William DeMeritt performs with such skill that the listener will be able to envision Nathan Harris’ character’s faces just by the way their voices sound.
Chibudno Onuzo’s novel is enjoyably readable and disarmingly frank as it follows a woman in search of her father.
The Morning Star is dark, eerie, mesmerizing and, yes, totally worth the mental stamina required to get through it.
The pages of Amor Towles’ novel are destined to be turned—and occasionally tattered—by numerous gratified readers.
Ruth Ozeki’s prose is magnetic as she draws readers along, teasing out an ethereal and haunting quality through a special narrator: that of a sentient Book.
“Writing does not force coherence onto a discordant narrative,” Rabih Alameddine writes in his latest novel, a slippery tale of seeking and messy in-betweens.
Sorrow and violence play large roles in the latest novel from Anthony Doerr, but so does tenderness.
By turns funny and terrifying, Jonathan Franzen’s latest novel of suburban family life does not disappoint.
There’s no question that this novel delivers the fright, but it’s also as emotionally taxing as it is terrifying.
Joshua Ferris’ control of his narrative is impeccable, but that doesn’t mean readers shouldn’t be prepared for frequent wicked curveballs.
Unplug your Alexa and toss your Apple Watch. The Every, a companion to Dave Eggers’ previous novel, The Circle, will likely scare the bejesus out of you.
At some point while reading James Han Mattson’s harrowing novel, you’ll think, “This can’t be real. This better not be real.”
Miriam Toews’ Fight Night is a wonder, a warmhearted and inventive portrait of women who never back down.
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