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In What She Ate, food historian Laura Shapiro reveals the surprising stories behind six fascinating women’s appetites. Her subjects include author, poet and diarist Dorothy Wordsworth, sister of William; British chef Rosa Lewis, known as the “Queen of Cooks,” whose champions included King Edward VII; first lady Eleanor Roosevelt; Hitler’s mistress and eventual wife, Eva Braun; British novelist Barbara Pym; and writer and publisher Helen Gurley Brown. 

We asked Shapiro a few questions about the secrets food can reveal, the questions that still linger and her own appetites and cooking habits. 

You wrote that digging deeply into the stories of these women sometimes felt like probing into "the underside" of a Norman Rockwell painting. What surprised you the most? Do any unknowns still nag you?

There’s an image I just can’t shake; it’s been hovering over me ever since I started reading about Eleanor Roosevelt and the food at the FDR White House. It's an image of Eleanor herself, one of the most generous and warm-hearted First Ladies in history, gazing pleasantly around the luncheon table as the main course is served. Her guests try a bite or two of some dreary, lifeless dish; they push the food around, and as soon as they can politely do so, they put down their forks. I think about this scene so often, I feel as though I must have been there, but I still can’t figure out what Eleanor was thinking. She loved these people! They were friends, colleagues, people she admired, people working hard for FDR and the New Deal. And she was watching them get up from the table hungry. What’s unknowable here, at least to me, is the nature of the disconnect between Eleanor-the-empathetic and Eleanor-the-oblivious. In the book I write about the various reasons why she tolerated and/or promoted terrible food at the White House, yet enjoyed food in other times and places. But this disconnect runs even deeper, and it’s a mystery to me. I suspect it was a mystery to her, too.

“Everyday meals," you write, "constitute a guide to human character and a prime player in history." In addition to the Last Supper, what other famous meals come to mind, and what questions do you have about that meal?
One day in Paris, probably around 1913, Gertrude Stein invited the writer Carl Van Vechten to dinner. Van Vechten was a cultural entrepreneur and activist—he was involved in dance, music, the Harlem Renaissance and pretty much everything else going on in the arts before World War II. He wanted to cultivate Gertrude Stein, and she was very willing to be cultivated, hence the invitation. Stein, of course, lived with Alice B. Toklas, a great cook and very discerning food-lover. In other words, everything was in place for a noteworthy meal. Toklas herself didn’t make dinner—they had a cook, Hélène—but as Stein’s devoted lover and most fanatic admirer, Toklas surely would have overseen the menu. Or did she? That night, Hélène served them "an extraordinarily bad dinner," Stein wrote in The Autobiography of Alice B. Toklas. "For some reason best known to herself she gave us course after course of hors d’oeuvres finishing up with a sweet omelet." Actually that sounds good to me, but then, I always like the hors d’oeuvres best.

At any rate, I’m dying to know more. Years later, when Toklas wrote The Alice B. Toklas Cookbook, she described Hélène as "that rare thing, an invariably perfect cook. She knew all the niceties of making menus. If you wished to honour a guest you offered him an omelette soufflé with an elaborate sauce, if you were indifferent to this an omelette with mushrooms or fines herbes, but if you wished to be insulting you made fried eggs." I have a feeling insult was on the menu that night—but why? Why?

When you visit people’s homes, do you yearn to peek inside their cupboards and fridge? How and why did you turn into a culinary historian?
Yes, it was exactly that impulse to sneak a look inside other people’s refrigerators that propelled me into writing about food. Growing up I was wildly curious about what everyone else was eating—I remember looking at other kids’ lunch trays at Broadmeadow School, and trying to guess why they skipped the Jell-O but didn’t mind eating those horribly flabby mashed potatoes doled out with an ice-cream scoop. When I discovered that this obsessive curiosity was perfectly respectable as long as I called it being a culinary historian, I was delighted.

