the editors of BookPage

STARRED REVIEW

Our top 10 books of May 2023

Must-reads for May include the latest from bestselling historian David Grann and romance superstar Emily Henry, plus the long-awaited second novel from Abraham Verghese.

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Book jacket image for Our Migrant Souls by Hector Tobar
Nonfiction

Our Migrant Souls is one of the most important pieces of Latino nonfiction in several decades. Turning the last page, you will feel the weight of history on your shoulders.

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Book jacket image for Happy Place by Emily Henry
Contemporary Romance

Emily Henry’s effervescent and tender Happy Place is as expertly crafted as a perfect summer playlist.

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Fantasy

Gareth Hanrahan’s gritty and rousing fantasy novel The Sword Defiant explores what happens after the good guys win.

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Book jacket image for The Covenant of Water by Abraham Verghese
Family Saga

Abraham Verghese, probably the best doctor-writer since Anton Chekhov, upends all of our expectations again and again in his long awaited follow-up to Cutting for Stone.

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Book jacket image for Warrior Girl Unearthed by Angeline Boulley
Children's & YA

Firekeeper’s Daughter author Angeline Boulley returns to Sugar Island with a thriller that urges readers to consider: Who owns the past?

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Book jacket image for The Wager by David Grann
History

David Grann’s narrative nonfiction masterpiece about an 18th-century man-of-war that ran aground in South America reveals humanity at its best and worst, from heroism to cannibalism.

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Memoir

Julia Lee’s piercing discussions of Asian American identity are likely to challenge readers across the ideological spectrum. In fact, she even challenges her own views.

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Fiction

The Weeds requests the reader to observe and look for connections, to question structures and patterns, and to discover new ways of seeing.

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Even as it probes the author’s own family legacy, Undiscovered reminds readers of the importance of confronting the white-savior myths that form the basis of so much of what we call “history.”
Must-reads for May include the latest from bestselling historian David Grann and romance superstar Emily Henry, plus the long-awaited second novel from Abraham Verghese.
STARRED REVIEW
June 6, 2023

The top YA books for Pride Month

June is Pride Month, and this year’s crop of YA books is something truly special.
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June is Pride Month, and this year’s crop of YA books is something truly special.
STARRED REVIEW

Our top 10 books of June 2023

Our top picks for June include the latest from S.A. Cosby, Dominic Smith and Uzma Jalaluddin, plus the first major biography of Martin Luther King Jr. in decades.

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Book jacket image for All the Sinners Bleed by S. A. Cosby
Mystery & Suspense

S.A. Cosby’s All the Sinners Bleed is a nerve-jangling, thought-provoking, often heartbreaking read that follows the first Black sheriff of a rural county in Virginia.

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Book jacket image for Horse Barbie by Geena Rocero
LGBTQ

Geena Rocero was a trans pageant queen in the Philippines who became a successful model in the United States. As you’d expect, her life story is a completely engrossing whirlwind.

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Book jacket image for How to Stay Married by Harrison Scott Key
Family & Relationships

Humorist Harrison Scott Key’s memoir of the fallout following his wife’s affair offers plentiful food for thought about faith, humor, courage and love.

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Book jacket image for Imogen
Children's & YA

Bestselling author Becky Albertalli’s latest novel offers a gentle, hilarious and authentic look at figuring out who you are on your own timeline.

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Book jacket image for King: A Life by Jonathan Eig
Black History

Jonathan Eig’s monumental biography takes Martin Luther King Jr. down from his pedestal, revealing his flaws, needs, dreams, hopes and weariness.

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Book jacket image for Lady Tan's Circle of Women by Lisa See
Fiction

Lisa See’s spellbinding historical novel, inspired by the true story of a female physician, vividly depicts 15th-century China with artfully woven details, rich characters and descriptive language.

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Book jacket image for Leg by Greg Marshall
Humor

Bitingly funny and full of blistering commentary and fierce familial love, Greg Marshall’s memoir is a winning debut.

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Book jacket image for Much Ado About Nada by Uzma Jalaluddin
Contemporary Romance

Uzma Jalaluddin’s Much Ado About Nada is a heartwarming, tender and utterly winning adaptation of Jane Austen’s Persuasion.

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Book jacket image for Return to Valetto by Dominic Smith
Fiction

With Return to Valetto, Dominic Smith doesn’t reinvent the wheel, but he doesn’t need to: He is a master of his trade who has executed a flawless novel that satisfies on all counts.

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Book jacket image for The Half Moon by Mary Beth Keane
Family Drama

Mary Beth Keane’s down-to-earth characters in Gillam are reminiscent of Anne Tyler’s wonderfully authentic Baltimore personalities.

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Our top picks for June include the latest from S.A. Cosby, Dominic Smith and Uzma Jalaluddin, plus the first major biography of Martin Luther King Jr. in decades.
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STARRED REVIEW

June 2023

BookPage’s 2023 summer reading guide

The editors of BookPage share their top selections for the hottest reading season.

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A Love Catastrophe is a delightfully heartfelt rom-com with much ado about cats (and some ado about dogs). 

Newly hired NHL data analyst Miles Thorn has his hands full. His mother is in the hospital, and her cat, Prince Francis, is acting up. Enter the indomitable Kitty Hart, aka the Kitty Whisperer, the optimistic owner of a cat care and training service with a robust social media following. Although Kitty is irked by dog lover Miles’ scornful attitude toward cats, she still finds him quite fetching. And although Miles is a bit bewildered by Kitty’s boundless devotion to and adoration of the felines she works with, he still wishes he hadn’t been so rude when he first met her. As Miles and Kitty attempt to overcome a bad first impression and curb Prince Francis’ destructive behavior, will Kitty’s charms work on Miles as well as the cat?

Author Helena Hunting amusingly sets up the initial division between the sunny Kitty and the overwhelmed and grumpy Miles. He’s not quite in the territory of misanthropes like Fredrik Backman’s Ove; rather, Miles is understandably (and often charmingly) cranky due to his circumstances. Kitty’s sunny and loving disposition, even when she is strict with naughty cats, makes her immediately likable, while Miles’ attempts to be less aggravated by his mother and Prince Francis are endearing.

While there are plentiful cute moments between Miles and Kitty, especially in their disagreements about their preferred species, both are also working through complex family relationships and painful past experiences. Hunting perfectly balances levity and heartwarming sincerity to create a purr-fectly sweet, uplifting and playful romance.

A Love Catastrophe is a purr-fectly sweet romance between a sunny catsitter and a grumpy data analyst.
Review by

Author Uzma Jalaluddin returns with another classic love story retelling set in Toronto’s Muslim community. While her last romance took inspiration from ’90s rom-com classic You’ve Got Mail, Much Ado About Nada offers a contemporary twist on Jane Austen’s Persuasion.

