summer-reading-24

Anyone who’s ever wondered “What’s my therapist really thinking?” will be fascinated by Louisa Luna’s foray into the mind of the wholly compelling Dr. Caroline Strange. 

In Tell Me Who You Are, her seventh book and first standalone thriller in nearly 20 years, Luna—known for her Alice Vega series, including 2023 Edgar Award-winner Hideout—introduces an unapologetically confident and cynical New York City psychiatrist who favors white Alexander McQueen suits (“It’s not a fucking square dance; it’s work”) and lives in a wealthy Brooklyn neighborhood where “botox meets craft butchery, and even the homeless people can do a mean upward-facing dog.”

As Dr. Caroline breezily explains, she’s accustomed to deconstructing all manner of human flaws and foibles, hence the snarky nicknames she (privately) gives her patients: Deluded Delia, Bilious Byron, Pouty Petra and more. So it’s just another day at work when a new patient named Nelson Schack tells her he’s probably going to kill someone they both know. A seemingly unfazed Dr. Caroline is surprised when NYPD detectives arrive soon after, indicating they consider her a suspect in the missing-persons case of Ellen Garcia, a journalist who named her one of the “Top Ten Worst Doctors in Brooklyn.” Dr. Caroline is convinced that Nelson has somehow framed her for Ellen’s disappearance, and she soon embarks on her own covert investigation.

As a chase around the city gets underway, Luna layers in the perspectives of a young Caroline’s neighbor Gordon Strong (hinting at horrors in the good doctor’s past) and Ellen, who’s losing hope for rescue. Progressively shorter chapters will elevate page-flipping readers’ heart rate as the past inches closer to the present and Luna’s characters contend with mounting danger. 

Dr. Caroline herself is no stranger to trauma. It’s what motivated her to become a psychiatrist, and what comes back to haunt her. She may well be unlikable—but is she also unreliable? Luna expertly keeps her cards close to her chest until nearly the nerve-wracking end of this engrossing, twisty character study of a complicated woman.

Louisa Luna crafts a boldly, unapologetically unlikable protagonist in Tell Me Who You Are—but is Dr. Caroline Strange also unreliable?
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Filled with fun tropes, disability representation modeled after the author’s own experience and beautiful writing, Out on a Limb is a love story so sweet you want to squeal with glee. Originally self-published, Hannah Bonam-Young’s lovable rom-com is a must-read gift to the genre. 

Winnifred “Win” McNulty is used to forging her own path. Not one to tolerate being coddled for her limb difference, Win has spent most of her life trying to prove to everyone around her that she can make it just fine on her own, thank you very much. But that all changes one very steamy night at her best friend’s annual Halloween bash, when Win hops into bed with the very handsome Bo. Caught up in the moment, they rely on Win’s irregular use of birth control and find themselves facing a surprise pregnancy. Bo recently lost the lower part of one of his legs to cancer (he’s now in remission), and wasn’t sure if he’d be able to have children. So he’s elated at the news, shocked but genuinely excited. Meanwhile, Win decides to view her pregnancy as a way to level up into adulthood after spending her 20s flailing. The two plan to navigate pregnancy and parenthood as friends only, because that’s what good, responsible future caretakers would do. But if Win and Bo have learned anything, it’s that things rarely go according to plan. 

Here is my romance hot take, the absolute hill I will die on: I love a surprise pregnancy. That’s right, I said it. Out on a Limb perfectly deploys this tricky, often unpopular trope with two of the best main characters a reader could ask for. All the while, Bonam-Young winks at the reader, letting us know not to worry since Win and Bo secretly have big, tenderhearted feelings for each other. Both are softies who’ve had a bit of life thrown at them and, as a result, are scared of the possibility of a good thing. We watch them unlearn past hurts, often from time spent operating in an ableist society, and be seen for the very first time by a partner. It’s an incredible thing to bear witness to, and it makes for a powerful love story.

“Isn’t that all we ever want? To be seen and heard?” Win says at one point. “Validated, even when we’re not able to ask for it?” Out on a Limb allows readers to feel all of those things alongside its characters, and the romance world is better, kinder and more expansive for it.

Hannah Bonam-Young will make you a believer in the oft-loathed surprise pregnancy trope with Out on a Limb.
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What happens when the characters in a romance know that they’re in one? Rom-coms are screenwriter Molly Marks’ bread and butter, so she’s already well aware of the tropes at play when she sees Seth Rubenstein at their high school reunion. He’s her first love, high school sweetheart, the one who got away, the one whose heart she broke. She’s the snarky cynic who runs from anything that looks like love, and he’s the wide-eyed dreamer who throws himself headlong into relationships because he still believes in true love, despite his highly successful career as a divorce attorney. They’re hitting every beat for a second-chance, opposites-attract romance, but Molly thinks she’s too smart to fall into that trap. She makes a bet with Seth: They’ll pick five couples and use their expertise to predict whether they’ll last or fail by their next reunion. Whoever makes the most correct predictions is the one who is truly right about love. But the fifth couple Seth picks to go the distance? It’s them.

