The true crime genre has been so successful in podcasting that one might forget it originated in publishing. Becky Cooper, formerly of the New Yorker, has already drawn comparisons to In Cold Blood with her true crime masterpiece, We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence—and for good reason.
On a winter night in 1969, Jane Britton, a 23-year-old grad student in the Harvard anthropology department, was brutally murdered in her Boston apartment. Aspects of the crime scene suggested that her murderer may have had some knowledge of ritualistic burials. For decades, rumors suggested that a powerful archeology professor killed her. Cooper, herself a Harvard graduate, finally decided to find out.
Over the course of 10 years, Cooper turns over every stone trying to identify Jane’s killer. She perseveres mightily in her investigation, driven in part by the way she identifies with the quirky, complicated victim. This identification may draw in readers who see themselves in Jane, too. But for others, the author’s embrace of a stranger who died 50 years prior may never quite gel. The book is strongest when we’re empathizing with Jane—her romantic foibles, grappling with sexism within academia—rather than with the author.
For aspiring journalists, Cooper’s impressive work in We Keep the Dead Close is a masterclass on how to do investigative reporting. She dug deep into archival research and interviewed most everyone involved in the case, drawing uncomfortable information out of her sources with particular skill while still withholding judgment. Along the way, the narrative ventures down rabbit holes and zigzags from Cambridge to Hawaii to Iran to Labrador.
Cooper’s 10-year investigation is a meandering one that may drag on for readers who want a neat and tidy resolution. For everyone else, there’s so much to chew on in We Keep the Dead Close. The resolution, when it comes, is as unexpected as it is heartbreaking.