Jill Ratzan

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High school students Jordan and Max couldn’t be more different. Jordan writes poetry and hangs out with his two female best friends while Max chills with the jocks on the baseball team. When Max stumbles into a summer job helping out at Jordan’s late father’s food truck, the boys are awkward coworkers at first and the truck is looking like it’s a miserable failure. Max isn’t getting paid and Jordan isn’t earning the money he needs to help his mother pay the mortgage. But once the boys redesign the truck and its menu (nevermind some bumpy false starts), their unique spicy chicken and frozen lemonade recipes start attracting customers. As sales begin to boom and the hot Phoenix summer blazes around them, the two boys begin to bond and share their vulnerabilities: Jordan is scared by his mother’s mental illness, and Max is dealing with the trauma of being assaulted by an older boy at a party. Before long, they’ve moved from being friendly coworkers to being boyfriends. But will their feelings for each other be enough to sustain them as things begin to turn sour?

Like all of Konigsberg’s previous young adult books, The Music of What Happens isn’t afraid to tackle complex personal and social issues like race and gender, but thankfully and Max and Jordan’s sexual orientations are portrayed as completely normal. This is an utterly contemporary take on the age-old summer love story.

Bill Konigsberg's The Music of What Happens Next is an utterly contemporary take on the age-old summer love story.

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Each season, for 327 years, Prince Rhen of Emberfell faces a curse. The terms? Find a girl to fall in love with him, or turn into a ferocious beast who destroys everything in its path. And every season his devoted guard commander Grey—the only member of the Royal Guard to escape the murderous beast—travels to a parallel world to bring back a romantic prospect for Rhen. Every year, Rhen fails, which brings endless amusement of the enchantress who cursed him. Every time the beast is killed, his enchanted castle resets and a new season begins. But in this final season, Rhen’s death will be permanent.

Harper lives in Washington D.C. Cerebral palsy has twisted her muscles, her mother is dying, her father is absent and her brother has violent debt collectors at his heels. When an accidental encounter with Grey transports her to his magical world of Emberfell, her first goal is to find a way back home. Soon, though, she comes to care for Emberfell, and she and Rhen concoct a plan to protect the land from an invading foreign power. She’ll pretend to be Princess Harper of “Disi,” an ally with an army ready to push back the invaders.

As politics swirl and violence erupts, Harper also finds herself slowly falling for Rhen. But will her love be enough to break the spell in time? A great choice for readers who swoon at Beauty and the Beast narratives and who relish a story that ends in the thick of the action.

A great choice for readers who swoon at Beauty and the Beast narratives and who relish a story that ends in the thick of the action.

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As bombs pelt World War II London, a group of young siblings are transported to another world. Once there, they befriend magical creatures, fight a war, grow into adults and finally, via a majestic stag, return home at the exact moment they departed. If it feels like you’ve read this story before, rest assured The Light Between Worlds still has some surprises in store.

Evelyn hasn’t been the same since she abruptly returned from a magical land called the Woodlands six years ago. Each night, she sneaks out of her boarding school to wander the woods, seeking a way back to the world of her heart. Evelyn’s older sister, Philippa, has long been her main source of support, but Philippa’s become so interested in chasing popularity that Evelyn barely recognizes her.

Surrounding herself with a swirl of activities has become Philippa’s defense and coping mechanism against her own sadness. When an unexpected development leads Philippa to take a job in the conservation department at the National Gallery, she meets a young man with his own reasons for wanting to repair damaged treasures.

The unspoken presence of C.S. Lewis’ Chronicles of Narnia pervades Laura E. Weymouth’s debut novel. How might travelers feel upon finding themselves children again after living half a lifetime in another world? What could explain a teen’s defection from fantasy, turning instead toward seemingly spurious concerns? And what can someone do when their heart calls them home to a different world?

Fans of Narnia and contemporary interpretations like Lev Grossman’s The Magicians will relish The Light Between Worlds.

 

This article was originally published in the December 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

As bombs pelt World War II London, a group of young siblings are transported to another world. Once there, they befriend magical creatures, fight a war, grow into adults and finally, via a majestic stag, return home at the exact moment they departed. If it feels like you’ve read this story before, rest assured The Light Between Worlds still has some surprises in store.