The chapter about Eva Braun is fascinating, including her fondness for daily champagne and her penchant for new clothes and preserving her figure. You note that historians have reconstructed Hitler and Braun’s last hours in minute detail, yet there is "remarkably little documentation of the last meal." What might those details reveal?
It’s fascinating that Third Reich historians have described practically everything about the final hours in the bunker, except the last lunch. Or rather, they've noted it, but the accounts differ; and it’s impossible to say for sure exactly what was on the table. I made what I hope is a reasonable guess, based on the most consistent information; but I hate not having all the facts. I think what I’d see, if I knew the food more precisely, would have to do with the nature of appetite and the symbolic power of the act of eating. They were under siege; horror and destruction were just outside, and they had created that horror and destruction, so the chaos was inside them as well. How do you feed yourself, what does sustenance mean, when you’ve brought about so much death and are now looking straight at your own?

Of the women you profile, Cosmopolitan editor Helen Gurley Browns food story seems particularly surprising. Famed for being on the forefront of feminism, she was constantly dieting with protein, pills and Lean Cuisines while still trying to cook for her husband. Why do you think she was unable to escape this self-imposed trap?
I was fascinated by the young Helen I discovered in the Helen Gurley Brown papers at Smith College—a smart, ambitious woman determined to make her way in Los Angeles. She had such a lively mind, and I think she could have gone in all sorts of interesting directions if she hadn’t decided to focus practically exclusively on men and sex. The moment she hit the big time with Sex and the Single Girl it was all over. She didn’t dare let go of the formula. So for the rest of her life, she worked like crazy on maintaining the same body, the same skin, the same hair and the same single-minded focus on men. It really was her prison, and by the end of her life, under the wig and the plastic surgery, there just wasn’t much left.

What were your favorite meals as a child? And now?
My mother was a wonderful cook, and in fact she worked as a caterer during the ’50s and ’60s, so there was often a lot of cooking going on in our kitchen that wasn’t for the family, it was for one of her clients. She would pack it all up, put it in the car, and drive off to the event. Late that night she’d return home, unpack the car, and put the leftovers in the refrigerator. The leftovers! I used to get up very early, go right down to the kitchen in my pajamas, and forage in the refrigerator for breakfast—the most glorious breakfasts you can imagine. There were cream-cheese-and-mushroom rolls; there were slices of "party rye" with onion, mayonnaise and parmesan cheese; there were cream puffs filled with crabmeat; there was liptauer cheese dip; and I suppose there were things like meat and vegetables, but those didn't interest me. Then I would check the cookie tin for desserts—brownies, rugelach, and what we called "edges." My mother made excellent lemon squares, and she always cut off the messy edges so each square would look tidy. The edges— lemony, buttery and crisp—were saved for us.

Alas, I’ve never again lived with a refrigerator that held such treasures, but to this day, leftovers are my favorite meal.

Once you got married, "the prospect of making dinner hovered over each day like a thundercloud that refused to break." To further complicate matters, you and your husband had moved to India.
It’s a good thing I got married back in the 1970s and not last week, because I’d be losing my mind even more definitively in today’s culinary environment than I did all those years ago. Back then I had cooked lots of meals as a woman but none as a wife, and I was frantically trying to figure out the difference between those two female identities. Yes, there was a male partner in my life, but it was the same male partner who had been there before the wedding, so why was I suddenly a different person? Or was I the same person, albeit wearing a ring and writing thank-you notes? In pursuit of some kind of answer, I focused on the act of making dinner, which I knew to be a special preoccupation of wives—at least, that was the message I had absorbed from all the women’s magazines that came to our house while I was growing up.

But suppose I were launching my domestic life today, and focusing on dinner as the prime signifier of wifedom. I’d be assailed on all sides by images of glamorous, perfect meals—they’d be on TV and social media, they'd be in newspapers and magazines, they'd be in every cookbook. The stakes would be impossibly high. I'd have wife-anxiety and also competitive-cookery anxiety. I’d be worrying about spending a fortune on flawless organic ingredients just to make my mother’s recipe for chicken tetrazzini, and I’d be worrying that I shouldn’t make it at all because it's so embarrassingly old fashioned, and I'd be worrying about whether to make some splendidly simple dinner instead, like grilled salmon, and then I'd realize I had no grill and that the good salmon cost $35 a pound—well, you get the picture. Mania in all directions simultaneously.

I think if I have any advice on starting to cook, it’s this—just cook. Regularly. Use fresh ingredients, and for heaven’s sake buy them in the supermarket if you want to. Follow some incredibly simple recipe, and cultivate a respect for the ordinary. The rest is commentary.

