Sarah Cypher’s first novel is a story within a story within a story, a lyrical and haunting journey through generations and across oceans.
The Weeds requests the reader to observe and look for connections, to question structures and patterns, and to discover new ways of seeing.
Deborah Levy’s storytelling moves to its own music. In August Blue, her sentences are sharp, sensuous, crackling with ironic humor. Her paragraphs are compact, full of tension that pulls the reader forward.
When Nicole Cuffy’s heroine dances, we want to dance with her. There’s no higher praise for a book like Dances.
The Guest is a worthy and unforgettable next step for Emma Cline, whose style is spare yet beautiful.
A thought-provoking and lyrical story about a group of people on the precipice of change, The Late Americans is a perceptive look at passion, sacrifice and intimacy among friends.
With a singular voice and a winning narrative that will stay with you for days, My Murder speaks to the construction of the self.
If there’s a book that earns the description tragicomic, the long-awaited fourth novel from acclaimed writer Lorrie Moore is it.
Throughout her slim fourth novel, Louisa Hall continually returns to the conversation between art and science, and to the enduring truth that no action or reaction exists in a vacuum.
The Librarianist is another charmer from the author of The Sisters Brothers, who knows how to delight.
After her husband’s death, Ellie cashes in Ian’s life insurance and flees the country with her best friend, Mable Chou, in tow. But against the lush backdrop of the French Riviera, Ellie’s inner turmoil is even uglier.
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