Nada Syed feels blocked, both professionally and personally. She had high hopes for her app Ask Apa, which would have offered users culturally sensitive advice. But after being betrayed by a business partner, she finds herself working an engineering job that stifles her creativity and desire to do good. With her 30th birthday on the horizon, she’s questioning all the decisions that have led to her being single, living with her parents and failing to become the successful tech CEO she’s always dreamed of being.

Haleema, Nada’s best friend, thinks attending Deen&Dunya, a Muslim conference full of fandom and fun, will help Nada get out of her rut. Haleema’s fiancé, Zayn, and his brother, Baz, are joining them, but unbeknownst to Haleema, Nada and Baz have a long and tumultuous history. Despite being thrown together for the duration of the conference, both Nada and Baz want to keep their complicated feelings for each other a secret. 

Jalaluddin has a real talent for crafting protagonists, and Nada is just as complex and enjoyable as the heroines of Ayesha at Last and Hana Khan Carries On. Nada faces all the unfair societal and familial pressures that can weigh on women as they enter their 30s, and her feeling of a giant clock ticking away her remaining time to accomplish goals will hit home for a lot of readers. Jalaluddin adds depth and specificity to this experience by showing how these pressures manifest in Nada’s Muslim community and family. 

Nada and Baz’s cheeky romance is the perfect balance to Much Ado About Nada’s social commentary. Their interactions sizzle with sexual tension as they dance around each other, and their adorable mutual attraction is charmingly obvious to everyone but them. Baz and Nada’s eventual union is a sure thing from the moment they reunite, but it’s still a delight to see them get there in their own time. 

One of the best things about Jalaluddin’s work is the sheer amount of joy she brings to her characters, her writing and her happily ever afters. She clearly delights in reinventing known classics, using beloved heroines as a foundation to create modern women who don’t want or need to sacrifice their ambitions for other parts of their lives. With Much Ado About Nada, Jalaluddin has written yet another winner—and this time it’s one with a particularly heartwarming, tender and feminist resolution.

Uzma Jalaluddin’s Much Ado About Nada is a heartwarming, tender and utterly winning adaptation of Jane Austen’s Persuasion.
Review by

Aisha Harris, co-host of NPR’s “Pop Culture Happy Hour” and a writer for Slate and The New York Times, is the pop culture maven millennials have been waiting for. That’s why her debut book, Wannabe: Reckonings With the Pop Culture That Shapes Me, will be flying off the shelves faster than Taylor Swift presale tickets. Part pop culture analysis, part social commentary, and completely and intrinsically personal, Wannabe tackles topics both internal and external. At the forefront are societal issues such as positive representation versus harmful stereotypes in media. Harris’ identity as a Black woman also shapes the narrative as she deftly explores the intersection of pop culture and politics, noting how our political climate changes the way we tell stories.

This book will appeal to readers wishing to go beyond the consumption of media for entertainment’s sake by helping them engage in a socially conscious dialogue. But despite its intellectual value, Wannabe isn’t written for academics. Harris’ audience is anyone who wishes to broaden their understanding of pop culture’s significance to society, and the accessibility of her writing helps to achieve that goal. The humor incorporated throughout the book is truly a delight, and each chapter is chock full of so many witty asides that Harris, were she a television writer, could be the new Amy Sherman-Palladino.

But the book truly shines when it offers us a peek inside Harris’ psyche, providing examples of specific artists, actors and authors who have impacted her life. From unlikely childhood heroines such as tomboy Kristy from The Baby-Sitters Club and loyal punk Ashley Spinelli from the cartoon “Recess,” to the incredible impact of the MTV and VH1 R&B era (looking at you, Toni Braxton), Harris explores how her younger self gravitated toward subversive female icons who redefined the meanings of femininity and strength. As the years passed, other content challenged Harris’ views of womanhood and sexuality, from the sensual Nola Darling in She’s Gotta Have It to the four iconic women who defined a sex-positive generation in “Sex and the City.” Harris also analyzes present-day pop culture, from flawed female leads in TV shows like “Fleabag,” “Crazy Ex-Girlfriend” and “Insecure” to pop stars like Rihanna and Megan Thee Stallion who are unapologetically sensual, commanding and fun. When Harris applies her refined, journalistic scrutiny to subjective nostalgia, the behind-the-scenes magic of Wannabe becomes truly clear.

So in conclusion—taps mic—Imma let y’all finish, but this book is the best pop culture guide of all time!

When Aisha Harris applies her journalistic scrutiny to the subversive pop culture icons who shaped her millennial upbringing and worldview, the magic of Wannabe comes alive.

Over the course of his career, Dominic Smith has demonstrated that his favorite playground as a writer is the past. With his sixth novel, Return to Valetto, Smith doesn’t break from his successful formula but instead perfects what he did so well with his award-winning 2016 book, The Last Painting of Sara de Vos, delivering a charming and captivating multigenerational family drama that beautifully blends the past with the present. 

Smith whisks readers away to Valetto, Italy: a fictional, crumbling town that floats like an island in the clouds among the rolling hills of the Umbrian countryside. Although the setting sounds like something out of a fairy tale, Valetto has been in steady decline, with earthquakes and other natural disasters having driven away most of its inhabitants. 

Hugh Fisher spent most of his childhood summers in Valetto, but when he returns decades later (now a historian and a grieving widower) to visit his aunts and celebrate his grandmother’s 100th birthday, the town has but 10 permanent residents—plus one unexpected new addition. The stone cottage that Hugh’s late mother bequeathed him has been claimed by an inscrutable woman named Elisa Tomassi, who insists that Hugh’s grandfather promised her family the cottage as a show of gratitude for sheltering him while he fought in World War II. As Hugh attempts to validate Elisa’s claims, his forays into the past uncover a terrible secret involving both his and Elisa’s mothers. It’s a bombshell that, once detonated, reverberates across generations and will have consequences that are felt far beyond the walls of Valetto.

With Return to Valetto, Smith doesn’t reinvent the wheel, but he doesn’t need to: He is a master of his trade who has executed a flawless novel that satisfies on all counts. The writing is both accessible and evocative, the pace leisurely yet suspenseful, the characters and plot are intriguing, and the themes of grief, generational trauma and resilience are well considered. Smith has the authorial confidence to resist the urge to overcomplicate his novel, delivering a straightforward narrative with a nostalgic tone and classic style that cleverly match the subject material and setting. The result is a richly rewarding book that is imbued with a sense of timelessness. It’s an outright pleasure to read, an excellent choice for both armchair travelers looking to vicariously experience Italy’s dolce vita, and for lovers of impeccably crafted literary fiction.

