Carla Jean Whitley

Richard Middlestein showed his future wife incredible compassion on their first date, a setup. Rather than take her out to a showy dinner, Richard sat beside Edie at her sick father’s bedside, laughing and entertaining the pair over pizza in the hospital.

But now Edie is the one who’s sick, facing debilitating diabetes and other problems that accompany her obesity. Richard can’t handle it. Edie has been nitpicking him for years, and quite frankly, he can’t bear the idea of living the rest of his life without sex. He leaves his wife and endures his children’s wrath as Edie’s downward health spiral continues.

Robin is the baby of the family, and though her father dotes on her, she is withdrawn, dark and moody. It’s been years since she has shared things with her mother—in fact, not since the death of one of Robin’s close friends at age 15. That separation endures 16 years later, but as Edie’s health deteriorates, Robin is by her mother’s side.?That’s due, in part, to encouragement from her sister-in-law, Rachelle.

Rachelle married Benny Middlestein after he knocked her up in college. Despite their somewhat rushed entrance into marriage, the couple appears to have everything together. But Edie’s weight problems become a wedge between Rachelle and Benny as she obsesses over how to help her mother-in-law.

The Middlesteins are a normal, dysfunctional American family. Through their story, author Jami Attenberg (The Melting Season, The Kept Man, Instant Love) examines how families relate, the ways in which they shoulder each other’s burdens and whether they share responsibility for each other’s struggles. The result is a vivid, compelling portrait of human interaction.

Richard Middlestein showed his future wife incredible compassion on their first date, a setup. Rather than take her out to a showy dinner, Richard sat beside Edie at her sick father’s bedside, laughing and entertaining the pair over pizza in the hospital. But now Edie is the one who’s sick, facing debilitating diabetes and other […]

“A love story—your own or anyone else’s—is interior, hidden. It can never be accurately reported, only imagined. It is all dreams and invention. It’s guesswork.”

So Joan Wickersham writes in one of the seven short stories that comprise The News from Spain. And though her character’s assessment of love may be accurate, throughout this collection Wickersham does a lovely job of painting a picture of love in its many shades. Each story is so exquisitely rendered that the characters come to life, filling its few pages with enough intimate knowledge of their lives to support a novel.

Those characters and their relationships cover a wide swath of emotional territory. As the book opens, the reader meets a couple grappling with the man’s one-time infidelity, trying to work through the betrayal. Their relationship is contrasted with the wedding of a couple whose relationship is surely platonic, even on the eve of their marriage. Other stories delve into maternal love, love found late in life, infidelity, May-December romances, the love between friends and every imaginable love in between. Literal “news from Spain” is, indeed, interwoven throughout each account. Sometimes that news has an incredible impact on the story; other times, it’s merely a thread of continuity.

Wickersham shines with this short story collection. Her previous books—an account of her father’s death The Suicide Index and the novel The Paper Anniversary—have been lauded by reviewers and awards committees alike. There’s little doubt that her third release deserves as much recognition as those that have come before. As language and characters unfold throughout The News from Spain, Wickersham shows that she is a master of the written word and storytelling in all its forms.

“A love story—your own or anyone else’s—is interior, hidden. It can never be accurately reported, only imagined. It is all dreams and invention. It’s guesswork.” So Joan Wickersham writes in one of the seven short stories that comprise The News from Spain. And though her character’s assessment of love may be accurate, throughout this collection […]

Rules of Imaginary Friends:
1. You are as your friend imagined you. If your friend imagined you as capable of passing through doors and walls, you are. (This is a bonus, as friends who aren’t often become stuck, then forgotten, and so cease to exist.)
2. With the exception of other imaginary friends, only the friend who first imagined you can hear or see you.
3. If your friend dies, you vanish.

Novelist and elementary school teacher Matthew Dicks quickly establishes the ground rules for an alternate—or perhaps unseen—reality where imaginary friends aren’t make believe after all. In Memoirs of an Imaginary Friend, these figments of childhood provide their creators with comfort that’s lacking in day-to-day life.

