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In 1923, Saffron Everleigh is the only female research assistant at University College London. She hopes to make a name for herself in botany and gain the respect of her male colleagues, many of whom question whether she deserves to be there. While attending a department party meant to celebrate an upcoming university-funded expedition to South America, Mrs. Henry, one of the professors’ wives, is poisoned. When Dr. Maxwell, Saffron’s mentor and boss, is accused of the crime, she begins her own investigation to clear his name—and figure out which member of their group tried to commit murder.

Kate Khavari brings 1920s London to life in A Botanist’s Guide to Parties and Poisons, focusing on the era’s less commonly explored academic and scientific spheres and taking full advantage of the lush greenhouses and gardens where Saffron and her colleagues conduct their research. Khavari also notes how the trauma of World War I still affects several of the characters, particularly Alexander Ashton, a fellow researcher who joins Saffron in her quest. Alexander’s experiences with what we now know as post-traumatic stress disorder feel authentic and contribute to this mystery’s realistic depiction of the ’20s.

Intelligent, witty and brave, Saffron makes for a delightful sleuth and protagonist. While trying to establish herself in a male-dominated profession, she must also navigate sexual harassment and discrimination. It’s a difficult position, but Saffron rises to the challenge.

Khavari has crafted a fast-paced, interesting mystery with two extremely likable central characters, and readers will be eager to follow Saffron and Alexander’s future escapades.

With its intriguing 1920s academia setting and two likable central characters, A Botanist's Guide to Parties and Poisons is a promising start to a new historical mystery series.

There comes a point in many people’s lives when they wonder, what if I could start over? What if I could be someone else, free of the baggage and the travails that have accumulated until now? In Chris Pavone’s suspenseful new novel, Two Nights in Lisbon, recently married couple Ariel Price and John Wright have shirked their former identities for new lives unfettered by past encumbrances.

Or so they think.

Only Pavone knows their secrets, and he reveals them slowly and deliberately, expertly seeding the novel with intrigue and suspense, one page at a time.

Chris Pavone on why no one gets a fresh start in his new thriller.

While accompanying John on a business trip to Lisbon, Portugal, Ariel awakes to an empty bed. She immediately reports John’s absence to the police and, when they don’t appear to be overly concerned, the American embassy. The authorities have plenty of questions for which she only has vague answers, because John has his own secrets; decades of his life are unknown to her. Her panic intensifies as his absence lengthens, and then her worst fears are confirmed with the arrival of a ransom note. As Ariel learns more about John, and Pavone reveals more of Ariel’s secrets, the collision of both characters’ pasts and presents fuels the increasingly thrilling tension.

“We tell ourselves stories about each other, about ourselves too, our pasts. We construct our narratives,” Pavone writes. “Maybe she doesn’t know her husband at all.” Pavone himself had to reinvent his life in 2015, when he left a successful career as a book editor to move to Luxembourg with his wife. His Edgar and Anthony Award-winning debut The Expats explored this territory, and Two Nights in Lisbon proves that it’s still fertile ground, packed with stay-awake-all-night thrills for readers.

Chris Pavone's latest novel is packed with stay-awake-all-night thrills as it follows a recently married couple with no shortage of secrets.

To enjoy James Patterson and Dolly Parton’s Run, Rose, Run (10.5 hours) to the fullest, you must listen to the audiobook. Not only is it a necessary companion to Parton’s album of the same title (featuring songs inspired by the novel), but the cultural icon also voices one of the main characters, veteran country music star and bar owner Ruthanna Ryder.

With her unmistakably sweet Southern drawl (which she once cheekily described in Rolling Stone magazine as “a cross between Tiny Tim and a nanny goat”), Parton imparts wisdom and warnings alike through Ruthanna’s character. Up-and-coming singer-songwriter AnnieLee Keyes, expertly voiced by country pop singer Kelsea Ballerini, brings youthful exuberance and hopeful naivete to the story, providing a counterpoint to Ruthanna’s sage advice about navigating the music industry.