In Just Some Stupid Love Story, author Katelyn Doyle takes her time with her characters. This isn’t a romance where perfect love is achieved in a matter of days. The timeline goes from Molly and Seth’s 15-year reunion in 2018 all the way to their 21-year one in 2023, including the height of the pandemic—which Doyle folds into the story very effectively, showing how COVID-19 acted as a pressure cooker for personal relationships. Seth and Molly’s relationship develops in fits and starts, often moving two steps forward and one step back even as their feelings for each other endure, sometimes painfully. Love doesn’t come quickly or easily in Just Some Stupid Love Story, and when it comes, it doesn’t fix everything. These characters legitimately struggle to overcome their fears, let go of their worst tendencies and show compassion even when faced with situations they don’t fully understand. While there are plenty of stories out there that say love conquers all, this one actually shows how and why. And that’s as surprising as it is satisfying.

Katelyn Doyle’s wise and satisfying Just Some Stupid Love Story follows a potential couple as their relationship develops in fits and starts over the span of five years.
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Packed with nonstop action, globe-trotting adventure and laugh-out-loud humor, Rob Hart’s Assassins Anonymous is an absolute blast.

We open as main character Mark is celebrating a year of sobriety in his 12-step program, but as he cleans up after the meeting, he’s violently attacked by a Russian man he’s never met. For Mark, AA stands for Assassins Anonymous, and he was celebrating a year without killing anyone—a vow he manages to keep even after his unknown assailant stabs him in the side.

In his life before AA, Mark was a government assassin known as Pale Horse, and built a reputation as a ruthless and skilled killer. A terrible mistake led him to quit the game and vow to never take another life again. That’s a lot easier said than done when someone is trying to kill him. Mark needs to figure out who wants him dead, and the list is not short. Complicating matters, he’s determined to accomplish this without sacrificing his sobriety: He can’t kill anyone, even the people determined to annihilate him. 

Hart takes readers on a wild ride across the globe as Mark searches for the person behind the assassination attempt, reliving his former exploits along the way. He partners up with potential love interest Astrid, a trauma surgeon for the criminal underworld, and his much beloved cat, P. Kitty, is also in tow. The supporting cast really makes this novel shine, from Astrid’s wry reactions to Mark’s fellow Assassins Anonymous members to the colorful group of criminals and spies from his dark past. 

Assassins Anonymous is hilarious and irreverent (e.g., a hitman bringing his cat along on his adventures) without ever falling into the trap of being ridiculous. With his dry sense of humor and self-deprecating nature, Mark is a fantastic narrator. Add to that some global intrigue and a dash of romance, and this novel is an immensely satisfying read.

The story of a former hitman with a target on his back and a vow not to kill, Assassins Anonymous combines a fantastic narrator, global intrigue and dash of romance for a hilarious read.
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Sally Hepworth’s Darling Girls is a feverish thriller rife with gaslighting and unreliable narrators, perfect for fans of Freida McFadden or Loreth Anne White.

Jessica, Norah and Alicia grew up in the same foster home, Wild Meadows, with a seemingly perfect foster mother, Miss Fairchild. When the novel opens, the now-adult women are all struggling thanks to what they endured in Miss Fairchild’s “care.” But when Wild Meadows is demolished and human remains are found underneath it, the ensuing investigation forces the three sisters to excavate their own complicated memories of what happened there.

Hepworth cannily builds this novel around the understanding that childhood trauma doesn’t always make sense to adult eyes. Each of the sisters’ experiences with Miss Fairchild are horrific in slightly different, almost inconceivable ways, leaving readers feeling like they are participating in some kind of collective hallucination. All three sisters have memories of babies being brought into the home, then disappearing at night. All three claim to have lived with a toddler named Amy—except the only Amy that existed in the house, according to police, was a doll. Hepworth’s deep dives into the point of view of each character keeps things feeling off-kilter and unmoored. As the tale of their spooky and bizarre childhood at Wild Meadows unfolds, we can’t help but wonder if the sisters’ odd experiences are a means of covering up their involvement in something dire. This is a novel where no one can be trusted at their word: Even as adults, the sisters are all still unreliable narrators. Jessica is addicted to Valium, Norah has severe anger issues that manifest as violence and Alicia has buried her past in a way that can only end in crisis. 

Extremely dark without ever showing violence on the page, Darling Girls portrays the horrors of psychological abuse, but the novel also offers catharsis. Jessica, Norah and Alicia survived a horrible ordeal. The discovery of the bones under Wild Meadows is the catalyst for them to be able to tell their story and begin to heal. 

With an emphasis on psychological versus physical terror, Darling Girls is a one-sitting read full of twists and turns.

With an emphasis on psychological versus physical terror, Darling Girls is a one-sitting read full of twists and turns.

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