Chika Gujarathi

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A long time ago, amid circumstances that no one seems so sure about anymore, a small Jewish village in Poland fell off the map of the world. Surrounded by thick forests, Kreskol has existed in a self-sustained bubble of peaceful isolation for decades, thereby missing the best of human civilization—like electricity, indoor plumbing and the internet—as well as the worst, namely the Holocaust and the Cold War. It is surprising, then, that what brings this peace crashing down isn’t an epic catastrophe but rather something as mundane as a marital dispute.

When young Pesha Lindauer disappears, everyone suspects foul play by her husband, Ishmael, who is also nowhere to be found. Having no means to further investigate the scandal, the rabbis convince young Yankel Lewinkopf, an outcast and an orphan, to find his way to the nearest town and inform the authorities of the suspected crime. Yankel leaves reluctantly, only to return three months later in a helicopter with gentiles who are less interested in solving the crime than in immediately thrusting Kreskol into the 21st century.

First-time novelist Max Gross is funny, insightful and mysterious in sharing what is essentially a coming-of-age story not only for Pesha, Ishmael and Yankel, each of whom realizes that they can choose to lead a different life, but also for an entire village that’s at once suspicious of and fascinated by the inundation of money and modern conveniences.

The Lost Shtetl is a fascinating combination of adventure, laughs and heartache, perfect for fans of Michael Chabon.

A long time ago, amid circumstances that no one seems so sure about anymore, a small Jewish village in Poland fell off the map of the world.
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British humor is so darn good at bringing to light the absurdities of everyday life without being oppressive or depressing. Annie Lyons’ new novel, The Brilliant Life of Eudora Honeysett, is no exception.

In southeast London, 85-year-old Eudora Honeysett has quite literally had enough of life. Living alone in the same house where she grew up, Eudora is increasingly baffled and annoyed by how the world around her has become louder and lazier. Though her brain is sharp, her body is a daily reminder of what’s to come: an undignified death surrounded by strangers. Without any friends or family to account for, Eudora signs up with a Swiss clinic to end her life on her own terms. She is completely ecstatic at the thought of being gone before Christmas.

Just when things are looking up, so to speak, a new family moves in next door, including Rose Trewidney, a sweet and hyper 10-year-old girl who is instantly intrigued by the grumpy old woman. Eudora finds Rose’s curiosity extremely nosy and obnoxious, but trying to resist Rose is even harder than summoning death.

Intertwined with these events are Eudora’s memories of her childhood, including heartbreaks, wartime survival and missed opportunities. These flashbacks give the reader something deeper to mull over concerning their own wins and losses, and how our perceptions change during different stages of life.

Even with death and loneliness at its core, The Brilliant Life of Eudora Honeysett is filled with personable characters, witty dialogue and relatable moments. It’s a vibrant and humorous celebration of being alive and learning to say goodbye. 

British humor is so darn good at bringing to light the absurdities of everyday life without being oppressive or depressing. Annie Lyons’ new novel, The Brilliant Life of Eudora Honeysett, is no exception.

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Perhaps the first thing you might do after picking up Kathleen Jennings’ fantasy novella is pull out the map and look for Inglewell somewhere between the Coral Sea and the Indian Ocean. Does it exist? Is it real?

In this former mining town, full of withering things, there is a house with the prettiest front garden on Upper Spicer Street. There, 19-year-old Bettina Scott lives with her sickly mother, Nerida, who over the years has quieted Bettina’s curiosities about the mysterious disappearance of her father and her two older brothers.

But when an unexpected note makes an appearance in the mailbox, Bettina finds it hard to resist the urge to seek the truth about her family. She reluctantly turns to Gary Damson and Trish Aberdeen, two formerly inseparable best friends who’ve had a bad falling out. But much like everything else in this old town, they, too, are strangely connected to the riddle Bettina is trying to solve. Together, they embark in Gary’s old beaten truck to chase tales of cursed creatures, bewitched vines and desert monsters, all of which seem as much part of their past as Inglewell’s.