With Return to Valetto, Dominic Smith doesn’t reinvent the wheel, but he doesn’t need to: He is a master of his trade who has executed a flawless novel that satisfies on all counts.
Review by

Starting with its title, My Murder, Katie Williams sets up her second novel after Tell the Machine Goodnight with a handful of classic crime fiction questions: Whose murder? And who knows what? But readers will discover a subversive twist within.

Lou, the young mother and wife who narrates the novel, is back from the dead. As part of a government project, she and other victims of a serial killer have been resurrected with cloning technology and placed back into their homes, marriages and jobs. Yet things don’t quite fit for Lou: She can’t remember the days surrounding her murder, can’t connect with her child in the same way and feels distant from her husband. Lou’s confusion and curiosity guide the reader’s experience; she’s figuring things out just as we are, and the revelations of certain details, intentionally paced by Williams, are fresh and surprising. As Lou investigates unexplained moments from her previous life, it’s apparent that she won’t find peace until she makes some sense of them.

My Murder engages with a violent subject without gore, and probes how technology infuses our days and engages our attention, often without our awareness. The plot is certainly rich and appealing, but Williams’ layered considerations are even more compelling and yet never heavy-handed. What happened to Lou? Is she who she was? What makes humans who they are, and how does technology impact these definitions? With a singular voice and a winning narrative that will stay with you for days, My Murder speaks to the construction of the self and the filters we apply. It’s about what it means to survive, to be reborn and, ultimately, to live.

With a singular voice and a winning narrative that will stay with you for days, My Murder speaks to the construction of the self.

Ice

Ice might not be the first thing that comes to mind when you think of coveted “luxury” goods. In fact, many Americans take ice for granted as a now-ubiquitous product that is dispensed out of their refrigerators and can be purchased in bags from nearly every grocery store, convenience store and gas station.

But as Amy Brady (co-editor of The World as We Knew It) explains in her new book, Ice: From Mixed Drinks to Skating Rinks—a Cool History of a Hot Commodity, ice has indeed been a very “hot commodity” throughout history. Flash forward to today on our rapidly warming planet, and ice is in even higher demand. This paradox was not lost on Brady. As she writes, “The irony lay in the fact that I was driven to seek out and consume ice because of a phenomenon that’s eliminating ice on the planet.”

Amy Brady, author of ‘Ice,’ recounts the lost history of the doctor who invented the ice machine.

Brady found ice to be an untapped subject and did enormous amounts of research to fill in the gaps in its history. Divided into four parts that each focuses on an aspect of ice—obsession, food and drink, ice sports, and the future—Ice outlines how frozen water “profoundly has shaped the nation’s history and culture.” Commentary from food writers, scientists, physicians and historians are interspersed with historic resources such as newspaper articles, diaries and journals, creating unique connections between the past and present.

Historical facts and statistics help contextualize the important role ice has played in events like Prohibition, when breweries pivoted to other business ventures that would make use of their existing ice cellars. (Yuengling opened a dairy, Anheuser-Busch made infant formula and Pabst sold cheese.) Another especially interesting chapter covers ice’s use as a medical treatment for injuries, chronic ailments and even cancer. Throughout the book, Brady uses timelines to help illustrate the trajectory of ice’s journey from an amenity to an everyday item, emphasizing how quickly it became mainstream. Taken all together, Ice makes an important case for securing the future of those freezing cold cubes in a warming world.

Amy Brady uses commentary from food writers, scientists and physicians to illuminate how something as commonplace as ice came to shape America’s history and culture.

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Recent Features

The editors of BookPage share their top selections for the hottest season of the year.
STARRED REVIEW
May 23, 2023

Readers’ Choice: Best Books of 2023 (so far)

The best books of 2023 (so far) as determined by BookPage.com readers include the latest from Abraham Verghese, Kate Morton, Jenny Odell and Ann Napolitano, as well as a remarkable debut from Margot Douaihy.
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Recent Features

The best books of 2023 (so far) as determined by BookPage.com readers include the latest from Abraham Verghese, Kate Morton, Jenny Odell and Ann Napolitano, as well as a remarkable debut from Margot Douaihy.
STARRED REVIEW

Our top 10 books of July 2023

Our top 10 books for July 2023 include Ruth Ware’s engrossing technothriller, the latest from rising rom-com star Rachel Lynn Solomon and an ode to owls.

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Book jacket image for A Lady's Guide to Scandal by Sophie Irwin
Contemporary Romance

Sophie Irwin’s Regency-set novel boasts an impressively unpredictable love triangle, plus standouts from Jess Everlee and Jodie Slaughter in this month’s romance column.

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Book jacket image for First to the Front by Lorissa Rinehart
History

Lorissa Rinehart’s authoritative biography makes it clear why Dickey Chapelle, a courageous photojournalist and the first female war correspondent to be killed in combat, deserves wider recognition.

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Book jacket image for The Housekeepers by Alex Hay
Mystery & Suspense

Alex Hay’s The Housekeepers is mischievous, suspenseful and just plain fun as it follows a gang of female thieves in Edwardian England.

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Book jacket image for Loot by Tania James
Fiction

Tania James’ third novel is brilliant and unique, her creative liberties mixing well with the historical realities of colonialism and migration.

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Book jacket image for Business or Pleasure by Rachel Lynn Solomon
Contemporary Romance

Rachel Lynn Solomon’s sharp, funny and penetrating Business or Pleasure dives into the messiness of life and emerges with a truly romantic love story.

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Book jacket image for What the Dead Know by Barbara Butcher
Memoir

Writing in a fast-paced and precise style, Barbara Butcher shares a treasure trove of stories from her 22 years as a death investigator in New York City.

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Book jacket image for Zero Days by Ruth Ware
Mystery & Suspense

Ruth Ware’s action-packed thriller Zero Days is as much an exploration of grief as it is a warning about the vagaries of technology.

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Book jacket image for Oh No
Children's

Oh No, the Aunts Are Here is a spirited gem of a book that courses with energy and enthusiasm as it explores what it’s like to have a quiet life temporarily transformed into a very different sort of existence.

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Book jacket image for What an Owl Knows by Jennifer Ackerman
Animals

Bestselling author and passionate bird advocate Jennifer Ackerman goes around the world to find out why owls so intrigue humans in her wide-ranging and wonderful new book.

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Book jacket image for Reproduction by Louisa Hall
Fiction

Throughout her slim fourth novel, Louisa Hall continually returns to the conversation between art and science, and to the enduring truth that no action or reaction exists in a vacuum.

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Cousins Mariko and Jillian Tamaki have created a slice-of-life story about growing up and growing apart that will speak to the 18-year-old in every reader—whether they’re just out of college or at retirement age.
Our top 10 books for July 2023 include Ruth Ware’s engrossing technothriller, the latest from rising rom-com star Rachel Lynn Solomon and an ode to owls.
Pride 2023 reading list
STARRED REVIEW

June 6, 2023

Your big, gay reading list for Pride 2023

Celebrate Pride Month with 28 queer stories by pioneering novelists, memoirists and journalists.

