Sharon Kozy

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I remember feeling annoyed at the end of The Subtle Knife, Book Two in the multi-award winning His Dark Materials trilogy, that it would probably be several years before the concluding volume was published and I'd find out how Lyra Belacqua—a.k.a. Lyra Silvertongue—fared as the second Eve. Three years later, Book Three, The Amber Spyglass, is finally here and will pull its readers back into Lyra and Will's worlds of daemons, Dust, and deception just as if they stumbled through one of those magic windows cut by the subtle knife.

Book Three begins with the beautiful, but deceiving Mrs. Coulter hiding her daughter Lyra in a cave in the Himalayas. The Holy Church is looking for them. Also on their trail are Lyra's father, Lord Asriel, and his army which is preparing to wage war on the Holy Church and the established order. Determined to find her first, however, is Lyra's dear friend Will with whom she journeyed in The Subtle Knife. Lyra has been prophesied to be the next Eve, and her choices will determine if man returns to the Garden of Eden or stays in the world of free will. Although she has overheard talk of the peculiar role she has been destined to play, Lyra is more interested in seeking forgiveness from her friend Roger than in the larger, adult conflicts. As the search for Lyra intensifies, each side is aided by a multitude of angels, witches, and other characters from the previous two novels, including Iorek Brynison, the King of the Armored Bears.

Easily the best and most exciting book in the trilogy, The Amber Spyglass will keep its readers enthralled until the last page and should bring many more awards to its author Philip Pullman. As any good conclusion should, it ties up all the loose ends and leaves its readers satisfied from having embarked on Lyra's coming-of-age journey in the first place.

 

I remember feeling annoyed at the end of The Subtle Knife, Book Two in the multi-award winning His Dark Materials trilogy, that it would probably be several years before the concluding volume was published and I'd find out how Lyra Belacqua—a.k.a. Lyra Silvertongue—fared as the second Eve. Three years later, Book Three, The Amber Spyglass, […]
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While in Nashville promoting his current book, Reaching to Heaven: A Spiritual Journey Through Life and Death, James Van Praagh visited with BookPage. Highlights of the conversation follow.

James Van Praagh: When you write about esoteric things, it can be way out there. I wanted to give this information to people so they can understand it regardless of their background.

BookPage: You demystify it. It’s not as if you have the key and no one else does.

JVP: That’s right, everyone has it. I wrote this book to help people access that greater part of themselves and to have the courage to be who they really are. Everyone can experience loving himself and opening up to awareness. Fear holds us back. Fear or love. That’s all there is. We make all our decisions based on these two things. And 90 percent of the people in the world make their decisions based on fear. When you open up to awareness, it frees up your whole life. Once you realize you’re a spiritual being, you see life so differently. You respect things. You’re more responsible to yourself and others.

BP: You’ve worked so hard to develop your skill as a medium.

JVP: Thank you. God Bless you. Not many people realize this. I spent 20 years of sitting in dark rooms every Tuesday night developing this ability. I wasn’t an overnight success. Spirit planned the whole thing, but I also worked for it. I never wanted to be an author or thought I could be. I had been doing private readings for ten years when my guides said, "We want you to reach more people." Then I said "How?" They said, "You’re going to write a book." And I said, "Oh, yeah sure, I’m going to write a book. No way." But I did an outline. And I got pushed by my development circle. Other people in the circle began receiving messages from my guide, Dr. Harry, he’s an Englishman, who’d say "You have to finish this book. It’s important to the world." So I finally said okay and did two chapters and then kept going.

BP: I was most intrigued by the chapter in which you spoke of the higher realms of heaven.

JVP: As we were talking about earlier, we limit ourselves so much. And, we limit heaven too. We think it’s a place where angels just play harps. And hell has to be fire and brimstone. But that’s very untrue. That’s man’s interpretation of what the spirit world is. But the spirits talk of many levels. It’s not a physical level where you go up the steps to get to the next one. It’s consciousness and how evolved spiritually you are.