ALSO IN BOOKPAGE: Read our review of What She Ate.

(Author photo by Ellen Warner.)

In What She Ate, food historian Laura Shapiro reveals the surprising stories behind six fascinating women's appetites. We asked Shapiro a few questions about the secrets food reveals, the questions that still linger and her own appetites and cooking habits.&nbsp
Interview by

Despite the title, John-Bryan Hopkins’ Foodimentary: Celebrating 365 Food Holidays with Classic Recipes isn’t quite a calendar or a cookbook. The first entry is “Peanut Butter Lover’s Day” on March 1, and from there the book covers everything from the Aztecs and Incas to health-food pioneer Dr. John Kellogg to the 1904 St. Louis World’s Fair.

The January 1 entry, many chapters later, is not about black-eyed peas, soba noodles or lentils but a specialty concoction for “Bloody Mary Day.” It is one of many holidays that Hopkins shamelessly admits to having personally anointed. “I looked up all sorts of recipes going back to the 1910s and ’20s,” he says. Ultimately, Hopkins makes his Bloody Mary with vodka, for those into such spirited debates.

Foodimentary—inspired by Hopkins’ popular blog, foodimentary.com—is what he calls a celebration, a daily indulgence and an appreciation of food, culture and nostalgia. It’s also an evocation of Hopkins’ own story, “fleshed out” with recipes, vintage photographs and delightful trivia.

“It’s how I wanted to tell my tale,” says the Birmingham native, “with as much layering as I could bring to it.” It’s comfort food in both senses, a hometown story alongside his favorite dishes.

Hopkins, whose blog began in 2005, came up with the Sherlock Holmes-inspired name during a freewheeling and slightly inebriated post-dinner conversation. Ironically, he had a mild bias against blogs because he felt they tended to be about the blogger, not the subject. He styles himself more as the wizard behind the delicious and decadent curtain. When he discovered the word “foodimentary” was free and clear of copyright, he took it as a sign.

Hopkins’ goal is to lead his readers to their own food-inspired “A-ha!” moment: “When you learn a fact about a food or recipe you think, oh, that makes sense!”

For Foodimentary, Hopkins originally tested 176 recipes, which have been whittled down to a few dozen highlights. Some are personal favorites; others, such as Eggs Benedict, are classics. There’s also his own “personal best” dish, an extra-savory take on grilled cheese featuring sun-dried tomatoes, arugula and sautéed mushrooms on baguette slices.

Altogether, Hopkins estimates he’s introduced the world to around 150 national food holidays. So many, in fact, that one of his proudest achievements is that Google has taken up his food calendar. Foodies can sign up for his daily alerts that include food trivia along with fun historical facts, like his salute to bologna and its Italian origins.

Some holidays are comparatively serious (September 25 honors the multitude of waiters, busers, servers, dishwashers, chefs, etc. in the food service industry) while others are more akin to guilty pleasures. We have “Cheez Doodle Day,” March 5; “Pizza and Beer Day,” October 9; and “Whiskey Sour Day,” August 25 to name a few. This reviewer is looking forward to both the soft and hard taco days, October 3 and 4, respectively, though it seems like October 5 should probably be Alka-Seltzer Day instead of “Apple Betty Day.” While the ubiquitous and beloved fall flavor, pumpkin spice, is seasonally celebrated on October 1, sometimes Hopkins eschews tradition in favor of his own agenda. For example, August is famously among the months when it is considered inadvisable to eat oysters. Perhaps flaunting the all-season convenience of our modern age, he has assigned Oyster Day to August 5.

Adding to the nonstop fun are the trivia questions in the sidebars. The word “zucchini” may translate from Italian into “small squash,” but a full-grown fruit can grow the size of a baseball bat—no doubt thanks to the same food science that allows us to eat oysters year-round. Peanuts have more antioxidants than either green tea or spinach; Brits like to enjoy pigs in a blanket on Thanksgiving; ramen noodles were taken into outer space; Italy is the world’s largest exporter of caviar. This is a book that could easily be displayed in the kitchen or on a coffee table for visitors to leisurely graze.