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Leg

Review by

When Greg Marshall and his childhood friend, Gretchen, ran for president and vice president of their high school class, they were something of an unconventional pair. Both were non-Mormons, making them a minority in Salt Lake City, Utah. Marshall had a pronounced limp and had yet to tell anyone he was gay, while Gretchen had a pacemaker “and a bone spur hanging off one foot like a sixth toe.” Marshall writes that their winning campaign strategy “was simple, and that was to make fun of ourselves.” Marshall takes that same winning approach in his stunning debut, Leg: The Story of a Limb and the Boy Who Grew From It

Marshall’s limp in his right leg caused weakness and spasms throughout his life and required surgeries from time to time. He had actually been diagnosed with cerebral palsy at 18 months—but his parents never disclosed this fact, telling him instead that he had “tight tendons” and encouraging their son and other four children to simply rely on the mantra, “NEVER, NEVER, NEVER GIVE UP.” Marshall didn’t discover the true origin of his mobility limitations until 2014, by accident, when applying for health insurance. “Every day growing up was like an ABC Afterschool Special in which no lessons were learned, no wisdom gleaned,” he writes.

In different hands, this memoir might have become a tragic family story, overshadowed by a mother who was diagnosed with cancer and required decades of treatment for that and other conditions, and a kindhearted, dad-joking father who died from Lou Gehrig’s disease when Marshall was 22. Instead, Marshall has written a riotously funny book that will grab your attention and steal your heart from the very first page. His writing brings to mind early David Sedaris, with its bitingly funny caricatures and descriptions, bathed in blistering commentary, deep-seated opinions, wit, intellect and, above all else, fierce family love. Additionally, Marshall details several of his sexual experiences—not to be salacious but to illuminate his ongoing quest for identity and relationships, despite his long-standing fear of contracting HIV. “As a gay man and a person with a disability, I come out every day,” he writes.

The Marshalls’ lives are full of twists, turns and surprises that will leave readers yearning for more, and this memoir serves as a love letter to all of them, especially Marshall’s late father. Rare is the book that makes me both laugh out loud and shed actual tears, but Leg made me do both.

Bitingly funny and full of blistering commentary and fierce familial love, Greg Marshall's memoir is a winning debut.
Review by

Christian Cooper has been bird-watching in Central Park for decades, but a spring migratory excursion took a dramatic turn on May 25, 2020, when a woman refused his request to leash her wandering dog, per park regulations. He was hoping to spy a ground-dwelling bird called a mourning warbler and knew that her unleashed pet would make his quest impossible. After she refused and Cooper began filming with his phone, Amy Cooper—a white woman of no relation—announced that she was about to call the police, adding, “I’m going to tell them that there’s an African American man threatening my life.” Her blatant use of “weaponized racism” went viral. As Cooper aptly sums up the incident in Better Living Through Birding, “Fourteen words, captured amid sixty-nine seconds of video, that would alter the trajectory of two lives.” This encounter happened on the same day George Floyd was murdered. 

A year later, Cooper was invited to attend a birding festival in Alabama. As he walked across Selma’s infamous Edmund Pettus Bridge, he reflected on the day that bridge became a bloodbath in 1965 and on the travails his ancestors must have endured. “In that context, my incident in Central Park is just an asterisk,” he writes. “More than a year later, it remains exceedingly strange for me—the notoriety, that I’d even be mentioned in the annals of the nation’s racial strife.” 

Throughout his wide-ranging memoir, Cooper is a thoughtful, enthusiastic narrator. Growing up as a Black kid on Long Island, New York, in the 1970s, “I was rarer than an Ivory-Billed Woodpecker in the very white world of birding,” he writes. “As I simultaneously struggled with being queer, birds took me away from my woes suffocating in the closet.” Cooper gradually came out to family and friends, beginning while studying at Harvard in the 1980s. He went on to become one of Marvel’s first openly gay writers and editors—aside from birds, his other passions include superhero comics and sci-fi and fantasy—and introduced the first gay male Star Trek character in the Starfleet Academy series. In entertaining prose, Cooper reminisces about his life, writing especially poignantly about his often-difficult relationship with his father.

Tying these multifaceted strands together is no easy feat, but Cooper does it well. He peppers the text with helpful tips for beginning birders while recounting vivid excursions through Nepal, the Galapagos, Australia and, of course, his beloved Central Park. Generous soul that he is, Cooper writes that outrage shouldn’t be focused on Amy Cooper. Instead, he concludes, “Focusing on her is a distraction and lets too many people off the hook from the hard, ongoing examination of themselves and their own racial biases. . . . If you’re looking for Amy Cooper to yell at, look in the mirror.”

In thoughtful prose, birder Christian Cooper reminisces about his life before and after the day a white woman threatened to call the police on him in Central Park.

Early in his freshman year at Yale in 1973, Nate Reminger encounters his classmate Farrell Covington: “Farrell wasn’t simply my cultural opposite, a blinding sun god to counter my pale, Jewish, brown-haired, generous-nosed eagerness. He was a genetic accident, a green-eyed, six-foot-three-inch, broad-shouldered gift, and yes, there were dimples when he smiled.” Farrell, also a freshman, lives in a swanky townhouse with a butler, and he speaks as if he’s in a Cole Porter production, with a voice like a person who’s “been raised by a bottle of good whiskey and a crystal chandelier.” 

Farrell happens to be the scion of the very conservative, very Catholic, immeasurably wealthy Covington family of Wichita, Kansas. And narrator Nate, who knows he’s gay but never had so much as a kiss, is shocked when Farrell declares that he may be in love with Nate. This opening section of Paul Rudnick’s novel Farrell Covington and the Limits of Style is especially strong, offering a mini coming-of-age story that’s filled with new friends and well-grounded in both place (the Yale campus and New Haven, Connecticut) and time (the early 1970s).

After a whirlwind freshman-year romance, Nate and Farrell are separated when Farrell’s flinty homophobic father blackmails his son into leaving Yale and promising to never see Nate again. It’s no spoiler to say that Nate and Farrell do indeed see each other again; the novel follows them for almost 50 years. Nate narrates the forces that keep the two apart and Farrell’s ingenious measures to bring them together, along with the ups and downs of late 20th-century gay life—the vibrant downtown club and disco scene of the ’70s, and the AIDS crisis and its effect on both Hollywood and New York’s theater world. But while Farrell Covington and the Limits of Style is heartfelt, it’s rarely somber. It’s a good-natured romp through the decades, with a large cast and plenty of clever quips and throwaway lines.