BP: I also liked your chapter on children.

JVP: Thank you. It’s very important to instill values in children. We unfortunately are conditioned at a very young age, "You have to do this to be loved." That’s why I put in the children. You have to open them up early, encourage them, and listen to them. I want to write a book about teaching children about death and dying. It will be a book that parents and children can read together. I want to teach parents how they can help their kids with death, grief, and losing things, the journey of life.

BP: With your busy schedule, do you still have time to read?

JVP: Yes, I do read, but not as much as I’d like to. I take five books at once and just scan through them. I do like a good mystery. I’m reading Edgar Allan Poe now. I also like autobiographies. I love people, studying people. That’s the Scorpio part of me. We are natural detectives; we like to find things out.

 

While in Nashville promoting his current book, Reaching to Heaven: A Spiritual Journey Through Life and Death, James Van Praagh visited with BookPage. Highlights of the conversation follow. James Van Praagh: When you write about esoteric things, it can be way out there. I wanted to give this information to people so they can understand […]
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"I’m not a best-selling author, only a human being with a best-selling story," says Monty Roberts, whose 1997 autobiography The Man Who Listens to Horses has sold over three million copies worldwide and has been translated into 13 languages. His second book, Shy Boy: The Horse That Came in from the Wild, chronicles his experience of using his join-up techniques with a mustang out in the open desert, and how that horse, later named Shy Boy, adjusted to a domesticated life.

Roberts spoke to BookPage recently and compared the experience of writing his first book to digging ditches.

"It was hard work doing an autobiography. There’s so much pressure on you to remember from so far back. But when you’re telling a current story like the one I did in Shy Boy, it’s fun. It started out to be a coffee table book. But the publishers wanted more."

Shy Boy tells its story through a combination of Roberts’s words and Christopher Dydyk’s photographs. Dydyk began to take pictures at Roberts’s farm while he was in college.

"We took him in at the farm and gave him the run of the place to take pictures. Immediately, I thought that I recognized an enormous talent within him. Around that time, my publisher started sending teams of extremely high priced, famous photographers to do the jacket for my first book. I didn’t think they were doing a good job at all and said, ‘I’ve got a kid out here who isn’t even out of college yet, and I think he can do a better job.’ They said, ‘We’re a worldwide publishing company, and we don’t mess with college kids.’ And I said, ‘What can it hurt if he goes with me for a day around the farm. We’ll take some pictures, send them through to you, and you can just throw them in the waste basket.’ And the first picture we sent them is the cover of the first book."

Roberts began working on his first book at the suggestion of Queen Elizabeth. She first invited him to England to demonstrate his techniques in 1989, and has since had all of her horses trained using his concepts. Roberts’s method of starting an untrained horse, join-up, achieves its goal through a series of silent body language motions that he has termed "Equus." Roberts learned this form of nonverbal communication by studying horses in the desert as a teenager.

The success of his book was a great surprise to him because he was told by his initial publishing contacts in Great Britain that it would probably sell only a few thousand copies.

Shy Boy grew out of another British partnership. In a 1996 meeting with BBC executives, Roberts expressed his desire to relive his teenage experience of achieving join-up with a mustang in the wild. After months of deliberation, the BBC agreed in January, 1997 to make a documentary of the project, and Roberts began working out the logistics. Luck was on his side, and Roberts was able to acquire Shy Boy quickly through a Bureau of Land Management adoption. Shy Boy was then transported to a Cuyama Valley ranch that was comparable to his natural habitat and left to roam with a free-ranging herd.

Roberts was anxious to begin filming before the rattlesnakes woke up from their annual hibernation and scheduled the adventure to occur during Easter week in 1997. The resulting documentary, " A Real Horsewhisperer," has been shown with great success on PBS television. In Shy Boy, Roberts follows the documentary’s and the mustang’s progress during the following year. Although Shy Boy eventually thrived in the care of humans, initially Roberts was nagged by the possibility that the horse might have preferred to be left alone with his free-ranging herd. To answer this question, Roberts returned to the Cuyama Valley ranch and let Shy Boy decide whether to return to the wild or stay with the people who had been taking care of him.