AnnieLee’s pursuit of country stardom in Nashville, from the dive bars on lower Broadway to the business-minded studio executives on Music Row, is a familiar story, but Parton’s involvement as author and performer elevates Run, Rose, Run a thousand times over. Additional characters come to life through the voices of Soneela Nankani, James Fouhey, Kevin T. Collins, Peter Ganim, Luis Moreno, Ronald Peet, Robert Petkoff, Ella Turenne and Emily Woo Zeller, creating an ensemble experience for book listeners to enjoy.

With narration from country stars Dolly Parton and Kelsea Ballerini, Run, Rose, Run is a must-listen ensemble audiobook.

“Those were the good old days” is a phrase people love to say as they wax poetic about bygone eras. It’s understandable to feel nostalgic given our current chaotic landscape, but as The Lunar Housewife points out, it’s not necessarily merited. Caroline Woods’ historical thriller, set in the final days of the Korean War and the onset of the Cold War, spins a tale of big-city intrigue as it follows a promising young waitress-turned-writer and the increasingly disturbing secrets she uncovers. The result is an addictive binge of a read that’s equal parts intelligent introspection and nail-biting suspense.

It’s 1953, and Louise Leithauser has come a long way from Ossining, New York. The 25-year-old daughter of a housecleaner is now rubbing elbows with the likes of Truman Capote and Arthur Miller in New York City as a writer for the hip literary magazine Downtown. Louise is writing political pieces for Downtown (under a male pen name, but why look a gift horse in the mouth?), dating the magazine’s handsome co-founder, Joe Martin, and penning a sci-fi romance novel, The Lunar Housewife, in her spare time. She’s also certain her twin brother, Paul, who is missing in action in Korea, will come home any day now. But when Louise overhears a conversation between Joe and his colleague Harry regarding mysterious surveillance and their magazine’s dangerous connections, she begins to wonder if anything in her carefully constructed existence is really what it seems.

Coming off her critically acclaimed debut Fräulein M., Woods takes the reader into the tangled web of American-Soviet relations and the dark secrets underneath the New York literary scene’s sparkling surface. Even Katherine, the protagonist of Louise’s novel-in-progress, isn’t immune. A former World War II pilot who voluntarily defected from the States to go on a groundbreaking mission to the moon, Katherine starts to suspect all is not well on Earth or in space. Both Louise and Katherine live in a world that is run by men, but these smart, capable women are not going down without a fight.

The Lunar Housewife will have readers thinking long and hard about how good the “good old days” really were.

The Lunar Housewife is an addictive read that's equal parts intelligent introspection and nail-biting suspense.
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Readers are treated to two expertly crafted mysteries in Australian author Sulari Gentill’s The Woman in the Library.

Four strangers are sharing a table at the Boston Public Library when they hear a woman’s terrified scream. Winifred “Freddie” Kincaid, Cain McLeod, Marigold Anastas and Whit Metters form a quick friendship while they wait for security guards to figure out what happened. When a woman’s body is later found in the library, the new friends realize they didn’t just hear a scream: They may have overheard a murder. Freddie, Cain, Marigold and Whit set out to discover what happened that afternoon, but they soon realize that their meeting wasn’t random—because one of them is the murderer.

The Woman in the Library audiobook
Read our audiobook review! Voice actor Katherine Littrell brings a measured sense of menace.

But there’s yet another twist! The characters of Freddie, Cain, Marigold and Whit are just that: characters in a novel being written by an Australian woman named Hannah. She’s corresponding with an American writer named Leo, emailing him the chapters of her mystery novel as she completes them. Leo’s detailed responses follow each chapter, and readers soon realize he is more than an appreciative fan. Leo may be just as dangerous as one of the characters in Hannah’s story.

The author of more than a dozen mysteries, Gentill has created a smart, engaging novel that blurs genre lines. The mystery set within the library is a fresh take on the locked-room mystery, and Leo’s emails to Hannah create an increasingly ominous epistolary thriller, despite the distance between the characters. It’s an inventive and unique approach, elevated by Gentill’s masterful plotting, that will delight suspense fans looking for something bold and new.

Readers are treated to an inventive and expertly crafted mystery-within-a-mystery in Sulari Gentill's The Woman in the Library.