Rudnick is a novelist, playwright and screenwriter, and here he draws on his own life, sometimes to comic effect. (Rudnick wrote the play I Hate Hamlet and the screenplay for the movie Sister Act, while Nate writes the play Enter Hamlet and the screenplay Habit Forming.) Because it covers so much time and summarizes much of the action, Farrell Covington and the Limits of Style occasionally feels more like the outline for a novel than a novel itself. Still, it’s a warmhearted, funny story with unexpected twists and to-die-for settings, a sweet recounting of a 50-year romance.

Farrell Covington and the Limits of Style is a warmhearted, funny story with unexpected twists and to-die-for settings, a sweet recounting of a 50-year romance.

Are lesbian bars endangered places? Down from a high of 206 bars recorded in 1987, there are currently only 20+ of these beloved, sticky, red-painted bars left in the U.S. Moby Dyke, the chronicle of Krista Burton’s obsessive quest to visit each of these remaining bars, offers readers a hilarious and affectionate investigation into the past and future of queer gathering spots.

Traveling from San Francisco to New York City, from Oklahoma City, Oklahoma, to Mobile, Alabama, Burton visits both historic neighborhood bars and newer nightclubs, talking to owners and patrons about why they love these bars and who is welcome there. Virtually every bar Burton visited is lesbian-owned but welcomes everyone, including the full range of queer identities: trans men and women, nonbinary folks and the emerging generation of gender-diverse young queers. Burton also asks why so many gay bars for cisgender men continue to thrive as exclusive spaces, while lesbian bars thrive on inclusion.

An accomplished and very funny journalist, Burton is able to track serious issues around queer belonging in a fresh and lively voice. The personal narrative underlying her pursuit of lesbian bars—including her marriage to Davin, a trans man, and coming out to her conservative Mormon family—is as topical and good-humored as the interviews and reportage contained here. 

Burton’s road trip was also shaped by COVID-19, and her experiences reveal how the isolation of the pandemic stoked a real hunger for the joy of being with others in crowded, sweaty rooms, singing karaoke, partaking in dildo races and people-watching (after showing a vaccination card, of course). Even the details about the economics of Burton’s quest (such as how to fund a road trip on a book advance while still working a day job) offer a fascinating glimpse into the reality of a writer’s life. 

Burton’s portrait of the evolution of lesbian bars into communal spaces offers a timely and engaging snapshot of queer life in America.

Krista Burton’s obsessive quest to visit each lesbian bar in the U.S. offers a hilarious and affectionate investigation into the past and future of queer gathering spots.
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New York City-based book publicist-turned-writer Amelia Possanza dedicates her book “to all the queers, ordinary and extraordinary, whose names have been destroyed by history, and to the rosy-fingered custodians of the queer archive.” Possanza is one such rosy-fingered custodian, a queer person attracted to the archives not just to understand history but also to understand her own story. “I was certain that if I uncovered enough lesbians in history, they would reveal a message or a lesson, a blueprint of how I might build my own life,” she writes.

Possanza’s debut book, Lesbian Love Story, is part archival research and part memoir. It includes seven chapters, each of which historicizes a lesbian love story. While the chapter on Sappho harkens back to antiquity, the other six span the 1890s through the 1990s, offering a lively lesbian mix: golf star Babe Didrikson Zaharias, groundbreaking memoirist Mary Casal, Chicana activist and writer Gloria Anzaldua and others. Possanza digs into the details of their lives with passionate engagement, frequently turning the narrative from the archival subject back to herself and exploring personal topics vis-a-vis these historical women: gender identity, the vagaries and politics of cross-dressing, the insidious narrowness of second-wave feminism, friendship, power dynamics in relationships and, most of all, obsessive love.

“In case it isn’t obvious yet,” Possanza writes in a late chapter, “I am an unforgivable romantic. I love love. Not as a means to an end, a steppingstone on the path to marriage and children, but as a surrender to passion, even when it’s surely doomed. Obsessive, selfish love that feasts on its own ruin.” As she unearths these romantic stories, Possanza also identifies the gaps within them, the moments when she wants to know more. To fill these silences, she imagines the scenes she longs to see, engaging with history not as a disembodied historian but as a young lesbian who wants answers, who wants to find her people. Though a blueprint does not, and cannot, neatly emerge from this sea of stories, Possanza does find the space, movement and complexity provided by a multifaceted past to buoy her ongoing becoming.

Amelia Possanza weaves her own memories through seven moving lesbian love stories from the archives in her debut book.
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Much like his first novel, Real Life, Brandon Taylor’s The Late Americans follows a loosely knit circle of lovers and friends in and around a university in Iowa as they badger, seduce and provoke one another over the span of an academic year. Financial, class and racial divisions are at the core of many of their interactions, as are disputes over the value of art rooted in trauma and concerns about selling out.

The Late Americans lacks a central character; instead, the story flows from one character or pair to the next, leaving the reader to make connections and hold onto each person’s secrets and dreams. The novel opens with a blistering portrayal of a poetry workshop where Seamus is verbally attacked for critiquing a peer’s work, then later he has sex with an older Iowan visiting the hospice facility where Seamus is a cook. From there, the novel switches focus to Goran, Timo and Ivan, all of whom gave up music or dance to pursue business or finance degrees. Noah, who is still studying dance, befriends another dancer in the program, Fatima, who supports herself by working in a cafe and contemplates leaving school after she is assaulted by another student. The novel ends in early summer, when the cast gathers at a cabin in the Adirondack Mountains to bid their former lives goodbye and move into the unknown.  

Taylor has previously written stories about ballet, and his plotting and style mirror the art form. In dance, our focus moves from performer to performer, now watching a pas de deux, now a solo. His novel functions similarly, seamlessly shifting our gaze from the individual to the duo, to the group and back again until, almost magically, the story is told and the piece comes to a close. A thought-provoking and lyrical novel about a group of people on the precipice of change, The Late Americans is a perceptive look at passion, sacrifice and intimacy among friends. 

A thought-provoking and lyrical story about a group of people on the precipice of change, The Late Americans is a perceptive look at passion, sacrifice and intimacy among friends.

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Recent Features

Celebrate Pride Month with 28 queer stories by pioneering novelists, memoirists and journalists.
Black history books 2023
STARRED REVIEW

June 13, 2023

Black history is American history

Eight excellent nonfiction books tell true stories of Black persistence and progress.

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Historian Blair LM Kelley writes, “Our national mythos leaves little room for Black workers, or to glean any lessons from their histories. . . . Never mind that from slavery to the present, Black workers have been essential to the nation’s productivity, and indeed . . . to its basic functioning.” The director of the Center for the Study of the American South and co-director of the Southern Futures initiative at the University of North Carolina, Kelley gives a sweeping narrative of 200 years of American history in her engaging and well-documented Black Folk: The Roots of the Black Working Class

Kelley also uses events in the lives of some of her ancestors to tell parts of the larger story. The overwhelming impression throughout is of great tragedy combined with an amazing abundance of courage and resourcefulness in the face of impossible barriers. The author gives primary attention to “a critical era, after southern Emancipation and into the early twentieth century, when the first generations of Black working people carved out a world for themselves.”