Roberts has been touring the U.S. and abroad, demonstrating his techniques, for many years now. While Shy Boy and his fellow mustangs are among his favorites, he says that he remains eager to keep working with all kinds of horses and is still learning from them.

"I’ve done over 10,700 horses now. I think it’s more thrilling today than it was 50 years ago. Maybe I’m easy to please. The hair stands up on the back of my neck with every single horse that I do who comes and communicates with me."

Although Roberts’s specialty is horses, he is able to appeal to a wide audience because his underlying message emphasizes communication rather than coercion and brutality. He is on a mission to bring his concepts to as many people as possible and to promote their application in human relationships.

"Horses don’t need us to work on them. They’ve already got it figured out. It’s people that you need to work on. We’re the ones that are messing horses up. And if we can change our mentality so that we come to the conclusion that violence isn’t the answer, then we’re going to make the world better."

At his demonstrations Roberts makes himself quite approachable, and his policy is to stay until every book is signed. One of his most moving encounters occurred in Tennessee when a huge, weather-beaten cowboy, the real thing according to Roberts, came to his autograph line. "This cowboy said, ‘I don’t have a book, I just have this little piece of paper.’ And he literally gave me a piece of paper that was about the size of four postage stamps. He just wanted my name on it, and he wanted to shake my hand." This man did buy Roberts’s book and came back the following night accompanied by his four young redheaded daughters. That night he told Roberts that he would never treat horses the same again and that the book had convinced him to change his brutal ways towards his daughters and his wife. After the demonstration, Roberts helped the man get in touch with a local agency to help him alter his violent habits.

"Every single night now some little kid or somebody will come up to me and say, ‘You know I don’t have a book, I really don’t have the money to buy one. I just have this little piece of paper. Will you sign it?’ And I say, ‘You bet, give me that piece of paper, I’ll sign it.’ And there will not be anyone who comes to me with a little scrap that I won’t remember that cowboy and how important he’s been in my life. I have never seen him since that evening, but if I can help change what’s happening to someone that dramatically, that’s what I want to do."

Roberts is currently on tour demonstrating his join-up method, and his web site (www.montyroberts.com) lists his upcoming schedule. In addition to putting on a great show, Roberts donates a significant amount of the proceeds from each exhibition to a local horse-related organization.

"I’m not a best-selling author, only a human being with a best-selling story," says Monty Roberts, whose 1997 autobiography The Man Who Listens to Horses has sold over three million copies worldwide and has been translated into 13 languages. His second book, Shy Boy: The Horse That Came in from the Wild, chronicles his experience […]
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Stephen W. Hines has unearthed a trilogy of short stories by Louisa May Alcott in anticipation of the upcoming Christmas season.

Hines has previously published several very successful volumes of Laura Ingalls Wilder’s writings, most notably Little House in the Ozarks: The Rediscovered Writings, and spoke recently with BookPage about his current project and Miss Alcott.

How did you find these stories?
Sometimes I’ll go through reference books and look for things that I think have some sort of contemporary reason for being renewed or being brought back to the public’s attention. Other times I will go with a definite plan of finding a particular piece that has intrigued me through some reference book. And sometimes I just go to a publication that I think might have something in it and leaf through it page by page and hope for serendipity to occur. It’s time-consuming, but it can be an enormous amount of fun. That’s what happened with The Quiet Little Woman. I was at the Ben West Public Library in Nashville leafing through a 1920 copy of St. Nicholas magazine, and I came across it and its background story. Miss Alcott wrote the story for the Lukens girls, five sisters who greatly admired her work and fashioned a publication, Little Things, after the March girls’ Pickwick Portfolio in Little Women. Similar to many of Miss Alcott’s other works, The Quiet Little Woman, which was originally titled Patty’s Place, is a fairly realistic story in the sense that the person is not transformed into a fairy princess or anything like that. The lead character, Patty, remains pretty much a poor person who ends up not discovering the rich family of which she daydreams. She does learn to accept her lot and her position.