Some people deserve to die. At least, that’s Ruby Simon’s mindset. The protagonist of Sascha Rothchild’s Blood Sugar isn’t your typical suspected murderer. She’s a Yale graduate and a successful psychologist in her home city of Miami, and she was happily married until her diabetic husband, Jason, passed away. Now Ruby is accused of Jason’s murder, with plenty of time to think back on her checkered history as she waits in a police station. What follows is a Promising Young Woman meets “Dexter” thriller that’s both highly suspenseful and strangely empowering.

Ruby’s always been a Type A personality, pulling top grades and volunteering with animal rescues even during her wild teen years of club-hopping, snorting cocaine and hooking up with older men. Every now and then, she’s brought it upon herself to correct the injustices she saw around her. When Ruby was 5, she made sure her older sister’s bully drowned beneath powerful ocean waves. In high school, she fought back against her friend’s father, whose hands would never wander again after that. But Ruby genuinely loved Jason, a gentle Georgia native she met at an antique shop—so why is she under suspicion for his untimely demise? Could it have something to do with Jason’s aptly named mother, Gertrude, who has never hidden her disapproval of their marriage?

Rothchild is both a memoirist and an Emmy-nominated screenwriter for shows such as “The Bold Type,” “The Baby-Sitters Club” and “GLOW.” Her debut thriller successfully executes all the elements of a crackling mystery: page-turning plot beats, snappy dialogue (especially between Ruby and Roman, her narcissistic college bestie-turned-defense attorney) and vividly drawn characters. Readers will root for Ruby’s acts of vigilante justice toward toxic male figures while also questioning her reliability as a narrator. For those who love a fascinating, complicated female lead with more than one ax to grind, Blood Sugar is an absolute must.

Promising Young Woman meets “Dexter” in this highly suspenseful and strangely empowering thriller from an Emmy-nominated screenwriter.

Vera Vixen, ace reporter for the Shady Hollow Herald, is a very busy bee. Well, busy, yes, but a fox rather than a bee. As in the previous two volumes in author duo Juneau Black’s Shady Hollow Mystery series, Mirror Lake follows Vera as she juggles work, love and crime-solving in her beloved Shady Hollow, which is populated solely by animals.

Although it is technically her day off (try telling that to her boss, B.W. Stone, a skunk in both fact and temperament), Vera’s delight in the annual October Harvest Festival is somewhat tempered as the day progresses. She learns that her burly bear boyfriend, Deputy Orville Braun, is throwing his cap in the ring for chief of the Shady Hill Police. With claws secretly crossed for his triumph, she determines to remain neutral in reporting on the heated campaign.

Vera’s raven friend, Lenore Lee, owner of the aptly named bookstore Nevermore, also needs support. Lenore is all a-flutter over the approaching book-signing event with Bradley Marvel, a bestselling author of thrillers who thinks rather too highly of himself. In his attempt to charm the bright-eyed and bushy-tailed Vera, he proves to be a wolf in wolf’s clothing.

But these intrigues pale in comparison to the possible murder of Edward Springfield, a rat beloved by his eccentric wife, Dorothy. “Possible” because, well, Edward himself (or someone who looks exactly like him?) is standing beside Dorothy as she announces his murder! The most likely suspect is Edward’s older brother, Thomas. But he’s dead, too! Or is he? And whose headless body lies in the deep dark woods? All of Vera’s sly sleuthing skills are put to the test as she tries to solve a seemingly unsolvable case.

Mirror Lake opens with the authors’ plea for us to suspend our disbelief as we enter the realm of Shady Hollow. (Would all these animals be found in the same habitat in real life? How do you square carnivores and herbivores living in harmony?) It’s not hard to do: The anthropomorphizing of the cast is so unobtrusive that this reader often forgot the nonhuman nature of the characters. The occasional reminders of their animal nature add charm and humor to this pleasant tail—sorry, tale.

