled feathers of the police and to calm a groundswell of public anger over the brutal unsolved murders of a mother and her teenage daughter.

Joe soon discovers why police are having such a difficult time as a bevy of suspects, each with possible motives and opportunity, present themselves in the case. The further his investigation carries him, the more dark secrets and potential victims of a ruthless criminal come to light, giving rise to a possible serial murderer in the town’s midst.

The mystery and suspense is reason enough to keep reading, but Robotham ups the ante with a rousing family drama that adds an emotional complication to his lead’s life. Joe, who already must deal with his own bout of Parkinson’s disease, learns his former wife has cancer and must undergo surgery, leaving him to care for his two young daughters. Perhaps unwisely, he even takes his eldest daughter, teenager Charlie, under his wing while investigating the murders.

Robotham drafts brilliantly descriptive passages that paint vivid scenes and sweep readers along in the narrative. It’s easy to sympathize with Joe both in the course of his investigation, and more importantly, in his family life.

The entire novel comes cascading down to a thrilling climax and reveal of the true villain in typical Robotham fashion.

You won’t want to close the book on this one. The new thriller by Michael Robotham, Close Your Eyes, is reason to stay up late.

Maya Stern was a firsthand witness to her husband’s brutal murder by a pair of thieves, so how is it possible that he would be seen days later, playing with her two-year-old daughter, on footage captured by a nanny cam? Finding the answer, and perhaps even her husband, propels the riveting narrative of Harlan Coben’s new thriller, Fool Me Once.

When the picture card inside the nanny cam goes missing, Maya has no evidence to back up what she saw, and anyone she tells is more than reluctant to believe her. But Maya, a former Army captain with plenty of command experience, isn’t one to just let things go. She naturally takes it upon herself to get to the truth, following a trail of clues past and present, uncovering new twists in the puzzle along the way.

Coben’s mastery as a first-class storyteller is evident from the opening pages as we meet Maya at her husband’s funeral, still dazed and overwhelmed by feelings of grief and loss. Readers can easily sympathize with Maya and embrace her as she reels from one tragedy to the incredible event of seeing her husband alive again on the nanny cam.

With readers hooked, Coben steers the narrative with a methodical slow build, as Maya retraces her husband’s past to a pair of previous deaths going back to his college days, while uncovering a slew of family secrets. Through Maya, readers are forced to ponder just how much you really know about someone and how far they’ll go to blind themselves to the truth.

Maya’s journey comes to an unexpected climax as Coben unravels a patented twist, making the methodical investigation of the book worth the wait.

Fool Me Once is the first of Coben’s 25 novels to be told entirely from the perspective of a female protagonist, resulting in a new experience for longtime fans and an excellent jumping-on point for new readers.

Maya Stern was a firsthand witness to her husband’s brutal murder by a pair of thieves, so how is it possible that he would be seen days later, playing with her two-year-old daughter, on footage captured by a nanny cam? Finding the answer, and perhaps even her husband, propels the riveting narrative of Harlan Coben’s new thriller, Fool Me Once.

Words can hurt, and in the case of Owen Laukkanen’s compelling, thought-provoking new thriller, The Watcher in the Wall, they can be enough to kill.

Laukkenen’s recurring FBI agents Kirk Stevens and Carla Windermere pursue an Internet troll who encourages fragile teenagers to commit suicide, while recording their final moments via webcam for a black market on the dark web. The case takes on a deeper meaning for Windermere, who continues to berate herself over a past mistake in which she stood by as a fellow classmate was bullied in school to the point she one day never came back. Catching the predator in this case serves as a chance, however slight, for redemption. Interestingly, in the acknowledgements, Laukkanen admits he also dealt with depression and suicidal thoughts as a teenager, making the book even more deeply personal.

Laukkenen’s fast-paced prose and short chapters pull readers along on a cross-country pursuit to identify the predator behind the online suicide forum and stop him before he can rack up more victims. They encounter numerous technological roadblocks along the way and must rely on help from the FBI’s crack technology team to penetrate the suspect’s cybertrail.

Laukkenen based the novel in part on the real-life case of William Melchert-Dinkel, a Minnesota man whose online “encouragement” drove an Ottawa teen to commit suicide in 2009, and who is suspected of entering into fake suicide pacts with at least five other victims. If parents were afraid of whom their impressionable kids are socializing with online before, they will only be more wary after reading this eerily timely and poignant book.

Readers of Laukkanen’s earlier novels in the FBI series, including The Professionals and The Stolen Ones, need not worry that the case is a mask for social commentary, however. It’s a true page-turner up to the final act, which quickly escalates into a fiery exchange of gunfire and action-packed pursuit of the perp.

Words can hurt, and in the case of Owen Laukkanen’s compelling, thought-provoking new thriller, The Watcher in the Wall, they can be enough to kill.

Running away from your problems isn’t the best option. Plenty of people, real and imagined, have tried and failed. The problems, however serious or minute they may be, always seem to catch up with them in the end.

No one apparently told that to Tanya/Amelia/Debra/Emma/Sonia/Paige/Jo/Nora, the narrator in The Passenger, the latest thrilling novel from Lisa Lutz, an Edgar Award nominee and the New York Times bestselling author of the Spellman Files series. Try as she might, Lutz’s “gone girl” sheds one identity for another in rapid succession, hoping to find one that will stick and offer her a chance to begin again. Part of the fun of the novel is trying to figure out who she really is.

Unfortunately for Lutz’s main character, her past secrets and misdeeds constantly nip at her heels. Just when it appears she’s about to find some semblance of peace, something or someone threatens to undo everything and expose her. Whether it’s a flimsy backstory, a forged driver’s license or a persistent detective on her trail, before long, she’s on the run again.

Admit it—we’ve all wanted a chance for a do-over at some point in our lives. Readers will know the choices the protagonist is making are wrong, but the thrill of the chase, and perhaps the promise of it all crashing down in the end, will keep them turning the pages and rooting for her just the same. That’s a credit to Lutz’s deft storytelling, as she’s able to goad readers into sympathizing with her narrator while baiting them with just enough clues to foster doubt in her truthfulness. After all, and as Lutz’s narrator points out right from the outset, “I don’t have an alibi, so you’ll have to take my word for it.”

Running away from your problems isn’t the best option. Plenty of people, real and imagined, have tried and failed. The problems, however serious or minute they may be, always seem to catch up with them in the end.

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Trending Features