Knock Knock, Open Wide, Neil Sharpson’s horror novel inspired by Celtic folklore, shifts from charming to moving to outright terrifying in the blink of an eye.
Jessica Johns’ Bad Cree examines the impact of grief on a small community, mixing truly frightening moments with warm camaraderie.
Leech is perfect for readers who wished that Wuthering Heights had been just a little more like Jeff VanderMeer’s Annihilation.
Part idyllic fantasy and part Final Destination, Lute delivers terror and philosophical questions in spades.
Deeply dark and often funny, Motherthing explores maternal relationships and the porous boundaries among grief, anger and the supernatural.
An excavation of toxic family dynamics, Sarah Gailey’s Just Like Home uses atmospheric scenes of supernatural horror to reveal the terrors that haunt us all.
The premise of KC Jones’ apocalyptic debut is simple: two people trapped at the end of the world, desperate to not be eaten by monsters.
Alma Katsu’s parable about the virulence of racism delivers a punch that’s equal parts psychological horror and jump scare.
Original and unabashed, Manhunt is unafraid to be messy as it highlights the people that gender-based dystopias generally gloss over.
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