For 8-year-old Max, whose autism often leaves him frustrated and misunderstood at school, the comfort that comes from his friend Budo is especially important. Budo is often Max’s defense and guide, because Max imagines Budo as older.

But Budo’s comfort level is shaken as he sees his fellow imaginary beings disappearing as their creators grow older and find strength without imaginary friends. Surely that won’t happen to him, as Max so clearly needs a friend.

That’s even more obvious when Mrs. Patterson, Max’s Learning Center teacher, kidnaps him from school. It’s up to Budo to figure out where Max has gone and how to return Max to his parents. Budo teams up with other imaginary friends, relying on their knowledge, expertise and sometimes unique skills, to rescue Max. In the process, Budo realizes he would exist forever if Max had to rely solely on him. He faces a dilemma: How can he save Max and himself? The choices he makes in this imaginative novel remind the reader of the value of friendship and why we need others in our lives.

Rules of Imaginary Friends:1. You are as your friend imagined you. If your friend imagined you as capable of passing through doors and walls, you are. (This is a bonus, as friends who aren’t often become stuck, then forgotten, and so cease to exist.)2. With the exception of other imaginary friends, only the friend who […]

The Rovaniemis are an unusual family. That’s obvious at first glance; modern-day American families rarely include nine children. But the family’s membership in an incredibly conservative branch of the Lutheran church makes it clear that they’re to be in the world, but not of it. They aren’t allowed to listen to music with a beat, though the children each play orchestral instruments. Dancing is forbidden. Movies are off limits.

So the children walk a fine line as they try to fit in at school and at work while respecting their church’s rules—or, in the case of three of the Rovaniemis, as they attempt to leave the church’s influence behind. The eldest, Brita, follows in the family’s footsteps as she gives birth to seven children. Others rebel as they leave for college, but later settle into a church-approved life. Paula deals with the difficulty of being the awkward daughter among beauties. The younger children face the burden of their older siblings’ choices, and sometimes find themselves lost in a family of so many.

A compelling first novel explores how extreme faith is challenged by the modern world.

In We Sinners, author Hanna Pylväinen’s debut novel, a different, distinctive Rovaniemi voice takes the lead in each chapter, creating a novel that reads almost like a series of connected short stories. These powerful vignettes reveal the faith’s influence on the family’s relationships. Pylväinen’s own background—she grew up in, and left, just such a church—lends an expert voice to each character’s compelling perspective. The children who leave the church realize that freedom comes at a price, and those who remain face the constraints their faith places on relationships. But despite the family’s differing views on faith and life, they are brought together through shared blood and experience.

Pylväinen’s straightforward but gripping storytelling and fully developed characters make it clear that this new voice in literature is one to watch.

The Rovaniemis are an unusual family. That’s obvious at first glance; modern-day American families rarely include nine children. But the family’s membership in an incredibly conservative branch of the Lutheran church makes it clear that they’re to be in the world, but not of it. They aren’t allowed to listen to music with a beat, […]

In Goodbye for Now, Seattle author Laurie Frankel (The Atlas of Love) tests the limits of social media with the story of Sam Elling, a software engineer at an online dating site. Single himself and fed up with being regularly reminded of the fact, Sam develops an algorithm that analyzes clients’ emails, financial records and more to see who they really are—not who they want to be. The formula works, and Sam meets his perfect match in Meredith—but is soon fired because the company no longer receives repeat business.

When Meredith’s grandmother suddenly dies, Sam adapts his program to ease her grief, allowing it to create responses to emails and video chats for the dead to hold with the living. It proves such a successful way to help Meredith that they, along with Meredith’s flamboyant cousin Dash, open a business: RePose. The service is meant to be a stop on the way to acceptance, not a way to cheat loss. But when they’re faced with negative publicity accusing them of exploiting the bereaved, the couple is forced to reckon with their mortality and the ramifications of simulating life after death.