Jennings grew up on fairy tales on a cattle station in Western Queensland, Australia, and worked as a translator and lawyer before completing a master of philosophy in creative writing. Jennings is also an illustrator, and the cover design and chapter illustrations are her own. Part ghost story, part murder mystery and part fairy tale, Flyaway feels like a perfect combination of all Jennings’ experiences and imagination.

Part ghost story, part murder mystery and part fairy tale, Flyaway feels like a perfect combination of all Jennings’ experiences and imagination.
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Leah Franqui knows a thing or two about straddling different cultures and identities. She is a Puerto Rican Jewish American who lives in Mumbai with her Kolkata-born husband, and her perspective informs her latest novel. Set in the busy, noisy and chaotic world of modern Mumbai, Mother Land is the story of an expat, Rachel Meyer, who knows she’s living the dream—but whose dream exactly, she isn’t sure.

Upon meeting her now-husband Dhruv in a Manhattan bar, Rachel instantly fell in love with his boyish charm and assertiveness. His sense of purpose was a welcome change in her listless life, so she married him and followed him to India to make a home together.

To Rachel, Mumbai is mesmerizing—at first. Then cultural expectations, language barriers and mounting loneliness start revealing all the voids that can’t easily be filled. Things get even more confusing when Swati, Rachel’s mother-in-law, arrives unannounced one day from Kolkata with the intention of leaving her husband and moving in permanently with the newlyweds. The shock of it all, coinciding with Dhruv’s departure for a monthlong business trip, leaves Rachel paralyzed with fear. Thus, Franqui resurrects the age-old struggle between mother-in-law and daughter-in-law—and topples it with a spot-on exploration of what it means to stand up against other people’s expectations.

Mother Land is unexpected. It’s funny and relatable even if your mother-in-law isn’t anything like Swati. It’s a tender tale of two women who are lost and alone, but who eventually become allies and each other’s biggest champions.

Leah Franqui knows a thing or two about straddling different cultures and identities. She is a Puerto Rican Jewish American who lives in Mumbai with her Kolkata-born husband, and her perspective informs her latest novel. Set in the busy, noisy and chaotic world of modern Mumbai, Mother Land is the story of an expat, Rachel Meyer, who knows she’s living the dream—but whose dream exactly, she isn’t sure.

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Ariel Lawhon’s Code Name Hélène is a spellbinding work of historical fiction inspired by the real story of Nancy Grace Augusta Wake, a woman so extraordinary that your first instinct might be to believe she is imaginary, like James Bond. 

In 1936 Paris, Nancy, an Aussie expat, cleverly bluffs her way into becoming a freelance journalist at the European branch of the Hearst newspaper group. It’s a career chosen out of necessity rather than a calling, but Nancy is nonetheless very good at it, earning respect from her male colleagues for her bravado and instincts. It isn’t long before she falls in love with a wealthy French industrialist named Henri Fiocca. The two marry and make Marseille their home, where Nancy is ready to spend the rest of her life as Henri’s supportive housewife. Truthfully, Lawhon could have stopped Nancy’s story here and left it as one of the most sensual romance novels you’ve ever read. 

But there is more to life than romance, as Nancy discovers in 1940 when Henri is drafted to fight the Germans. Alone, anxious and restless, Nancy starts by driving an ambulance for the wounded but soon finds her way deeper and deeper into the French Resistance until she emerges as one of its most powerful leaders. Nancy, also known as Madame Andrée the fighter, Lucienne Carlier the smuggler, Hélène the spy and the White Mouse, becomes the most wanted person on the Nazi target list. She is real, this really did happen is the mantra you may find yourself repeating, in awe at every page. 

In her acknowledgments, Lawhon describes the extraordinary life of Nancy as first and foremost a story about love and marriage. Right away it seems preposterous to consider a story about a woman who seemed to magically summon weapons for the Allied Forces, who killed a Nazi with her bare hands, who saved thousands of lives, a love story. But let the story sink in, and Nancy and Henri’s enduring love will indeed rise to the surface.

Ariel Lawhon’s Code Name Hélène is a spellbinding work of historical fiction inspired by the real story of Nancy Grace Augusta Wake, a woman so extraordinary that your first instinct might be to believe she is imaginary, like James Bond. 