While some readers might roll their eyes at the simplicity of the plot, others will be chuffed as they attempt to outfox the wily Vera and solve the puzzle before she does. Mirror Lake doesn’t offer much emotional or intellectual complexity, but it does offer the pleasures associated with a cozy, close-knit community. Who wouldn’t want a cuppa at the coffee shop owned by Joe, the amiable moose? Who could resist the fine fare offered by panda master chef Sun Li? What could be cozier than a B&B run by the chipmunks Geoffrey and Ben?

Cold comfort is easy to find in our world these days. It’s much harder to find the humor and winsome warmth of the Shady Hollow mysteries.

Cold comfort is easy to find; it’s much harder to find the winsome warmth one encounters in Mirror Lake, a cozy mystery populated by woodland creatures.
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Alicia Bessette’s first Outer Banks Bookshop Mystery, Smile Beach Murder, brings readers to Cattail Island in North Carolina, where the sun shines and murder is in the air.

After losing her job, former reporter Callie Padget begrudgingly moves back to Cattail. Callie has a complicated relationship with the coastal community: While she loves the people and history of the island, her mother died after falling from the town’s famed lighthouse when Callie was just 12 years old. Everywhere she goes, she’s reminded of her mother and the life they might have built together.

Callie gets a job at the local bookstore, where she runs into Eva Meeks, the older sister of one of her school friends. Eva’s searching for books to help her with a treasure hunt and invites Callie to join in the fun. But the next day, Eva’s body is discovered at the base of the lighthouse. While local police believe she killed herself, Callie doesn’t, and she sets off to uncover a murderer on Cattail Island.

Bessette captures the charm of the Outer Banks with her vivid descriptions of laid-back island life. It’s easy to root for Callie, who’s resourceful and brave even when she finds herself staring down confessed killers and deadly sharks. And readers who have lost a loved one will relate to her journey to process the loss of her mother. Callie is still surprised by the depth of her grief, despite the time that’s passed, and her emotional development throughout the novel is made all the sweeter as she slowly embraces Cattail Island and all it has to offer. Readers will finish Smile Beach Murder cheering for Callie and eager for many more cases to come.

Alicia Bessette’s first Outer Banks Bookshop Mystery, Smile Beach Murder, captures the charm of island life even as it offers a moving perspective on grief.
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Readers will instantly be taken with ex-cop-turned-caterer Jodie “Nosey” Parker in Murder on the Menu, a delightful start to a new cozy mystery series set in the Cornish countryside.

After serving nearly 20 years on the force with the London Metropolitan Police and undergoing a contentious divorce, Jodie is ready to start fresh. She and her 12-year-old daughter, Daisy, move to Penstowan, the small Cornish village where Jodie grew up. There, she opens her own catering company, and her first client is Tony, a longtime friend and onetime ex-boyfriend who hires her to cater his upcoming wedding. Several uninvited guests show up the night before the service, including Tony’s first wife, Mel, who promptly gets into a fistfight with Cheryl, the bride-to-be. When Cheryl disappears and bodies start to pile up, Jodie takes off her caterer’s coat and dives into the investigation in order to clear Tony’s name. 

Author Fiona Leitch’s excellent writing, witty dialogue and tongue-in-cheek humor elevate each scene, and the well-plotted mystery will keep readers guessing until the end. It’s easy to root for the entertaining Jodie, who’s still exceedingly capable as a detective despite having left the force. Detective Chief Inspector Nathan Withers, the lead investigator, is both annoyed and impressed with Jodie, and watching their budding chemistry is a delight. Leitch also ably explores the bittersweet, complicated nature of Jodie’s return to Penstowan: While she’s happy to live closer to her mother, a firecracker with a busy social life and wicked sense of humor, Jodie’s still coming to terms with living in the shadow of her late father, who dedicated his life to protecting the village as chief inspector.

Murder on the Menu will delight cozy mystery fans, especially those who want just a touch of melancholy amid all the crime-solving fun.

Fiona Leitch’s excellent writing, witty dialogue and tongue-in-cheek humor elevate each scene in this cozy mystery set in the Cornish countryside.