One of the more intriguing elements of Foodimentary is that the illustrations are by four different artists, one for each season, which are harmonious without being identical. “I wanted each season to have a slightly different feel as you travel through the book,” Hopkins, a former interior designer, says. “I didn’t want the concept just to be about a series of days, I wanted [the nostalgia] to visually rise up under a seemingly simple premise.”

Now that his whimsical almanac has gone public, Hopkins is stirring up ideas for a second book. He envisions a more serious reference title, though still accessible: “Need a quick substitute in a recipe? Don’t go to Google, go to Foodimentary.” He managed most of his first book’s text in six weeks, so followers may not have to wait too long.

Speaking of whimsy, Foodimentary begins with March because spring is Hopkins’ favorite food season. He says it’s the “best time to me to celebrate food.” Hey—it worked for the Romans.

 

This article was originally published in the December 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Despite the title, John-Bryan Hopkins’ Foodimentary: Celebrating 365 Food Holidays with Classic Recipes isn’t quite a calendar or a cookbook. The first entry is “Peanut Butter Lover’s Day” on March 1, and from there the book covers everything from the Aztecs and Incas to health-food pioneer Dr. John Kellogg to the 1904 St. Louis World’s Fair.

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Mark Kurlansky dives into the surprising history of dairy in his latest book, Milk! Rich in facts, this book offers everything from recipes to the science behind the raw milk movement. Here, Kurlansky (PaperCod, Salt) tells us about his favorite cheese, the wonders of milking machines and cow flatulence. 

Milk! is your 20th published book of nonfiction, not to mention your novels and children’s books. What’s the secret sauce for being so prolific?
My father was a dentist. He walked to his office five days a week and sometimes more, first thing in the morning, and put in about 10-12 hours a day. That’s how he put us through school, and that is how I have put my daughter through school as well.

What surprised you most from your research about milk?
How many controversies there have always been, why it was the first food tested in a laboratory and the most regulated food in the world.

Aside from creamed potato leek soup, what are your favorite recipes in the book?
Coupe aux marrons, my favorite ice cream dessert. It is a simple recipe. I use that of Henri Charpentier, a popular chef back when coupe au marrons were. It takes some skill to candy chestnuts, but you can just boil them. Also Indian pudding, which reminds me of my childhood in New England; Pellegrino Artusi’s wonderful caffè latte gelato; Indian paneer Makhani; and Escoffier’s sole normande. Of course, nobody eats like that anymore, but maybe they should occasionally.

What’s your favorite cheese and why?
Nouveau Roquefort, made in the winter and sold in the spring, because it is both strong and subtle. Epoisses in the fall, because it is creamy and complex. And I love the real Basque sheep cheese, the strong ones made high on the mountaintop. You have to go there to get it. In the U.S. you get a sad imitation.

What’s the most unusual type of milk you’ve drunk? Have you tried donkey’s milk?
I have never tried donkey milk. I have tried camel milk in Dubai. It has a distinct flavor a bit like goat. But it makes fantastic ice cream in flavors such as date or saffron. Saffron camel milk ice cream is not only beautiful—that bright orange color with threads of red saffron—but one of the great taste thrills of the Arab world.

Where do you stand on the raw-versus-pasteurized milk argument?
This is a public health argument. It’s like salt. It is not true that large amounts of salt are harmful to everyone. It is to some people, and the complexity of the issue does not lend itself to public administration, so they just tell everyone to eat less salt. No harm in that.

Well-supervised raw milk is perfectly healthy. In fact it may be more healthy. It tastes better, also. But it is a logistical nightmare to supervise it. And a lot of people used to die from badly supervised raw milk. So the safest thing is to say that it should all be pasteurized. Too bad, really. If they at least wouldn't homogenize it, that would be good. There is absolutely no question that the best cheese is made from raw milk.

What farm visit was the most revelatory to you? Why?
Farms, like fisheries, have their own story to tell, and that story comes with many lessons. It’s hard to single one out. Certainly the most striking was the nomadic yak herdsmen of northern Tibet, still hand-milking in the field at altitudes almost too high to breathe, except for the yaks who like that thin air. The most fun I had was at my friend Brad Kessler’s Vermont goat farm. Young goats are just a lot of fun.

What was the most significant technological advance in the history of milk?
I think it was the milking machine. It did not come along until late in the Industrial Revolution because all cows are different, and even the teats on the same cow have significant differences. But once it was figured out, you could milk them by the thousands, and that was the end of the small family dairy farm.