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Laini Taylor returns to the city of Weep in this sequel to her 2018 Printz Honor book, Strange the Dreamer. Muse of Nightmares starts the moment Strange the Dreamer ends, with many characters facing new circumstances and others continuing to struggle against old problems. Minya, tamer of ghosts, remains ever vigilant; Eril-Fane, both hero and villain, remains trapped in his inability to love. Meanwhile, Lazlo and Sarai face beginnings and endings of their own.

Minya is determined to destroy Weep, but her fellow godspawn want to break the cycle of violence. As the godspawn argue—and as Sarai mines Minya’s dreams, seeking ways to calm her appetite for vengeance—a second plot is introduced. In this new time and place, two sisters are separated by the whim of a powerful young metalsmith with godly ambitions. As the two plots converge, the world of the story expands, eventually answering the core question from Strange the Dreamer: Why have the gods spent 200 years raping human women to breed half-god children, and where have all the godspawn babies gone?

Not everything is serious, though. Feral and Ruby continue their romantic squabbles, while the untouchably princely Thyon is teased for the first time, making a friend and possibly more. Observant readers will also notice a reference to Taylor’s Daughter of Smoke and Bone series.

Overflowing with the luscious language, moral ambiguity and detailed fantasy world-building characteristic of Taylor’s writing, Muse of Nightmares brings the story of Weep to a satisfying conclusion.

Laini Taylor returns to the city of Weep in this sequel to her 2018 Printz Honor book, Strange the Dreamer.
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Sisters Rumi and Lea are going to make music together forever. Rumi plays piano, Lea plays guitar, and together they write lyrics. That is, until Lea dies in a car crash and Rumi is sent to live with her Aunty Ani in Hawaii.

Rumi spends the first few weeks of her summer pondering impossible questions: Why did her mother abandon her with a relative she hardly knows? Is Rumi just like her absent father, scared of commitment and bound to abandon everyone she loves? Why does she feel so physically attracted to Aunty Ani’s teenage neighbor, Kai, even though she doesn’t have any desire to touch or kiss him? And how can she ever write, perform or even hear music again, when she’ll always have to experience it without her sister?

Akemi Dawn Bowman’s Summer Bird Blue is a story of healing. As Kai gradually coaxes Rumi back into a world of friends, summer jobs and days at the beach, Aunty Ani’s other neighbor, the grumpy Mr. Watanabe, provides an unexpected haven. Hawaii’s geography, food and language (Hawaiian Pidgin) are authentically researched and lovingly portrayed. Bowman, author of the William C. Morris YA Debut Award finalist Starfish, once again offers a diverse, sensitive and hopeful portrayal of a teen simultaneously struggling with questions of personal identity and difficult external circumstances.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Sisters Rumi and Lea are going to make music together forever. Rumi plays piano, Lea plays guitar, and together they write lyrics. That is, until Lea dies in a car crash and Rumi is sent to live with her Aunty Ani in Hawaii.

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“Heretics are usually true believers. The only thing more dangerous than someone who doesn’t care about the rules is someone who does—and wants to break them anyway.”

So begins 16-year-old Michael’s introduction to a secret underground club at St. Clare’s—his exclusive new Catholic school—known as Heretics Anonymous. Michael’s career-driven father has recently uprooted the family yet again—thus breaking his promise to Michael and his younger sister, Sophia—and has insisted on sending Michael to St. Clare’s for his junior year. As an avowed atheist, Michael has a bumpy start at the school as he tries to navigate Catholic traditions, but he fits in well with the other misfits in the club: a Jewish kid, a Wiccan and a girl named Lucy who wants to become a Catholic priest.

At first, Heretics Anonymous meetings serve as a place for the teens to complain about St. Clare’s restrictive rules. But at Michael’s urging, the club begins to take on an activist role. The Heretics secretly interrupt the annual abstinence assembly with a video that contains facts about sexual health, and later they encourage their fellow students to creatively interpret the school’s dress code.

