Kevin Delecki

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In two middle grade fantasy novels, each set against a mythology-inspired backdrop, girls battle monsters that are bent on destroying everything they love. These books are perfect for readers who dream of worlds far beyond what we can see with our own eyes.

In Josephine Against the Sea, Barbadian author Shakirah Bourne introduces 10-year-old Josephine Cadogan. Josephine lives in the small town of Fairy Vale with her father, Vincent, who works as a fisherman. Still reeling from the loss of her mother five years ago, Josephine spends her time playing with her best friend, Ahkai, who has autism, dreaming of glory on the cricket pitch and running off any of her father’s potential new “friends.” She’s successful, too, until her father meets Mariss.

Mariss is beautiful, elegant and charming, and everyone instantly loves her—even Ahkai, who is normally pretty shy. Josephine doesn’t initially suspect anything unusual about Mariss, despite how many unexplainable events seem to surround her. A deep cut on Mariss’ hand vanishes without the trace of a scar. One night, Josephine is mysteriously unable to wake Vincent until Mariss does it with a single word. And Ahkai’s cuddly cat, who is only ever aggressive toward a tuna can, tries to attack Mariss every time he sees her. But when a cricket ball headed straight for Josephine’s bat stops in midair and changes direction during a match Mariss is watching, Josephine can’t ignore the signs. She and Ahkai must unravel the truth about who Mariss really is and what she wants with Vincent and Fairy Vale before it’s too late.

Josephine is a grounded and realistic heroine. She’s still grieving her mother’s death and is blindingly possessive of her father’s love. She’s also incredibly stubborn and willing to go to extreme lengths to have her way. In a hilarious scene, Josephine uses a well-aimed cricket ball and a bucket of fish entrails to let Vincent’s latest “friend” know exactly what he smells like when he comes home from a long day of fishing. But her loyalty to her father, her friends and her town is touching and the driving force behind this emotional story. Debut author Bourne skillfully draws on Barbadian folklore to create a suspenseful adventure that will keep readers guessing until the very end.

Josephine’s story is firmly planted on Earth, but Kiki Kallira’s is out of this world. The 11-year-old heroine of British author Sangu Mandanna’s first middle grade novel Kiki Kallira Breaks a Kingdom crashes into a world of her own creation, where she discovers that her actions could either save or destroy everyone in it.

Kiki’s anxiety is getting worse, and her fixation on worst-case scenarios is becoming overwhelming. Sketching is the only thing that helps her clear her mind. She’s deep into a series of drawings based on the defeat of Mahishasura, a demon from a book of Indian folklore her mom gave her. In the story, Mahishasura becomes so powerful that no man or god can kill him. He conquers the beautiful kingdom of Mysore but then is defeated and banished by a goddess.

As Kiki keeps drawing, strange things begin happening in her London home, and one night, she awakens to her desk on fire and a demon standing in her room. When she chases after it, Kiki meets Ashwini, the heroine of her drawings, who tells her that her art has created a world that allowed Mahishasura to escape. Ashwini pushes Kiki through her sketchbook and into the kingdom of Mysore, where only Kiki has the power to stop Mahishasura. Kiki must fight against forces inside her mind as well as in Mysore to rescue the kingdom and return home.

Kiki, like Josephine, struggles with the relatable disconnect between who she truly believes herself to be and who she thinks she needs to be in order to win her battles. Mandanna, who has written several science fiction novels for teens, excels at depicting how Kiki navigates feelings of fear, anxiety, mistrust and, eventually, self-awareness. Kiki Kallira Breaks a Kingdom is a breathtaking rush through Kiki’s growing understanding of herself and the worlds, both real and fantastical, around her. Any kingdom that springs from the mind of an 11-year-old is sure to contain twists and surprises, and Kiki’s does not disappoint.  

In two middle grade fantasy novels, each set against a mythology-inspired backdrop, girls battle monsters that are bent on destroying everything they love.

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Living in a car isn’t really so bad. Not when Daddy makes a nice place to sleep in the back of the Suburban, and the bathrooms and showers in the RV park aren’t too far away. In Janet Fox’s Carry Me Home, things are tough for 12-year-old Lulu and her little sister, Serena, but not too tough, because they always have Daddy, and Daddy knows things will get better. And it seems like they really will—until Lulu wakes up one morning and Daddy isn’t there. 