Hmm. Cattle flatulence and green house gasses? Tell me more.
Well, it seems cows fart such gasses as methane. Not a big deal on the 100-cow farm. But when you have a few thousand farting together, that impacts the climate. The neighbors start complaining, also.

If you were to recommend one book from your extensive bibliography, what would that be?
They are all worth looking at, from the history of breastfeeding and ancient history to the many food books to mid-19th-century diatribes against raw milk. Check them out.

Author photo by Sylvia Plachy

Mark Kurlansky dives into the surprising history of dairy in his latest book, Milk! Rich in facts, this book offers everything from recipes to the science behind the raw milk movement. Here, Kurlansky tells us about his favorite cheese, the wonders of milking machines and cow flatulence. 
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After 88 years as America’s most popular cookbook, Irma Rombauer’s great-grandson John Becker and his wife, Megan Scott, continue the legacy of Joy of Cooking. We caught up with the authors about their contributions to this latest edition.


What’s the biggest difference between the original edition of Joy and this one?
Size! This is due to several factors. Perhaps the most meaningful and defining is Marion [Rombauer Becker]’s contribution to the 1963 and 1975 editions of Joy. These two editions were truly groundbreaking for us. Before, Joy was Irma [Rombauer]’s book: a collection of useful recipes, rendered on the page with wit and aplomb. Marion had a grander vision for Joy: a collection of recipes and a primer on making ingredients—items such as corned beef, sausage, cheese and tofu—from scratch and a compendium of trusted information, covering subjects ranging from the best fats to use for deep-frying to tips for beating egg whites to instructions for growing various herbs to the difference between cassia and true cinnamon.

Though we hold the 1931 edition as sacred and admire Irma’s style and wit, Marion is the one whom we looked to most when deciding how best to improve Joy. The cookbook publishing world has a surplus of titles that are highly personal. Indeed, personality is the primary selling point for countless books every year. Among this abundance of tightly focused titles, we felt that the best way to position Joy was as a supplement of comprehensive practical knowledge—one specifically geared toward readers who are cooking for the first time, as well as toward curious cooks who need to fill in the inevitable blanks left by more personality-based or single-subject titles. We also wanted to give a sense of identity and perspective in our writing, since that’s what so many of our readers have loved about Joy over the decades. We tried to inject some of our own humor, opinions and personality throughout the book, much as Irma did. We want to inform and educate, but we don’t want to put people to sleep in the process!

“We try to assume as little as possible about our readers and their knowledge base. Whereas most titles are aimed at specific audiences, we deliberately try not to.”

What characteristics does the typical cook have in 2019 as opposed to 1931? What traits do they share?
We’re not sure we’re qualified to normatively define a “typical cook.” Such things are best left to historians, sociologists and cultural anthropologists. We know for a fact that we did not “focus group” this edition in any way. Actually, this is perhaps one of the more unique things about Joy: We try to assume as little as possible about our readers and their knowledge base. Whereas most titles are aimed at specific audiences, we deliberately try not to. This is definitely an unpopular marketing strategy, but we think the result will serve our readers well in the kitchen.

If we had to armchair it though, we would say that the biggest changes in our (potential) readership are:

1) Diversity: This country is less homogenous. Thus, our collective awareness of different cooking traditions is unprecedented.

2) Gender: Home cooking is not as gendered as it used to be.

3) Engagement: Modern food media is huge, social media is huge, and as a result cooks are more motivated, engaged and educated than ever before.

As far as what we share in common with cooks circa 1931: We all need to sustain ourselves and our loved ones, we all (to one degree or another) think of cooking as an act of caring, and we all need guidance and encouragement when we are learning how to cook.

Joy has been referred to as the kitchen Bible. How, like the Bible, can this cookbook inspire love, community and dedication?
We always find this analogy troubling . . . or perhaps the better word is thought-provoking. In what ways is our book like a religious text that purports to explain the ways of God to humanity? Do readers really feel like we are prescribing how they should eat? Is our book more of a new or old testament?