The Heretics’ high jinks provide Michael with a distraction from his home life: His father is perpetually away on business, and when he is home, he and Michael are constantly at odds, and his mother’s attempts to keep her family together grate on Michael. In the meantime, the Heretics attend their share of awkward teen parties, and Michael and Lucy begin to act on their simmering attraction to one another.

But soon the club starts to get out of hand. At what point do the Heretics’ protests do more harm than good? And has Michael been drawing the wrong conclusions about his father all along?

Debut author Katie Henry writes with a deep respect for the religious beliefs her characters simultaneously adore and eschew. Lucy’s devotion to a tradition that will never meet her expectations is particularly sensitively drawn. Pick up this funny yet thoughtful young adult novel if you’re ready to question your own assumptions about family, friendship and faith.

 

This article was originally published in the August 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

“Heretics are usually true believers. The only thing more dangerous than someone who doesn’t care about the rules is someone who does—and wants to break them anyway.”

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In Erin Callahan’s The Art of Escaping, escapology is defined as the art of breaking free from locks, chains, straitjackets and water tanks along with dodging sharp arrows aimed at your heart. For some teens, there’s no better metaphor for high school.

For 17-year-old Mattie, it isn’t a metaphor. The summer before her senior year, Mattie convinces Miyu Miyake, the reclusive adult daughter of a famous Japanese escape artist, to teach her the practice made famous by Harry Houdini and Dorothy Dietrich. All summer long, Miyu instructs Mattie in how to pick locks, how to hold her breath underwater and how to conquer her fear of the spotlight. But while Mattie is bending hairpins and training in ponds, she is also learning how to be herself. With her best (and only) friend, Stella, away at nerd camp, Mattie soon finds herself in an unexpected friendship with fellow misfit Will, who, unlike Mattie, doesn’t outwardly seem like a misfit at all.

Both Mattie and Will—and later Frankie, a third friend who joins their wayward band—love the sights, sounds and even textures of the 1920s, and their story is peppered with the slang of the era, jazz music, vintage dresses and speak-easies populated by bohemian audiences. Yet even as these historical references are celebrated and romanticized, they’re simultaneously critiqued as Mattie enrolls in a history class designed to question the nature of how history is discussed. In the end, metaphor blends with reality, text blends with interpretation, and Mattie, Will and those around them just might escape from the restraints that are holding them back from being their true selves.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In Erin Callahan’s The Art of Escaping, escapology is defined as the art of breaking free from locks, chains, straitjackets and water tanks along with dodging sharp arrows aimed at your heart. For some teens, there’s no better metaphor for high school.

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Beatrice Hartley has been unable to find normalcy ever since her boyfriend, Jim, was found dead under mysterious circumstances in a quarry outside their elite boarding school. While searching for answers, Beatrice attempts to make amends with four former friends. But a freak accident soon finds the group trapped in the Neverworld, a realm in which the same day repeats endlessly . . . and will continue to do so until the quintet can agree on one member who will return to the world of the living. The others will die.

Imagine living the same day an infinite number of times and being trapped for centuries in the moment between life and death. That’s what happens in the Neverworld, where storms rage, strange birds nest in dead trees and black mold lies just below clean-looking surfaces. While some in the group delight in the mayhem, Beatrice remains the stereotypical good girl. But as the friends put aside their differences (and their debauchery) to investigate Jim’s death in earnest, secrets and deceptions begin to multiply. And the Neverworld begins to break down.

Drawing on ideas and imagery reminiscent of The Marbury Lens by Andrew Smith, Belzhar by Meg Wolitzer and the movie Inception, Marisha Pessl’s first work of young adult fiction (after her adult novels Special Topics in Calamity Physics and Night Film) is spooky, smart and satisfying. Clear your calendar to read this in one sitting, and then, when it gets under your skin, immediately turn back to the beginning and read it again.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Beatrice Hartley has been unable to find normalcy ever since her boyfriend, Jim, was found dead under mysterious circumstances in a quarry outside their elite boarding school. While searching for answers, Beatrice attempts to make amends with four former friends. But a freak accident soon finds the group trapped in the Neverworld, a realm in which the same day repeats endlessly . . . and will continue to do so until the quintet can agree on one member who will return to the world of the living. The others will die.