Did you find the other two stories in this volume, “Tilly’s Christmas” and “Rosa’s Tale,” the same way?
Those were not found in St. Nicholas magazine. Once I became aware of how much Miss Alcott had written, I looked to see what else she had done in the way of other Christmas stories.

Will you speak about Miss Alcott’s writing career?
Miss Alcott did write rapidly, and for about 20 years, after she started writing as a professional to support herself and her family, she wrote very industriously. She could do as many as 30 pages a day with a quill pen, inkwell, and blotter. Some of her thriller types of books that she did under a pen name were completed in a month’s time. Miss Alcott did have a fairly hard time getting established at first in her writing career, but she had some early successes too. I mean compared to what a lot of writers today go through, she may have almost been said to have some fairly early encouragement. I think she published some early poetry. Although they didn’t bring much money, she did have some success with them, and her family was very supportive of her writing. She did have a lot of rejections, too. Her earlier books, Moods and Hospital Sketches, were nothing remarkable and didn’t excite public attention. She eventually did develop a relationship with the Boston publishers and was known as a dependable writer. She probably had maybe as much as eight to ten years’ worth of writing years before she became an overnight success with Little Women. I recently went through a volume of Miss Alcott’s letters and noticed a couple where she wrote about Little Women before it had actually been published. She didn’t really hold out a lot of optimism that it would be a success. She wrote one person and said that this sort of thing doesn’t sell. It turns out she was wildly inaccurate about her own book.

So Little Women was really a revolutionary sort of book?
Little Women displays many of the same qualities that one sees in The Quiet Little Woman. It’s fairly realistic, in the sense that the family has trouble and one of the characters dies. Now that wouldn’t have been necessarily unusual in those days, but it’s not done in any melodramatic way, as many of these kind of things were. The girls are allowed to be individuals and to show some rebelliousness. Jo is shown as being a person who is very independent and tomboyish, and that would not be typical. One of the reasons it caught on was because it was really different; it showed a much more realistic picture of children and yet it still was a very moral kind of book. Of course it came out in two parts originally, the second a year after the first. Part two deals with the sisters coupling up and getting married. Originally, Miss Alcott had wanted to resist the temptation to have Jo married off, but there was a lot of clamor for it so she married her off to a German professor instead of to Laurie to show her independent spirit. I suppose that many people would look at Miss Alcott today and regard her as old-fashioned, but the truth of the matter is she was very progressive for her time. She was a big supporter of women getting the vote, and she felt, as she wrote to the Lukens girls, that women had a right to do whatever they showed they could do. She showed through her writing that a woman could be a professional writer, and very successful one. Once Little Women came out, it continued to sell very well through the rest of her life. One of her royalty checks came in for $8,500.

What was your hope in publishing these stories?
My literary prospecting involves making a judgement as to whether something is of interest and worth bringing back. There is always a desire each Christmas to have a special story that catches on with the public. The Quiet Little Woman is a wonderful story for the Christmas season although it has lain unnoticed for many years now. It says in a lot of ways and more succinctly what William Bennett has been trying to convey about virtue in volumes of over 400 pages. Miss Alcott really lived out her philosophy of Ôvirtue has its own rewards.’ It doesn’t mean you necessarily marry a handsome prince in the end, but what you do does build your character. It’s a book coming at the right time for those wondering about how to infiltrate values onto our children, and I think it has a wonderful teaching to offer everyone.