Readers will especially learn about Black workers who united to gain political influence. For example, “Washerwomen, or laundresses, occupied a central place in Black life, history, and culture,” Kelley writes. Their work was hard and required great skill. After the Civil War, many laundresses had the independence to work alone and were able to spend more time with their children. They were also able to use their earnings to help support their families and communities by buying houses, building churches and opening businesses—and some were able to organize to improve their situations. In 1881, for example, laundresses in Atlanta, Georgia, and Charlotte, North Carolina, went on strike for better pay and working conditions. Some washerwomen even joined labor protests for other industries, such as the successful streetcar boycott in Richmond, Virginia, in 1904.

Kelley also traces the development and importance of the Pullman porters, Black men who performed a variety of services for railway passengers beginning in 1867. The author writes of their significance, “Easily the most well-traveled Black folks in America, the Pullman porters provided assistance to people seeking opportunity in the North and West, connecting porters’ home folks with jobs, and offering their knowledge about the cities where migrants planned to settle. . . . They bore witness to the violence of lynchings and racial massacres, and also carried copies of Northern Black newspapers to sell to Black residents in the South.”

There is so much more here to interest history lovers. This fine book illuminates the intelligence, sense of community, hard work (often done under deplorable conditions) and resilience of Black workers, who have made crucial contributions to American history.

Black Folk illuminates the intelligence, sense of community, hard work, resilience and courage of the Black working class, whose members have made crucial contributions to American history.
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The most famous moment following the Brown vs. Board of Education ruling is probably the day in 1957 when National Guard intervention was required to get Black students into Little Rock Central High School in Arkansas. But that was just one small example of the vast changes that swept through the Jim Crow South. The first court-mandated desegregation in the former Confederacy was actually in Clinton, Tennessee, in 1956—and the effort was just as fraught with violence, fear and fortitude as the more well-known event in Arkansas.

Historian Rachel Louise Martin (Hot, Hot Chicken) first visited Clinton in 2005 as a researcher involved in an oral history project. Her fascination with that town’s story has now culminated in A Most Tolerant Little Town: The Explosive Beginning of School Desegregation, a day-by-day account of the desegregation of Clinton High School. The book’s title is sadly ironic. After desegregation began, it didn’t take long for a racist intimidation campaign to form, including mob assaults and dynamiting.

At the center of Martin’s tale are the 12 Black students who initially integrated Clinton High and who braved threats and violence against them and their families. But another interesting faction stands out in A Most Tolerant Little Town: the significant number of white people who opposed desegregation but opposed lawlessness even more. Their ranks included judges, National Guard leaders, the high school principal, teachers, student football players and jurors.

Little as many white Tennesseans liked it, desegregation was continually enforced. Tellingly, one turning point on the way to the community’s acceptance of desegregation was the conviction, by a local white jury, of the bigoted rabble who attacked a respected white Baptist minister shortly after he said from the pulpit that Black students in Clinton had a right to attend the high school. The Black victims in town seldom got such justice.

For decades, residents were reluctant to reminisce about these events in Clinton, where Black desegregation pioneers continued to interact daily with their former tormentors. Today, the Clinton 12 are honored with statues and a mural. But in her moving conclusion, Martin stresses that de facto segregation is surging across the U.S. and that the challenge to work together for lasting change is as great as ever.

In A Most Tolerant Little Town, Rachel Louise Martin captures the violence, fear and fortitude that accompanied the first court-mandated school desegregation in America.
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In 2018, a group of protestors demanded the removal of a statue in New York City of J. Marion Sims, known as the “father of gynecology.” Sims was given this title for inventing a surgery in the mid-1800s to treat vesico-vaginal fistulas, holes between someone’s vagina and bladder or intestines (or both) that are usually caused by difficult childbirth. He developed his technique through horrific experiments performed on three enslaved women named Anarcha, Lucy and Betsey, without either anesthesia or meaningful consent. Anarcha endured at least 30 experiments, but her condition never improved, mainly because Sims’ approach was ineffective—and frequently fatal. Say Anarcha: A Young Woman, a Devious Surgeon, and the Harrowing Birth of Modern Women’s Health is Guggenheim fellow J.C. Hallman’s dual biography of Sims and Anarcha.

Sims, a shameless self-promoter, provided Hallman with an ample record to work with. His memoirs, articles and newspaper notices (written primarily by Sims himself) make it clear that he was dangerously, violently misogynist and racist. Cloaked by his medical degree and bolstered by a system that transformed human beings into disposable property, Sims was able to perform acts of brutality on Lucy, Betsey and Anarcha with impunity. And they were not his only victims: After perfecting his “cure,” Sims and his adherents maimed or killed women of all classes, from enslaved people to countesses.

Hallman’s greater challenge was reconstructing Anarcha’s life. The structure of chattel slavery ensured that the few references to Anarcha in the historical record merely reflected her status as property, leaving Hallman with the dilemma of how to tell the true story of a woman whom history had almost entirely erased. Historian Tiya Miles confronted a similar issue in All That She Carried, a brilliant reconstruction of the life of another enslaved woman and her descendants. Like Miles, Hallman uses the technique of “creative fabulation”—consulting various oral and written histories from Anarcha’s lifetime to creatively fill in the gaps within an archive distorted by racism and misogyny. The result is a nuanced and sympathetic speculative portrait of a woman who would otherwise remain anonymous.

Double biographies are fairly unusual and tend to be about people who were linked together in the minds of their contemporaries. But Anarcha was not associated with Sims in the public mind because Sims took great pains to ensure that she would not be—not because of any shame he felt about exploiting an enslaved woman but because the recurrence of her fistulas belied Sims’s narrative. Hallman’s determination to bring Anarcha out of obscurity restores her humanity and allows readers to reexamine the corrupt foundations of women’s health care.

Say Anarcha is J.C. Hallman’s dual biography of the so-called “father of gynecology” and the enslaved woman he experimented on without anesthesia or meaningful consent.
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The appalling history of the 1921 Tulsa Race Massacre in Oklahoma is becoming better known, albeit a century later. But journalist Victor Luckerson understands that what happened following those horrific events, as the survivors persevered and rebuilt, is also an important part of this history. In his debut book, Built From the Fire, Luckerson tells the story of the massacre, the people who restored the Greenwood district of Tulsa after that violent night in 1921, and their descendants who continue to fuel and inspire change.

