Kimberly Giarratano

By day, Catherine works in a print shop. At night, her boss sends her to the cemetery to raise the dead and give families a final hour with their loved ones—but each raising takes an hour off her life. It’s an unfortunate bargain, but Catherine is at the mercy of her employer, who can toss her out on the street at any moment—and he does when Catherine and her friend Guy, a watchmaker, fail to unearth a magical timepiece buried in a boy’s coffin. Instead, they inexplicably revive the boy permanently. Though he can’t remember anything about his life, the boy is their only link to the timepiece, and finding it is the only way they can save Catherine’s livelihood.

Set in an alternate Victorian England, Magic Dark and Strange combines mystery, magic and a touch of the macabre while underscoring the harsh conditions of the working class. Catherine depends on her employer for income and lodging, and her quest for the timepiece gains urgency from her fear of destitution. Guy and his father struggle to keep their shop afloat, and the revived boy must find an apprenticeship or risk the poorhouse.

A lack of rules to govern the magical elements of this story may frustrate detail-oriented fantasy fans. Nonetheless, the novel’s moody, gothic atmosphere, appealing romance and brisk mystery plot will satisfy readers who enjoy storytelling that blends genre conventions with ease.

Set in an alternate Victorian England, Magic Dark and Strange combines mystery, magic and a touch of the macabre while underscoring the harsh conditions of the working class.

The Sullivan sisters might be bound together by genetics, but they couldn’t be more different. Eileen, the eldest, harbors a family secret and a drinking problem. Claire, the high-strung middle sister, has just been inexplicably rejected by Yale. And Murphy, the baby of the family, is a natural performer who can’t seem to get any attention. Despite their father’s death at a young age and their mother’s perpetual absence from their lives, the sisters used to be close, building blanket forts and exchanging Christmas gifts, until a few years ago. Now their interactions are rife with tension. When a mysterious uncle dies and leaves the sisters property on the Oregon coast in his will, the girls embark on a trip to visit their father’s childhood home. A storm rolls in, trapping them in the creepy old house where they must confront their family’s disturbing legacy.

Shifting through each sister's point of view, The Sullivan Sisters lightly drapes a murder mystery over a story about family. Author Kathryn Ormsbee shines an honest light on her characters, introspectively revealing their pain and struggles. When the sisters’ connections to each other were broken, leaving them lacking any source of familial affection, they compensated by seeking comfort outside the bonds of family. Murphy performs magic to feel seen, Claire takes dubious life advice from an Instagram influencer, and Eileen gives up art school for alcohol. Each girl’s ship seems destined to crash on a rocky shore, with no one around to help them steer a smoother course.

The action revs up when the sisters arrive at the sleepy seaside town, and, posing as podcasters, uncover their family’s origin story from the locals. The tension between the sisters dissipates as they’re forced together into close quarters, and the reader gets swept along on their journey. The Sullivan Sisters captures the singular love that only sisters can share as the girls realize that their bond can be battered but never broken.

The Sullivan sisters might be bound together by genetics, but they couldn’t be more different. Eileen, the eldest, harbors a family secret and a drinking problem. Claire, the high-strung middle sister, has just been inexplicably rejected by Yale. And Murphy, the baby of the family, is a natural performer who can’t seem to get any […]

Tanaz Bhathena’s Hunted by the Sky, set in a medieval India-inspired fantasy world, begins with a murder. Gul watches, helpless, as her parents are slaughtered by the king’s warrior, Major Shayla, who has been assigned to hunt down girls born with star-shaped birthmarks—like Gul’s. It’s been prophesied that one of these girls will grow up to kill the king.

Gul is rescued by an underground sisterhood that trains her to wield magic, and she swears she will take revenge against Shayla and the king. Then Gul meets Cavas, an ordinary boy who works in the palace stables and helps Gul pose as a member of the queen’s staff. Gul’s vengeance might bring down a king, but it could also destroy the kingdom and everyone she has come to care about.

Bhathena, the critically acclaimed author of The Beauty of the Moment, creates a vibrant fantasy kingdom that is equal parts beautiful and brutal. Her prose is as lush as the world she has imagined, immersing readers in colorful bazaars and extravagant palaces. Despite the gorgeous scenery, the book thrums with an undercurrent of violence.