Frankel is unafraid to take on big questions as she weaves together her entertaining and thought-provoking story. The result is an imaginative tale that explores life, love and what lasts.

In Goodbye for Now, Seattle author Laurie Frankel (The Atlas of Love) tests the limits of social media with the story of Sam Elling, a software engineer at an online dating site. Single himself and fed up with being regularly reminded of the fact, Sam develops an algorithm that analyzes clients’ emails, financial records and […]

Sunny Mann seems to lead a perfect life. She's married to her childhood sweetheart, who has become wealthy thanks to immense success in his field. But his field is robotics, and sometimes Maxon has trouble distinguishing his human emotions from a robot's machinations. Maxon knows he loves, regrets and forgives, but he finds it difficult to understand why he is different from his beloved robots. 

And Sunny has trouble accepting that. She's playing the role of the perfect housewife, caring for the couple's autistic son, Bubber, while putting on her best smile for their wealthy neighbors, even while Maxon is on a mission to populate the moon with the robots he's constructed. Everything looks Stepford-perfect—that is, until Sunny's in a car wreck and her perfectly coifed blonde 'do flies off, revealing her completely bald head. 

It's just one of many idiosyncratic twists in Shine Shine Shine, an amusing and unpredictable novel from book doctor Lydia Netzer. Netzer has spent her career fixing others' manuscripts, and with this first major publisher effort she proves a creative force in her own right. 

On a rocket bound for the moon, Maxon reckons with his humanity as compared to the perfectly structured machines he adores. But his love for Sunny reminds him that he is, in fact, human. Meanwhile, Sunny is left earthbound, pregnant with the couple's second child and, after the wreck, suddenly determined to unmask herself and reveal her imperfections for all to see. 

As they face challenges without the lifelong support system they've provided each other, Sunny and Maxon must confront the realities of loving flawed beings. Ultimately, Shine Shine Shine is a story about the nature of love—and a lovable, quirky novel from a new voice in fiction. 

Sunny Mann seems to lead a perfect life. She's married to her childhood sweetheart, who has become wealthy thanks to immense success in his field. But his field is robotics, and sometimes Maxon has trouble distinguishing his human emotions from a robot's machinations. Maxon knows he loves, regrets and forgives, but he finds it difficult […]

Many people in new relationships tiptoe around discussion of past love. Everyone wants to present themselves in the best possible light, and as a 35-year-old single woman, Ellen O’Farrell has seen her share of baggage (and carried her own). But when Ellen learns that her new boyfriend Patrick Scott’s former live-in girlfriend is now honest-to-goodness stalking him, well, she isn’t put off. She’s intrigued.

Of course, Ellen doesn’t yet know that Patrick’s ex, Saskia, is also intrigued by her—so much so that Saskia has become one of Ellen’s hypnotherapy patients.

As Liane Moriarty expertly switches between Ellen and Saskia’s points of view, Saskia slowly becomes a sympathetic character. It’s difficult to understand what would drive a woman to follow her ex-boyfriend everywhere, schedule regular meetings with his new girlfriend and leave notes on his car. But though we can’t necessarily understand her actions, anyone who has survived a broken heart will come to understand Saskia’s motivation. She loved Patrick and his son, Jack. She practically raised Jack, who was small when his mother died. Her life was wrapped up in them: “I didn’t have enough other people in my life to cover the loss of this many people at once.”

As in What Alice Forgot, Moriarty’s best-selling and most recent novel, The Hypnotist’s Love Story explores tangled relationships that extend beyond romantic complications. Both books are engaging, easy reads with layers of depth. In The Hypnotist’s Love Story, Moriarty has created an emotional and intriguing ride.