After a few days go by and Daddy doesn’t come back, Lulu knows that she and Serena are on their own. Lulu is determined to keep them together, so she makes sure they get to school on time, visits the food pantry and the library and does just enough to keep well-intentioned teachers, librarians and after-school care providers from asking too many hard questions. But with no more money coming in and a cold Montana winter approaching, Lulu is running out of options.

Carry Me Home unspools in short chapters that alternate between the present and the past. Readers see Lulu and Serena’s lives when their mother was still alive and in the immediate aftermath of her death, giving them an understanding of how Lulu’s family came to be in this impossible situation and why she feels that the weight of her little family rests solely on her young shoulders. Fox gently depicts the way Lulu manages their basic needs while balancing the difficulties (and joys) of navigating a new school and finding her way in the world. 

With accessible prose, brisk pacing and well-developed characters, Fox’s empathetic novel encourages readers to understand how people experiencing homelessness are individuals with stories and, like everyone, deserve compassion and support.

In Janet Fox’s Carry Me Home, things are tough for 12-year-old Lulu and her little sister, Serena, but not too tough, because they always have Daddy, and Daddy knows things will get better.
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Everyone knows the story of Peter Pan, right? Adventurous lost boys, mischievous fairies, murderous pirates and a bloodthirsty crocodile—but how did all these iconic characters come to Neverland in the first place? To answer this question, Cynthia Leitich Smith’s Sisters of the Neversea explores the island of Neverland and looks closely at the events that shaped Peter Pan himself.

Lily and Wendy have no idea that someone is watching them argue during what might be their last night as stepsisters. With Wendy and her dad moving to New York for the summer and Lily and her mom staying behind in Oklahoma, this might really be the end of their family. But everything changes in an instant when a mysterious boy named Peter, a wayward shadow and a persnickety fairy named Belle come in through their bedroom window.

After being whisked away to Neverland, Wendy and her little brother, Michael, find themselves among the Lost, a group of young boys who seem to be rapidly forgetting who they are and where they came from. Summoning all her bravery, Lily follows in pursuit, planning to rescue Wendy and Michael and somehow return home. Once Lily arrives in Neverland, she joins with a group of Native American kids whom Peter has taken from tribes across America, including Leech Lake Ojibwe, Black Seneca, Cherokee Nation and Navajo.

Leitich Smith, who, like Lily, is Muscogee Creek, fills Sisters of the Neversea with many of the hallmarks that readers expect from a Peter Pan story, including pirates, fairies, crocodiles and merfolk. But she also confronts and rectifies many of the harmful tropes and stereotypes of J.M. Barrie’s original story as well as those perpetuated by Disney’s animated film. Both Belle and Wendy admonish Peter when he uses an offensive word to refer to Native people, and they challenge his demeaning behavior toward girls, women and Native Americans.

Ultimately, the novel offers redemption not just for Peter but for many of Neverland’s other characters as well. With expertly shifting perspectives, an oft-broken fourth wall and subtle but firm remedies to elements of the story best left in the past, Sisters of the Neversea is a welcome new addition to the legend of Peter Pan.

Everyone knows the story of Peter Pan, right? Adventurous lost boys, mischievous fairies, murderous pirates and a bloodthirsty crocodile—but how did all these iconic characters come to Neverland in the first place? To answer this question, Cynthia Leitich Smith’s Sisters of the Neversea explores the island of Neverland and looks closely at the events that shaped Peter Pan himself.

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Math. Science. Geography. These still make sense to Cora. They’re subjects with right and wrong answers, things that can be explained through reason and logic—unlike what happened to her sister, Mabel. In Newbery Honor author Jasmine Warga’s The Shape of Thunder, 12-year-old Cora and her former best friend, Quinn, are dealing with the repercussions of the day Quinn’s older brother brought a gun to school and killed four people, including himself and Mabel. Can Cora and Quinn heal their friendship after something like that? Or, better yet, can they actually change the past?

It’s been a year since the tragedy. Cora spends most of her time participating in Junior Quiz Bowl, meeting with her therapist and pushing her father to learn more about their family’s Lebanese heritage. Quinn spends most of her time alone. No one wants to talk to her, and her parents barely speak anymore, except to fight. When Quinn sends Cora a mysterious box on her birthday, it contains a glimmer of potential—to make things right, to rewrite what happened.

