Halfway through A Special Place for Women, the book you think you’re reading turns into something else entirely.
By Laura Hankin
Halfway through A Special Place for Women, the book you think you’re reading turns into something else entirely.
Halfway through A Special Place for Women, the book you think you’re reading turns into something else entirely.
Swimming Back to Trout River is a symphony of a novel that is operatic in scope and elevated by Linda Rui Feng’s artful writing.
After their mother’s death, two adult twins grapple with the complexities of adulthood in Claire Fuller’s engaging novel.
Small talk becomes real talk in Will McPhail’s graphic novel, and the world suddenly seems all that much brighter.
Rarely is a novel of moral ideas so buoyant in spirit or so exquisitely crafted.
American actor George Newbern’s clear, unhurried narration proves to be the ideal match for Chris Whitaker’s lyricism.
Maggie Shipstead offers a marvelous pastiche of adventure and emotion as she explores what it means (and what it takes) to live an unusual life.
It takes a certain amount of chutzpah to structure The Plot the way Jean Hanff Korelitz has, but she’s an audacious writer who delivers on her promises.
You may think you know a thing or two about the music industry, but it’s clear that debut novelist Dawnie Walton knows a thing or two more.
Chapman pulls no punches, revealing how the simplest of misrepresentations can result in a sort of mass hysteria against someone.
This screwball rom-com starring feuding authors pairs snappy dialogue and a lakeside setting with a tender exploration of grief and the ways that art can heal.
Chris Whitaker combines a brisk pace, a solid California voice and perhaps a record-setting cuss count.
Three generations of Palestinian American women try to reconcile arranged marriages and motherhood with their personal desires.
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