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Christopher Bollen’s latest novel, A Beautiful Crime, is a thrilling story of passion and deception. Amid a labyrinth of Venetian canals, bridges and crumbling palazzos, we meet the scheming protagonists, Nick Brink and his boyfriend, Clay Guillory, two young Americans who have left their tumultuous pasts in New York to start anew in Venice. 

Their plan is simple: They will use Clay’s counterfeit antiques, inherited from his previous relationship with a formerly famous artist, to con a wealthy and arrogant American in Venice named Richard West. Nick, having apprenticed with a famous antiques dealer in New York, will use his charm and connections to pull off the scam. The millions from the sale will pay off Clay’s inherited debt (which surreptitiously came along with the counterfeit antiques) and allow him and Nick to start with a clean slate.

Can two good people pull off a con full of deceit and fraud? It’s a question that persists all the way to the book’s end, maintaining an incessant, fearsome tension, like holding your breath underwater. Bollen’s portrayal of the men’s relationship with the art world adds to the story’s persistent intrigue.

Drawing from his days as an intern at the Peggy Guggenheim Collection in Venice, Bollen mixes cultural and historical nuances into this crime saga. Daydreaming about Venice is an inevitable side effect of reading this book. Like the city itself, A Beautiful Crime is worth losing yourself in. 

This thriller from Christopher Bollen maintains an incessant, fearsome tension, like holding your breath underwater.
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Is it too early to declare Megan Angelo’s debut one of the best novels of 2020? Maybe. Even so, it’s probably one of the funniest and most hopeful dystopian stories you’ll come across this year. Set in 2015 Manhattan and in a fictional community in 2051 California, Followers tells the story of three women who are all social media influencers and reality TV megastars of their time.

When Orla, a wannabe author who blogs about celebrity gossip, ends up with a roommate named Floss, a shameless fame chaser, they concoct a scheme to use the public’s collective obsession with famous people to their advantage. This is in 2015, when living without social media and smartphones is far more daunting for these young women than the seemingly unlikely concern of surviving without access to clean water.

But then comes the spill. Bringing back long-forgotten memories of Y2K hysteria, Angelo presents a future in which Apple and Instagram no longer exist. The internet as we know it is gone, but this advanced civilization nevertheless functions with self-driving cars, robots, networks and devices. Society is still obsessed with celebrity, and Floss’ daughter, Marlow, is its new star. Living in the government-created community of Constellation, where everyone is filmed 24/7 for the rest of the country’s viewing pleasure (and as a corporate marketing tool), Marlow begins to realize that maybe she has a choice—one that connects her back to Orla in the most surprising way.

Even if you aren’t a fan of science fiction or reality TV, Followers delivers a shrewd look at human relationships, habits and obsessions. Of all the doomsday scenarios out there, perhaps it won’t be too bad if this one comes true after all.


ALSO IN BOOKPAGE: Megan Angelo shares her vision of the future and explains why landlines should make a comeback.

Is it too early to declare Megan Angelo’s debut one of the best novels of 2020? Maybe. Even so, it’s probably one of the funniest and most hopeful dystopian stories you’ll come across this year.
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Elif Shafak’s 11th novel, 10 Minutes 38 Seconds in This Strange World, opens to the early dawn in the outskirts of Istanbul, where Tequila Leila is lying in a dirty dumpster, still wearing her her eight-inch purple slingback stilettos. She is dead. Her heart has stopped beating. Her skin is changing color to the grayish-white of a ghost. Yet her brain hasn’t quite stopped thinking. For 10 minutes and 38 seconds, Tequila Leila recounts flashbacks of people, places and things from her childhood in the tiny village of Van to her life as a prostitute in Istanbul. Try as she might to remember how she was murdered, what she ultimately remembers are five friendships and a very pink birthday cake.

These recollections, which begins from her birth in January 1947 to her death in November 1990, give glimpses of life as a woman in a country where personal, political and moral values are heavily dictated by religion and men. These glimpses are heartbreaking. They are unfair. And yet they also represent courage, beauty and hope, like a rag-tag team of misfits who are determined to stick it to the man against all odds.