Alternating between Cora’s and Quinn’s perspectives, The Shape of Thunder provides a heartbreaking yet hope-filled look into two lives that have been forever altered by an act that neither of them committed. As they are drawn back together by their curiosity about and eventual belief in the possibility of time travel, Warga offers glimpses of the deep friendship Cora and Quinn used to share. Grief, anger, blame, fear and confusion swirl inside them both, and Warga excels at depicting how each girl experiences their emotions differently. Cora can’t eat pizza anymore because it reminds her of all the times she and Mabel ate it together, while formerly obedient Quinn takes a forbidden shortcut through the woods to get home from school each day because following the rules no longer seems important.

Moving and beautifully written, The Shape of Thunder is an important book that will push readers to consider what they would do in an impossible situation, and how far they would be willing to go to change it.

In Newbery Honor author Jasmine Warga’s The Shape of Thunder, 12-year-old Cora and her former best friend, Quinn, are dealing with the repercussions of the day Quinn’s older brother brought a gun to school and killed four people, including himself and Mabel. Can Cora and Quinn heal their friendship after something like that? Or, better yet, can they actually change the past?

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“It’s not about winning; it’s about having fun.” That’s what parents and coaches always say—but it’s not always what they mean. In Rivals, Tommy Greenwald’s second novel set in the fictional town of Walthorne (after 2018’s Game Changer), having fun is immaterial when it comes to a high-pressure middle school basketball season between the Walthorne North Cougars and the Walthorne South Panthers. Everyone wants to win, and they’ll do whatever it takes to make it happen.

Students from both wealthy Walthorne North and working-class Walthrone South have a lot riding on this basketball season. Cougar Austin Chambers wants to live up to his dad’s basketball legacy, but no amount of practice with his private coach is going to make him grow eight inches overnight. Panther Carter Haswell knows he’s talented enough to be an exceptional player, maybe even to win a college athletic scholarship, but skill and ability don’t always equate to passion for the game itself. And Alfie Jenks isn’t a basketball player at all. The self-professed “least-coordinated person ever born” dreams of becoming a sports reporter, but she soon learns that investigating the world of middle school athletics means uncovering truths that could shake her community to its core.

Along with appealing first-person narratives from Austin, Carter and Alfie, Rivals also incorporates epistolary elements including text messages, blog and message board posts and transcripts of radio interviews. As the drama of the season propels the plot forward, Greenwald explores the racial, gender and socioeconomic divides in Walthorne in ways that feel wholly organic to the story. He digs deeply and critically into the no-holds-barred, win-at-all-costs environments experienced by many middle and high school athletes. 

Rivals features plenty of thrilling basketball and all the turmoil of a fierce rivalry, but what lingers is its indictment of a harmful culture created by adults—parents, coaches and school administrators—that shapes youth sports and, ultimately, young people themselves. 

In Rivals, Tommy Greenwald’s second novel set in the fictional town of Walthorne (after 2018’s Game Changer), having fun is immaterial when it comes to a high-pressure middle school basketball season between the Walthorne North Cougars and the Walthorne South Panthers. Everyone wants to win, and they’ll do whatever it takes to make it happen.

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A powerful mage is removed from a bleak orphanage to serve a usurper queen in Julia Ember’s Ruinsong, a queer re-imagining of The Phantom of the Opera. Instead of using her magical voice to honor her goddess by healing broken bodies, Cadence must use her abilities in ways she never could have imagined—singing to cause pain, fear and supplication among the nobles despised by the queen.

Because she fears for her life, Cadence submits to Queen Elene’s increasingly horrifying demands—until she is unexpectedly reunited with Remi, a friend from childhood and the daughter of a noble family brought low by the queen’s regime. As her feelings for Remi grow, Cadence must confront the consequences of using her magic to do the queen’s bidding.

Ruinsong is a compelling and delicately balanced tale of music and magic with dark undercurrents of destructive power and rebellion. Ember’s lush world building sketches and suggests rather than submerging readers in dense passages of background information. The narrative hints at larger class and power struggles while depicting a society in which rigid notions of gender and sexuality are slowly fading. The literal magic of song swirls through the story as the slow-burn attraction between Cadence and Remi begins haltingly then builds to a roaring crescendo. Ruinsong will delight readers who prefer their fantasy novels with sharp and sometimes concealed edges.