Many people in new relationships tiptoe around discussion of past love. Everyone wants to present themselves in the best possible light, and as a 35-year-old single woman, Ellen O’Farrell has seen her share of baggage (and carried her own). But when Ellen learns that her new boyfriend Patrick Scott’s former live-in girlfriend is now honest-to-goodness […]

Honor Tait was a Pulitzer prize-winning war correspondent during the first half of the 20th century, renowned for her incisive journalism but also recognized for her beauty and romantic entanglements (both real and rumored). Tamara Sim has been asked to write a 4,000-word profile of Honor, who’s now nearing 80, for a highbrow magazine. Too bad Tamara is much more comfortable composing catty 200-word captions and snarky lists of celebrity gaffes. One of Honor’s pieces was among the texts Tamara was to study in college; Tamara didn’t finish the reading. 

When Tamara arrives at Honor’s flat for their interview, it’s hate at first sight. The younger writer is 45 minutes late and clearly hasn’t read much of Honor’s work—not even the forthcoming book that’s the impetus for the interview. When Tamara finally gets Honor talking, Tamara spends most of the interview doodling her interpretations, factual or not, of the scene before her.

As the two women craft their current assignments—Tamara’s on Honor, Honor’s coda to her Pulitzer piece—British novelist Annalena McAfee illustrates the contrast between their work. Though Honor is writing about experiences decades in the past, she relies on fact and reporting. Tamara’s ever-changing narrative of her experiences with Honor becomes a different story every time Tamara puts pen to paper.

The Spoiler recounts the interaction between these women, opening with their disastrous first interview and then following both as they process the thoughts and challenges it instigated. Honor reflects on a career gone by, but Tamara worries that she doesn’t have enough information for a lively story after the initial botched conversation. So she crashes a supper with Honor’s closest confidantes, attends a lecture Honor gives (but fails to take notes on the content), spends days outside of Honor’s house and then follows her on excursions across town, seeking a sexy, scandalous angle for her piece.

A journalist herself, McAfee creates a complete picture of the world in which the two writers exist, giving life to the newspaper office where Tamara works four days a week, and detailing every picture and trinket in Honor’s home. And by the time the twists of this story are untangled, Honor’s and Tamara’s lives are inextricably interwoven.

Honor Tait was a Pulitzer prize-winning war correspondent during the first half of the 20th century, renowned for her incisive journalism but also recognized for her beauty and romantic entanglements (both real and rumored). Tamara Sim has been asked to write a 4,000-word profile of Honor, who’s now nearing 80, for a highbrow magazine. Too […]

Jess Hall will never forget what he saw while peering into the church that day. Sheriff Clem Barfield is determined to find out exactly what happened inside those walls. And when all is said and done, town midwife Adelaide Lyle finally feels like the church is again a place of sanctuary.

Strange goings-on at River Road Church of Christ in Signs Following have been taking place ever since mysterious Pastor Carson Chambliss arrived in rural Marshall, North Carolina. It was one thing when parishioners covered the church windows in newspaper, then began speaking in tongues and handling serpents. But Addie had had enough when a copperhead struck a 79-year-old church member. After the snake was put away, the service went on and church members dumped the body in the woman’s front yard to avoid drawing attention to the congregation. Addie declared the church no place for children and began leading the congregation’s youngest members in Sunday school lessons beside the river, where they were safe.

Or so it seems, until the day a church man comes for one of her charges. Perhaps it’s no surprise that Christopher “Stump” Hall is brought in for healing. The child has been mute since birth, and his mother is a loyal church member. But when the healing goes terribly wrong, the entire town is thrown into a tailspin.

In his debut novel, A Land More Kind Than Home, Wiley Cash ably blends the intertwining stories of Jess, Addie and Clem to gradually reveal what happened to Stump in the church that Sunday. In the process, Cash proves capable of handling dialect and multiple narrators while creating distinctive voices and fully developed characters.

Jess has always been fiercely protective of Stump, and Cash offers insight into a child made more adult by being responsible for his older brother. Addie has served as midwife for most of the town, and as a result can trace each character’s path to the present. Though Clem, as sheriff, plays the role of good guy, his struggles with right, wrong and anger make him a believable character. Cash, himself from western North Carolina, never stoops to typecasting his characters, instead exploring how their pasts have led them to the present. The result is a compelling, fast-paced story that draws the reader into the lives of Marshall’s residents.