Born in Strasbourg, France, to Turkish parents, author Elif Shafak moved to Ankara, Turkey, in the early 1970s after her parents divorced. Raised by a single mother in a strongly patriarchal environment, Shafak grew up in a lonely and curious world suspended between her independent, forward-thinking mother and a more spiritual, uneducated, old-world grandmother. This remarkable coexistence has made her not only the most widely read female author in Turkey but also an award-winning international author and TED speaker.

A dying woman’s recollections give glimpses of life in a country where personal, political and moral values are heavily dictated by religion and men.
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India is the second most populous country on this planet, with the world’s largest democracy—yet most conversations about India seem to dance around its spicy food or perhaps a yearning for a spiritual voyage. Mahesh Rao’s Polite Society adds something fresh, funny and insightful to the age-old chatter about this fascinating country by detailing the world of the uber-rich who call it home.

Channeling his love for Jane Austen’s commentary and observations on relationships, society and power, Rao’s American debut takes us into the inner sanctum of 20-something Ania Khurana, who is a member of the wealthiest upper echelon of the capital city of Delhi (and perhaps all of India). Ania’s life resembles that of a Hollywood celebrity, complete with designer clothes, lavish parties and paparazzi. Born into privilege, Ania is an aspiring author whose motivation is slightly lacking. Her newest obsession is playing matchmaker for her muse and friend, Dimple, who is neither rich nor privileged. In Ania, we see some of the same qualities that make Austen’s Emma so irresistible: She’s self-absorbed yet compassionate, impatient yet persistent.

Supporting characters (such as Ania’s widowed father, Dileep; Ania’s childhood friend Dev, who is least affected by his wealth; the fame-chasing reporter Fahim; and a bevy of women of a certain age) complete a picture of what it’s like to chase happiness in a society riddled with codes and an endless supply of money. 

Hilarious, scandalous and fascinating, Polite Society adds an interesting, modern layer to a complex culture.

India is the second most populous country on this planet, with the world’s largest democracy—yet most conversations about India seem to dance around its spicy food or perhaps a yearning for a spiritual voyage. Mahesh Rao’s Polite Society adds something fresh, funny and insightful to the age-old chatter about this fascinating country by detailing the world […]
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Kira Jane Buxton’s hilariously philosophical and formidable first novel, Hollow Kingdom, tackles humankind’s most existential questions.

Narrated by a foulmouthed, Cheetos-loving pet crow named S.T., the story starts in Seattle, Washington, where a terrible virus has turned all humans into zombies. When S.T.’s owner, Big Jim, succumbs to the virus’ effects, S.T. leaves the only home he has known to find some answers and possibly a cure. What he learns, however, is gut-wrenching. The human race as he knew it has ceased to exist, destroyed by their own addiction to technology. What now roams the earth are not humans but rather highly mutated and heinous creatures whose only purpose is to destroy.

World annihilation doesn’t necessarily make for a fun read, except perhaps when told by a domesticated crow that has watched a lot of TV and thinks himself half-human. Equally fascinating is the odd squad of dogs, cats and other birds who have joined S.T. in this post-apocalyptic odyssey. There might not be humans or the world wide web anymore, but that doesn’t really seem to matter, as Buxton does a stellar job of anthropomorphizing the novel’s animals and adding drama, suspense, tragedy and hope. It’s amazing that such a bizarre and far-fetched story can connect so deeply with our reality and its discussions about social media, climate change, immigration and self-identity.

It doesn’t get any weirder, funnier or better than Hollow Kingdom.

Kira Jane Buxton’s hilariously philosophical and formidable first novel, Hollow Kingdom, tackles humankind’s most existential questions.

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Summer beckons a reading list that is as light, fun and feel-good as the season itself. Roselle Lim’s Natalie Tan’s Book of Luck and Fortune definitely fits that need. Set in San Francisco’s Chinatown, Lim’s debut is the story of 20-something Natalie, who has just returned home to the worst news possible: the unexpected passing of her mother, Miranda. Her shock and sadness are compounded by the guilt of parting ways seven years ago over a disagreement that now seems extraneous.