A powerful mage is removed from a bleak orphanage to serve a usurper queen who forces her to use her abilities in ways she never could have imagined in Julia Ember’s Ruinsong, a queer re-imagining of The Phantom of the Opera.

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It’s hard having three siblings. It’s even harder when they’re all the exact same age as you and all have amazing strengths and personalities. In Newbery Medalist Cynthia Kadohata’s Saucy, 11-year-old Becca doesn’t feel special, living in the shadows cast by her three quadruplet brothers. Jammer is a hockey star. Bailey creates awesome music from his electric wheelchair. K.C. is a math and science genius. But one night, while she and her family are out for their nightly walk around the neighborhood, Becca discovers something that will make her feel really and truly special.

After all, it’s not every day that an 11-year-old stumbles onto a baby pig by the side of the road, especially one covered in dirt and mange. It’s even more unexpected when Becca’s dad wraps the piglet up in his shirt (even though it ruins his shirt), and takes it to an emergency vet (even though it costs a lot of money). It’s a very sick little pig, but with medicine, care and Becca’s daily company, the little pig, dubbed Saucy, gets better.

Then Saucy begins to eat . . . everything. Fruits, vegetables, kitchen cabinets, Becca’s mom’s garden—Saucy eats, and he grows. It’s only a matter of time until Saucy will need to find a new place to live, but in the meantime, Becca is also determined to discover where her dirty, sick little pig came from in the first place.

Saucy is a tender and sweet middle grade novel with a heavy dash of slapstick comedy sure to give it strong appeal for younger middle grade readers. Just imagine one grandmother, two parents, four kids and one very large and hungry pig all living under the same roof, and you can see how humor might be the outcome. However, Kadohata also shines a light on the practice of factory farming and its very real, very unfunny impacts on the animals.

Saucy’s outsized personality and Kadohata’s well-developed cast of characters make for a lighthearted and appealing tale that contains an earnest call to action. Though Becca herself may not always feel special, the love she shows her family, her dedication to Saucy and her willingness to be brave, even when she’s scared, make her pretty special indeed.

Saucy is a tender and sweet middle grade novel with a heavy dash of slapstick comedy with strong appeal for the younger end of the middle grade age range. Just imagine one grandmother, two parents, four kids and one very large and hungry pig all living under the same roof, and you can see how humor might be the outcome.

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Lilliam Rivera’s third young adult novel, Never Look Back, breathes new life into the myth of Orpheus and Eurydice, an ancient tale of a girl gone before her time and the boy who would do anything to save her. Rivera transforms this classic tale into a symphony that intertwines the melodies of her characters, their neighborhood in the Bronx and even readers themselves. It builds to a crescendo that reverberates into your very bones, the way only the most exquisite music can.

Pheus is ready to spend the summer at his dad’s, hanging at the beach with his friends and taking full advantage of his musical talents and charm. Then Eury and her struggles arrive. Displaced after losing her home in Puerto Rico to Hurricane Maria, Eury is staying with her cousin in the Bronx to get some rest and to give her mother a break after what the family calls Eury’s “episode.” But Eury hasn’t come to New York alone. Everywhere she goes, Ato, an evil spirit, follows. When Eury and Pheus meet and sparks fly, Ato makes a move to ensure he and Eury will stay together—forever.

Never Look Back honors the Afro Latinx music, language, heritage and history of its characters. It reads like a concert, each chapter a different song, some languid and slow, keeping readers hanging on every word, others fast and staccato, whipping readers around at a dizzying pace, running to keep up and lost in a cacophonous flood of words. Defying expectation and categorization, Never Look Back is a book not to be read with the mind but to be experienced with the soul. It is a revelation.

—Kevin Delecki

Lilliam Rivera’s third young adult novel, Never Look Back, breathes new life into the myth of Orpheus and Eurydice, an ancient tale of a girl gone before her time and the boy who would do anything to save her. Rivera transforms this classic tale into a symphony that intertwines the melodies of her characters, their […]
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Trevor can’t get enough of his great-grandfather Jacob’s stories of World War II. Jacob stormed the beaches at Normandy, courageously fought Nazis and spent grueling days and seemingly endless nights in trenches. His battalion even liberated a small French village. Jacob’s heroism is an unquestionable fact, and Trevor’s life revolves around his great-grandfather’s war, from the video games he plays for hours on end to the memorabilia he collects and the posters that adorn his bedroom walls.