The book is divided into three parts as Luckerson chronicles the last century of Greenwood’s history. Part 1 recounts the district’s beginnings circa 1901, when a segregated slice of oil-rich Tulsa became a destination for Black Americans looking for a future that the Jim Crow South would not deliver. But hope dimmed after the widespread race riots of 1919’s “Red Summer.” Black soldiers returning from World War I, where racism in the military meant menial assignments and segregated units, found that their service also failed to earn them equality at home. Yet Greenwood prospered, with movie theaters, dance halls, restaurants, hotels and a newspaper with a distinctly Black voice.

Luckerson fills every page with humanity distilled from his prodigious research. For example, there’s Dick Rowland, a young Black worker who got caught in a malfunctioning elevator with a white girl on May 30, 1921, the day before the massacre. She screamed, and he was almost lynched. Loula Williams, a successful Black entrepreneur, escaped the mob the night of May 31 but lost almost everything she had built—and later lost her mind. Prominent community member J.H. Goodwin diverted white terrorists from his home possibly because he passed for white.

During the night, Greenwood’s thriving businesses were reduced to smoking rubble. White rioters, including many citizens who were spontaneously deputized as policemen, stormed into the area and dragged people from their homes, shot them in the street and burned everything in their path. Planes even dropped explosives as they flew low over fleeing families. Luckerson holds nothing back in this description of hell, so terrifying that for years, survivors kept silent and such lurid history went untaught. But this, as Luckerson makes clear, was only the beginning.

Part II follows Greenwood’s survivors as they began the daunting task of salvaging, rebuilding and fighting back. Their descendants reclaimed the city’s entrepreneurial spirit while becoming civil rights activists and adamant reformers. Part III brings Greenwood into the still-turbulent present, as Goodwin’s great-granddaughter Regina, a Democratic state representative, pursues a relentless legislative quest for justice. As the search for the massacre’s mass graves continues, recovery from the gentrifying urban-renewal wrecking ball of the 1970s makes progress and demands for reparations intensify, Luckerson’s point is clear: Greenwood is alive again.

Victor Luckerson’s Built From the Fire documents what happened following the Tulsa Race Massacre of 1921, centering the survivors who persevered and rebuilt.

“On December 5, 1955, a young Black man became one of America’s founding fathers. He was twenty-six years old and knew that the role he was taking carried a potential death penalty.” With these riveting opening sentences, journalist and author Jonathan Eig pulls readers into King: A Life, his vibrantly written biography of Civil Rights leader Martin Luther King Jr. This monumental book takes King down from his pedestal, revealing his flaws, needs, dreams, hopes and weariness.

King: A Life draws on recently released FBI documents, as well as other new materials, including audiotapes recorded by Coretta Scott King in the months after her husband’s death, an unpublished memoir by King’s father and unaired television footage. In cinematic fashion, Eig follows King from his childhood through his seminary and graduate school days, his marriage and his steady insistence on the reformation of a society broken by racism. As Eig points out, King developed a rhetorical style and shaped a new moral vision when he spoke to the crowd gathered at Holt Street Baptist Church to rally in support of the bus boycott in Montgomery, Alabama, in 1955. “On this night, King found a new voice,” he writes. “He discovered or sensed that his purpose was not to instruct or educate; his purpose was to prophesize. With a booming voice and strident words, he marked the path for himself and for a movement.”

Following the passage of the Civil Rights Act of 1964 and the Voting Rights Act of 1965, King felt that the work he had begun in Montgomery was validated, but he recognized that the movement would be incomplete if it remained confined to the South. King desired to “root out racism” all over America, Eig writes, in all its “hidden and subtle and covert disguises.” He also began to turn his attention to issues beyond civil rights for Black Americans, focusing on poverty and the war in Vietnam. By the time he arrived in Memphis, Tennessee, in 1968 to support the sanitation workers’ strike, King was exhausted, wondering whether the “arc of justice would not bend toward freedom.” In spite of his fatigue and the lack of broader racial reform in the U.S., King refused to give up hope. On the last day of his life, he thundered in his “Promised Land” speech, “I may not get there with you. But . . . we, as a people, will get to the Promised Land!”

Eig candidly asserts that “in hallowing King we have hollowed him.” King: A Life makes him a real human being again, one who had affairs, smoked and drank, got angry and even plagiarized. But Eig encourages readers to “embrace the complicated King, the flawed King, the human King, the radical King” if we are to achieve the kind of change King himself preached in America.

Jonathan Eig’s monumental biography takes Martin Luther King Jr. down from his pedestal, revealing his flaws, needs, dreams, hopes and weariness.
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John Randolph, a wealthy enslaver from Virginia, member of Congress for almost 30 years, strong defender of states’ rights and prominent public speaker, died in 1833. In the will that he created in 1821, he stipulated the freeing of every enslaved person on his plantation, which would amount to one of the largest manumissions in American history: 383 people. Before this could happen, however, the court system had to deal with the legality of a will Randolph created in 1832 that did not grant those people freedom. To determine the legality of the latter will, the courts had to consider Randolph’s mental state—whether he was “mad” or sane when he prepared it. Meanwhile, the enslaved people whose freedom was on the line waited anxiously for 13 years for a final decision. When that moment finally came, their resettlement and “freedom” in Ohio turned to disappointment and tragedy. Historian and lawyer Gregory May brilliantly captures these extraordinary events with his compelling, meticulously documented and beautifully written A Madman’s Will: John Randolph, Four Hundred Slaves, and the Mirage of Freedom.

Randolph was not only “a political celebrity, but a colorful character of the first order,” May writes—someone who “always craved public attention” and who, over the course of his political career, both defended and denounced slavery. Two of his early wills, prepared in 1819 and 1821, “freed all of Randolph’s slaves and provided funds to resettle them outside Virginia,” May writes. However, Randolph’s final will did not offer anyone freedom but instead indicated that most of the people enslaved on his plantation would be sold.

May includes a fascinating look at the legal and medical framework the courts used to examine Randolph’s sanity after his death. There were many stories about his “peculiarities,” including “fluctuations between excitement and dejection, enthusiasm and gloom,” especially during the last 10 years of his life. A Madman’s Will also includes other interesting descriptions of testimony, scandal and greed, including entertaining depictions of disappointed relatives who had hoped to be heirs.

In the end, May writes, neither Randolph nor the people he enslaved “could escape the underlying pull of prevailing white assumptions about race and social order.” Many white people could not comprehend the plight of people who were enslaved and were indifferent about their predicament. And so when those 383 formerly enslaved Black people arrived in Mercer County in the “free” state of Ohio, they were met by a white mob—and white residents’ violent objections to their settlement continued from there.

May’s account shows that “freedom” of any kind was virtually impossible for Black people in the United States in the early 1800s, no matter how carefully planned. This important book should be of interest to a wide range of readers interested in American history.