Natalie had wanted to become a chef, a profession that Miranda profoundly opposed even though her own mother had once owned the most famous restaurant in all of Chinatown. But Natalie found it hard to comply with her mother’s wishes; she was young and full of dreams. So for Natalie, there was no other choice but to leave her mother and Chinatown. Seven years later, here she stands in her childhood apartment, without a mother and without the culinary degree that was more elusive than she had assumed. Sharing Natalie’s bad luck is the neighborhood itself, with its failing businesses and gentrification.

But this is a story of luck and fortune, so it isn’t long before Natalie is given a chance to fix it all. She inherits her grandmother’s restaurant, a space boarded up under the very apartment where she grew up, along with a surprising heirloom from her mother: her grandmother’s cookbook, which reads more like a book of spells than recipes. Together they reveal the secrets of the past and the possibility of what the future might hold. Will this be enough to breathe life back into Natalie’s heart and her neighborhood?

Lim’s magical storytelling, excellent cast of supporting characters and mouth-watering recipes make this book a must for your summer reading list.

Summer beckons a reading list that is as light, fun and feel-good as the season itself. Roselle Lim’s Natalie Tan’s Book of Luck and Fortune definitely fits that need. Set in San Francisco’s Chinatown, Lim’s debut is the story of 20-something Natalie, who has just returned home to the worst news possible: the unexpected passing of her mother, Miranda.

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Parenting isn’t easy even under the best of circumstances, but what Taz and Marnie have is an unfinished fixer-upper, a dwindling bank account, no permanent job prospects and a baby scheduled to arrive any day. But new beginnings are in the air, and Taz and Marnie are excited to embark on this next phase of their marriage, put down roots and grow a family.

When Marnie dies unexpectedly in childbirth, Taz’s already shaky world collapses completely, and the birth of his beautiful daughter, Midge, gets swept up in the death of the love of his life. But Taz’s best friend, Rudy—a forever cheerful, funny, handy and generous man—turns out to be an excellent babysitter, grocery shopper, cheerleader, job assistant and whatever else Taz needs.

Best of all, Rudy introduces Taz to Midge’s new nanny, Elmo. She is hardworking, witty and loving—basically, the bright spot in an otherwise melancholy life. But when Elmo starts filling the spaces left behind by Marnie, Taz is quick to push her away. After all, how could he even begin to think about moving on?

A tender tale of loss and fatherhood, Pete Fromm’s A Job You Mostly Won’t Know How to Do is a beautiful story about what happens when your village comes to the rescue and gives you a second chance at happiness.

A tender tale of loss and fatherhood, Pete Fromm’s A Job You Mostly Won’t Know How to Do is a beautiful story about what happens when your village comes to the rescue and gives you a second chance at happiness.

Joy

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If you are in search of a story collection that feels as transformative and satisfying as a novel, then look no further than Erin McGraw’s Joy. The 53 stories that make up this book are very short, each one barely lasting more than a couple of pages, narrated by 53 different characters who share a glimpse into their state of mind.

However, what the stories lack in length, they more than make up in their profundity and emotion. In fact, it is exactly their shortness that makes the reader use their imagination to fill in the gaps and draw conclusions that may or may not be the same for all. A wide variety of characters—ranging from a pet sitter to a wedding gown saleswoman to a dental office assistant to an anxious first-time mom to a first-time murderer—provide a fantastic variety of voices, as well as different perspectives of life’s biggest pursuit: happiness. Some have it, some don’t, and yet they all have a good story to tell, each tale both mundane and profound.

What makes Joy truly special is how easily McGraw gets in your head. The stories resonate long after they end, each time making the reader wonder, “Would I have handled it differently?”

A terrific pick for a book club, Joy is bound to impress.

If you are in search of a story collection that feels as transformative and satisfying as a novel, then look no further than Erin McGraw’s Joy. The 53 stories that make up this book are very short, each one barely lasting more than a couple of pages, narrated by 53 different characters who share a glimpse into their state of mind.

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