Speaking of new testaments, we can certainly attest that some readers invariably find the changes we make from edition to edition apocryphal. We get impassioned complaints, especially with regard to recipes we cut. My [John’s] father, Ethan, recalls an especially memorable haranguing over the omission of an orange chiffon frosting recipe. Just recently, we were hassled over the absence of schaumtorte. (It was cut in 2006, so don’t blame us!)

In some ways, comparing a comprehensive, beloved book to the Bible is apt: Both Joy and the Bible occupy a special place in the homes of countless families. Many copies of Joy get passed down, not unlike a family Bible. It’s a sort of kitchen talisman.

One funny (and touching) thing we have noticed after years of interacting with Joy fans: The majority of readers will insist theirs is the “original” edition. And for them, it feels that way. If your mother hands down her copy of Joy to you—stains, margin notes, recipe cards stuffed between the pages—it was, in a very real sense, hers (and now yours). Though Irma, Marion and the rest of our family may be Joy’s authors, readers are the ones who animate the book, who cook from it, who scrawl notes in it. In this way, people claim Joy as their own, which is not unlike how the devout internalize and interpret scripture. To us, it speaks to the (very humbling) place we occupy in the lives of families.

“We get impassioned complaints, especially with regard to recipes we cut. Just recently, we were hassled over the absence of schaumtorte. (It was cut in 2006, so don’t blame us!)”

For some, cooking is a form of art. For others, cooking is a way of science, experimentation and discovery. What is cooking for you?
It depends on our mood. Sometimes, we are animated by the idea of cooking as scientific inquiry—exploring new recipes, using an ingredient that is new to us. Other times, we are drawn into the kitchen with a fully formed idea that we want to realize (which we guess is a form of artistic self-expression?). Honestly though, we think both of these scenarios occur in our kitchen because of our profession. And even then, they do not characterize the majority of our time spent cooking.

As lifelong home cooks, we think of cooking as daily practice. Sure, it’s necessary for providing sustenance, but it’s also one of the essential ways we express care and affection for others (and ourselves). Experimentation and art seem to presuppose a beginning: resolving to shop for a new recipe, sourcing a special ingredient to try or experiencing a creative moment of ideation. Habitual cooking, however, is much more fluid and messy—guided by what’s on hand, what’s leftover and what we are able to fit into our lives.

For us, being able to confidently juggle time, ingredients on hand and appetites is a source of joy—one that is achievable and grounded rather than aspirational and perfectionist. Making cooking artistic and scientific can be motivational and enriching for ambitious cooks. However, for most of us (most of the time), lowering the stakes a bit leads to a much more enjoyable time in the kitchen. No need to stress about performing a test correctly or getting the brush strokes just right. Though if you can channel Bob Ross in the kitchen, by all means, follow your muse!

What was the first thing you ever cooked?
John
: My mother was teaching me to make omelets when I was 5 or 6. I would always add weird, inappropriate spices, and the eggs would not look like eggs anymore. (I’ve always had the “cooking as inquiry” bug.)

Megan: I don’t remember one specific thing, but from an early age I helped my mom get dinner on the table by doing small cooking tasks like making rice or cooking green beans. By the time I was 11 or 12, I was interested in more complex things. I remember one Thanksgiving around that time I made a pumpkin creme brulee that I was really proud of.

What is the biggest mistake you’ve made while cooking?
John:
Aside from grotesquely colored omelets? Probably the time I tried to introduce my father to lamb saag and misread my own recipe—adding two tablespoons of ground cardamom instead of two teaspoons. It was borderline inedible. Still feeling shame from that one.

Megan: At Christmas when I was 14 years old, I wanted to make homemade croissants. Everything was going well until I put them in the oven. I didn’t realize that I should use a rimmed baking sheet, so some butter melted out of the croissants and pooled in the bottom of the oven, where it caught fire. My mom quickly put out the fire, and we were able to save the croissants, which turned out well, all things considered.

What is the biggest triumph you’ve had while cooking?
John:
This is tough. From a logistical point of view, I remember working at a cafe in the mornings, when there were usually just two people working, a cook and a barista/cashier/server. On several occasions, the owners would ask the cook to help out at their catering business, leaving me alone to do everything. Attending to a flat top, serving a line of customers at a coffee counter and taking orders at tables was by far the most challenging kitchen-related multitask I’ve ever done successfully.