Stephen W. Hines has unearthed a trilogy of short stories by Louisa May Alcott in anticipation of the upcoming Christmas season. Hines has previously published several very successful volumes of Laura Ingalls Wilder’s writings, most notably Little House in the Ozarks: The Rediscovered Writings, and spoke recently with BookPage about his current project and Miss […]
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Low-carbohydrate or low-fat, butter or margarine, fresh or processed, organic or conventional? With so much conflicting advice about nutrition, Andrew Weil, M.D., comes to the aid of confused consumers in his latest book, Eating Well for Optimum Health: The Essential Guide to Food, Diet, and Nutrition. Two of Weil’s previous books, Spontaneous Healing and 8 Weeks to Optimum Health, gained wide public attention and helped establish him as an authority on health-related issues. Refreshed from escorting his mother to Antarctica for her 89th birthday, Weil recently spoke to BookPage. Highlights of the conversation follow.

BookPage: What prompted you to start writing your books?
Andrew Weil: Over the years I had really built up a lot of ideas about the nature of healing and its relationship to treatment. It seemed to me that these ideas were new to most patients and doctors. I thought that it could be very helpful for people to learn the concept that the body has an innate ability to heal itself.

BP: In preparation for your books, with whom did you study?
AW: I’ve studied all over the world with many different kinds of practitioners. I’ve worked with an osteopathic physician, energy healers, naturopaths, Chinese medical doctors, and shamans of different cultures. I’ve also been practicing as a physician doing natural and preventive medicine for many years.

BP: Your books have been so successful. How has that changed your life?
AW: All the celebrity stuff has really turned my life upside down. The good side is that it’s made it possible for me to get the ear of the medical establishment. My main work is to try to change the way we educate doctors, and that is the work I’ve been doing at the University of Arizona. It is very important to realize that most doctors are uneducated about nutrition. I’m actively involved in trying to develop new models of medical education. I think that the success of the books with the general public has made it easier for me to do that.

BP: There are so many doctors who are publishing books that it’s almost overwhelming. What advice do you give to consumers who wonder which method is the right one?
AW: I think you have to develop a good instinct for good information and reliable sources. I try very hard in all the books I write, and in my newsletters and website, to put out the best information I can that’s consistent with what we know scientifically. I think a lot of people like my work because it guides them in the right direction.

BP: I’ve heard that our food supply is suffering because of our conventional production methods. Lately I’ve heard much about the bad effects from how our livestock are treated and the antibiotics they are given.
AW: I think that’s true. In the new book, I do talk about how the fat of chicken, beef, and pork is now very different from what it was in the days when animals grazed in the wild. It’s probably much less healthy for us, and that’s apart from the whole issue of concentration of toxins and antibiotics. I think if you’re going to eat animal foods, you want to try as much as possible to get those that are from free range, organically produced animals.

BP: Another thing I’ve heard is that one should eat canned vegetables instead of fresh ones because of the pesticides on the produce.
AW: I don’t agree with that at all. I think it’s worth trying to get fresh, organic produce wherever you can, and it is getting cheaper and more available. In my book, I also mention the study that was done in Texas last year that showed that simple washing of fruits and vegetables in warm water and a little dishwasher soap will remove a huge percentage of pesticides. Peeling helps too.

BP: In your latest book, you discuss how our culture has an idea of thinness that just may be unobtainable for most people.
AW: I think that people will really respond to this. I think that our obsession with thinness has warped our medical knowledge. If people are heavier than the charts say they should be, I think the most important thing that they can do is to keep themselves fit. If people exercise and have a healthy lifestyle, I think they’re just fine. The problem is to learn to like oneself that way.

BP: If you wanted to sum up your latest book, what would you say?
AW: That how you eat has a very important influence on how you feel and on your health and longevity. It’s really worth informing yourself about what the principles of healthy eating are. This is one of the big variables over which each person has a lot of control.

Low-carbohydrate or low-fat, butter or margarine, fresh or processed, organic or conventional? With so much conflicting advice about nutrition, Andrew Weil, M.D., comes to the aid of confused consumers in his latest book, Eating Well for Optimum Health: The Essential Guide to Food, Diet, and Nutrition. Two of Weil’s previous books, Spontaneous Healing and 8 […]

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