In many ways, Gul’s story is a typical hero’s journey. Naive and impulsive, Gul must reconcile her thirst for revenge with her newfound desire for Cavas. She must go up against evil forces far stronger than she is. But in Bhathena’s skilled hands, Hunted by the Sky feels fresh and feminist. It’s a story about women who are both prey and predator, and an exciting start to a series that’s just beginning to stretch its legs.

Tanaz Bhathena’s Hunted by the Sky, set in a medieval India-inspired fantasy world, begins with a murder. Gul watches, helpless, as her parents are slaughtered by the king’s warrior, Major Shayla, who has been assigned to hunt down girls born with star-shaped birthmarks—like Gul’s. It’s been prophesied that one of these girls will grow up to kill the king.

In the kingdom of Etrusia where dragons fly, the emperor has died, and five teens must compete to become his successor. But instead of calling the eldest child of each house, as tradition dictates, a ragtag bunch of misfits have been selected: Emilia, a scholar with deadly powers; Lucian, a repentant soldier who wants to be a monk; Vespir, a servant and dragon trainer; Ajax, a thief; and Hyperia, a cunning and savage member of the nobility. 

The teens compete with their dragons in challenges that test their physical strength and political prowess. Although they know only one will be crowned and the other four will be killed, the competitors bond when a mysterious puppeteer begins toying with them, turning the atmosphere from cutthroat to cautious. As certain death looms, they must unite to expose a sinister plot before the kingdom—and everyone they love—is destroyed.

Despite clocking in at over 500 pages, House of Dragons moves at a fast clip. Dragon races and basilisk-hunting—aided by romantic drama and villainous face-offs—fuel the action, while the short chapters, narrated by perspectives that rotate among the five protagonists, drive momentum and tighten pacing. 

Jessica Cluess effortlessly juggles individual arcs for all five protagonists and explores thought-provoking questions about the relationship between nature and nurture. Ajax, for example, a thief raised by the man who raped his mother, shares the circumstances of low birth with Vespir, the dragon trainer, but finds common ground with Hyperia, whose ruthless actions are shockingly violent. Yet Ajax also uses humor as a defense mechanism, which brings much-needed levity to tense scenes, and the nuance in Hyperia’s character hints that redemption may await her in later books.

Readers will be lured in by the dragons and “Game of Thrones”-style subterfuge, but Cluess’ world building and high-stakes conflict will ensure they stick around for the sequel.

In the kingdom of Etrusia where dragons fly, the emperor has died, and five teens must compete to become his successor. But instead of calling the eldest child of each house, as tradition dictates, a ragtag bunch of misfits have been selected: Emilia, a scholar with deadly powers; Lucian, a repentant soldier who wants to […]

Halle Leavitt, whose parents are filmmakers, has bounced from town to town so many times that she’s never invested in IRL friendships. All her friends are online, where they know her as Kels, a successful blogger who showcases cupcakes she’s baked to accompany book reviews. Frequent among her DMs is Nash, a cute web comic artist who’s never seen Halle’s face.

While her parents film a documentary in Israel, Halle moves in with her recently widowed grandfather. When she runs into Nash at the library in her new town, she’s too shocked to tell him they already know each other. Then “Kels” is offered a publishing opportunity that could guarantee Halle’s spot at her dream college—but could also expose her ruse and cost her the only friend who matters.

Debut author Marisa Kanter, who has worked in book sales and publicity, peppers What I Like About You with publishing in-jokes, which are counterbalanced by Halle’s earnest championing of the books she loves. Snippets of DMs and texts also add personality and levity.

The book’s emotional landscape is deepened by its exploration of Halle’s and her grandfather’s grief at the death of Halle’s grandmother, with whom Halle shared a strong bond. It’s a powerful reminder that everyone processes loss in different ways. Jewish American teens and their families are still uncommon in YA novels with contemporary settings, so What I Like About You contributes welcome diversity to the category. It all adds up to a charming, witty story about authenticity in the social media age, told with a wink and a string of heart-eyes emojis.

This review was updated in January 2022 to more precisely contextualize the novel within the landscape of contemporary Jewish young adult fiction.