Aside from that, it’s hard to pick. Shredding my first smoked pork shoulder at a table of appreciative guests felt really good, and so did tasting my first exceptional ragu. Pulling off something successfully on the first attempt is always fulfilling and special. (This is why recipes are so important, even if “firing from the hip” is generally more fun.)

Megan: It’s not one single triumph, but learning how to make pies really well is one of my proudest accomplishments. There is definitely an art to making pastry crust and keeping it crisp and flaky. For me, nothing quite compares to pulling a perfectly baked pie out of the oven. Really, any kind of pastry project that turns out well makes you feel a little like a wizard.

What are some of the challenges today’s home cooks face, and how were those challenges addressed in this new edition of Joy?
Overcoming the initial reluctance to start cooking is the biggest challenge facing home cooks. (Or not getting discouraged after a failure or two.) We think this has held true throughout our publication history: Those first steps are the hardest.

And though there is much more enthusiasm for cooking today—as hobby, profession and entertainment/sport—we’re not sure these developments have done anything to quell the anxieties of novices. Expectations have risen, which has the potential to alienate and discourage. To varying degrees, food media invite cooks to compare their own efforts against those of professional chefs, to emulate them, to “cook like a pro.” The judgey, tense atmosphere of competition shows make a spectacle of kitchen failures. Though this may drive enrollment at culinary schools, secure advertising dollars for publications and raise ratings at television networks, we question the utility of this mindset (taken as a whole) for home cooks.

Long story short: We think the recent overexposure of cooking and the various narratives that have formed around how we celebrate, value and codify it have made it harder for people to participate, not easier. Chef means “boss,” the leader of a militaristic batterie de cuisine. Why are we referring to each other like that, and why are other titles—like “cook”—seen as less important?

In this edition, we have tried to forgo this mindset altogether and to invite readers to think of cooking as a good habit or a way of life, rather than as a performance to be judged. For Joy, this is nothing new. Since Irma [Rombauer] self-published the first edition, our family has tried to demystify and “deprofessionalize” cooking, to provide answers to as many questions as we possibly can, to address readers as fellow cooks and to enable rather than prescribe or dictate good taste.

“We think the recent overexposure of cooking and the various narratives that have formed around how we celebrate, value and codify it has made it harder for people to participate, not easier. . . . In this edition, we have tried to forgo this mindset altogether and to invite readers to think of cooking as a good habit or a way of life, rather than as a performance to be judged.”

How have your personalities—likes, dislikes, unique experiences and perspectives—found their way into the cookbook?
The new recipes we have included are certainly a record of our enthusiasms and taste. Beyond that, we have lived and breathed this book for nine years. Even if we wanted to, it would be hard to avoid reflecting our personalities in this book. Some specific things:

Spicy and “funky” stuff. Many of the recipes in the new edition do not shy away from the use of spicy and/or pungent ingredients. This is no accident! We love strong flavors, spices and chiles in all their forms.

Nerd-outs on meat cuts, veg and fruit varieties, ingredient info, preservation processes and fermentation. I (John) love researching subjects. I love digging for stuff, learning things, writing about them. (This is why I identify with Marion much more than Irma. Marion was the bookworm!) Though somewhat consuming, the opportunity to fact-check and expand upon the material Joy covers was a dream come true for me.

How does cooking give you joy?
When we’re in a certain mood, thinking of cooking as inquiry can be a lot of fun; conversely, if one of us has a “creation” worked out in our head, bringing it into the world can be very fulfilling. And, of course, being able to express care and gratitude for others by cooking for them is a source of joy for us.

Another joy-giving aspect of cooking that’s especially important for us: contemplation. There are some kitchen tasks that require your full attention—shelling beans, browning meats for a braise or ragu, peeling and cutting vegetables, to name a few—that, for us, are incredibly satisfying because they force you to slow down and just be in the moment. These are the same tasks that are supposed to be onerous, the ones home cooks have no time for, the prep steps that 30-minute-meal hawkers try to dispense with (or offer hacks to cope with).