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Ah, summer: a time for long days hanging out at the pool with friends, culminating in a vacation to an exotic locale. Or, at least that's what Clara Shin has in mind. But what Clara actually gets is a summer working in her father’s Korean-Brazilian fusion food truck, the KoBra, beside her mortal enemy, Rose Carver. This is bad news for Clara, but great news for readers of this bubbly and fun summer read. As Clara reluctantly learns to tolerate Rose, a boy named Hamlet who works at a coffee shop near one of the KoBra’s regular stops catches Clara’s eye. Hamlet is cute, nice and sincere—exactly the things that prank-loving Clara isn’t. In fact, Clara’s built her identity on never taking anything seriously and never getting attached for long—just like her mother, a professional social media influencer who left for a jet-setting life when Clara was 4.

Clara expects she’ll join her mother for their planned trip to the resort town of Tulum in Mexico at the end of the summer, but she doesn’t expect to be a different person by the time the summer ends. As Clara and Rose become friends, Clara and Hamlet become more-than-friends and she begins to rethink her assumptions about both the present and the future.

Like the fusion cuisine of the KoBra, The Way You Make Me Feel is also a fusion of sorts, with Goo combining the sweet breeziness of a light summer read with the spice of a coming-of-age story that deals with having to leave part of yourself behind and grow into new relationships and new perspectives. Enjoy this book with a cool glass of lime juice for a true summer treat.

Like the fusion cuisine of the KoBra, The Way You Make Me Feel is also a fusion of sorts, with Goo combining the sweet breeziness of a light summer read with the spice of a coming-of-age story that deals with having to leave part of yourself behind and grow into new relationships and new perspectives.

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At the conclusion of Becky Albertalli’s Morris Award-winning Simon vs. the Homo Sapiens AgendaSimon Spier and his mysterious online crush finally become a couple. But what happens to Leah, Simon’s best friend? In the sequel, Leah on the Offbeat, we learn that Leah is a talented drummer and artist, comfortable in her overweight body and okay with being economically disadvantaged in a wealthy town. She’s perfectly fine with staying out of the college-choice drama that consumes her friends; she’ll be going to a local university where a scholarship awaits. She’s also confident in her bisexuality . . . even if she hasn't told any of her friends about it yet.

A perfectly nice guy is interested in Leah, but she only has eyes for her friend Nick’s girlfriend, Abby. Leah longs to kiss Abby, but she worries that doing so will cause her friendships to shatter irreparably. Should she pursue her dreams—in romance and in art—or settle for always feeling slightly off beat? Leah initially dismisses prom night as a high school cliché, but everything ends up converging there, and the very prom-night magic she mocks might just be exactly what she needs.

Leah on the Offbeat is funny, authentic and totally in step with contemporary sensibilities, both serious and silly (Leah calls out racism when she sees it, speaks in teen patois and draws Harry Potter fan art). This one is highly recommended for Simon fans, or anyone wondering how to navigate saying goodbye to one part of life as another begins.

At the conclusion of Becky Albertalli’s Morris Award-winning Simon vs. the Homo Sapiens AgendaSimon Spier and his mysterious online crush finally become a couple. But what happens to Leah, Simon’s best friend? In the sequel, Leah on the Offbeat, we learn that Leah is a talented drummer and artist, comfortable in her overweight body and okay with being economically disadvantaged in a wealthy town. She’s perfectly fine with staying out of the college-choice drama that consumes her friends; she’ll be going to a local university where a scholarship awaits. She’s also confident in her bisexuality . . . even if she hasn't told any of her friends about it yet.

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If you think you’ve read everything there is to read about the Holocaust in young adult fiction, think again. True, Vesper Stamper’s debut novel, What the Night Sings, contains scenes that have come to be staples of the genre: a Nazi raid, an overcrowded train journey, prisoners starving in concentration camps. But Stamper frames these familiar motifs with a question not often addressed in Holocaust literature: What happens after liberation?