Halle Leavitt, whose parents are filmmakers, has bounced from town to town so many times that she’s never invested in IRL friendships. All her friends are online, where they know her as Kels, a successful blogger who showcases cupcakes she’s baked to accompany book reviews. Frequent among her DMs is Nash, a cute web comic […]

A young woman learns that politics and love can be ruthless games in Alexa Donne’s The Stars We Steal

Centuries in the future, humanity lives on national fleets of spaceships, some in luxury, others starving to death on overcrowded heaps of junk. Princess Leo Kolburg, her sister Carina and their father, a bankrupt royal, make their home on the Scandinavian, thanks to the generosity of its commander, Captain Lind, who happens to be Leo’s aunt. While on board, Leo and Carina must participate in the Valg, an antiquated matchmaking event. Leo has no desire to marry, but if she can’t find an investor for her water-filtration system, she might not have a choice. 

When Leo’s ex-fiancé, Elliot Wentworth, arrives on the Scandinavian, wealthier and wiser than when they parted, she must unpack her complicated feelings toward him, even as her sister and cousin vie for his affections. In the meantime, Captain Lind runs for reelection in a bid to preserve her ship’s luxury status. 

At first glance, The Stars We Steal seems like a mere sci-fi retread of Jane Austen’s Persuasion, but Donne has rooted her story in a thoughtful exploration of how politics and corruption remain intertwined even hundreds of years in the future. Like today’s teens, Leo and Elliot are forward-thinkers who find themselves at odds with the establishment, and they’re willing to fight any change that comes at the expense of the impoverished and disenfranchised. 

Add in a murder, blackmail and betrayal, and readers are in for one heck of an interstellar ride. 

A young woman learns that politics and love can be ruthless games in Alexa Donne’s The Stars We Steal.  Centuries in the future, humanity lives on national fleets of spaceships, some in luxury, others starving to death on overcrowded heaps of junk. Princess Leo Kolburg, her sister Carina and their father, a bankrupt royal, make […]

In Thirteen Doorways, Wolves Behind Them All, Printz Medal-winner Laura Ruby weaves a heart-wrenching story about loss and familial bonds as two girls, an orphan and a ghost, struggle to make their way during the early 1940s.

Pearl, who narrates, died in 1918 and haunts the Chicago orphanage where Frankie is abandoned by her father, a poor shoemaker. Pearl watches as Frankie endures both harsh treatment by the nuns and the heartbreak of her father’s remarriage and subsequent move to Colorado without her. Frankie must also weather the loss of her first love, who enlists in the Army at the height of war. 

Over time, Pearl meets other spirits and begins to unburden herself of the secrets that keep her locked in the mortal realm. She discovers that her afterlife doesn’t have to be spent wandering Chicago’s streets, trapped in an endless loop.

Thirteen Doorways, Wolves Behind Them All calls to mind A Tree Grows in Brooklyn, another story that explores the struggles, heartache and joy of those who grew up without privilege in the early 20th century. Pearl is a tragic heroine, a product of the social expectations placed on a beautiful young woman in the late 1910s, and Frankie comes of age amid the uncertainty and instability of World War II—yet both refuse to succumb to hopelessness. A beautiful and lyrical read that pushes against the boundaries of what we often think a young adult novel can contain, Thirteen Doorways, Wolves Behind Them All is sure to garner Ruby even more acclaim.

In Thirteen Doorways, Wolves Behind Them All, Printz Medal-winner Laura Ruby weaves a heart-wrenching story about loss and familial bonds as two girls, an orphan and a ghost, struggle to make their way during the early 1940s. Pearl, who narrates, died in 1918 and haunts the Chicago orphanage where Frankie is abandoned by her father, […]

Inspired by Grimm’s “Twelve Dancing Princesses,” this gothic fantasy is brimming with ghosts, murder, mythology and romance.

Annaleigh Thaumas is one of 12 sisters who live in the seaside estate of Highmoor in the mythical kingdom of Arcannia. Locals believe Highmoor is cursed, as four of Annaleigh’s sisters have died in tragic and gruesome ways. When Annaleigh’s naive stepmother insists on a ball to end the long mourning period, the sisters bedeck themselves in expensive shoes and luscious gowns, only to find themselves shunned by society. Desperate for company, the girls sneak out through a magical door to attend dances in distant places where no one has ever heard of the Thaumas curse. Meanwhile, Annaleigh, who is being haunted by the ghosts of her dead sisters, is investigating their deaths even as she begins a budding romance with the enigmatic Cassius. When tragedy strikes again, Annaleigh must uncover who, or what, is killing the Thaumas girls before she is next.