It seems like the opportunity of a lifetime for Trevor when the French village of Sainte-Régine wants to honor Jacob as the last surviving participant in the battle for the town’s liberation. It’s a chance to travel with Jacob to a place where the war was actually fought. But was Trevor’s great-grandfather really as heroic as he seems in all his stories?

Trevor, his father and Jacob embark on a pilgrimage of sorts, retracing Jacob’s footsteps during the war from basic training at a base in Georgia to England and then to France. Trevor takes in the sights and the history with enthusiasm, but Jacob becomes less excited and more tired as they come closer to Sainte-Régine, and the trip is plagued by a series of unpleasant coincidences. There’s no telling what truths will be revealed when the pilgrims arrive in Sainte-Régine.

Alternating between the present and flashbacks to Jacob’s wartime experiences, bestselling author Gordon Korman’s War Stories juxtaposes a boy’s admiration and belief in his great-grandfather’s heroism and valor with the gritty and morally complex reality of war. Korman strikes a perfect balance between compassion and honesty as he unflinchingly explores the sometimes fine line between heroes and traitors, victors and villains. It’s a masterful demonstration of how the effects of war don’t end when battles are won or lost but continue to ripple down through generations.

ALSO IN BOOKPAGE: Author Gordon Korman goes behind the scenes of War Stories and shares how he keeps young readers turning the pages in book after book.

Trevor can’t get enough of his great-grandfather Jacob’s stories of World War II. Jacob stormed the beaches at Normandy, courageously fought Nazis and spent grueling days and seemingly endless nights in trenches. His battalion even liberated a small French village. Jacob’s heroism is an unquestionable fact, and Trevor’s life revolves around his great-grandfather’s war, from the […]
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Rufus has never made a mistake. “Mistake” is too small a word for what Rufus does. No, Rufus makes fatal errors. He gets excited about a bird called a masked booby in front of his whole class, or sits on a bundle of berries that stain the back of his pants—situations that make being around other people unbearable. But summer means no more school, and, Rufus thinks, no more fatal errors. But this is the summer everything changes for Rufus.

With his dad out of work and his mom moving out of state for a job, Rufus is looking forward to spending the summer with his grandfather at his home, which is called Feylawn. Feylawn has always been a persnickety place, but when things get out of hand and his dad bars him from visiting the property, Rufus must conspire with his cousin Abigail in order to sneak back in. Together, the two discover that there’s much more to Feylawn than meets the eye, and Rufus’ next fatal error could be his last.

A seamless combination of fantasy and mystery wrapped around a classical coming-of-age narrative, Dashka Slater’s The Book of Fatal Errors grabs the readers hand from the first page and tugs them along at a breakneck pace through twist after twist. Slater is careful not to lose track of the complex relationships among Rufus and the various members of his family; as a result, the book’s magical elements feel grounded in emotional realism. Put this fun tale into the hands of any kid who’s ever wished to find fairies in the backyard.

Rufus has never made a mistake. “Mistake” is too small a word for what Rufus does. No, Rufus makes fatal errors. He gets excited about a bird called a masked booby in front of his whole class, or sits on a bundle of berries that stain the back of his pants—situations that make being around […]
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The kids are a lot bigger in middle school. That’s the first thing Cyrus Olson notices when he steps onto the field for football tryouts. Everyone expects him to become the next star receiver for Joseph Lee Heywood Middle School, just like his dad was. In fact, they expect him to be a lot of things like his big, strong firefighter dad, but that’s just not Cyrus. 

In Brave Like That, author Lindsey Stoddard (Just Like Jackie, Right as Rain) creates a grounded and authentic story that illustrates how being brave doesn’t always mean running into burning buildings or being the leader of the A-team.

Cyrus feels like the frightening things in his life just keep growing. He knows tackle football is going to hurt; the hallways and classrooms of middle school are full of unfamiliar classmates and teachers and harder schoolwork than ever before; and his beloved grandma is still recovering from a recent stroke. It’s all too much, and Cyrus is afraid that he’s just not brave enough to handle any of it. 