In the compelling and beautifully written A Madman’s Will, Gregory May captures the story of 383 enslaved people who waited 13 years to find out whether or not they were free.

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Recent Features

Eight excellent nonfiction books tell true stories of Black persistence and progress.
STARRED REVIEW
June 26, 2023

The best World War II novels so far in 2023

Outside of the Regency, perhaps no other era in world history has a stronger pull in fiction than World War II. These are our favorite WWII-era novels so far in 2023.
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Book jacket image for The Great Reclamation by Rachel Heng

The Great Reclamation

The prose in Rachel Heng’s second novel is alive. Each character is rich with complexity and depth, each snapshot brimming with imagery.

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Book jacket image for Kunstlers in Paradise by Cathleen Schine

Kunstlers in Paradise

Few authors could pull off what Cathleen Schine does in Kϋnstlers in Paradise: creating a seamless, multilayered saga about family dynamics and relationships, immigration, the …

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Book jacket image for The Bullet Garden by Stephen Hunter

The Bullet Garden

Military strategy buffs will especially love The Bullet Garden, but there’s something for everyone in Stephen Hunter’s World War II-set adventure.

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Recent Features

Outside of the Regency, perhaps no other era in world history has a stronger pull in fiction than World War II. These are our favorite WWII-era novels so far in 2023.
The Fraud book cover

The Fraud by Zadie Smith

Penguin Press | September 5

We haven’t had a novel from Zadie Smith since her 2016 bestseller, Swing Time, which was long-listed for the Booker Prize. In the interim, she’s been busy with plays and arguably the only good COVID-19-related literature to be published during the pandemic’s first year, Intimations. With The Fraud, Smith takes us to 1873 for the story of a Scottish housekeeper, a formerly enslaved man from Jamaica and the ways their lives intersect via the real-life “Tichborne Trial,” in which an Australian butcher claims he’s the heir of a sizable estate.


The Vaster Wilds by Lauren Groff

Riverhead | September 12

Calling all admirers of moss, devotees of fungus and fans of wilderness fiction: The next novel from Lauren Groff (Fates and Furies, Matrix) is a Colonial-era adventure story following a girl who leaves behind her village in Jamestown, Virginia, to live in the woods. Groff is a three-time finalist for the National Book Award, so all we’re saying is, it’s about time she won it.


Land of Milk and Honey book cover

Land of Milk and Honey by C Pam Zhang

Riverhead | September 26

The strength of the reimagined Westerns trend can, in part, be attributed to the originality and unforgettable voice of C Pam Zhang’s first novel, How Much of These Hills Is Gold. With her second novel, Zhang dips into another popular arena: the realm of climate change fiction and “eat the rich” narratives. Land of Milk and Honey is the story of a young chef living in a world where food is rapidly disappearing whose life changes dramatically when she takes a job atop an elite mountaintop colony. We’d love a place at Zhang’s table, please.


The Unsettled by Ayana Mathis

Knopf | September 26

Ayana Mathis kicked in the door with her bestselling first novel, The Twelve Tribes of Hattie (2012), which earned her comparisons to Toni Morrison. We’re finally getting her follow-up, a multigenerational family saga that’s divided between small-town Alabama and Philadelphia caught amid racial turmoil. Bonds between mothers and daughters are at the heart of The Unsettled, but part of the story is inspired by real history involving a group that split off from the Black Panthers and the 1985 bombing of Philadelphia’s Cobbs Creek neighborhood.


Let Us Descend book cover

Let Us Descend by Jesmyn Ward

Scribner | October 24

Jesmyn Ward is a two-time National Book Award winner, the youngest winner of the Library of Congress Prize for Fiction and a MacArthur Fellow, but before now, she’s never published a work of historical fiction. Let Us Descend draws on Dante’s Inferno for the story of an enslaved teenage girl who, after being sold by her white father, journeys from a rice plantation in the Carolinas to a New Orleans slave market and finally to a Louisiana sugar plantation. It also opens with an absolute knockout of a first line: “The first weapon I ever held was my mother’s hand.”


The Maniac by Benjamín Labatut

Penguin Press | October 3

Chilean author Benjamín Labatut’s novel When We Cease to Understand the World was a Booker Prize and National Book Award finalist. With The Maniac, the first book that Labatut has written in English, he continues to explore questions of genius, physics and mathematics through the tale of real-life Hungarian American polymath John von Neumann, inventor of game theory and the first programmable computer. A chorus of friends, family and rivals traces von Neumann’s story and how he paved the way for AI.


Blackouts book cover

Blackouts by Justin Torres

FSG | October 10

Twelve years after his bestselling debut, We the Animals (which was adapted for film in 2018), Justin Torres is back with a second novel, in which a young man cares for an important figure who, from their deathbed, has much to share. Torres was inspired by the musical Kiss of the Spider Woman, the first all-Black production of Macbeth (known as “Voodoo Macbeth”), the film Pedro Páramo and the 20th-century book Sex Variants: A Study in Homosexual Patterns, the latter of which factors into the novel in a major way.


America Fantastica by Tim O’Brien

Mariner | October 24

The author of The Things They Carried (a finalist for the Pulitzer Prize) hasn’t published a new novel in 20 years, though he’s dabbled in nonfiction in the interim. Tim O’Brien’s grand return to fiction sounds like a classic dark-descent road trip novel, with a disgraced journalist’s bank robbery leading to a cross-country saga that explores an American landscape amid the Trump administration of 2019.


The Future book cover

The Future by Naomi Alderman

Simon & Schuster | November 7

Naomi Alderman’s speculative 2017 novel, The Power, was a bestseller, won the Baileys Women’s Prize for Fiction and was adapted for an Amazon Prime original series. With that novel, Alderman imagined a sudden female superpower that could reverse the patriarchal world order, and with The Future, she envisions another tale of radical disruption. This time, a group of friends conspire to take down the tech billionaires who are destroying our world.


The Liberators by E.J. Koh

Tin House | November 7

E.J. Koh is a poet, memoirist (her debut, The Magical Language of Others, won the Washington State Book Award), MacDowell Fellow and a writer on the Apple TV+ adaptation of Pachinko. This fall, she publishes her first novel, an epic saga that moves among two families, four generations and two continents. Newlyweds Insuk and Sungho leave South Korea for a new home in San Jose, California, along with their son, Henry, and Sungho’s mother-in-law. Their dramatic experiences unfold alongside flashbacks to key moments in recent South Korean history, from the 1980 Gwangju Uprising to the 2014 Sewol ferry disaster, and eventually, all of their lives are changed when Henry falls in love with a North Korean defector.


Discover all of BookPage’s most anticipated books of fall 2023.


We may say some version of this every year, but we promise: This fall’s lineup really is one of the most exciting we’ve seen in a while. These are the 10 works of fiction we’re most dying to read this season.