Atmospheric, intense and macabre, House of Salt and Sorrows is a smorgasbord of gothic subgenres but a murder mystery at its core. Once the story builds momentum, it rapidly revs up the stakes, making for a devouring and page-turning read.

Inspired by Grimm’s “Twelve Dancing Princesses,” this gothic fantasy is brimming with ghosts, murder, mythology and romance.

It’s been a year since a stranger killed four people in Camera Cove, a small town on the Northeastern seaboard. Labeled the Catalog Killer, the murderer poisoned the victims before posing them and pinning vintage catalog art to their bodies.

One of those victims was Connor Williams, a popular high school kid. No one idolized him more than his best friend and neighbor, Mac Bell. And while the rest of the town is trying to return to normalcy, Mac can’t. On graduation day, he finds a note in a stack of comics that he and Connor would trade—a note that suggests Connor uncovered the Catalog Killer’s identity and wanted Mac’s help. Mac is devastated that he didn’t find this note earlier, so under false pretenses, he begins his own investigation to uncover what the police haven’t. Unfortunately, his snooping rips open old wounds for the victims’ families, who are desperate to move forward. Mac is forcing the townsfolk to relive the trauma so he can untangle his own complicated feelings for Connor, but can a person ever get past losing someone they loved?

Tom Ryan’s Keep This to Yourself is a gripping murder mystery on the surface, but underneath, it is an exploration of identity and grief. Each of the victims had a secret life that the killer used to their advantage, including Connor, which further muddies Mac’s ability to piece together the puzzle. Throw in some romance and an unexpected twist ending, and readers will plow through Keep This to Yourself in one sitting.

While Tom Ryan’s Keep This To Yourself is a gripping murder mystery on the surface, underneath it is an exploration of identity and grief.

In 1851, 17-year-old Roan Eddington moves to Medwyn Mill House on a Welsh mountain under the guardianship of the mysterious Dr. Maudley. She meets the prickly ward Rapley and the unusual siblings from Ireland who have been sent to the house under the guise of charity. But it is obvious that Dr. Maudley is no ordinary doctor and that Mill House is no mountain retreat. Roan has powers that she cannot wield, and the house only exacerbates her darkness.

Fast forward to the modern day, when British teen Zoey Root has run off to Mill House with her friend Poulton. Zoey believes that hidden among the ruins is a clue to her father’s madness and her own unique abilities. Although the house is in shambles, the evil that has resided there for centuries is not. Zoey is warned that if she does not leave, the house will kill Poulton, as it has done to everyone within its walls. What binds Roan and Zoey together, despite a century of separation, is an ancient and demonic curse that spans lifetimes.

Dawn Kurtagich’s Teeth in the Mist is a hefty story with numerous narratives and melodic language that leans heavily on gothic fantasy and romance tropes. Interspersed throughout the text are illustrations and art meant to resemble old documents, photographs and artifacts. Zoey’s story is told through diary entries and mixed media. Although it takes time for the story to get underway, this read is immersive and page-turning. Be prepared for a sequel.

Dawn Kurtagich’s Teeth in the Mist is a hefty story with numerous narratives and melodic language that leans heavily on gothic fantasy and romance tropes.

The cleverly plotted, page-turning sequel to Maureen Johnson’s hit bestseller Truly Devious (2018) manages to outshine its predecessor as true crime aficionado Stevie Bell returns to posh private school Ellingham Academy and unearths even more confounding clues in her investigation of a classmate’s mysterious disappearance.

Stevie promised school officials and her parents that she would refrain from inserting herself into any more real-life murder investigations and decades-old cold cases. But when she gets an internship with the wacky Dr. Fenton—who wrote the book on the 1936 unsolved kidnappings of Academy founder Albert Ellingham’s wife and daughter—she makes a gruesome discovery that rattles the school once more.