Gerta is a singer and a violist who has lost her family and her voice. Roza is relearning to play the piano with damaged hands. Lev finds solace in his prayers. Micah is scouring Europe for survivors who are willing to build a new life in British-occupied Palestine. As each character begins to heal in body, soul and spirit, they wrestle with difficult questions about their identities, their relationships and their futures. Suffused with detailed descriptions of Jewish life and customs, What the Night Sings is illustrated with Stamper’s sepia-tone drawings, and her background as an artist shines as she uses light, shadow and repetition to depict everything from meager food rations to a glorious wedding gown. Do not miss this stunning debut.

 

ALSO IN BOOKPAGE: Read our Q&A with Vesper Stamper.

This article was originally published in the April 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

If you think you’ve read everything there is to read about the Holocaust in young adult fiction, think again. True, Vesper Stamper’s debut novel, What the Night Sings, contains scenes that have come to be staples of the genre: a Nazi raid, an overcrowded train journey, prisoners starving in concentration camps. But Stamper frames these familiar motifs with a question not often addressed in Holocaust literature: What happens after liberation?

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Ten generations of clones, spaced 10 years apart, with 10 of each model in each generation: They are the Homo factus, the Made Men, cloned from the humans who founded Vispera 300 years ago with a vision to save their species from an apocalyptic plague. Now that there is no poverty, hunger or disease in Vispera, these clones live predictable lives from their births in embryotic tanks to their planned deaths at age 100.

Seventeen-year-old Althea-310 spends her days apprenticing as a Council recorder, participating in Pairing rituals and communing with her nine sisters, silently sharing thoughts and soothing hurt feelings through a psychic link. But one day, someone new appears in Vispera. Jack is a human, made in the lab for an experiment whose purpose is unknown to all but a few older clones. He can’t commune and doesn't understand the clones’ culture, and the clones can’t understand his asthma, his unpredictable emotions or his love of music.

While Jack tries to find his place in Vispera and Althea-310 starts to question the harmony she’s always known, larger issues come to light. The clones have been copied too many times and their genetic lines are beginning to weaken. Items keep disappearing from communal stores, and Samuel-299—Jack’s so-called father—finds defending Jack’s continued existence increasingly difficult. New revelations soon force Jack, Althea and Samuel to make difficult decisions about the future of their supposedly perfect home.

Fans of Lois Lowry’s The Giver and Aldous Huxley’s Brave New World won’t want to miss Your One & Only.

Fans of Lois Lowry’s The Giver and Aldous Huxley’s Brave New World won’t want to miss Your One & Only.

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BookPage Teen Top Pick, January 2018

Seventeen-year-old Maya Aziz wants to make documentary films, go to NYU and date as she pleases. Her parents want her to choose a college closer to their suburban Chicago home, study law or medicine and marry a suitable Indian-Muslim boy. When such a boy, Kareem, materializes at a family wedding, everyone’s interests seem to dovetail. Kareem is sweet, funny and has all the right “biostats,” but Maya’s heart longs for Phil, the unreachable captain of the football team. As Maya attempts to balance her parents’ traditionalism with her own modern outlook, a terrorist attack in Chicago inspires violent anti-Muslim sentiment in Maya’s neighborhood, tying personal perspectives into a larger global picture. Maya’s best friend, Violet, and her liberal-leaning Aunt Hina encourage her to make her own path in the world, but how can she take a leading role in her own story when she’s most comfortable observing life from behind her camera lens?

The love-triangle trope may seem slightly stale, but debut author Samira Ahmed’s treatment is anything but. Mentions of travel bans and suicide bombers are extremely timely, and the themes of immigration, family and identity broached here are always relevant.

Reminiscent of Born Confused by Tanuja Desai Hidier, Love, Hate and Other Filters brings an authentic new voice to Muslim-American literature for young adults.

 

This article was originally published in the January 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Seventeen-year-old Maya Aziz wants to make documentary films, go to NYU and date as she pleases. Her parents want her to choose a college closer to their suburban Chicago home, study law or medicine and marry a suitable Indian-Muslim boy. When such a boy, Kareem, materializes at a family wedding, everyone’s interests seem to dovetail.

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