 

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Read an interview with Wiley Cash for A Land More Kind Than Home.

Jess Hall will never forget what he saw while peering into the church that day. Sheriff Clem Barfield is determined to find out exactly what happened inside those walls. And when all is said and done, town midwife Adelaide Lyle finally feels like the church is again a place of sanctuary. Strange goings-on at River […]

It isn’t surprising that Ella Beene’s husband, Joe Capozzi, dies within the first 10 pages of The Underside of Joy. After all, the jacket copy reveals that this story is about the personal struggles and family challenges Ella faces after her husband’s death. But the juxtaposition of Seré Prince Halverson’s descriptions of pure, unadulterated joy, and the reader’s knowledge that Ella’s joy has an expiration date, is breathtaking.

In the opening pages, Ella says, “For three years, I did backflips in the deep end of happiness. The joy was palpable and often loud. Other times it softened—Zach’s milky breath on my neck, or Annie’s hair entwined in my fingers as I braided it, or Joe’s humming some old Crowded House song in the shower while I brushed my teeth.”

Debut novelist Halverson paints a picture of Ella’s everyday life, married to Joe and raising her stepchildren, Annie and Zach, in a coastal Northern California town. Ella was still fresh out of her first marriage when she met Joe. The couple fell for each other hard and fast, and were married within a year. He, too, was divorced; Joe’s first wife, Paige, had left him and the kids months earlier, with hardly a word since. Ella is the only mother they have ever known. Until, of course, Paige shows up at Joe’s funeral and begins the fight to regain custody of her children.

The first third of The Underside of Joy is rich with detail, recounting Ella’s move from joy to mourning to struggles with Paige and the faltering family business Joe left behind. Though the plot at first moves slowly, Halverson’s prose is captivating. In fact, it’s once the plot quickens that the book hits occasional weak points, where plot takes precedence over previously enchanting descriptions. But as she mines the family secrets her characters hold close and how those affect their relationships with one another, Halverson proves she’s a wordsmith and a storyteller to keep an eye on.

It isn’t surprising that Ella Beene’s husband, Joe Capozzi, dies within the first 10 pages of The Underside of Joy. After all, the jacket copy reveals that this story is about the personal struggles and family challenges Ella faces after her husband’s death. But the juxtaposition of Seré Prince Halverson’s descriptions of pure, unadulterated joy, […]

Marisa de los Santos has established herself as a deft chronicler of human emotion. With her first two successful novels, Love Walked In and Belong to Me, she has explored the landscape of a variety of relationships: friendly, romantic, neighborly, maternal. And in her latest novel, de los Santos traverses all of that relational terrain at once.

Pen, Cat and Will were college best friends almost from the moment they met, when Pen discovered Cat seizing in the bathroom between classes, and then called into the hallway for help. Their friendship was so tight that they excluded others from their circle—but it was a closeness that couldn’t last forever. When it was time for Cat to pursue a romantic relationship, and therefore an identity separate from her two best friends, the group’s friendship fell apart.

Pen is still feeling that pain six years later, when she receives a letter from Cat asking that they meet up at an impending college reunion. Pen’s life has changed radically since she last saw her two best friends. She’s given birth to a child out of wedlock, regularly faces her complicated relationship with her daughter’s father and is still reeling from the sudden death of her own father, whom Cat and Will adored. She still thinks of her former friends often, and wonders what they would make of who she’s become.

And so Pen sets off toward that reunion, prepared to meet Cat but surprised instead to see Will, who received a similar letter. As the pair search for Cat, they revisit their lost friendship and their complicated feelings for one another.

Falling Together explores the ways our familial relationships and friendships affect who we are and who we’re becoming. Though the ride through Pen’s relational topography is sometimes bumpy—flashbacks aren’t always clearly differentiated from Pen’s present day—the appeal of de los Santos’ books remains the intimacy with which the reader gets to know each character.