To further complicate matters, Stevie has made a deal with corrupt Senator Edward King to keep tabs on his son, David, the boy with whom she shares a burgeoning romance. And then there’s Dr. Fenton’s handsome nephew, who has some revelations of his own for Stevie. It’s not just several murders that Stevie is trying to puzzle out, but her social life as well. All the adults keep warning her away from investigating, but Stevie can’t resist a good mystery, and her murder obsession might get her killed.

Suspense and intrigue abound in The Vanishing Stair as Johnson illuminates suspects and teases out clues that will flummox even the most adept murder mystery aficionado. Like the humorous and intellectually curious Stevie, Johnson is a true crime lover, and she dedicates this sequel “to all the murderinos” (fans of the popular “My Favorite Murder” podcast).

Savvy sleuths will devour this sequel in one gulp, but they’ll have to wait until 2020 for the next installment.

 

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

The cleverly plotted, page-turning sequel to Maureen Johnson’s hit bestseller Truly Devious (2018) manages to outshine its predecessor as true crime aficionado Stevie Bell returns to posh private school Ellingham Academy and unearths even more confounding clues in her investigation of a classmate’s mysterious disappearance.

BookPage starred review, January 2019

High stakes and heartbreak are at the center of award-winning author Holly Black’s The Wicked King, the second book in the Folk of the Air series and the luscious sequel to her New York Times bestseller The Cruel Prince.

When The Wicked King opens, it’s been five months since 17-year-old human Jude planted Faerie Prince Cardan on the Elfhame throne. Now, she’s struggling to maintain her behind-the-scenes power, and it doesn’t help that Cardan is trying to undermine their deal or that her twin sister’s marriage to the duplicitous Locke comes with its own set of challenges. On top of all that, Jude’s stepfather is strategizing behind her back.

But when the Queen of the Undersea threatens the Faerie kingdom and Cardan’s rule, Jude must spy and scheme to protect her family and her hold on the throne. But Jude can’t foresee everything, and someone is out to betray her. Despite growing up in a Faerie world, Jude is not one of them. And there’s only so much power a mortal girl can wield when fighting monsters.

Fans of The Cruel Prince have been clamoring for this book, and they will not be disappointed. Black ratchets up the action with even more sinister settings, wicked villains, surprising plot twists and her haunting, melodic prose. Cardan and Jude’s infatuation with one another is seductively tense as they continue to fight their feelings. And Jude’s ability to steamroll her enemies with violence and wit offers a particularly feminist high.

The Wicked King is intense and entertaining storytelling at its finest.

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

High stakes and heartbreak are at the center of award- winning author Holly Black’s The Wicked King, the second book in the Folk of the Air series and the luscious sequel to her New York Times bestseller The Cruel Prince.

In M.K. England’s The Disasters, the Ellis Station Academy is an elite training program for Earth’s next generation of intergalactic pilots, programmers and politicians. Unfortunately for four students, their studies are over before they even begin.

Nasir “Nax” Hall is a Muslim farm boy, wannabe pilot and self-proclaimed screw-up. After a disastrous first day at the academy, he is unceremoniously kicked out along with three other students: Case, a straight-laced genius; Zee, a Kazak footballer with medical training; and Rion, a snarky Brit with a keen sense for diplomacy. But before the teens can be shuttled back to Earth, the academy is attacked and the foursome must make a daring escape.

Forced to crash land on a colonial planet called al-Rihla, they discover that they’re being framed for the devastating terror attack. If the four are caught, they’ll surely be executed. With help from a colonial girl, this ragtag group of academy rejects must hide from the authorities while simultaneously trying to prove their innocence. If Nax and his new friends can’t clear their names, then they’re going to die trying.

England has created a fast-paced sci-fi adventure story with a diverse cast of likable but flawed teenage heroes. Told through Nax’s point of view, the action is heart-pounding and immediate as these wayward heroes run from one disaster to the next—but there’s also a dash of romance as Nax takes time to consider his attractions to both Case and Rion.

Although the most ardent science-fiction fans might balk at the novel’s world building, which resembles Earth a little too closely, readers seeking humor, heart and good storytelling will find it within the pages of The Disasters.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In M.K. England’s The Disasters, the Ellis Station Academy is an elite training program for Earth’s next generation of intergalactic pilots, programmers and politicians. Unfortunately for four students, their studies are over before they even begin.

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