We’re not always in the mood to be contemplative. Sometimes dinner just needs to get to the table ASAP. But for less stressful moments, there is little we like more than sharpening a knife, making sausage links, tending the fire of a smoker full of pork, stuffing an herb paste under the skin of a chicken or caramelizing onions. From our (slightly overwrought) headnote to the carmelized onions recipe:

The traditional method of slowly sweating the onions does not have to be burdensome. Think of it as a kitchen-bound lacuna in the story of your life, where contemplation and mindfulness can flourish as the onions slowly surrender their moisture and turn a deep bronze.

The kitchen can feel claustrophobic and chaotic, but sometimes it is truly a refuge!

What is something cooking gives you that nothing else can?
See the answer above! John hikes. Megan jogs and practices yoga. These activities are certainly relaxing and conducive to thought and stillness, but cooking can offer this and the opportunity to offer nourishment to others and yourself. A real twofer.

Cooking is also one of the few ways that the average person gets to create something with their hands. A lot of us have jobs where we sit at a computer and never really get the chance to be creative or to physically make something. Cooking is a skill that gives you an opportunity to flex creative muscles or to have the physical experience of making something tangible—and not only tangible but literally life-sustaining!

Which dishes from Joy should a starting-out cook try first?
John started with omelets, but it’s hard to go wrong with pancakes. They are the least intimidating and the easiest to execute, and they fall squarely under the “life skills” category. From there, we would say a batch of salsa or hummus (super low-key, no heat involved, demonstrates how you can save money by making staples from scratch). Moving on to orchestrating a whole meal: roast chicken and a big salad with scratch vinaigrette, or perhaps a spaghetti-and-meatball dinner with garlic bread, or a pot of jasmine rice and a batch of Thai curry (using store-bought paste). All of these are relatively simple recipes, and pulling them off will give beginners confidence and a rationale to keep it up (as in, “Hey, I could have spent a lot of money ordering this from a restaurant!”).

For an established cook—which dishes in Joy would pose a fun challenge?
Personally, we think the DIY-type recipes are the most fulfilling. Though some are not really all that complicated, they may require time to develop. Among them are: homemade pastrami, homemade bacon, homemade feta, merguez crepinettes, bratwurst, pork rinds, fermented hot sauce, kimchi, half-sour pickles, Calabrian-style chiles and nocino.

Some things that are involved but less DIY: cassoulet (using homemade duck confit if you have the time), Sichuan hotpot (simple but a bit of a production), goat birria, chicken makhini masala, pelmeni, fatayer bi sabanekh, ciabatta, kouign amann, cannelés de Bordeaux, macarons and honeycomb candy.

Which recipe is your personal favorite?
John:
This is such a tough question for us. There are so many! My favorite right now: lasagna made with fresh semolina pasta. A fall chill is in the air, and baked pasta feels like the answer. In a month, it will probably be khao soi gai, asopao de pollo, or maybe mapo dofu.

Megan: One recipe I keep coming back to is the olive oil cake. I make it whenever we have dinner guests because it’s such a simple cake but has an amazing flavor. I’m from the South, and this cake reminds me of pound cake but with an Italian twist. It also goes with any seasonal fruit, from macerated strawberries in the spring to roasted pears in the fall to citrus segments in winter. I usually serve it with whipped cream, too.

How does Irma Rombauer’s legacy live on in your family?
John: Well, every 10 years or so, we publish this big book. 🙂

No, actually, my family really does live this book. My mother recently showed me Marion’s working copy of the 1975 edition. There were marked pages and notes about things to change in the next edition. This might seem rather normal, but keep in mind that Marion passed away within two years of the book’s release. She was already planning the next edition before the ink on the last one had dried!

That was a real moment of recognition—of one obsessive seeing the work of another and feeling a kinship. Before my mother showed me Marion’s edit copy, Megan and I had already started making notes on things we wish we had been able to add to our edition and would like to incorporate into the 100th anniversary edition.

In other words, Joy is the “how.” I never had the privilege of meeting Marion or Irma, but I feel like I know and understand them by working on this book. I can see a recipe and know who added it, or read an anecdote and recognize who wrote it. In much the same way as our readers find a connection to their families through this cookbook, so have I.

Author photo © Pableaux Johnson.

After 88 years as America’s most popular cookbook, Irma Rombauer’s great-grandson John Becker and his wife, Megan Scott, continue the legacy of Joy of Cooking. We caught up with the authors about their contributions to this latest edition.


What’s the biggest difference between the original edition…

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