 

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BookPage editor Trisha Ping interviews Marisa de los Santos about Falling Together:

Marisa de los Santos has established herself as a deft chronicler of human emotion. With her first two successful novels, Love Walked In and Belong to Me, she has explored the landscape of a variety of relationships: friendly, romantic, neighborly, maternal. And in her latest novel, de los Santos traverses all of that relational terrain […]

The Gulf of Mexico is about to birth a storm, and it’s headed straight for Bois Sauvage, Mississippi. But Hurricane Katrina’s approach isn’t the first thing on teenage Esch Batiste’s mind; she’s more concerned about her newly discovered pregnancy and the baby’s father, Manny, who is dating another girl. Her brother Skeetah, on the other hand, is fixated on his pit bull China’s newborn puppies. If they live, the dogs may provide money for the Batiste children, who are living in poverty and fending for themselves as their father drinks to dull the pain of their mother’s death.

There’s an unmistakable contrast between Skeetah’s love for China and the indifference of Manny toward Esch. Manny dotes on his girlfriend but approaches Esch for sex; he pushes her away when she seeks emotional connection. Esch repeatedly draws parallels between her situation and her assigned school reading about the mythological Medea, whose husband Jason betrays her. Manny refuses her, but Esch finds support from her brothers, her father and their friends. “This baby got plenty daddies,” one boy says.

It would be easy for the events of Salvage the Bones to take on a pitying, cloying quality. But Mississippi native Jesmyn Ward’s second novel is a pitch-perfect account of struggle and community in the rural South. No doubt Ward’s own upbringing, in DeLisle, Mississippi, factored into the landscape she paints. The fictional Bois Sauvage is based on Ward’s hometown, where the population is mostly poor, black and uneducated. Ward herself broke out of that cycle with help from her mother’s employer, who paid for her private-school education.

The fictional world Ward creates sings with the speech of uneducated but wise people without stepping into caricature dialect. Though the characters in Salvage the Bones face down Hurricane Katrina, the story isn’t really about the storm. It’s about people facing challenges, and how they band together to overcome adversity.

The Gulf of Mexico is about to birth a storm, and it’s headed straight for Bois Sauvage, Mississippi. But Hurricane Katrina’s approach isn’t the first thing on teenage Esch Batiste’s mind; she’s more concerned about her newly discovered pregnancy and the baby’s father, Manny, who is dating another girl. Her brother Skeetah, on the other […]

Singer-songwriter Josh Ritter has built a following on the strength of his literary song lyrics, which tackle such subjects as the parallels between science and relationships, the difficulties of love in an apocalyptic age and the beauty of relying on people close to you. With his debut novel, Bright’s Passage, Ritter shows that his range extends well beyond the three-minute pop song. He takes full advantage of the near-limitless bounds of the novel in this post-World War I tale, drawing contrast between a stark landscape filled with people in war scenes and a lush countryside and the lonely man who roams it after the war. 

After veteran Henry Bright delivers his son and watches his wife die in childbirth, he begins a journey across the Appalachian terrain of West Virginia. An angel who followed Henry home from war and now speaks through his horse instructs him to burn his house and leave before his neighbor can follow his tracks.

The reader gains insight into Henry’s life as chapters cut between his past in West Virginia, the war and his race from the neighbor and the burning house, which instigates a wildfire. It quickly becomes evident that Henry isn’t only recovering from seeing friends die in the Great War; he’s also facing family battles and an internal struggle. Ritter allows readers to draw their own conclusions about Henry’s heavenly interaction, and this psychologically engaging tale will keep readers thinking for days after they close the book.

Read an interview with Josh Ritter about Bright's Passage.

Singer-songwriter Josh Ritter has built a following on the strength of his literary song lyrics, which tackle such subjects as the parallels between science and relationships, the difficulties of love in an apocalyptic age and the beauty of relying on people close to you. With his debut novel, Bright’s Passage, Ritter shows that his range […]

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