★ A Marvellous Light
Freya Marske’s A Marvellous Light takes us to Edwardian England, where manners are surface-level, magic is real and mysteries abound around every cobbled street corner. Robin Blyth takes a mysterious job in the government’s Special Domestic Affairs and Complaints division. In his rather baffling first 15 minutes on the job, Robin meets the somewhat awkward and brisk Edwin Courcey, who informs Robin that magic is real and that his predecessor was murdered by magical means. Though Robin and Edwin would each prefer working with someone else, it’s up to the two of them to find out what happened to the man Robin replaced, revealing a conspiracy that threatens all magical people in England. Come for the incredibly rich setting, stay for the romance: Robin and Edwin’s relationship anchors the narrative, and the way that they challenge and then question and then accept each other is captivating. Marske deftly contrasts the couple’s affection with the stuffiness of the world that surrounds them, making their love all the more resonant.
If you haven’t yet had a chance to experience Nnedi Okorafor’s singular voice, take the plunge now. In her sci-fi thriller Noor, Okorafor’s unique perspective is on full display. Anwuli Okwudili is a Nigerian girl who was born with deformities in her legs and one of her arms, intestinal malrotation and only one lung. After a car accident further limits the use of her legs and gives her debilitating headaches and memory issues, Anwuli gets a whole raft of biomechanical body enhancements. Viewed as half human and half machine, she flees her village after killing several men who attacked her. While on the run, she meets a shepherd called DNA (short for Dangote Nuhu Adamu), who is also on the run from the law. In a world where cameras track your every move, Anwuli and DNA try to stay ahead of a reckoning they know is coming. A leading voice in the subgenre of African futurism, Okorafor’s power on the page is confident, vivid and uniquely her own. This story is tight, violent, uplifting, damning and thoughtful all at once. Okorafor’s examination of technology’s influence on health, nature, local communities and so many other parts of life is as precise as it is disturbing. Noor is a cautionary thriller, told with exuberance and conviction.
If British history (and the mythology that surrounds it) sets your heart ablaze, then Lucy Holland’s mystical Sistersong is the book for you. A story of family, magic, romance and betrayal, Sistersong lingers long after its final page. Britain in A.D. 535, recently relieved of Roman rule, is full of many independent kingdoms. One of these, Dumonia, is home to three sisters. Each sister yearns for something: Riva for a body healed from the fire that disfigured her, Keyne for a place at her father’s side in battle, and Sinne for her true love. But it’s a tumultuous time for Dumonia. A Christian priest seeks to rid the kingdom of the old gods, the Saxons begin their invasion of Britain and new, unfamiliar faces appear at court. The sisters have to choose whether to take matters (and magic) into their own hands or let their kingdom fade into the past as a new Britain rises. Holland nails an early Middle Ages aesthetic, using it as the backdrop for some intensely personal storytelling. Be prepared for triumph and tragedy, fantasy and folklore, might and magic.