What does it mean to be known? For a group of women in the South American art world, that seemingly simple question leads to more questions. In María Gainza’s Portrait of an Unknown Lady, unknown ladies abound—the nameless narrator, her enigmatic late boss and a long-gone painter—but only one ties them together: a master forger who may or may not still be alive, whom the narrator has vowed to track down. As Gainza follows her on her quest, she also offers a spare but vivid peek inside a female-dominated environment that’s both fascinatingly specific and deeply universal.

Thanks to family connections, the 25-year-old narrator lands a job in a prestigious Buenos Aires auction house and is immediately fascinated by her employer, Enriqueta Macedo. A nationally renowned expert in art authentication, Enriqueta runs the narrator ragged at work but also takes her to the spa on weekends. Enriqueta soon confides a major secret of her success: She sells certifications of authentication for artworks that she knows are forgeries. “Can a forgery not give as much pleasure as the original? . . . Isn’t the real scandal the market itself?” she asks the narrator in justification.

After finding Enriqueta dead of natural causes, the narrator’s grief-fueled breakdown inspires a covert mission. Donning Enriqueta’s black fur coat, the narrator checks into a hotel in hopes of locating Renée, a forger best known for her replications of the works of Mariette Lydis, a portraitist from the 1920s with her own colorful past. Enriqueta hadn’t seen Renée in over a decade, and as the narrator follows leads from Enriqueta’s and Renée’s ex-classmates and colleagues, she asks herself what she is really hoping to find, and why.

For these women, art is less occupation and more religion. Mariette, Renée, Enriqueta and the narrator have their own reasons for creating and selling art, as well as their own obstacles to fulfillment, but it’s the art itself that unites them. Through catalog descriptions, court transcripts and the narrator’s own introspective voice, acclaimed Argentine author Gainza, an art critic herself, deftly explores the quest for truth, both in brushstrokes and within oneself. Portrait of an Unknown Lady offers no easy answers but provides immense pleasure in the journey to find them.

This spare but vivid peek inside the South American art world is both fascinatingly specific and deeply universal.
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Portrait of a Thief by Grace D. Li is an enticing and stimulating escape: a heist novel that follows a group of young Chinese Americans in their quest to return stolen pieces of art to China. With a caper at its center and rebellion in its heart, Li’s debut is like Ocean’s Eleven meets Olga Dies Dreaming, a diaspora story wrapped up in a thriller.

When art history student Will Chen witnesses the theft of precious Chinese artifacts from the Harvard museum, it upends his life. Instead of revealing everything he knows to the authorities, he grabs a priceless carving for himself, and one of the thieves hands him a business card. He’s soon enlisting his sister and friends as his crew and flying first class to Beijing to meet the visionary behind a scheme to reclaim art plundered by Western governments. Chinese billionaire Wang Yuling offers Will $50 million to liberate five sculptures from museums across Europe and America.

A cinematic heist thriller with a social conscience, Portrait of a Thief is immediately appealing. But as this vivid and precisely crafted novel goes on, readers will be fascinated with the characters and their relationships as well as impressed by Li’s multifaceted exploration of Chinese American identity. The close third-person narration centers one of five characters in each chapter: Will; his tightly wound but charismatic sister, Irene; Daniel, a longtime family friend; Lily, a mechanical engineer and occasional street racer; and Alex, a software engineer who dropped out of MIT after her parents’ rent doubled. In addition to unique skills, each character has a distinct personality, motivations and perspective on being a child of the Chinese diaspora.

Though they don’t overshadow Portrait of a Thief’s strengths, some weaknesses are also evident. The gang often contemplates their Chinese heritage, but the content of their contemplations rarely evolves, which can make these reflections feel repetitive. More importantly, for such smart people, their approach to the heist is a bit thick. Watching Ocean’s Eleven for tips is ironic and funny, but a Google Doc for planning? Fortunately, rooting for these underdogs is tremendous fun, and the novel has a great sense of humor. While debating whether to move forward, the would-be thieves break out the whiteboard and do a quick pros and cons analysis: “There were just three bullet points. Making history, it read. China gets its art back. A shit ton of money.”

Portrait of a Thief is an unlikely heist story made even richer through excellent writing, indelible characters and an engaging anti-colonialist message.