Then Cyrus’ dad finds a stray dog, alone at the front door of the firehouse, just like he found Cyrus exactly 11 years before. Unlike Cyrus, however, his dad has no plans to keep the dog, whom Cyrus names Parker. But if Cyrus is going to get through this year, he knows he’s going to need help from the most unlikely places, whether from a few unexpected friends, his grandma’s old vinyl records or the weight of a lonely dog resting a tired head on his shoulder.

Brave Like That is a nuanced and realistic story of a boy realizing that what he wants for himself is different than what other people may want for him. Cyrus’ sensitive first-person narration is effortlessly constructed and will draw readers in to his thoughts and feelings from the very first page.

Stoddard treads familiar middle grade territory, addressing evergreen themes of friendship and loyalty, but Cyrus’ warm and supportive relationships at the firehouse and his family’s unwavering love make the story shine. Put Brave Like That into the hands of any reader struggling to figure out who they really want to be, and it’ll show them that being yourself is the bravest, if sometimes the hardest, thing you can do.

The kids are a lot bigger in middle school. That’s the first thing Cyrus Olson notices when he steps onto the field for football tryouts. Everyone expects him to become the next star receiver for Joseph Lee Heywood Middle School, just like his dad was. In fact, they expect him to be a lot of […]
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The aftermath of World War II is rarely addressed in YA fiction. Narratives typically conclude with scenes of liberation and celebration as good triumphs over evil, and everything returns to normal. Monica Hesse’s They Went Left begins where those narratives end. 

Zofia’s story opens in 1945, a few months after she and thousands of others were liberated from concentration camps and sent back into the world to reclaim what they lost. For Zofia—who witnessed her entire family except her little brother, Abek, being sent into the titular left line that led to the camp’s gas chambers—this is not a simple or easy task.

Zofia is broken, physically and mentally, and has spent the months after liberation in a hospital. She clings to the memory of her final goodbye to Abek, and to the promise she made in that moment that she would find him after the war. Released from the hospital, Zofia returns to her family’s home, only to discover that all of their possessions are gone and their neighbors are openly hostile to the idea of Jewish families reclaiming their residences. Desperate, Zofia sets out across war-torn Europe to find Abek while trying to piece together the truth behind her memories.

They Went Left takes readers deep into Zofia’s thoughts, pulling us along through her experiences, past and present, even as she begins to wonder whether she can trust her own perceptions and memories. Hesse’s meticulous research is evident on every page but never distracts from her propulsive plot. 

Combining history, romance and mystery, They Went Left is a heartbreaking yet hopeful story of what it takes to survive after trauma.

ALSO IN BOOKPAGE: Go behind the scenes of They Went Left with author Monica Hesse.

The aftermath of World War II is rarely addressed in YA fiction. Narratives typically conclude with scenes of liberation and celebration as good triumphs over evil, and everything returns to normal. Monica Hesse’s They Went Left begins where those narratives end.  Zofia’s story opens in 1945, a few months after she and thousands of others […]
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Black Brother. Black Brother. That’s all Dante hears. It’s the only way anyone sees him. Not as a student, or as a friend, or even as a person. Just as Black Brother. Something has to change. 

In Black Brother, Black Brother by Coretta Scott King Honor author Jewell Parker Rhodes (Sugar), Dante is confronted with the stark realization that merely hoping for change isn’t going to work. He’ll have to make change happen.

Dante and his brother, Trey, both attend Middlefield Prep. But Dante is singled out, mistrusted and unfairly targeted by both students and teachers because his skin is significantly darker than Trey’s. When he is suspended and arrested for something that he didn’t do, Dante knows he must take a risk and fight for justice for himself. Fencing might not seem like the obvious route, but Alan, the lead aggressor in Dante’s bullying, holds the role of team captain, and Dante wants to beat Alan at his own game. He finds an unlikely mentor in Arden, a local youth center employee and former Olympic fencer. 

Rooted in Dante’s heartbreaking search for a place to belong, Black Brother, Black Brother is a moving look at systemic racism and the school-to-prison pipeline. Strong, believable characters drive the action, making readers feel invested in its outcome. This exhilarating and emotional story shows young readers the power in fighting for what you believe and surrounding yourself with people who will fight with you.

Black Brother. Black Brother. That’s all Dante hears. It’s the only way anyone sees him. Not as a student, or as a friend, or even as a person. Just as Black Brother. Something has to change.  In Black Brother, Black Brother by Coretta Scott King Honor author Jewell Parker Rhodes (Sugar), Dante is confronted with the […]

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