With a heist at its center and rebellion in its heart, Grace D. Li’s debut is like Ocean’s Eleven meets Olga Dies Dreaming.
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Claudia Gray’s The Murder of Mr. Wickham is a cozy locked-room mystery set in a world populated by Jane Austen’s beloved characters.

Emma and George Knightley have decided to host a monthlong house party at their estate, Donwell Abbey, and have invited some of their closest friends: the Darcys (including their son, Jonathan), the Brandons, the Wentworths, the Bertrams and Juliet Tilney, the daughter of Northanger Abbey’s Catherine and Henry. During the first days of the party, the very-much-not-invited George Wickham makes an appearance to collect a debt from Mr. Knightley, and we quickly learn that every person in attendance has a grievance with Wickham. Austen fans will already know from Pride and Prejudice that the Darcys’ interactions with Wickham were the opposite of pleasant, and he is still up to his nefarious ways in Gray’s novel: An investment scheme has robbed some couples of their wealth, he is blackmailing Fanny Bertram, and Colonel Brandon has a particularly heartbreaking past with the scoundrel.

When Wickham is found dead one stormy night, it is apparent that someone staying or working at Donwell must have committed the crime, as the muddy roads were too impassable for a stranger to arrive. After witnessing the local magistrate’s bumbling efforts, Juliet and Jonathan form an unlikely partnership, as both are determined to solve the crime.

Claudia Gray reveals why Mr. Wickham had it coming.

The Murder of Mr. Wickham is not a novel for Austen purists. The reader must accept the conceit that the characters are all acquainted (in a foreward, the author explains how she tweaked the timeline) and, furthermore, that one of the beloved characters may be a murderer. On the way to reaching the mystery’s satisfying solution, readers also get to see that all the couples still have struggles within their marriages. Those who believe Austen’s novels ended with a firm happily ever after may be dismayed by this development, while others will be fascinated by how Gray complicates the relationships between the various characters.

Readers looking for a charming mystery will adore this book. Gray captures Austen’s tone perfectly, allowing fans to step back into the Regency author’s beloved world. And despite the presence of iconic characters such as Emma Knightley and Lizzie Darcy, the newly invented characters of Jonathan and Juliet are dynamic in their own right. They quickly become adept at working together, and there is a hint that romance is on the horizon.

The Murder of Mr. Wickham will allow many Austen fans an opportunity to revisit the characters they treasure, and solve a mystery to boot.

Claudia Gray’s The Murder of Mr. Wickham is a cozy and charming mystery set in a world populated by Jane Austen’s beloved characters.

The iconic actor Sydney Poitier once said, “So much of life, it seems to me, is determined by pure randomness.” Peter Swanson’s new mystery, Nine Lives, provides a perfect example of this sentiment as it doles out a series of inexplicable murders.

Nine individuals, ranging from an actor to a professor, from a father to a nurse, receive a cryptic one-page letter in the mail containing a list of their names. None of the people on the list are familiar with one another or have any apparent connection, past or present. Most don’t even live in the same state. Swanson swiftly moves from one character’s point of view to another’s, establishing the core cast in short chapters that provide compelling sketches of all nine intended targets. 

Since the letter had no return address or other instructions within, several of the recipients naturally dismiss it. But then people on the list suddenly start dying: A retired bar owner is drowned while another man is shot in the back while jogging near his home. FBI agent Jessica Winslow, who is one of the names on the list, races against the clock to identify the other recipients and the killer before she too becomes a victim.

Nine Lives is in many ways an heir to Agatha Christie’s classic whodunit And Then There Were None, in which eight random individuals are invited to a remote island only to be stalked by a killer. But where Christie made clear that her characters had all committed crimes and the killer was out for revenge, the motives and location of Swanson’s killer are terrifyingly opaque. Swanson creates a rollercoaster for readers, offering clues only to upend everything that was supposedly certain moments earlier. And all the while, the number of remaining victims is counting down, from nine to zero.

Peter Swanson’s latest mystery is an unpredictable rollercoaster that boasts a compelling cast of characters.

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